Bible. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Binding: Sixteenth-century. Blind-tooled brown calf over thin wooden boards, decorated with rolls. Rebacked. Remnants of two clasps fixed to the rear cover. On the spine two labels, the upper one with the gold-tooled title in Gothic, nineteenth century: Biblia sacra cum interpretationibus Hebraicorum nomine [sic] in fine; the lower one with gold-tooled inscription in Roman type MS.P. On the first fly-leaf (f. Iv) a list of Biblical Kings., Bookplate of James William Ellsworth. Collection of Col. Richard Gimbel. Gift of Mrs. Richard Gimbel, 1971., Cataloged from microfilm by Albert Derolez., Manuscript on parchment containing 1) List of Epistle and Gospel readings (incipit and explicit) for the liturgical year. 2) Survey of the subdivisions of the Bible. 3) Bible text. 4) Interpretationes nominum Hebraicorum. Thin parchment, many leaves and the lower outer corners of all leaves damaged by moist. Two folios are missing between ff. 184 and 185, two folios between ff. 282 and 283, one folio between ff. 295 and 296, all with loss of text. There is no good explanation for the complicated quire structure of this manuscript, except that art. 4 is a separate codicological unit. The first quire, made from goatskin and containing articles 1-2, is a 14th-century addition and the handwriting looks Italian. The rare marginal notes appear most in the first quires, are written in Italian Gothica Cursiva and seem generally to be of a grammatical nature. The manuscript, copied in France in the beginning of the fourteenth century, was consequently later in Italy. Written in very small Northern Gothica Textualis., Red headings and red heigthening of the majuscules. Alternately red and blue pain initials (1 line) in art. 4. Alternately red and blue flourished initials (2 lines) with long marginal extensions. Beautiful larger flourished initials in the same colours with very developed penwork, in which both colours are sometimes combined, at the beginning of the various books and sections. On f. 1r large littera duplex and on f. 8r (beginning of Genesis) large initial I with very fine penwork, both the full height of the text area and in the same colours. Running titles in red and blue., and Shailor, The Medieval Book, 40.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval -- Connecticut -- New Haven
The Osborn collection of 12 fragments of illuminated manuscripts from the 14th to the 16th century
Image Count:
2
Resource Type:
Archives or Manuscripts
Description:
f. 1r-v Antiphona. Cruci, corone spinee, clavisque dire, lancee ... per que corone gaudia perpetua speramus. Versus. Adoramus te Christe ... Oremus. Quesumus omnipotens Deus, ut qui sacratissima nostre redemptionis insignia temporaliter veneramur, per hec indesinenter muniti eternitatis gloriam consequamur. Per. De sancto Eustachio antiphona., On parchment., This small luxurious book of devotion seems to be organized according to the liturgical year, the Exaltation of the Cross being celebrated on 14 September, the martyr Eustace on 20 September., and Yellow heightening of the majuscules. One 2-line flourished initial, gold with blue flourishes, and on f. 1r one square miniature (5 lines) in a golden frame representing the Instruments of the Passion, accompanied by a full rinceaux border with a gold and pink bar in the inner margin. In the upper right and the two lower corners flowers and plants grow on a circular grassy patch of earth. The spiralling tendrils between them carry gold balls and vine leaves and flowers.
