Manuscript on parchment (thick; most leaves palimpsest: religious text of the 10th century, in a small, regular Greek minuscule is faintly visible) of Miscellaneous prayers. Includes Liturgy of St. John Chrysostom (the many peculiarities of the text suggest that it was copied by a scribe unfamiliar with Greek, perhaps from dictation); Gospel of John, 1.1-14. The lower text of palimpsest leaves appears to contain the Life of an unidentified saint named Ioannes
Description:
In Greek and Latin., Script: Written by two scribes in clumsily formed Greek minuscule: Scribe 1, ff. 1r-5v, 41r-42v (he signs himself brother Jacobus on f. 42r); Scribe 2, ff. 6r-39r (an unusually large and thick script). Latin added on ff. 39v-41r in gothic cursive of 15th or 16th century. Marginal notes in Greek by various later hands., Initials very crudely done, in various styles and several shades of red. Rubrics throughout. Some scribblings in the margins, including a cow on f. 25v., Folios 1, 2, 3, 41, and 42 are all torn, so that significant portions of the text are missing., and Binding: Nineteenth century. Rigid vellum case; handwritten on spine: "Codex Memb Graec"; on front cover, "no. 2".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
John Chrysostom, Saint, -407.
Subject (Topic):
Christian hagiography, Liturgies, Manuscripts, Medieval, and Prayers
Manuscript on paper of 1) Pseudo-Augustine, Soliloquia, translated into Greek by Demetrius Cydonius; first leaf missing. 2) Creed of St. Athanasius. 3) Various prayers and hymns, some by John of Damascus and Macarius, but most anonymous
Description:
In Greek., Watermarks: Harlfinger Chapeau 74., Script: Written by a single scribe in tall, upright minuscule., Decorative initials, 6- to 5-line, in red with simple floral designs; rubrics throughout., and Binding: 16th-17th centuries. Three original chain-stitched supports, the thread laced into square-edged, flush, wooden boards grooved on the edges. The beaded, colored endbands are sewn on cords which are attached in holes in the edges of the boards. The edges are painted with a red and black interlace design, the spine smooth and round. Covered in brown goatskin, blind-tooled with concentric borders, different on each board, the central panels filled with flowers and small diamonds. One pin hole in the edge of the upper board, three holes for a strap in the lower. Rebacked. According to A. R. A. Hobson, the binding originated in Crete.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Augustinus. and Orthodoxos Ekklēsia tēs Hellados.
Subject (Topic):
Creeds, Hymns, Manuscripts, Medieval, Mysticism, and Prayers