Outside a tavern called The Whirligig, Col. Tarleton brandishes his sword while making a boastful speech about his military exploits. Behind him stands the Prince of Wales, headless, but identifiable by the ostrich plumes which replace his features. Above the tavern door the figure of a prostitute serves as the sign of the house.
Description:
Printmaker from British Museum catalogue. and Text following title: Vide: Every man in his humour, alter'd from Ben Johnson.
Publisher:
E. D'Achery, St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Darchery, Elizabeth, publisher., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., and Tarleton,--Lieutenant-General--(Banastre),--1754-1833--Caricatures and cartoons.
Subject (Topic):
Clothing & dress--England--1780-1790., Courtesans. , and Taverns (Inns)
The political and humourous works of Thomas Rowlandson, 1774-1825
Container / Volume:
Vol. 1 (Box 1 of 2) | Folder I-22a
Image Count:
1
Resource Type:
Prints & Photographs
Abstract:
"In the centre of the design is the Coronation Chair (in Westminster Abbey), raised on four steps. Britannia on the right of the Chair takes the hand of the Prince of Wales, who is on the left, to lead him up to it; each rests a foot on the lowest step, inscribed 'Voice of the People'. The other steps are 'Public Safety', 'Patriotism', 'Virtue'. Britannia points with her left hand at Pitt and three maniacal and screaming Furies on the right whom she is putting to flight. She says: "I have been long deceiv'd by Hypocrisy but have at last discovered an Intention of sacrifising the rights of my people to satisfy a private ambition". Pitt, fleeing terror-struck, turns his head to say: A long farewell to all my greatness. From his pocket protrude papers inscribed 'Shop Tax' and Commutation. The Furies are half-naked hags with writhing serpents for hair; one, whose belt is inscribed 'Falshood', holds in one hand serpents, in the other a flaming torch inscribed 'Rebellion'; 'Envy' tears her hair, shrieking. The British lion, beside Pitt, looks from behind Britannia's shield at his mistress, roaring angrily. The Prince is being ushered to the throne by 'Liberty' and Justice, who are pretty young women carrying their accustomed symbols. Commerce reclines on the extreme left, leaning on a bale inscribed 'Commerce', and looking admiringly up at her two companions. The Lord Mayor, followed by other citizens, advances from the left, carrying the mace; the arms of the City decorate his gown. He says: "Whilst we mourn the occasion we must feel ourselves happy in reflecting that we are blessed by a Prince whose wisdom will protect our liberties, whose Virtues will afford stability to Empire". The background is a wall with Gothic mouldings and windows. A crown is suspended above the Chair."--British Museum online catalogue.
Description:
Attributed to Rowlandson in the British Museum catalogue., CtY-LW, Date of publication from British Museum catalogue; a questionable date of 1783 is given by Grego., Sheet trimmed within plate mark., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Pitt, William,--1759-1806--Caricatures and cartoons., and Riviere & Son Binding.
"The Prince of Wales (left) leads a goat with the head of Mrs. Fitzherbert (right) to the door of the forecourt of a large town-house, held partly open by the Duchess of York. She says, "O Dunder & Wonder! - what Cratur is dat which you are bringing here ? - relation of mine, indeed? - no, no! - me know no Nanny-goat-Princess! - so set off, with your bargain, you poor - Toasted - Cheese! you! - for she sha'nt come in here, to poison the house! - off! - off! - off." The Prince, who wears in his hat a leek, with his motto, 'ich dien', answers, "Not open the Toor ? - Cot-splutter-a-nails - when Nanny is come to see you, herself? - vhy isn't Nanny a Princess too ? - & a Velch Princess? - and hur is come to visit hur Brothers & hur Sisters! - & not to let hur in? why the Voman is mad, sure!" In place of a star he wears a medallion enclosing a pair of goat's horns. He holds his goat by a ribbon wreathed with roses. Mrs. Fitzherbert has goat's horns and wears a coronet with the Prince's feathers; she looks up at him with an expression of dignified surprise. ... The door of the Duke's house is surmounted by a pediment decorated with the Prussian eagle and pairs of doves (an emblem on the Duchess's state-bed, 'Lond. Chronicle', 21 Dec. 1792)"--British Museum online catalogue.
Alternative Title:
Prussian reception
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fitzherbert, Maria Anne,--1756-1837--Caricatures and cartoons., Frederica Charlotte Ulrica Catherina,--Princess, Duchess of York,--1767-1820--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
Subject (Topic):
Emblems., Goats., Lanterns., National emblems--Prussian., and National emblems--Welsh.
