Two miniatures, on parchment, both fragments of a Book of Hours, depicting events in the Passion of Christ, both in color with gold and burnished gold. The first depicts the Flagellation of Christ within a stylized architectural frame. The second depicts the Carrying of the Cross in a stylized landscape which includes two other crosses erected against a gold diapered background
Description:
Attributed to the workshop of Jacquemart de Hesdin.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jacquemart, de Hesdin, active 1380-1411. and Jesus Christ
Subject (Topic):
Passion, Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Score, holograph, with corrections and conductor's markings. The score varies from the first published edition and is apparently an earlier version of the work. Accompanied by a fragment of score paper with Walton's name and the Sitwells' London address, written by Walton in holograph
Alternative Title:
Sinfonia concertante, piano, orchestra
Description:
William Walton composed the Sinfonia Concertante while living in London with the Sitwell family. Walton dedicated the three movements of the work to Edith, Osbert, and Sacheverell Sitwell. The Sinfonia Concertante was first published in 1928 and revised in 1943., a Available on microfilm, Staff notation., Title from cover., and Date of creation supplied by cataloger.
BEIN 2003 Folio 88 16: Cropped stamp: Rooke & Cos. From the collection of Paul Mellon., For piano., and Lithograph on t.p. of the Capitol in Washington, D.C., and the park and City Hall, New York. Signed: J. Brandard.
Accompanied by an exhibition label for the 79th Exhibition by Artists of Chicago and Vicinity, at The Art Institute of Chicago, July 4-August 16, 1981.