"Bonaparte (much caricatured), standing precariously on a 'Dutch Cheese', is attacked by the allies. Austria and Russia pull from his thin leg a large clumsy boot, consisting of a map of 'Italy'; coins (French plunder) pour from the boot, on which 'Naples', 'Rome', 'Florence', and other geographical divisions are indicated. Austria is a fierce hussar, smoking a pipe, on his cap is the Habsburg eagle; he tugs at the boot, the Russian bear (on the extreme left) assists him, its paws clasping his waist. A ferocious Turk holds Bonaparte by the nose and raises a scimitar whose blade, inscribed 'St Jean d'Acre', drips blood; across his shoulders are strung bleeding ears and noses to which Bonaparte's is to be added. A sailor (right), representing the British Navy, seizes Bonaparte from behind; in his hat are ribbons inscribed 'Nelson', 'Duncan', 'Bridport'. A fat Dutchman on the extreme right, with the blunt profile of the Prince of Orange, tugs at the cheese in order to dislodge Bonaparte; he kneels on a paper, 'Secret Expedition'. Bonaparte's uniform is ragged, his left foot is bare, but in each hand is a blood-stained dagger. In the background (right) tiny figures (probably Dutch) dance hand-in-hand round a bonfire in which burns a 'Tree of Liberty', a bonnet-rouge on a pole, cf. BMSat 9214."--British Museum online catalogue.
Alternative Title:
Allied powers unbooting Egalitè
Description:
Title etched at bottom of image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and William--V,--Prince of Orange,--1748-1806--Caricatures and cartoons.
"Napoleon's flaming nest is the terrestrial globe, resting on sheaves of bayoneted muskets laid on a flat-topped pinnacle inscribed 'Pyrenean Mountains'. Clouds and crags frame the design. The phoenix, with flaming wings, has the head of Napoleon, turned in profile to the left. He is terror-stricken; his blazing crown flies upwards from his head; his predatory claws are raised in horror; from one his sceptre falls, from the other the orb. He wears a high military collar; round his neck is a tricolour'Cordon d'Honor' fringed with daggers. On the globe is a map of countries surrounding the Mediterranean, the central spot being 'Corsica'. The burning countries are 'Portugal', 'Spain', 'France', 'Sicily' [south of Corsica], 'Germany', 'Italy', 'Turkey'. At the base of the globe is the north of 'Africa' with 'Morocco' and 'Algiers' [in flames]. Above the flames by which Napoleon is surrounded are heavy clouds; from above these emerges a dove holding an olive branch, its wings inscribed 'Peace on Earth'. It is irradiated, rays descending from behind the clouds."--British Museum online catalogue.
Description:
Four lines of text following title: "When the phoenix is tired of life, he builds a nest upon the mountains, and setting it on fire by the wafting of his own wings ... and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"Addington and Napoleon face each other defiantly across a narrow channel. Addington, the nearer, is the larger, and much the taller. He wears regimentals, cocked hat, and shapeless boots; he stands with arms akimbo, sabre in his hand; from each pocket projects a medicine-bottle, one labelled 'Composing Draft', the other 'Stimulating Draft'. He looks at Napoleon with a chop-fallen stare, saying, "who's afraid? damme? - \ O Lord. O Lord - what a Firey Fellow he is! \ - Who's afraid? damme? \ O dear! what will become of ye Roast Beef? \ damme! who's afraid? \ O dear! O dear." (The lines are alternately in large and tiny letters to distinguish between words spoken aloud and to himself.) He straddles across a steaming sirloin on a dish inscribed: 'O the Roast Beef of Old England'. Napoleon, who straddles even more widely, holds the hilt of his sabre; his head is large, his cocked hat grotesquely huge. He glares at the beef, saying, "Ah! ha, sacrè dieu! vat do I see yonder? \ Dat look so invitinly Red & de Vite? - \ Oh by Gar! I see 'tis de Roast Beef of Londres \ Vich I vill chop up, at von letel bite!" (Cf. BMSat 5790.) Behind Addington is the front bench in the House of Commons. Hawkesbury, thin, stooping, and melancholy, his hands on his hips, his arms curiously twisted, says: "Ah who's afraid now of Marching to Paris? ah who's afraid now." Behind Addington's seat stand two dim figures, waving their hats; they say: "who's afraid! Brother Bragg" and "who's afraid Brother Hely" ..."--British Museum online catalogue.