Art. 1 is decorated with red plain initials, more or less small decorated initials in various colours and large initials. Art. 3 has a title in mixed Capitalis/Uncialis. The part of art. 4 copied by hand B has some highlighting in yellow, red or green and plain initials; the part copied by hand C has a few plain initials; the 12th-century part copied by hand D has red headings with instructions in small script written in the outer margins, plain or flourished Romanesque initials and an explicit in decorated mixed Capitalis/Uncialis. Art. 5 is undecorated apart from its title and the opening initial. There are effaced drawings in the lower margins of some leaves in art. 1., Binding: Twentieth-century. Reddish brown morocco over cardboard, by Riviere and Son. Spine with five raised bands and gold-tooled inscription S. GREGORII DIALOGI. SAEC. X., Cataloged from microfilm by Albert Derolez., Gift of Mr. and Mrs. Hans P. Kraus in memory of Edwin J. Beinecke, 1975., Gregory the Great, Dialogi. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on parchment of varying quality, some parts very bad (quire IX), with irregular edges. Contains 1) Gregory the Great (Gregorius Magnus), Dialogi, Books I-III. Starts incomplete I, 3, 2 and ends incomplete III, 24, 3 followed by the title of III, 25. Between ff. 13 and 14 a page is missing which contained Dialogi I, 9, 8-13. 2) Sulpicius Severus, Sermo de transitu sancti Martini = Epistula III, 16-21. The beginning is missing. 3) Unidentified sermon for the feast of a Confessor in the Common of the Saints, containing 7 (?) Lessons. Above the line a twelfth-century hand has repeatedly identified the saint with St. Aderaldus archdeacon of Troyes (d. beginning of the 11th cent.). 4) Gregory the Great (Gregorius Magnus), Dialogi, Book IV. 5) Vita S. Symeonis Stylitae. There are more than five scribes: A (Carolingian script with very imperfect word separation, s. X2); B (large and bold Carolingian script, s. X2); C (smaller Carolingian script, very close to B, or same hand); D (Praegothica, s. XII); E (various hands writing Praegothica and succeeding each other at irregular intervals)., and T. E. Marston, A Manuscript of the Dialogues of Saint Gregory the Great, Gazette, 50 (1976), pp. 15-18.
Subject (Name):
Catholic Church, I, Pope, Gregory, ca. 540-604, and Severus, Sulpicius
Subject (Topic):
Christian literature, Latin (Medieval and modern), Dialogues, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval -- Connecticut -- New Haven, and Sermons
The Osborn collection of 12 fragments of illuminated manuscripts from the 14th to the 16th century
Image Count:
2
Resource Type:
Archives or Manuscripts
Abstract:
Cutting of a foliate initial in blue on a square gold background, the interior of the letter containing two branches with leaves and a flower on a speckled background.
The Osborn collection of 12 fragments of illuminated manuscripts from the 14th to the 16th century
Image Count:
2
Resource Type:
Archives or Manuscripts
Description:
f. 1r //tur vobis. Deus autem pacis qui eduxit de mortuis pastorem magnum dominum ... Secundum Marcum. In illo tempore mane prima sabbati ...et illi euntes nunciaverunt ceteris.
Thursday of the second week after Easter, with lessons from Hebrews 13:20 and Mark 16.2-13.
f. 1r-v Feria via. Ad Romanos. Fratres, cum adhuc essemus infirmi ... Secundum Matheum. In illo tempore exierunt mulieres de monumento ... usque in hodiernum diem.
Friday of the second week after Easter, with lessons from Romans 5:6-11 and Matth. 28:8-15.
f. 1v Sabbato. Si non fuerit festum novem lectionum sollempnizamus ultimam missam ...
Saturday of the second week after Easter.
Dominica iia post Pascha. Ad missam de beata Maria. Alleluia. Versus. Post partum ... Ad processionem per cimiterium. Antiphona. Surgens Dominus Ihesus ... Ad missam introitus. Misericordia Domini plena est terra ... Gloria in excelsis. Collecta. Deus qui in filii tui humilitate iacentem mundum erexisti ... Lectio epistolae beati Petri apostoli. Karissimi, Christus passus est pro nobis ... R. Alleluia. Versus. Ego sum pastor bonus et cognosco oves meas et cognoscunt me mee. //
Second Sunday after Easter, with lesson from 1 Peter 2:21-25., On parchment., Pricking in the upper and lower margins. Ruled with brown ink for two columns of 30 lines below top line (type 43, 212 x 140 mm., The majuscules are heightened in yellow. One line-filler in gold and paint. The decoration consists of (1) 2-line dentelle initials and (2) 3-line foliate initials. On f. 1v there is a gold and blue bar in the intercolumnium ending in the upper and lower margins in rinceaux with vine-leaves, a few flowers and acanthus leaves. Instructions for the rubricator are written in the margins in small Gothica Cursiva., and Written in Northern Gothica Textualis Formata in two sizes.