Manuscript on paper of a pietistic, mystical text in prose and verse, illustrated by a great variety of illustrations cut from manuscripts of smaller dimensions (plus some prints), and pasted in. These illustrations include the "Python" illuminated drawing which has been reproduced in color, a series of "alchemical processes depicted symbolically taking place within flasks", as well as many other pictorial elements drawn from a variety of sources
Description:
In German, Low-German, Latin, and Hebrew., Script: Written by a single hand in dark brown and pale red inks in a loose and flowing cursive, often with Fraktur elements, frequently placing capital letters in the midst of words, sometimes in red; with some inserted leaves and additional matter by another, perhaps slightly later hand, and with pasted-in leaves, usually with illustrations, partly taken from older manuscripts, and partly (apparently) by the compiler., Watermarks: The inserted leaves of paper with a large fleur-de-lys watermark, unidentified; the thinner paper used for most of the volumes with unidentified watermark in folds., With additions in German and Dutch., Bound in 2 volumes., and Binding: Uniformly bound in eighteenth- or nineteenth-century marbled boards, red leather backs with three bands, each volume with modern brown calf title labels gold-stamped "ALCHYMICAL MANUSCRIPT," speckled edges.
Subject (Topic):
Alchemy, Illumination of books and manuscripts, and Pietism
Manuscript on paper of a pietistic, mystical text in prose and verse, illustrated by a great variety of illustrations cut from manuscripts of smaller dimensions (plus some prints), and pasted in. These illustrations include the "Python" illuminated drawing which has been reproduced in color, a series of "alchemical processes depicted symbolically taking place within flasks", as well as many other pictorial elements drawn from a variety of sources
Description:
In German, Low-German, Latin, and Hebrew., Script: Written by a single hand in dark brown and pale red inks in a loose and flowing cursive, often with Fraktur elements, frequently placing capital letters in the midst of words, sometimes in red; with some inserted leaves and additional matter by another, perhaps slightly later hand, and with pasted-in leaves, usually with illustrations, partly taken from older manuscripts, and partly (apparently) by the compiler., Watermarks: The inserted leaves of paper with a large fleur-de-lys watermark, unidentified; the thinner paper used for most of the volumes with unidentified watermark in folds., With additions in German and Dutch., Bound in 2 volumes., and Binding: Uniformly bound in eighteenth- or nineteenth-century marbled boards, red leather backs with three bands, each volume with modern brown calf title labels gold-stamped "ALCHYMICAL MANUSCRIPT," speckled edges.
Subject (Topic):
Alchemy, Illumination of books and manuscripts, and Pietism
Colophon of v. 3 dated 1655., Signatures: v. 3: A-4I⁴ 4K²., and Vol. 3 has sub-title: Theatrum hieroglyphicum, hoc est, noua & hucusque intentata obeliscorum coeterorumque hieroglyphicorum monumentorum, quae tùm Romae, tùm in Aegypto ac celebrioribus Europae musaeis adhuc supersunt, interpretatio iuxta sensum physicum, tropologicum, mysticum, historicum, politicum, magicum, medicum, mathematicum, cabalisticum, hermeticum, sophicum, theosophicum; ex omni orientalium doctrina & sapientia demonstrata.
Publisher:
Ex typographia Vitalis Mascardi
Subject (Geographic):
Egypt--Description and travel--Early works to 1800, Egypt--History, and Egypt--Religion
Subject (Topic):
Egyptian language--Writing, Hieroglyphic and Hermetism--Early works to 1800
General editor, Benedictus Arias Montanus. and The second of the great polyglots; known as the Antwerp, or Plantin's polyglot, otherwise the Royal polyglot.
General editor, Benedictus Arias Montanus. and The second of the great polyglots; known as the Antwerp, or Plantin's polyglot, otherwise the Royal polyglot.
Manuscript on parchment containing emblematical drawings related to horology and astrology, and astrological tables, each section opening with an elaborate title page
Description:
In Latin, Hebrew, and Greek., Script: Written epigraphically and always with great calligraphic skill in a variety of styles by a single practiced hand, possibly the same which executed the drawings., Each page of the manuscript has a pen-drawn border on the recto side, containing an emblematical drawing, or complex calendrical or horological drawing, executed in pen and heightened with gold and silver., and Binding: Original calf binding, now rather deteriorated, the sides very elaborately gold-tooled in a multiple rectangle pattern, the large innermost rectangle with a series of circles containing floral ornaments, similar half-circles at the edges, the back in compartments with floral decoration; marbled endpapers, plain edges.
Chauncy family sermons, book inventory and commonplace book, 1631-1695
Image Count:
168
Description:
Imperfect: some pages removed; other pages mutilated with some loss of text., In four sections according to orientation of text; each section paginated separately., and Volume contains a mixture of foliation, pagination and unnumbered pages as well as text written in both directions.
Subject (Topic):
Sermons --Early works to 1800 and Sermons, American --17th century