Description:
Title etched in upper right corner of image. and Two lines of text in curly brackets below title: Throughout the world, heroes but two wee [sic] see, great Doctor A-, and little-bouncing B-.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Liverpool, Robert Banks Jenkinson,--Earl of,--1770-1828--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons.
"The interior of a carcass-butcher's slaughter-house, the carcasses of animals suspended from the wall. Through the doorway (l.) is seen a rock rising from the sea on which stands a bellowing bull; at the base of the rock is a British fleet. Napoleon, the butcher, with cleaver and knife, makes frantic efforts to reach the (distant) bull, but is restrained by Talleyrand who holds him round the waist. He wears top-boots, one inscribed '7 Leagues', with apron, and rolled-up shirt-sleeves, showing 'R T' [? 'Returned Transport'] branded on his left. arm. On one flap of Talleyrand's oddly shaped cocked hat is a cross, to indicate the ci-devant Bishop of Autun. The head of the Russian bear looks in at the door, gazing menacingly at Napoleon. In the foreground lies a bulky body from which head, hands, and feet have been chopped; to it is skewered a paper: 'Germanic Body'; the severed r. hand lies on a paper inscribed 'Hanover'. On the extreme left. is a round wicker cage surmounted by the Papal tiara, inscribed: 'From Rome and Not worth Killing'; it contains a fox and other small animals. On the extreme right. is a dog-kennel inscribed 'Prussia' and 'Put up to Fatten'; from it a lean greyhound on a short chain puts out its head to lap greedily at a trough of 'Consular Whipt Syllabub'. Behind this is the butcher's block, on which lies a cleaver; blood drips from it into a receptacle inscribed 'Treasury'. Behind Napoleon, in a trough inscribed 'Jaffa Cross Breed', are the bodies of six turbaned Moslems; blood gushes from the trough into a tank inscribed 'Glory'. On the wall hang carcasses, &c. (l. to r.): a ram ticketed 'True Spanish - Fleec'd'; a bleeding calf's head, a simian creature with a tail labelled 'Native Breed'; an ass, ticketed 'From Switzerland', a bloated pig 'From Holland'. Below the title: 'New Style - No Quarter Day!' The verses are a dialogue between 'Boney and Talley' on the possibilities of plunder and conquest. Talleyrand restrains Bonaparte from a mad rush at the bull, regardless of the intervening water. ..."--British Museum online catalogue.
Alternative Title:
Corsican carcase-butcher's reckoning day
Description:
Another edition of the broadside, in different type, was also printed in 1803. This edition bore the publication line "Published by J. Ginger, 169 Piccadilly" and the printing line "Printed by D.N. Shury, Berwick Street, SOHO." See British Museum catalogue., Plate serves as a heading for a broadside poem of twenty-nine verses arranged in three columns. The text of the broadside, printed in letterpress below the plate, begins: Says Boney, the butcher*, to Talley his man, one settling-day as they reckon'd ..., Printmaker from British Museum catalogue., Probably a later state of a plate originally published with the imprint: Published by J. Ginger, Piccadilly., Text below title: New style-- No quarter day!, and Title from letterpress text below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Talleyrand-Périgord, Charles Maurice de,--prince de Bénévent,--1754-1838--Caricatures and cartoons.
