Holograph diaries of a year in Clifton, and journeys to Hanover and Germany. The first volume, a diary dated at Clifton in 1807-1808, details the child author's daily social and educational activities. She studies French verbs and reads Roman history as well as practices her dance steps each day; elsewhere, she arranges her doll's clothes and buys accessories for it; goes out on walks with other young ladies; plays cards; and describes and often criticizes her meals. She also mentions the social activities of her mother, the names of visitors to the house, and the daily visits from a cake-seller. Inside the front cover is written, "Susan North. Clifton. Given me by my dearest grandpapa who beged me always to keep a journal.", The third volume is a travel diary dated 1821, in which the writer records her journey from England to Hanover with her son John. She describes the landscapes, the quality of the horses, the price of travel, and the state of the inns in which she stays, as well as her opinions of the attractiveness of the towns and inhabitants she sees. She says of Liege that it "is the oldest, ugliest, dirtiest, & poorest town I ever saw, & filled with beggars. The women less handsome than in any place I ever saw," while she praises Dusseldorf for its cleanliness, good houses, and large shops well-supplied with goods, and The second volume is an undated travel diary from Hanover to Gottingen, Cassell, and Marburg. Written in pencil, with a few corrections in ink, the writer primarily discusses landscapes and buildings; she says of the town of Munden that its situation was the most beautiful thing she ever saw and calls Leibenberg Castle "very curious--old painters, old furniture." The volume contains about 24 sketches in pen and pencil, primarily of landscapes and buildings, but also including profiles of several women. At the beginning of the volume are several pages of travel expenses
Description:
In English. and Binding: decorated paper covers.
Subject (Geographic):
Great Britain and Germany
Subject (Topic):
Children's writings, English, Education, Travelers' writings, English, Women authors, Description and travel, and Social life and customs
Holograph diary of a stay in Brussels and France after the Battle of Waterloo. Many of the author's observations reflect the recent battle; she reports, for example, on the celebrations in Brussels when its inhabitants receive news of Napoleon's surrender; provides news about various acquaintances in the military as well as other military news after the Battle of Waterloo; and describes Paris as "a military camp for all the nations of Europe." She also makes numerous comparisons between French and English culture, as when she views a play at the Theatre Francaise and comments on the lighting techniques in French playhouses as compared to those in England. Elsewhere, she views as statue of King Henri IV and comments on his reign; vists the porcelain manufactory at Sevres; and describes acquaintances she makes in Brussels. The diary concludes with her road journey from Boulogne to Calais, where she meets several friends, and then to Dover, At the end of the volume is a table of inns in which the author stayed, and The work is the second volume of a set; see Osborn d186 for the first volume in the set. The author's diary was published in 1817
Description:
In English., Title from title page., Autograph on flyleaf: Jane Waldie., Written inside front cover: No. 118., and Binding: quarter red morocco.
Subject (Geographic):
France, Great Britain, and Belgium
Subject (Name):
Eaton, Charlotte Ann (Waldie), 1788-1859., Henry IV, King of France, 1553-1610., Napoleon I, Emperor of the French, 1769-1821., Waldie, John, 1781-1862., and Watts, Jane (Waldie), 1793-1826.
Subject (Topic):
Theater, Travelers' writings, English, Waterloo, Battle of, Waterloo, Belgium, 1815, Women authors, Description and travel, and Social life and customs
The diary is concerned mostly with fashionable life in London, containing many lists of guests, descriptions of parties, masques, and "revels," details of evening dress and costumes, and sometimes sharp commentary on incidents such as waiting for her carriage for half an hour because her servants had been given "tickets for beer" by her hostess. De Crespigny sometimes quotes conversation extensively. The diary also details a trip to Brighton, where the writer was deeply offended at not being asked to dine at the Pavilion
Description:
Mary Champion de Crespigny (1750-1812) was married to the Admiralty official (later baronet) Claude William Champion de Crespigny. She entertained a fashionable Naval and court circle that included the Prince of Wales, and also published at least one novel, as well as a poem in tribute to Lord Collingwood (1810)., Phillipps MS 11956., Annotated on inside front cover: Journals in continuation of the year 1809., and Binding: marbled paper over cardboard, with title: Journals 1809 and 1810.
