Ambrose, Saint, Bishop of Milan, d. 397 Peter, of Poitiers, ca. 1130-1205 Petrus, Comestor, 12th cent
Published / Created:
[between 1200 and 1210; 1300 and 1350]
Call Number:
Marston MS 220
Image Count:
11
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment composed of two distinct parts. Part I (13th century): 1) Petrus Comestor, Historia scholastica. 2) Petrus Pictaviensis, Historia actuum apostolorum. 3) Unidentified text about Titus and Vespasian. Part II (14th century): 4) Augustinus Hibernicus, De mirabilibus sacrae scripturae, in the long recension. 5) Extracts from Ambrose, Exameron.
Description:
Binding: 18th-19th centuries, England. Brown calf, gold-tooled. Striped turn-ins., From the estate of Wilfred M. Voynich. Purchased in 1959 from H. P. Kraus by Thomas E. Marston., Part I: Two illuminated initials in parallel positions on f. 1r, beginning mid-page and extending almost to the bottom of the leaf. The first initial composed of a gold trellis edged in black with heads of a grotesque devouring the trellis at top and bottom, and foliage designs in green and white scrolling around the body of the initial against pink interior with white highlight and gold balls. The whole on a rectangular ground tapering to a point at bottom, with white designs. The second initial, somewhat narrower and less ambitious in design, gold edged in black with blue interior and thin white design in center and two rosettes, one at top, the other at bottom, and a third stylized floral motif in center, all on a pink ground in the same shape as the first initial. Also on f. 1r, 7-line initial divided red and blue with interior foliage designs in green and white on parchment ground, and red and blue penwork designs around exterior of letter. For major text divisions, fine medium blue and/or red initials, 9- to 6-line, with intricate penwork flourishes in red and blue, each accompanied by several lines of oversize letters for the first few words of text, with letters either in one color with designs in the other or alternating red and blue. Small penwork initials, red or blue with modest design in the opposite color, throughout. Headings, running headlines and vertical lines within text columns, in red. Remains of instructions to rubricator (some perpendicular to text in gutter) and guide letters for decorator., Part II: One gold initial, 4-line, with purple penwork designs on f. 194r. Blue initials with red penwork, 9- to 2-line, throughout. Headings and initial strokes added, in brown and red, unsophisticated drawings of birds, animals, leaves and grotesques in upper and lower margins., and Script: Part I (ff. 1-173): Written in neat gothic bookhand, above top line; glosses added by a variety of hands, some exhibiting anglicana features. Part II (ff. 174-197): Written in gothic bookhand with some marginalia by contemporary and later hands.
Subject (Name):
Petrus,--Comestor,--12th cent
Subject (Topic):
Bible--History of Biblical events, Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript of parchment roll composed of 8 membranes, written in 4 columns. Column 1) Chronology of the popes from Peter to the antipope John XXIII. 2) Chronology of the rulers of the Empire from Augustus to Louis of Bavaria, Holy Roman Emperor from 1328-47. 3) Chronology of the Monarchs of France, beginning with the Trojan nobles and concluding with Charles VI, king from 1380-1422. 4) Chronology of the kings of England, from King Lud in the time of Julius Caesar to King Henry IV (d. 1413).
Description:
Binding: Unbound., Four illuminated initials, 4-line, at the top of each column, blue with white filigree against gold ground with stylized foliage or geometric patterns in red and blue. At the top of each initial, black inkspray with gold leaves; at the first initial (left column), decoration extends into the left margin to form a partial border. Numerous smaller initials, 2-line, gold on blue and mauve grounds with white filigree. Headings in red., Purchased from Maggs Bros. of London in 1958 by L. C. Witten, who sold it in 1959 to Thomas E. Marston., Script: Written in batarde script by a single scribe., and Text is accompanied by parallel schematic genealogical diagrams in red consisting of connected roundels inscribed with the names of various rulers in succession, between the columns. The genealogical diagrams are periodically interspersed with 58 roundels framed in red with lively pen drawings in brown ink with washes in blue, pink and green, depicting cities and churches whose foundations are ascribed to particular rulers or occurred during their reigns. Each of the genealogical diagrams begins at the top of the text with a roundel, depicting respectively (I) Mount Calvary, (II) Rome, (III) Venice (whose foundation is ascribed to Trojan nobles) and (IV) London. Included are drawings of Constantinople, Hagia Sophia, Santiago de Compostela; the majority of the drawings appear in the chronology of the French monarchs, with depictions of Paris, St. Genevieve, St. Denis, St. Martin-de-Champs, and others. The buildings are all late medieval in character and do not bear resemblance to the monuments themselves.