"Two sailors, Hawkesbury and Castlereagh, seated side by side, row a small ship's boat or dinghy, 'the Billy Pitt', towing the ships of the Danish fleet. Canning, in the stern, holds the ropes attached to the ships. He looks alert and roguish, the others are grave. They are going through rough water caused by 'Leviathan' (l.), a porpoise-like monster with three heads and a forked tail. The heads spout water at the boat, particularly at Canning. They are (r. to left.) Grenville, who spouts "Opposition Clamour"; Howick (whom Canning had replaced as Foreign Secretary), spouting "Detraction"; and St. Vincent, spouting "Envy". The boat nears the shore, indicated by a rock projecting into the sea (r.); on this is an anchor leaning against a pile of cannon-balls stacked against the wall of a small thatched inn. On the stock of the anchor sits John Bull, a stout countryman, holding a frothing tankard, and waving his hat. He shouts "Rule Britannia! - Britannia Rules the Waves!!" On the inn is a placard: 'Sheerness Harbour'; it has a sign hanging over the water: a profile bust portrait of George III: 'The Good Old Royal George'. Above it waves the Union Jack. On the horizon countries of Europe are indicated by low-lying coastlines backed by tiny buildings, all on fire, the flames and smoke covering the sky. These are, l. to r.: 'Poland', 'Russia', 'Germany', 'Prussia', 'Italy', 'Holland'. In the smoke Napoleon capers in impotent rage, sword in hand, his feathered bicorne flying upwards from his head. In his dismay he drops a paper: 'Projet pour Sub-juger [sic] la Mer' [cf. BMSat 10599, &c.]. On the extreme left., behind the Danish ships and isolated from Poland, is Copenhagen, its buildings on a larger scale, with a fortress flying a British flag. The buildings behind the fortress are on fire."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Canning, George,--1770-1827--Caricatures and cartoons., Castlereagh, Robert Stewart,--Viscount,--1769-1822--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Liverpool, Robert Banks Jenkinson,--Earl of,--1770-1828--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and St. Vincent, John Jervis,--Viscount,--1735-1823--Caricatures and cartoons.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"Bonaparte, burlesqued, stands, swaggering, with legs astride, head in profile to the left. In his right hand is a sabre, dripping blood, inscribed 'Egalité'; he holds out the scabbard (chained to his waist) in his left hand. Under his right foot is a torn paper headed 'Nelsons Victory over the Fleet of the Republic'. He wears an enormous cocked hat decorated with feathers, aigrette, tricolour cockade, and crescent. The skirts of his double-breasted military coat fly back, reaching to the ground behind; round his waist is a voluminous fringed sash, in which are thrust a pistol and a jewelled dagger. He declaims, the words in a large label which floats up to the upper margin: ""What? our Fleet captur'd & destroy'd by the Slaves of Britain? \ - "by my Sword & by holy Mahomet I swear eternal Vengeance! - yes, \ - "when I have subjected Egypt, subdued the Arabs, the Druses & the Maronites; \ "become master of Syria, - turn'd the great River Euphrates, & saild upon it through \ "the sandy Desarts; compel'd to my assitance [sic], the Bedouins, Tuscomans [sic], Kurds, \ "Armenians, & Persians; form'd a Million of Cavalry, & pass'd them upon Rafts \ "six or Seven Hundred Miles over the Bosphorus, I shall enter Constantinople - \ - "Now I enter the Theatre of Europe, I establish the Republic of Greece, \ "I raise Poland from its ruins, I make Prussia bend ye knee to France; - \ "I chain up the Russian Bear, I cut the Head from ye Imperial Eagle; \ "I drive the ferocious English from the Archipelago - I hunt them \ "from the Mediterranean, - & blot them out from the catalogue of \ "Nations! - Then shall the conquer'd Earth sue for Peace, \ "& an Obelisk be erected at Constantinople, inscribed \ "To Buanoparte [sic] Conqueror of the World, \ & extirpater of the \ English Nation."" A French dispatch rider, dismounted from a camel whose head is on the left, stands full-face, gaping at the general, hat in hand and with a bundle, 'les Dépéches, under his arm. Behind Bonaparte (right) is part of a tent, of oriental type but decorated with tricolour."--British Museum online catalogue.
Description:
One line of text below title: See Buonaparte's speech to the French Army at Cairo, publish'd by authority of the Directory in Volney's letters. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"The head of Napoleon in profile to the left, is held high on a pitchfork by John Bull, whose head and shoulders only are visible. He is a volunteer, an armed yokel, his loose hair and check neckcloth going ill with his military coat and epaulets. He wears a three-cornered hat turned up with a favour inscribed 'Britons strike home', and with a bunch of oak-leaves. A background of similar heads, fat and smiling, recedes in perspective : a crowd holding up their bayoneted muskets and looking up at the bleeding head; some wave their hats. They have a Union flag. John says: "Ha! my little Boney! - what do'st think of Johnny Bull now? - Plunder Old England! hayy? - ravish all our Wives & Daughters! hay - O Lord help that silly Head! - to think that Johnny Bull would ever suffer those Lanthorn Jaws to become King of Old England's Roast-Beef & Plumpudding!" Above the design: 'This is to give information for the benifit of all Jacobin Adventurers, that Policies are now open'd at Lloyd's - where the depositer of One Guinea is entitled a Hundred if the Corsican Cut-throat is Alive 48 Hours after Landing on the British Coast.'"--British Museum online catalogue.