Subject (Geographic):
Great Britain
Subject (Name):
De Crespigny, Claude Champion, Sir, d.1818. and De Crespigny, Mary.
Subject (Topic):
Upper class, Social life and customs, Women authors, and Brighton (England)
Autograph narrative, extensively illustrated by Mrs. Kenah, of two journeys in Europe taken by the Kenah couple with friends in 1821-24 and in 1827-29. On the first tour, accompanied by Walter Burrell, MP for Sussex, and "Mrs. Crutchley of Sunning Hill Park....and a Blenheim spaniel," the Kenahs traveled through France, Switzerland, Italy, and Bavaria; they were present in Naples for the 1822 eruption of Mount Vesuvius, and spent time in Rome and Lucca as well. In the later tour, they visited the Low Countries, Germany, and Trieste. The text is clearly drawn from diaries kept by Mrs. Kenah during the tours, and contains her often humorous responses, as an "Inexperienced Traveller," to tourist sights, local customs and manners, "foreign" food, and travel difficulties, Mrs. Kenah describes herself as "a woman in quest of the Picturesque," and over 80 of her watercolors and pen and ink sketches are mounted in her travel album. Subjects include "Eruption of Vesuvius, October 22, 1822 as it appeared at midday;" several portraits of Lucchese, Swiss and German figures in local costume; a portrait of Tommaso Sgricci, the famous improvvisatore; a memorial Mass in Caudenberg; the "table d'hote" at the Baths of Ems; the Salon at the Palazzo Ricasoli in 1824; and a variety of "picturesque" landscapes, including a view of the Bay of Naples, of a canal in Venice, and of several castles and mountain scenes in Germany. Also included are several printed views of German scenes which have been hand-colored, and In addition, there are watercolors of English subjects at the end of the volume: cottage scenes, rural landscapes, "view of Box Hill," "Grimsthorpe, 1826," and "Dunkeld from Dr. Fisher's garden. Sept. 9 1826."
Description:
Spine title reads: "Journal. Vol. I.", Annotated on front endpaper: "Mary Leigh Best, 1878.", and Binding: Contemporary calf, red gilt morocco spine label, gilt decoration.
Subject (Geographic):
Italy, Switzerland, Belgium, France, Lucca (Italy), Naples (Italy), and Vesuvius (Italy)
Ethnic costume, Grand tours (Education), Landscape drawing, Travelers' writings, English, Views, Women authors, Women travelers, Description and travel, Social life and customs, and Eruption, 1822
Manuscript, in a multiple hands, of a collection of newspaper articles, prints, drawings, letters, and autobiographical text, primarily relating to Grimstone's published writing. The volume includes "my first prose [which] was the following letter inserted in the Polemical Inquirer. The Editors letter to me is on the oppposite side," numerous pieces of prose and verse which appeared in "The Ladies Monthly Museum" and "The Theatrical Inquisitor," and printed musical scores, of which she notes, "Part of my engagement with the proprietors of the Ladies Monthly museum, was to supply new words to the Irish melodies and other airs," as well as numerous business correspondence with editors and personal letters. The volume is prefaced by an introduction in which Grimstone gives an account of her recent "nervous disorder" during which she destroyed much of her writing. She declares, "My Own Scrap Book in which i mean to be as egotistical as I can and talk of nothing but myself, or what relates to myself. If I live to see the hundred and odd years, I am promised; I & this book shall like to converse together when perhaps few others will care to give me companionship. If I die early, then this book will be still a part of me remaining and speaking to those that loved me."
Description:
In English., Laid in at end: letters and scraps of paper with printed poems., Laid in at beginning: typed list of works attributed to Grimstone in the British Museum Catalogue., and Binding: half calf.
Subject (Geographic):
England and Great Britain
Subject (Name):
Grimstone, Mary Leman (Rede)
Subject (Topic):
English literature, English poetry, Letters, Music, Women authors, Women, Conduct of life, Periodicals, and Social life and customs