"A design in four compartments divided by lines intersecting at right angles. [1] 'Avarice'. The King and Queen, three-quarter length, sit facing each other across a round table, hugging large moneybags. Those of the King are inscribed '5 Millions', those of the Queen '3 Millions'; facing her is an open account book: 'Account of Money at interest in Germany' [cf. BMSat 7906]. See BMSat 7836, &c. [2] Next (right) is 'Drunkenness'. The Prince of Wales, drunk and incapable, is being taken home by two watchmen. Behind (left) is an open door in which stands a fat bawd watching her visitor depart. Above it are the Prince's feathers and motto, and 'Neat Wines'. The figures are three-quarter length. [3] Below (left) is 'Gambling'. A crowd of figures surround a circular gaming-table, half of which fills the foreground. The Duke of York raises a dice-box, next him is a military officer wearing a gorget. On the other side (left) sits a ruffianly-looking fellow wearing a slouch hat and coachman's coat. Behind is a man with a croupier's rake. (See BMSat 7301 (5), &c.) [4] Next (right) is 'Debauchery'. The Duke of Clarence and Mrs. Jordan sit together on a settee, embracing each other. He wears a naval officer's coat, with a star, and sailor's trousers. On the wall is the print of a chamber-pot inscribed 'A Jordan' (see BMSat 8057, &c). ..."--British Museum online catalogue.
Alternative Title:
Vices overlooked in the new proclamation
Description:
Dedication etched below title: To the commons of Great Britain this representation of vices which remain unforbidden by proclamation is dedicated, as proper for imitation and in place of the more dangerous ones of thinking, speaking & writing now forbidden by authority., Printmaker from British Museum catalogue., and Title etched below image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Charlotte,--consort of George III, King of Great Britain,--1744-1818--Caricatures and cartoons., Frederick Augustus,--Duke of York and Albany,--1763-1827--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Jordan, Dorothy,--1761-1816--Caricatures and cartoons., and William--IV,--King of Great Britain,--1765-1837--Caricatures and cartoons.
"Fox reclines in an armchair of Gothic shape, his vast swathed legs resting on a cushion, his head against a pillow. He wears a dressing-gown and night-cap. His friends and colleagues stand round him. On his right. is Mrs. Fitzherbert, a meretricious 'Abbess' (cf. BMSat 5181, &c), holding a rosary and placing her hand under his chin; her face and breasts are covered by a large veil of transparent black. On his left. stands a bishop in lawn sleeves and mitre, a rosary hanging from his waist; he puts one hand on Fox's arm, and raises the other in admonition, saying, "O Tempora, O Mores! - Charley! dear Charley! - remember your poor Soul! - & if you're spared this time give us Emancipation - or!!!" His head is concealed, but he is identified by Lord Holland as O'Beirne, Bishop of Meath, educated as a Catholic, and a Whig pamphleteer. Mrs. Fitzherbert says: "Do confess your Sins Charley! do take Advice from an Old Abbess [cf. BMSat 10404] & receive Absolution! - here is Bishop O'Bother, 'twill be quite snug among Friends you know!" Fox says: "I abhor all Communion which debars us the comfort of the Cup! - will no one give me a Cordial?" Facing Fox, and in back view, stands the Prince, holding a handkerchief to his face; he says: "Alas! poor Charley! - do give him a Brimmer of Sack, 'twill do him more good Abbess, than all the Bishop's nostrums!" In his left hand he holds his cocked hat; in a coat-tail pocket is a pamphlet: 'Letter from N. Jeffreys'. Sheridan on the extreme right., furtive and bloated, puts his hand on the bishop's shoulder, saying, "Emancipation! - fudge! - why Dr OBother I thought you knew better!" In his pocket is a paper: 'Scheme for a new Administra[tion]'. Behind him stands Howick, in the extremity of grief, throwing back his head, and holding his handkerchief to his face. Three men stand, on the Prince's l., looking towards Fox, all weeping with raised handkerchiefs. Their heads rise one above and behind the other from the short Petty who wears a laced coat and bag-wig and has a large roll under his arm: 'New Taxes for 1806'. He says "Ah poor me! - If my Dancing-Days are over!" Windham says: "O Lord! what side can I tack round to Now!" The tall Moira says: "I must get back to Ballynahinch! Och! Och." [The allusion is to Moira's Irish estate and to Canning's verses, 'Ballynahinch' in the 'Anti-Jacobin', 9 July 1798, cf. BMSat 9235.] The three '(Ministerial) Grenvilles stand in the doorway (l.) apart from the mourners. Lord Grenville turns to Sidmouth, who is just within the room, putting a hand on his arm, and saying, "Well Doctor, have you done his business? - shall we have the Coast clear, soon?" Sidmouth answers, with sly satisfaction, "We'll see!" He holds a bottle labelled 'Composing Draft' [cf. BMSat 9849]. The spectacled Marquis of Buckingham looks round to say "O! Such a Day as This! so renown'd so Victorious"; his son, Lord Temple, continues: "such a day as This! was never seen!" In the foreground (l.) the fat Mrs. Fox faints in a small ornate chair; under her chair is a square spirits-bottle of 'True Maidstone', with a broken glass beside it. Lord Derby, wearing top-boots, bends over her, holding a bottle to her nose. He says: "My dear old Flame Bet, dont despair! - if Charley is pop'd off - a'nt I left to Comfort you - ?" On a stool at Fox's r. hand is a urinal decorated with Britannia, standing on a scroll: 'Negotiations for Peace between Great Britain & France'. On the ground beside him are a broken dice-box and dice. Behind the back of Fox's chair heavy fringed curtains are festooned, giving an impression of ducal magnificence, the scene being the Duke of Bedford's house in Arlington Street (or Stable Yard, St. James's)."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckingham and Chandos, Richard Temple Nugent Brydges Chandos,--Duke of,--1776-1839--Caricatures and cartoons., Buckingham, George Nugent Temple Grenville,--Marquess of,--1753-1813--Caricatures and cartoons., Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Fitzherbert, Maria Anne,--1756-1837--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Fox, Elizabeth,--1750-1842--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Hastings, Francis Rawdon-Hastings,--Marquess of,--1754-1826--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., Lansdowne, Henry Petty-Fitzmaurice,--Marquess of,--1780-1863--Caricatures and cartoons., O'Beirne, Thomas Lewis--1748?-1823--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons., and Windham, William,--1750-1810--Caricatures and cartoons.
A copy, with minor alterations, of a print by Gillray. Cf. No. 10589 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8, Attributed to Williams in the British Museum catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckingham and Chandos, Richard Temple Nugent Brydges Chandos,--Duke of,--1776-1839--Caricatures and cartoons., Buckingham, George Nugent Temple Grenville,--Marquess of,--1753-1813--Caricatures and cartoons., Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Fitzherbert, Maria Anne,--1756-1837--Caricatures and cartoons., Fores, S. W., publisher., Fox, Charles James,--1749-1806--Caricatures and cartoons., Fox, Elizabeth,--1750-1842--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Hastings, Francis Rawdon-Hastings,--Marquess of,--1754-1826--Caricatures and cartoons., Lansdowne, Henry Petty-Fitzmaurice,--Marquess of,--1780-1863--Caricatures and cartoons., O'Beirne, Thomas Lewis--1748?-1823--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons., and Windham, William,--1750-1810--Caricatures and cartoons.
"The Prince and Mrs. Fitzherbert, dancing to the fiddle of George Hanger (right), advance towards an open door (left) through which is seen a large bed, the curtains raised; above the pillows are a crown and triple plume. The feathers are repeated on a chamber-pot under the raised valance of the bed. They are more elaborately dressed than in BMSat 6924; their arms are round each other's waists, the Prince holds with his right hand the left hand of Mrs. Fitzherbert. She wears a small crown, with flowers and ribbons, and triple ostrich plume. George Hanger is dressed as in BMSat 6924; he stands in profile to the left, watching the couple fixedly; a bludgeon hangs from his wrist. An open music-book at his feet shows that he is playing the 'Black Joke'. On the floor (left) are an open book, 'Matrimony', and a torn paper, 'Cirtificate'. Over the door is a picture of Cupid with his bow turning away from Danaë receiving the shower of gold."--British Museum online catalogue.
Alternative Title:
Fashionable frolic, Fashonable frolic, and Wedding night, or, The fashionable frolic
Description:
In lower right corner: Price 2 sh. 6., Temporary local subject terms: Morganatic marriages -- Pictures amplify subject -- Emblem: Ostrich feathers for Prince of Wales -- Music books -- Song: 'The Black Joke' --Furniture -- Bed -- Chamber pot --Military uniforms --Colonel's uniform, Light Infantry -- Musical instruments -- Violin -- Danae -- Mythological characters -- Cupid -- Lighting: Chandelier -- Dancers -- Crowns -- Sticks: Bludgeon., and Title etched below image.
Publisher:
J. Phillips, No. 164 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fitzherbert, Maria Anne,--1756-1837--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Hanger, George,--1751?-1824--Caricatures and cartoons., Harvey, Francis--Ownership., and Phillips, James (Bookseller), publisher.