Subject (Geographic):
France--History, Great Britain--History, and Holy Roman Empire--History
Subject (Topic):
Church history--Chronology, Illumination of books and manuscripts, Medieval, Kings and rulers--Genealogy, Legends, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
4, XII, s. XII^^4, and XIII [ca. 1175-1200, 12th-13th centuries]
Call Number:
Beinecke MS 315
Image Count:
10
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment composed of three distinct parts. Part I (ff. 1-64): Honorius of Autun, Gemma animae. Part II (ff. 65-80): Pseudo-Hugh of St. Victor, Speculum de mysteriis ecclesiae. Part III (ff. 81-122): Jean Beleth, Summa.
Description:
Binding: Nineteenth century. Vellum case with a black label, gold-tooled, and arms of Athelstan Riley on covers. Bound by John R. Hering, London, active 1817-35., Part I: Initials, 12- to 2-line, red, green, blue, with exuberant designs in contrasting colors that often extend full length of folio, some trimmed. Headings in red. Part II: Decorative initials, 8- to 2-line, alternate red and blue, with designs in contrasting colors; plain initials, 1-line, some with simple ornamentation, in red or blue throughout. Heading in red. Guide-letters in inner margin. Part III: Simple initials, a few with designs. Paragraphs marks in red and/or black. Guide-letters in outer and inner margins; notes to rubricator perpendicular to written space in gutter and outer margin. Headings in red., and Script: Each part written by a different scribe, all in early gothic bookhand.
Subject (Name):
Honorius,--of Autun,--ca. 1080-ca. 1156
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholasticism
f. 221r-221v: Apostles' Creed and the Confiteor; the latter incomplete, ending with "consensu tactu uisu". The phrase "ego infelix peccatrix" in the Confiteor indicates that the book was written for use by a woman. and Manuscript on parchment (trimmed) of a Book of Hours, with Calendar and prayers in Flemish.
Description:
Binding: Nineteenth century. Brown, originally black, sheepskin; stamped in gold on the spine: "Psaterium." Red edges., Script: Written in liturgical gothic bookhand by one scribe., and Three full-page miniatures of mediocre quality. Each miniature set in a narrow frame of gold, black, pink, and white; full border of blue and gold acanthus leaves, red, pink, and blue flowers and strawberries, and black pen flecks. One 7-line historiated initial on f. 216r (Flemish Prayers): Pieta, pink with white highlights on gold; full border as above; text separated from border by a narrow band attached to initial of gold and pink, edged in black. Illuminated 5-line initials with full borders (eg. ff. 13r, 18r, 28r), pink or blue with white highlights on gold, filled with blue or pink trilobe leaves. 2-line initials, gold on pink and blue with white highlights, one on f. 92r (Advent Office) with a band attached, as above, and small sections of border, as above; one 3-line initial on f. 179r (Obsecro te) in similar manner. 1-line initials, blue with red penwork and gold with black penwork; initials within text washed in yellow. KL monograms as 2-line initials; Latin names of months and important feasts in red. Line fillers: oblique lines with dots attached, stylized plant motifs, dots, etc., in blue or gold. Rubrics in faded red.
Subject (Name):
Catholic Church--Prayers and devotions
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of a Book of Hours with prayers in Dutch. The manuscript is misbound. and Written in liturgical gothic bookhand by a single scribe.
Description:
On fol. 42r: Various manuscript signatures and notes with the name "Anna Bogardus" and "Bedelaer [?]" another hand has added a note with reference to "Haerlem.
Subject (Name):
Catholic Church--Prayers and devotions
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Petrus de Tarentasia (Pope Innocent V), In quartum librum Sententiarum Petri Lombardi. Copied from a stationer's exemplar secundum pecias. With Distinctiones on the scholastic and monastic life, entered in a later highly abbreviated script; and Anonymous commentary on the Psalms.
Description:
Binding: Sixteenth century, Germany or Italy (?). Resewn (early) on three tawed skin slit straps laced through tunnels in the edge of beech boards to channels on the outside and pegged; channels filled with glue. A pink, green and white, five core endband is sewn through a leather lining on a tawed skin core laced into the boards and pegged. Covered in brick red sheepskin with corner tongues; blind-tooled with an X and sparse use of oak-leaf edging tool. Two truncated diamond catches on lower board, the upper board cut in for the red fabric clasp straps which were attached with star-headed nails. Corner fittings and six-petalled central medallion. Traces of title, in ink, on spine. Spine of the bookblock partially eaten by rodents., Script: Written in small gothic bookhand; arts. 2 and 4 in less formal scripts., and Two historiated initials, 7- and 4-line. Folio 1r: mauve initial with white filigree on blue ground with white filigree, edged in gold, showing a man drawing water from a well, against gold ground, illustrating the Biblical passage "Haurietis aquas...." Serifs, ending in heart-shaped red leaves, on blue and red cusped grounds, with gold balls, extending along the inner margin to form a partial bar border. Perched on the top of the initial is a small bird, grey with red wings. Folio 1v: blue initial with white shading against dark red ground with white filigree. Ascender blue against dark red ground, extending along text column to form a partial bar border. The initial shows the good Samaritan riding on a donkey, against gold ground. Numerous flourished initials, 4- to 3-line, alternate red and blue with penwork designs in the opposite color. Running headlines in red and blue. Paragraph marks alternate red and blue. Guide letters for decorator visible beneath initials.
