Manuscript on paper containing 1) Ps.-Augustinus Hipponensis (Pseudo-Augustine), Manuale (preface and chapters 1-24). 2) Pseudo-Augustine, Soliloquia animae ad Deum, large final part of chapter 2. 3) Arnulphus de Boeriis (ca. 1200 (?), Ps.-Bernardus Claraevallensis), Speculum monachorum. 4) Ps.-Bernardus Claraevallensis, Sermo de vita et passione Domini. 5) Vita S. Iohannis Calybitae or Vita S. Iohannis monachi. 6) Flores ex operibus S. Bernardi de dignitate et excellentia beatae virginis Mariae. 7) Bernardus Claraevallensis (Bernard of Clairvaux, 1090-1153), Epistola 111, written in the name of the monk Elias to the latter's parents. 8) Ps.-Bernardus Claraevallensis, Contemplationes de passione Domini secundum septem horas canonicas. 9) Ps.-Bernardus Claraevallensis, Formula honestae vitae. 10) Ps.-Bernardus Claraevallensis, Octo puncta perfectionis assequendae. 11) Ps.-Bernardus Claraevallensis, Varia et brevia documenta pie seu religiose vivendi. 12) Bonaventura OFM (1221-1274), Regula novitiorum, 3. 13) Bonaventura, Regula novitiorum, 4.1-3. 14) Matthaeus de Cracovia (c. 1335-1410; Ps.-Thomas de Aquino, Ps.-Bonaventura; here ascribed to Iohannes de Capistrano OFM, 1386-1456), De modo confitendi et de puritate conscientiae (Speculum munditiae). 15) F. Carboni, Incipitario della lirica italiana dei secoli XIII e XIV, v. 1, Studi e Testi, v. 277 (Vatican City, 1977), 863. 16) Carboni 212. 17) Carboni 96. 18) Religious poems in Venetian dialect. 19) Lamentatio Virginis Mariae ad Crucem, attributed to Philippus de Grevia (Philippus Cancellarius, Philippe de Grève, d. 1236). 20) Zeno Veronensis (d. before 380), Tractatus, 1.1.7.20-21. 21) Moral sentences and quotations by or ascribed to St. Bernard of Clairvaux. 22) Ps.-Bernardus Claraevallensis, Sermo 12.
Description:
Binding: the two covers and the spine are covered with a fragment from a large Italian choirbook in Southern Gothica Textualis Formata; parts of two 4-line red staves with notation in Nota Quadrata and two lines of text are preserved., Red headings and paragraph marks. 2-line red and blue plain initials, with guide letters., Script: Copied by two similar hands: A, writing a rapid Southern Gothica Textualis Libraria, copied ff. 2r-56v and 69r-104v; B, writing a more formal version of the same script, under slight Humanistic influence, copied ff. 57r-68v. The Latin of both scribes is very defective., and Second preliminary leaf included in foliation.
Subject (Name):
Mary, Blessed Virgin, Saint--Devotion to
Subject (Topic):
Asceticism, Christian hagiography, Christian poetry, Italian, Devotional literature, Latin (Medieval and modern), Manuscripts, Medieval--Connecticut--New Haven, and Manuscripts, Medieval--Italy--15th century
Manuscript on parchment (calfskin) of 1) Petrus de Alliaco (Pierre d'Ailly, 1350-1420), Meditationes super septem Psalmos paenitentiales. 2) Table of Contents. 3) Lotharius Count of Segni (1160-1216, 1198-1216 pope as Innocentius III), De miseria humanae conditionis. 4) Ps.-Bernardus Claraevallensis (Pseudo-Bernard of Clairvaux), De interiori homine (Meditationes). 5) Iacobus de Gruytrode (c. 1400-1475), Speculum aureum animae peccatricis, also attributed to Iacobus de Iuterbog (1381-1465), Dionysius Carthusianus (Dionysius de Ryckel, 1402/1403-1471) and Gerardus de Schiedam (d. 1442).
Description:
Script: Copied by one hand in small Gothica Hybrida Formata (Bastarda), with a tendency towards lengthening and making loops to the ascenders on the top line.
Manuscript on paper of 1) Proverbs. 2) Ecclesiastes. 3) Canticles. 4) Wisdom of Solomon. 5) Wisdom of Jesus the son of Sirach. 6) Laurentius Valla (Lorenzo della Valle, 1407-1457), Encomium sancti Thomae Aquinatis. Oration pronounced 8 March 1457. 7) Gaspar Veronensis (Gaspare da Verona, c. 1400-1474), Oration held in the church of St. Eustachius, see of the Studio Romano, in October 1459 or 1469, dealing with rhetoric, Latin literature and the various sciences. 8) Gaspar Veronensis (Gaspare da Verona), Rhetorical models consisting of the opening sections of nine orations.
