Manuscript roll, on parchment, in a single hand, illuminated, containing the "Arma Christi" poem and other prayers, in Dutch, including prayers ascribed to Popes Sixtus IV and Alexander VI. The prayers are preceded by a rubric instructing readers to kneel as they recite the prayers in order to obtain an indulgence.
Description:
Binding: section of leather sewn to top of scroll. Accompanied by seventeenth-century? fabric case with fabric and metal appliqués., Decoration: Rubricated. Initials in red or blue. Large miniature at head of roll containing a bust of Christ wearing a crown of thorns, displaying his stigmata, and surrounded by the "arma Christi" (also known as the Instruments of the Passion). On a blue ground in gold frame. One large decorated initial immediately below miniature. Text accompanied by decorated borders on both sides., Layout: single column of text., Purchased from Richard Linenthal (Sotheby's London sale, 2014 July 8, lot 48) on the Edwin J. Beinecke Book Fund, 2014., and Script: gothic.
Subject (Geographic):
Netherlands--Religious life and customs--Early works to 1800
Subject (Name):
Alexander VI, Pope, 1431-1503, Catholic Church--Prayers and devotions--Dutch, Jesus Christ--Passion--Art, Jesus Christ--Passion--Prayers and devotions, Jesus Christ--Passion--Prayers and devotions--Early works to 1800, and Sixtus IV, Pope, 1414-1484
Subject (Topic):
Illumination of books and manuscripts, Medieval, Indulgences--Early works to 1800, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of epistolary forms extracted from an unidentified Aurea gemma de arte dictandi.
Description:
Binding: Nineteenth century, France. Semi-limp vellum case made from French document, with only dorse visible., Crude initials, 3- to 2- line, headings, underlining, paragraph marks, in red., Leaves of the text have been misbound, with ff. 5, 6, 7 now at conclusion., Script: Written in hasty batarde script by a single scribe., and Watermarks, in gutter: unidentified bull's head.
Subject (Topic):
Education, Humanistic, Latin letters, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Rhetoric--Early works to 1800
Manuscript on parchment of astrological texts drawn largely from Arab astrology of the early Middle Ages, and transmitted in medieval Latin translations; in addition Ptolemy's Centiloquium is present, transmitted not in Greek but through the Arabic, along with a single contemporary component, the Astrolabium planum of Johann Engel.
Description:
Binding: Nineteenth century, English. Marbled paper boards, green calf back with six heavy (false?) bands, the compartments with patterns of small tools impressed in gold and with gold-stamped titles, a small rectangular label with the printed number 1037 and a small round label with the inked number 894 glued to the bottommost compartment. All edges gilt. Preserved in a modern green cloth folding box, probably French, with leather label., Collection of Sir Thomas Phillipps. Mellon MS 155, acquired from C. A. Stonehill, Inc. (bookseller), New Haven. Gift of Paul and Mary Mellon, 1965., Rubrics, and occasional headlines in red, diagrams in the text in brown and red inks. Full illuminated border, outlined in red, on f. 1r of leafy sprays in colors and gold, the white spaces filled up with black dots and small burnished gold circles each with three or four small tendrils; a large initial in burnished gold and colors at the beginning of the text in the first column, with gold band extending downward and then around three sides of the page forming an inner border, completed by a red line at top; a lozenge at the center of the lower band of the border containing a pattern of platelike discs, quatrefoils, and a leafy spray on a dull gold ground, this segment almost certainly a later replacement of an original coat of arms which has been erased. Elsewhere in the manuscript smaller illuminated initials in the style of the first frequently occur, and larger ones with descenders to partial borders at the foot of the page occur. Each of the ninety-six pages from f. 191r through 238v has four drawings in colors (six on those pages which open each of the signs of the Zodiac), placed within diagrams accompanied by slight text., and Script: Written by a single scribe in a large and clear hand in Gothica textualis formata and Bastarda.
Subject (Name):
Ptolemy,--2nd cent
Subject (Topic):
Astrology, Arab, Astrology--Early works to 1800, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of 1) Jacobus Palladinus de Teramo, Belial (also known as Consolatio peccatorum seu Processus Luciferi contra Iesum Christum). 2) Athanasian Creed, added in a different hand.