"A design in two compartments, one above the other, the title between them. In both a pack of hounds with human heads chases a crowned stag; in one the stag is George III, in the other (below) Louis XVI. [1] The stag (left) is beside a signpost pointing 'To Windsor', [written in ink] Windsor Castle appearing on the extreme left. The huntsman (right) is the Prince of Wales riding on the heels of the last hound, his whip outstretched. The foremost hound, who has almost reached the stag is Sheridan, next is (?) Lord Sandwich, or perhaps the Duke of Queensberry, next Fox. [The head has a feminine appearance, and has been identified by Grego as Mrs. Fitzherbert. But black eyebrows and traces of 'gunpowder jowl' indicate Fox, whose absence would be inexplicable.] The next pair are a judge (? Loughborough) and Powys. The last two are Burke and Lord Stormont. Beside the Prince, his back to the other dogs, and urinating as a sign of contempt, is Pitt, turning his head to scowl up at the Prince. [2] The names of the hounds have been written in a contemporary hand beneath the print. The stag (right) has been reached by the hounds, three of whom are biting him. He has passed a signpost 'A Versailles'. The foremost hound is 'M. de Limon'; close behind are 'Le Baron de Talleyrand' furiously biting the stag's shoulder, and 'Le Comte de Vauban'; the next two, 'Le Comte de La Touche' and 'le Marquis de Sillery'. The last two are women: 'la Comtesse de Blot' and 'la Comtesse de Buffon' who wears feathers in her hair, and turns her head to gaze at Orleans, the huntsman, whose mistress she was. Orleans rides a clumsy hack, blowing a horn, and is dressed in the French manner, with the boots and whip of a French postilion (in place of his accustomed English riding-dress). His long queue streams out behind him."--British Museum online catalogue.
Description:
Attributed to Rowlandson in British Museum catalogue., Publisher's advertisment follows publication information: ... where may be seen the completest collection of caricatures &c. in the Kingdom, also the head & hand of Count Struenzee. Admittce. 1s., and Title from text etched in center of design; letter "r" in "first" etched above line and inserted with a caret.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burke, Edmund,--1729-1797--Caricatures and cartoons., Fores, S.W., publisher., Fox, Charles James,--1749-1806--Caricatures and cartoons., Genlis Sillery, Charles Alexis Pierre Brulart de,--marquis de,--1737-1793--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Latouche-Tréville, Louis-René de,--1745-1804--Caricatures and cartoons., Limon, Geoffroi,--marquis de,---1799--Caricatures and cartoons., Louis--XVI,--King of France,--1754-1793., Mansfield, David Murray,--Earl of,--1727-1796--Caricatures and cartoons., Orléans, Louis Philippe Joseph,--duc d',--1747-1793--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., Powys, Thomas,--1737-1809--Caricatures and cartoons., Sandwich, John Montagu,--Earl of,--1718-1792--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., and Vauban, Jacques Anne Joseph Le Prestre,--comte de,--1754-1816--Caricatures and cartoons.
"The interior of a large church or cathedral. Burke, dressed as a Jesuit (cf. BMSat 6026), standing within a low, semicircular wall at the foot of a crucifix, marries the Prince of Wales and Mrs. Fitzherbert. The Prince is about to put the ring on her finger. Fox gives her away, holding her left wrist. Beside him (right) stands Weltje in back view but looking to the left at the ceremony. A napkin is under his left arm, bottles project from his coat-pockets, and the tags on his shoulder denote the liveried manservant. To the left of Fox appears the profile of George Hanger. On the left North sits, leaning against the altar wall, sound asleep, his legs outstretched. He wears his ribbon but is dressed as a coachman, his hat and whip beside him. All the men wear top-boots to suggest a runaway match. Behind the Prince in a choir seat is a row of kneeling monks who are chanting the marriage service. The crucifix is partly covered by a curtain, but the legs and feet are painfully distorted as in BMSat 6026. On the wall and pillars of the church are four framed pictures: 'David watching Bathsheba bathing', 'St. Anthony tempted by monsters', 'Eve tempting Adam with the apple', and 'Judas kissing Christ', the last being over the head of Fox."--British Museum online catalogue, description of an earlier state of the same composition.
Alternative Title:
Trip to the Continent and Wife and no wife
Description:
Companion print to: "The morning after marriage, or, A scene on the Continent.", CtY-LW, Printmaker from British Museum catalogue., Reissue, with altered imprint statement, of a print originally issued with the publication line: Publish'd by Willm. Holland, No. 66 Drury Lane, London, March 27, 1786. Cf. No. 6932 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires v. 6., Sheet trimmed within plate mark., Temporary local subject terms: Morganatic marriage of Prince of Wales and Mrs. Fitzherbert -- Allusion to Bible stories: Adam and Eve -- Allusion to Bible stories: David and Bathsheba -- Allusion to Bible stories: St. Anthony tempted by monsters -- Allusion to Bible stories: Judas kissing Christ., and Title etched below image.
Publisher:
Willm. Holland, No. 50 Oxford Strt.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burke, Edmund,--1729-1797--Caricatures and cartoons., Fitzherbert, Maria Anne,--1756-1837--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Hanger, George,--1751?-1824--Caricatures and cartoons., Harvey, Francis--Ownership., Holland, William, active 1782-1817, publisher., North, Frederick,--Lord,--1732-1792--Caricatures and cartoons., and Weltje, Louis,--1745-1810--Caricatures and cartoons.