Description:
Binding: Contemporary binding without leather covers or spine: bevelled beach boards (too small for the codex), worm-eaten, sewn onto three double leather thongs; remains of one clasp attached to the front board, with brass catch on the rear board. Front endleaves: large fragment of a Latin document on parchment that mentions church officials, written in Gothica Cursiva Libraria, dated 1431-1443. The rear endleaves are a fragment of a pattern sheet on parchment, probably from the papal chancery, containing short and longer quotations from papal bulls and other documents, some of doubtful authenticity, in various types of calligraphic script., ff. 66-69 blank and uncut., Script: Copied by two hands, both writing a very small Humanistica Cursiva Libraria: A (ff. 1r-65r) and B (ff. 70r-78v)., and There is little consistency in the decoration. Headings, partly in Capitalis, in red or black (often missing). Opening words or lines in Capitalis. On f. 22v-26r the majuscules are stroked in red; plain red initials somewhat imitating Romanesque models ff. 22v-25r. All other initials (2-3 lines) have guide letters in the margin but were not executed. Curious pointing hands with sleeves in the margins of the Biblical texts.
Subject (Name):
Gaspare,--da Verona,--ca. 1400-1474 and Valla, Lorenzo,--1407-1457
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Rhetoric, Ancient, Speeches, addresses, etc., Latin (Medieval and modern), and Wisdom literature
Manuscript on parchment of Diodorus Siculus, Bibliotheca Historica, Books I (parts 1 and 2)-II, in an unidentified and freely adapted Italian translation (e.g., the opening portion of Book II is greatly abbreviated).
Description:
Binding: Fifteenth century, Italy. Sewn on four tawed skin, slit straps nailed in channels on the outside of wooden boards. Yellow edges. Pink, green and cream endbands sewn on five cores. Covered in dark red goatskin with corner tongues, blind-tooled with a central ornament in a panel bordered with rope interlace in concentric frames. Two fastenings, leaf-shaped catches on the lower board and the upper board cut in for the clasp straps. Rebacked twice., Purchased from L. C. Witten in 1955 by Thomas E. Marston., Script: Written in an elegant, upright mercantesca script by a single scribe, below top line., and Spaces for headings and decorative initials remain unfilled. Initial on f. 1r later addition.
Subject (Geographic):
Egypt--History--To 640 A.D
Subject (Name):
Diodorus,--Siculus
Subject (Topic):
History, Ancient, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Collection of eleven documents on parchment with wax seals on parchment ribbon, relating to the monastery of Amorbach; Heinrich, abbot of Amorbach and villages in the surrounding area.
Manuscript on parchment containing 1) Bonaventura OFM (1221-1274), Breviloquium. 2) Bonaventura, Lignum vitae. 3) Four short texts, the last one by a different hand.
Description:
Binding: Contemporary parchment. On the flat spine and partly on the covers, a label with the handwritten 18th century inscription "Ancien / Manuscrit / sur **** / pr**** / Lo*****.", Headings, paragraph marks and heightening of the majuscules in red. Numerous 2-line (rarely 3-line) flourished initials in red with black penwork; in art. 4 the seven parts of the text in principle open with a similar initial with diagonal penwork spreads in the margin: ff. 23v (II), 49r (IV), 64v (V), 81v (VI), 103v (VII). The two principal texts open with a littera duplex in red and blue, with black penwork and marginal extension: ff. 4r (art. 2), 5 lines, and 120r (art. 5), 3 lines with diagonal penwork spreads., Running headlines in artt. 2-4 only: up to f.29r they consist of an indication of the page's content and, at right on the recto pages, also in the upper margin, the number of the part dealt with ("I", "II"); thereafter the number only is given., and Script: Copied by two hands: the main part (artt. 2-5) is by hand A (the Celestine monk Jean Gerson, colophon on f. 119v) , who writes a small Gothica Cursiva Libraria, the evolution of which during the copying of the present book and especially its second section (art. 5) has been studied by Ouy ("Le Célestin", pp. 287-288); hand B, who uses a small Gothica Semitextualis Libraria (rarely adopting Textualis "a"), copied art. 1, the note on f. 119v (see below), most of the headings in art. 5, and the final texts on ff. 140v-141v (artt 6-7); he also made a few corrections in the text copied by hand A. The very last text (art. 7.4) has been added by a third hand in tiny Gothica Cursiva Libraria.
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholasticism