May 23, 1932: Lynn Fontanne and Alfred Lunt. Images misfiled or reclassed by Van Vechten as Roll number R are marked on extant photographic prints as Roll number Q. This include images of Mark Lutz as well as views of New Castle and Wilmington, Delaware, including the Old New Castle Courthouse, May 22, 1932, and Georgette Harvey as well as views of Manhattan, New York City, including the campanile and bas-relief on bronze doors at St. Bartholomew's Episcopal Church and the General Electric Building, also known as 570 Lexington Avenue.
May 22, 1932: Mark Lutz as well as views of New Castle and Wilmington, Delaware, including the Old New Castle Courthouse. May 23, 1932: Lynn Fontanne, Georgette Harvey, and Alfred Lunt as well as views of Manhattan, New York City, including the campanile and bas-relief on bronze doors at St. Bartholomew's Episcopal Church and the General Electric Building, also known as 570 Lexington Avenue. Images misfiled or reclassed by Van Vechten as Roll number R are marked on extant photographic prints as Roll number Q.
July 19, 1932: Sara Haardt and H. L. (Henry Louis) Mencken. July 24, 1932: Edna Kenton and views from the bedroom of Fania Marinoff at the Carl Van Vechten apartment on the seventh floor at 150 West 55th Street, New York City. July 25, 1932: Views of buildings at lower Manhattan, New York City, as well as images of Adelaide Hall during a performance at the Palace Theatre, New York City, and Donald Angus at midnight as Broadway Avenue, Manhattan, New York City.
May 25, 1932: Judith Anderson as well as views in Manhattan, New York City, including Central Park and architectural terracotta details of Alwyn Court at 182 West 58th Street. Roll included images of dogs on Seventh Avenue, Manhattan, New York City, May 25, 1932. Negatives not extant.
July 26, 1932: Donald Angus and Carl Van Vechten posing with snakes at the New York Zoological Park, Bronx, New York City, as well as images of animals. Photography by Donald Angus for images of Van Vechten.
May 28, 1932: Donald Angus in Harlem and Central Park, New York City. May 30, 1932: Views in Manhattan, New York City, including views at Washington Square Park and Greenwich Village, ironwork on Bank Street, and the August Pingpank Barbershop at 413 Bleecker Street. Roll included images of Prentiss Taylor, May 30, 1932. Van Vechten identifies this as the first roll of film that he developed himself in a typescript note accompanying contact prints.
July 26, 1932: Donald Angus and Carl Van Vechten posing with kinkajou and porcupine at the New York Zoological Park, Bronx, New York City. Photography by Donald Angus for images of Van Vechten. July 30, 1932: Taxidermy head of a ram at 53rd Street, New York City. August 1, 1932: Mark Lutz on roof of the the Pierre Hotel and in front of bas-relief on bronze doors at St. Bartholomew's Episcopal Church. Performances. Cast during a performance of Showboat, musical with music by Jerome Kern and lyrics by Oscar Hammerstein II, at the Casino Theatre including Helen Morgan as Julie LaVerne, Paul Robeson as Joe, and Charles Winninger as Cap'n Andy Hawks. August 2, 1932: Mark Lutz at New York City including the Park Casino, Brooklyn, and Broadway Avenue, Manhattan, at midnight as well as out-of-focus images of a performance of "Of Thee I Sing," a a musical by George Gershwin, at the Music Box Theatre, Manhattan, New York City, August 2, 1932.
June 7, 1932: Views of New York City from the dental office of Thomas Francis, Cloney, Jr., at the thirteenth floor of 140 East 54th Street. June 8, 1932: Clyde Edward Matthews (identified by Van Vechten as Eddie Matthieu) and Ethel Waters as well as views in Manhattan, New York City, including the Majestic and the San Remo apartment buildings from Central Park, the Pierre Hotel, and bas-relief on bronze doors at St. Bartholomew's Episcopal Church.