Manuscript on paper containing 1) Le veau d'or, an unidentified alchemy in French. 2) Le rosaire des philosophes, an unidentified text incorporating many borrowings from medieval alchemy. 3) W.R., Experimentum verae confectionis philosophorum lapidis, in Latin, partly extracted from Geber and Eirenaeus Philaletha.
Alternative Title:
Le veau d'or
Description:
Binding: Original mottled calf, the flat back divided into compartments by fold rules, floral ornaments gold-stamped in the compartments, modern leather title label on backstrip, original red edges; hinges, corners, and edges repaired., In French and Latin., Mellon MS 17, acquired with the Duveen collection. Gift of Paul and Mary Mellon, 1965., Script: Written in an elegant cursive sloping to the right with many words tied together by ligatures., and Watermarks: Paper of endleaves with unidentified armorial watermark and countermark "FIRAILLE (?) FIN BOURGOGNE 1742," unidentified; paper of the text with the Amsterdam arms and countermark "FIN DE LECHALLE (?)," unidentified.
Authors, American--20th century--Archives, Authors--United States--20th century, Authors--United States--21st century, LGBTQ resource, Poets, American--20th century--Archives, Poets--United States--20th Century, and Poets--United States--21st Century
An epitaph on one Affleck an itinerant linnen draper, The following epitaph was found written in chalk upon a tomb-stone ..., The hard duty of Dean Swifts curate, and Tit for tat from the Sentimental Magazine
Autograph manuscript, containing meditations on the Psalms, Trumbulls own metrical versions of certain Psalms, notes from reading and notes on the life and government of Venice. Prefaced by an introduction which is partly autobiographical.
Description:
Unnumbered pages
Subject (Geographic):
Venice (Italy) --History
Subject (Topic):
Bible. English O.T. Psalms --Paraphrases and English poetry
Manuscript, in a single hand, of a collection of descriptions of voyages and naval engagements between the English and Spanish, including those led by Sir Francis Drake; George Clifford, Earl of Cumberland; Lord Thomas Howard, Earl of Suffolk; Sir Walter Raleigh; Robert Devereux, Earl of Essex; and others. Each entry begins with a list of ships and the names of their commanders, followed by a narrative of the events of the naval conflict, which include details of short rations; discussions of tactics; occasional criticism of both English and Spanish commanders; and descriptions of maneuvers in battle. Monson's own name appears on some of these lists as ship commander under Cumberland and Essex, as well as within the narratives.
Alternative Title:
Sir William Mounson's sea voyages
Description:
Binding: stitched. and This work was printed in 1682 as the first part of "Magalopsychy, A true and exact account of the wars with Spain..."
Subject (Geographic):
Great Britain--Foreign relations--Spain, Great Britain--History--Elizabeth, 1558-1603, Great Britain--Politics and government--1558-1603, and Spain--Foreign relations--Great Britain
Subject (Name):
Cumberland, George Clifford, Earl of, 1558-1605, Drake, Francis, Sir, 1540?-1596, Essex, Robert Devereux,--Earl,--1566-1601, Great Britain.--Royal Navy, Monson, William,--Sir,--1569-1643, Raleigh, Walter,--Sir,--1552?-1618, Spain.--Armada, and Suffolk, Thomas Howard,--Earl,--1561-1626
Doni, Gio. Battista (Giovanni Battista), 1593 or 1594-1647
Published / Created:
MDCXL [1640]
Call Number:
Monteverdi 5
Image Count:
9
Resource Type:
Books, Journals & Pamphlets
Description:
Author's presentation inscription to Malatesta Albani. Unidentified armorial bookplate. Shelfmark in ms. on t.p. verso: M VIII 4. Accompanied by 3 leaves of ms. notes. From the Albi Rosenthal Collection of Monteverdi and the birth of opera. and Signatures: [dagger]⁸(-[dagger]1, blank?) A-3F⁴ 3G².
Publisher:
Nella stamperia d'Andrea Fei,
Subject (Name):
Doni, Gio. Battista (Giovanni Battista), 1593 or 1594-1647. Compendio del trattato de' generi e de' modi della musica. and Rosenthal, Albi, 1914-2004
Subject (Topic):
Music, Greek and Roman, Music--Acoustics and physics, and Musical instruments
Binding: Eighteenth century. Rebound in brown cowhide (?), blind-tooled, with numerous metal bosses. Pastedowns from the same 17th-century antiphonary used as flyleaves., Script: Written in two sizes of round liturgical gothic script by several scribes: Scribe 1, ff. 1r-235r; Scribe 2, f. 235r-v, and Scribe 3, ff. 236r-245v., and Three fine historiated initials, 4- to 2-line, shaded pink and/or green, with blue, yellow, green and orange foliage and knots, with gold dots and orange frame; figures against blue ground. 3- to 2-line calligraphic initials, divided, red and blue with red penwork, with blue and red penwork flourishes. 1-line initials red or blue with blue or red penwork, sometimes with black and green; some initials with guide-letters in outer margin. 1-line initials with yellow. Square notes on 4-line red staves. Rubrics throughout, with notes to rubricator in margins. One very crude 4-line initial (s. xvii) on f. 1r, in red, yellow, blue, green and purple.
Subject (Name):
Catholic Church--Liturgy
Subject (Topic):
Antiphonaries, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library