Description:
According to a note in library files, the manuscript was purchased from B. M. Rosenthal via L. C. Witten in 1958 by Thomas E. Marston., Binding: Nineteenth century. Dark brown, hard-grained goatskin, blind- and gold-tooled. Gilt edges. On spine: "Liber Bellial" and "Codex Ms. Saec. XV"., Divided initial, 15-line, in red in f. 1r. Plain initials, 10- to 4-line, initial strokes, and paragraph marks (in outer margin) in red throughout., and Script: Written in a cramped gothic cursive by a single scribe, above top line; art. 2 added in an awkwardly formed gothic bookhand.
Subject (Name):
Palladinus, Jacobus
Subject (Topic):
Athanasian Creed, Christian literature, Latin, Consolation--Early works to 1800, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Caesar, Bellum Gallicum, translated into Italian by Pier Candido Decembrio in 1438. With Dedication of the translation to Filippo Maria Visconti, Duke of Milan.
Description:
Binding: Date? Italy. Vellum case with title in ink on spine: "Cesare Comment". Gilt, gauffered edges and gold and cream silk endbands. Fragments of a printed service book with musical notation partially visible under pastedowns., Elegant illuminated title page (f. 2v) with the title, written in blue over an erasure, in a circular wreath, green with gold flowers, and framed by narrow gold bands with fillets and inkspray issuing from the top and bottom with blue and deep red flowers, green leaves and gold balls. Full border, f. 1r, white vine-stem ornament on blue, green, deep red and gold ground between thin gold frames. In lower border, medallion, blank, framed by wreath, green with yellow highlights and narrow deep red frame. Partial border, f. 3r, white vine-stem ornament on blue, green and deep red ground between narrow gold frames, enlarged to elongated dots at terminals; white vine-stem ornament extends into upper (trimmed) and lower margins, with single gold balls with hair-line strokes. 8 large initials, 11- to 3-line, gold on blue, green, gold and deep red ground with white vine-stem ornament shaded with pale pink. First few words of each book in gold; incipits, explicits and marginalia in red., and Script: Written below top line in a bold round humanistic hand by a single scribe who added extra rulings in outer margins for headings, annotations, etc., in red. Additional annotations in humanistic cursive, in a brighter shade of red.
Subject (Geographic):
Rome--History, Military--265-30 B.C
Subject (Name):
Caesar, Julius
Subject (Topic):
Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of 1) Proverbs. 2) Ecclesiastes. 3) Canticles. 4) Wisdom of Solomon. 5) Wisdom of Jesus the son of Sirach. 6) Laurentius Valla (Lorenzo della Valle, 1407-1457), Encomium sancti Thomae Aquinatis. Oration pronounced 8 March 1457. 7) Gaspar Veronensis (Gaspare da Verona, c. 1400-1474), Oration held in the church of St. Eustachius, see of the Studio Romano, in October 1459 or 1469, dealing with rhetoric, Latin literature and the various sciences. 8) Gaspar Veronensis (Gaspare da Verona), Rhetorical models consisting of the opening sections of nine orations.
Description:
Binding: Contemporary binding without leather covers or spine: bevelled beach boards (too small for the codex), worm-eaten, sewn onto three double leather thongs; remains of one clasp attached to the front board, with brass catch on the rear board. Front endleaves: large fragment of a Latin document on parchment that mentions church officials, written in Gothica Cursiva Libraria, dated 1431-1443. The rear endleaves are a fragment of a pattern sheet on parchment, probably from the papal chancery, containing short and longer quotations from papal bulls and other documents, some of doubtful authenticity, in various types of calligraphic script., ff. 66-69 blank and uncut., Script: Copied by two hands, both writing a very small Humanistica Cursiva Libraria: A (ff. 1r-65r) and B (ff. 70r-78v)., and There is little consistency in the decoration. Headings, partly in Capitalis, in red or black (often missing). Opening words or lines in Capitalis. On f. 22v-26r the majuscules are stroked in red; plain red initials somewhat imitating Romanesque models ff. 22v-25r. All other initials (2-3 lines) have guide letters in the margin but were not executed. Curious pointing hands with sleeves in the margins of the Biblical texts.
Subject (Name):
Gaspare,--da Verona,--ca. 1400-1474 and Valla, Lorenzo,--1407-1457
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Rhetoric, Ancient, Speeches, addresses, etc., Latin (Medieval and modern), and Wisdom literature