Subject (Name):
Innocent--V,--Pope,--ca. 1224-1276 and Peter Lombard,--Bishop of Paris,--ca. 1100-1160
Subject (Topic):
Bible.--O.T.--Psalms, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Pecia, Scholasticism, and Scholia
Manuscript on paper of Christine de Pizan, La Cite des dames. With Jacques le Grand, Le Livre de bonnes moeurs., On f. iii verso, pasted in by a later owner, a miniature (80 x 61 mm.), the Queen of Sheba before Solomon, and a separate compartmentalized border (161 x 105 mm.) of blue and gold acanthus on pink, and red, purple and white flowers and grapevines., and Pasted in on f. 137v a small miniature (41 x 32 mm.) of St. Barbara, originally for a Suffrage, probably from the same Book of Hours as the border of f. iii verso.
Alternative Title:
The Queen of Sheba before King Solomon
Description:
Note, in ink, inside front cover: "Secundarius posessor et vetus peraccens erit quiuis alius I.g.
Subject (Topic):
Books of hours, Didactic literature, French, French literature--To 1500, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Women authors, French
Manuscript on parchment of 1) Lessons for the sanctorale from Saturninus through Catharine, including many Franciscan feasts. 2) Bull of canonization of Bernardinus of Siena, ending defectively. 3) Lessons for the common of saints and for the anniversary of a dedication of a church.
Description:
Binding: Eighteenth century. Brown calf over wooden boards, blind-tooled. Five very small, round bosses on each board and two fastenings. Rebacked. Pastedowns and flyleaves are conjugate leaves from a gradual (Italy, 16th century): front pastedown hidden under bookplates; front flyleaf with parts of the third Christmas mass and the rubric for Circumcision; back flyleaf with part of the first Christmas mass; back pastedown with parts of the mass of Epiphany., One 9-line initial, f. 1r, St. Saturninus holding an open book and martyr's palm, three-quarter length in front of trees and sky, dark blue with white filigree; purple foliage against a gold ground edged in black, with curling purple, green, and gold foliage extending into margin. Full border, framed in blue and gold, with three roundels in lower margin, right and left, hour glasses with scrolls with the motto "Pan. se. de. moi.", center, a coat of arms (barry of 6, sable and argent; overall a bend or). In upper margin, at right, a smaller roundel with a duck; at center, a Greek cross in gold, on purple; each framed in gold with blue or purple. Some foliage, as in initial, in center outer margin; border otherwise filled with blue and purple flowers with red and green centers, symmetrically disposed with smaller blue, purple, and green flowers, blue, purple, red and gold dots and fine spiralling vines in light brown. 2-line initials throughout, red or blue with blue or red penwork, with flourishes. 1-line red or blue paragraph marks. Rubrics throughout., and Script: Written by one person in round gothic bookhand.
Subject (Geographic):
Padua (Italy)
Subject (Name):
Catholic Church--Liturgy
Subject (Topic):
Graduals (Liturgical books), Illumination of books and manuscripts, Medieval, Lectionaries, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of 1) Les livres du roy Modus et de la royne Ratio. 2) Le bon chien Soullart (in verse).
Description:
Binding: Nineteenth century. Quarter purple leather with textured cloth sides., Penwork drawing (with red added) of the hound, Soullart, on f. 59r; drawing of a lion (?) in same style on f. 60r. Simple decorative initials and headings in red, blue and/or black; some with calligraphic penwork designs and grotesques extending into margins. Paragraph marks, underlining, and highlights, in red., Script: Written by a single scribe in a running script, with a more formal style of writing for headings., and Watermarks: similar to Briquet Tete de cerf 15548, Tete de boeuf 14247, and unidentified unicorn.
Subject (Topic):
Dogs, French literature--To 1500, French poetry--To 1500, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Mathematics, Medieval, and Medieval and Renaissance Manuscripts in Beinecke Library