Alternative Title:
Buonaparte forty-eight hours after landing!
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"Bonaparte stands on the sea-shore, about to embark (on 23 Aug. 1799) in a boat (left) which will take him to a ship in full sail (the 'Muiron'). He looks with a sly leer to the right, where a little band of ragged and emaciated French soldiers hurry towards him making gestures of dismay. He wears the embroidered fastened coat or tunic with a sash of authentic portraits, without a hat; he points up towards a vision in the sky surrounded by massive clouds of a sceptre and imperial crown superimposed on the revolutionary fasces and axe. Above the general flies a figure of Fame, smiling sardonically and pointing down derisively. Two soldiers in cocked hats who stand in the boat waiting for Bonaparte to embark greedily hug large money-bags. A plank slants from the boat to the shore. The boat has a figure-head composed of two heads facing opposite ways wearing a single coronet. Behind the French troops is a small encampment with tricolour tents and flags. Behind this stretches a vast Turkish camp with crescent flags."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., Title etched below image., and Two lines of text below title: For an illustration of the above, see the intercepted letters from the Republican General Kleber to the French Directory respecting the courage, honor & patriotic-views of "the deserter of the Army of Egypt."
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"Below the title: 'Barrass (then in Power) being tired of Josephine, promised Buonaparte a promotion, on condition that he would take her off his hands; - Barrass had, as usual, drank freely, & placed Buonaparte behind a Screen, while he amused himself with these two Ladies, who were then his humble dependents, - Madame Talian is a beautiful Woman, tall & elegant; - Josephine is smaller & thin, with bad Teeth, something like Cloves, - it is needless to add that Buonaparte accepted the Promotion & the Lady, - now, - Empress of France!' In the centre of the design the two women dance, veiled by transparent drapery which is framed by a heavy festooned curtain. On the r., in full light, sits Barras, lolling tipsily in an ornate armchair. On the left., in shadow, Bonaparte lifts the curtain to stare intently at Josephine. The women are naked, except for gartered stockings, slippers, bracelets, and barbaric ear-rings. They dance, beating tambourines, and are as described, Mme Tallien in back view, Josephine directed towards Bonaparte but looking over her right. shoulder. Their hair hangs in snaky locks below the waist. Barras' chair or Directorial throne has a draped canopy, its back is surmounted by a realistic figure of an infant Bacchus among grapes wearing a bonnet rouge and holding up a full glass and a bottle resembling a Chianti flask. Similar flasks and a cornucopia with grapes flank the Bacchus. Barras, bloated and brandy-faced, holds a glass, spilling the contents. Before him is an ornate round writing-table; its legs are carved with satyrs' heads and terminate in hooves. A decanter of 'Burgundy' stands on a paper headed 'Egypt'; 'Commission pour Buonaparte', above the signature, 'Barrass'. There is also a bottle of 'Mareschino', decanters, and glasses. Other bottles and a broken glass lie on the floor. On the wall an oval frame is inscribed 'Messalina'; the picture is hidden by the curtain framing the dancers. Bonaparte leans forward, holding his cocked hat behind his back. He wears a long military coat with heavy sword and boots. Behind him is a high folding screen. On this are skulls wearing bonnets rouges, and, above, partly concealed by the curtain, a shadowy crown. On another leaf (l.) a little Cupid, blowing a pipe, rides a crocodile, pyramids and palm-trees forming a background (cf. BMSat 11057)."--British Museum online catalogue.
Alternative Title:
Madame Talian and the Empress Josephine dancing naked before Barrass in the winter of 1797
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Barras, Paul,--vicomte de,--1755-1829--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Josephine,--Empress, consort of Napoleon I, Emperor of the French,--1763-1814--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Tallien, Thérésia Cabarrus,--1773-1835--Caricatures and cartoons.