Manuscript on paper of a pietistic, mystical text in prose and verse, illustrated by a great variety of illustrations cut from manuscripts of smaller dimensions (plus some prints), and pasted in. These illustrations include the "Python" illuminated drawing which has been reproduced in color, a series of "alchemical processes depicted symbolically taking place within flasks", as well as many other pictorial elements drawn from a variety of sources
Description:
In German, Low-German, Latin, and Hebrew., Script: Written by a single hand in dark brown and pale red inks in a loose and flowing cursive, often with Fraktur elements, frequently placing capital letters in the midst of words, sometimes in red; with some inserted leaves and additional matter by another, perhaps slightly later hand, and with pasted-in leaves, usually with illustrations, partly taken from older manuscripts, and partly (apparently) by the compiler., Watermarks: The inserted leaves of paper with a large fleur-de-lys watermark, unidentified; the thinner paper used for most of the volumes with unidentified watermark in folds., With additions in German and Dutch., Bound in 2 volumes., and Binding: Uniformly bound in eighteenth- or nineteenth-century marbled boards, red leather backs with three bands, each volume with modern brown calf title labels gold-stamped "ALCHYMICAL MANUSCRIPT," speckled edges.
Subject (Topic):
Alchemy, Illumination of books and manuscripts, and Pietism
Manuscript on paper of a pietistic, mystical text in prose and verse, illustrated by a great variety of illustrations cut from manuscripts of smaller dimensions (plus some prints), and pasted in. These illustrations include the "Python" illuminated drawing which has been reproduced in color, a series of "alchemical processes depicted symbolically taking place within flasks", as well as many other pictorial elements drawn from a variety of sources
Description:
In German, Low-German, Latin, and Hebrew., Script: Written by a single hand in dark brown and pale red inks in a loose and flowing cursive, often with Fraktur elements, frequently placing capital letters in the midst of words, sometimes in red; with some inserted leaves and additional matter by another, perhaps slightly later hand, and with pasted-in leaves, usually with illustrations, partly taken from older manuscripts, and partly (apparently) by the compiler., Watermarks: The inserted leaves of paper with a large fleur-de-lys watermark, unidentified; the thinner paper used for most of the volumes with unidentified watermark in folds., With additions in German and Dutch., Bound in 2 volumes., and Binding: Uniformly bound in eighteenth- or nineteenth-century marbled boards, red leather backs with three bands, each volume with modern brown calf title labels gold-stamped "ALCHYMICAL MANUSCRIPT," speckled edges.
Subject (Topic):
Alchemy, Illumination of books and manuscripts, and Pietism
2 Amulets, manuscript, ink and paint on paper. Calligraphic Italian hand. Written on both sides of the leaf, with borders and vignettes in colors. One side of the leaf has an predominantly orange border, and on top are two putim holding a crown, with the word "bi-yeshuʻati" (in my redemption). This amulet is meant to keep the bearer free of harm. On the bottom, in large block letters, are kabbalistic statements. On the other side of the leaf is another amulet, whose border is chiefly yellow. On the top there is a vase with flowers. Below the vase is the statement in Hebrew, "in the name of the God of Israel". The text continues with the tale of the prophet Elijah's encounter with the evil spirit Lilith and how he manages to vanquish her. This amulet is meant to protect a mother, who has just given birth, and her newborn child. At the bottom, in large block letters, are kabbalistic statements
Description:
In Hebrew.
Subject (Geographic):
Italy. and Italy
Subject (Topic):
Amulets (Judaism), Religious articles, Religious life and customs, and Jewish art and symbolism
Colophon of v. 3 dated 1655., Signatures: v. 3: A-4I⁴ 4K²., and Vol. 3 has sub-title: Theatrum hieroglyphicum, hoc est, noua & hucusque intentata obeliscorum coeterorumque hieroglyphicorum monumentorum, quae tùm Romae, tùm in Aegypto ac celebrioribus Europae musaeis adhuc supersunt, interpretatio iuxta sensum physicum, tropologicum, mysticum, historicum, politicum, magicum, medicum, mathematicum, cabalisticum, hermeticum, sophicum, theosophicum; ex omni orientalium doctrina & sapientia demonstrata.
Publisher:
Ex typographia Vitalis Mascardi
Subject (Geographic):
Egypt--Description and travel--Early works to 1800, Egypt--History, and Egypt--Religion
Subject (Topic):
Egyptian language--Writing, Hieroglyphic and Hermetism--Early works to 1800
Jewish marriage blank contract form (ketubah). Printed in gold colored ink.
Alternative Title:
Be-'ezrat ha-shem yitbarakh be-siman tov ube-mazal tov yiten ha-Shem et ha-ishah ha-ba'ah el betekha ke-Rahel uke-Le'ah asher banu shetehen et bet Yisra'el ve-'osah hayil ... and Yiten ha-Shem et ha-ishah ha-ba'ah el betekha