Imperfect: damage repaired, with negligible loss of text on leaf A4. Ownership inscription mostly trimmed off. From the library of Ludovico de Torres, Cardinal Archbishop of Monreale. and Signatures: A-D⁴ (A1v blank).
Publisher:
Per Francesco Marcolini,
Subject (Name):
Marcolini, Francesco, ca. 1500-ca. 1559 and Torres, Ludovico de, 1551-1609
"Satira dezena del juuenalen ... Traduzida por dõ geronimo de villegas": p. [654-661] (leaves Q2v-Q6v)., Armorial bookplates: Henry Hucks Gibbs; Thomas Ewart Marston. Binder's stamp: Bound by Holloway. Scattered ms. annotations in early part of book., Pagination supplied by cataloger., Printed in gothic letter, title in red; large coat of arms on t.p. and at end; initials; colophon device (Haebler IIIc)., Signatures: (8(?)(2-7a-z8(symbol)8(symbol)8A-O8P-Q6., The Yale copy is without the title-page as given in Cornell univ. library cat. of Dante, v. 1, p. 67-68; bound at front instead, is the leaf of Villegas' arms with title at foot and with blank verso (8th leaf in the Cornell copy, with arms of Juana of Aragon on verso) The leaf is facsimile 766b in Vindel: "Esta pagina se halla en algunos ejemplares al principio en lugar de la Suma o indice, que entonces se halla al final"., and Translation of the Inferno only, including Landino's commentary.
Publisher:
Friedrich Biel,
Subject (Name):
Gibbs, Henry Hucks,--1819-1907--Bookplate., Juvenal. Satura 10. Spanish., Juvenal. Villegas., Landino, Cristoforo, 1424-1504., Marston, Thomas E.--Bookplate., Villegas, Jeronimo de, d. 1504., and Villegas, Pero Fernandez de, d. 1525.
In verse., Signatures: A⁴., Twentieth-century ms. notes on endpapers, including "Murray - Martini (3998)." Binder's stamp: Lloyd, Wallis & Lloyd. Interior dentelles., and Woodcut ill. on t.p.
Publisher:
[s.n.,
Subject (Name):
Lloyd, Wallis & Lloyd, binder, Martini, Giuseppe,--1870-1944--Ownership., and Murray, Charles Fairfax,--1849-1919--Ownership.
Imperfect: leaves a4-5 wanting., Signature: a8., and Without title. On p. [l] is a woodcut of St. Cecilia, with legend "Cicilia", within a border composed of columns on each side and figures of Christ and angels in top and bottom panels. The text begins on p. [2]: "Langiolo annuntia la festa". On p. [16] is the fleur-de-lys device of Filippo Giunta (Kristeller 43).