"A companion print to BMSat 9670. In a squalid room French dancers practise to a fiddle played by an older man (right) who dances as he plays. The parents of the four children dance, facing each other. She is elegant, buxom, with an elaborate feathered coiffure. He is lean, wearing a tattered but well-fitting coat over bare legs, with sleeve-ruffles (cf. the old gibe that the Frenchman wore ruffles but no shirt). He wears a toupee wig with a long queue. A boy and girl, both with hair elaborately dressed, dance together more vigorously. A little girl (right) with bare legs practises the first position, heels together. On the left a boy plays the pipe and tabor to two dogs, one wearing cloak and hat, whom he is teaching to dance. His chair is the only furniture except for a truckle-bed (left) turned up to the wall and a much-tilted wall-mirror (right). A lean cat has climbed to a small cupboard recessed in the wall near the ceiling and licks a stoppered bottle. The cupboard contains a coffee-pot, a covered jar, &c. A print of two clumsy peasant dancers is pinned to the wall, from which plaster has flaked. All practise with serious concentration."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Geographic):
France--Foreign opinion, British.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S. W., publisher., Fuchs, Eduard,--1870-1940--Ownership., Fuchs, Eduard,--1870-1940--Stamp., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
Subject (Topic):
Cats., Children., Couples. , Dance., Dogs., and Interiors.
"A fat lady, much décolletée, whose hair is blazing, in her frantic gestures has overturned a chair; tea- and coffee-things lie on the ground. Screaming servants rush in from the right, headed by two footmen; one holds up a table-cloth to fling over her head, but is hampered by his companion, a negro, who flings the liquid contents of a (?) large flowerpot in her face, but stands on the cloth. A fat cook follows; a pretty young woman kneels on the ground throwing up her arms, a dog howls. Four older servants look through the doorway. Two candles, the cause of the disaster, blaze on the chimneypiece where a clock shows that it is 2.25."--British Museum online catalogue, description of an earlier state.
Alternative Title:
Miss Fubby Fatarmin's wig caught fire
Description:
"Price one shilling coloured."--Lower right corner of design., Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 255., Date of publication based on earlier state with the complete imprint "Pubd. September 20th, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12147 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "212" in upper right corner., Reissue, with beginning of imprint statement burnished from plate., Text following title: Vide Bath guide., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Rowlandson, Thomas, 1756-1827, artist., and Tegg, Thomas, 1776-1846, publisher.
"A Thames pair-oar wherry, with two passengers, a man and woman, is about to collide with a sturdier boat in which are three men and a stout trollop, whose shouts and gesture shock the passengers in the wherry. The river is wide, with trees on the opposite shore and a sailing-barge in the middle distance."--British Museum online catalogue, description of variant state.
Alternative Title:
Freshwater salute
Description:
Date from Grego., For variant state with artist's signature, see no. 9464 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Rowlandson attribution from artist's signature on variant state: Rowlandson delt., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
Subject (Topic):
Caricatures and cartoons --England and Satires (Visual works) --England
"A copy of a Rowlandson watercolour, see British Museum Satires No. 11111. A man in hunting-dress stands on the back of his spirited horse to embrace a young woman who leans from a casement window. An elderly gap-toothed man wearing a night-cap peers from the cottage door with an imbecile gape. The hounds are in full cry beside the horse. A fat parson and a huntsman, much amused, turn in their saddles to watch the embrace. They are passing a village church."--British Museum online catalogue, description of an earlier state.
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 90., Date of publication based on earlier state with the imprint "Published by Reeve & Jones, No. 7 Vere Strt., Novr. 1, 1808." See British Museum catalogue., Reissue, with changes to copper printing plate; edges of plate have been cut down resulting in loss of imprint statement from bottom edge, a new border has been added in aquatint around design, and a border of etched lines has been added around title. For original issue of the plate before these changes, see no. 11112 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
"A drinking scene; a drunken man carousing with two women, raising a glass into which Death, a crowned skeleton standing behind him, pours a liquid from a small bottle, a great quantity of steam or smoke rising off; one of the women lies asleep on the floor in front of the table, breasts exposed and a spilling glass in her hand, the other is falling off her chair at left, horrified, having spied Death; a dog and discarded flagon at lower left, a caged bird hanging from the ceiling, barrels of 'Old Tom' behind."--British Museum online catalogue.
Description:
Date of publication from Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
"A skeleton, Death (left), seated on a cannon, his elbows on his knees, faces Napoleon, not caricatured, in a similar attitude on a drum. The 'two Kings' gaze fixedly at each other, Death menacing, Napoleon as if trying to read a terrifying riddle. Death's left foot rests on a cannon-ball, the right on the broken shaft of an eagle. Behind is a symbolical representation of the battle. The Allies advance from the left in regular formation with bayonets levelled at fleeing French soldiers. Four flags, with the eagles of Russia, Prussia, and Austria, and the Swedish cross, are held up by standard-bearers in the third rank: they recede in perspective from left to right. On the left wing are two hussars, riding down the fugitives. The main French army is streaming in wild confusion up and over a hill, diminishing in perspective. Other soldiers, pursued by hussars, flee down a hill behind Napoleon (right). Bodies of Frenchmen lie on the ground."--British Museum online catalogue, description of an earlier state.
Description:
For an earlier state lacking the etched title and serving as the heading to a printed broadside entitled "The two kings of terror," see no. 12093 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Publisher and date of publication from Grego., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Rowlandson, Thomas, 1756-1827, artist.
"An untidy shock-headed footman stands letting a tureen slide on to the table so that its contents pour out; in his I. hand is a dish containing a leg of mutton, held so that joint and gravy fall to the floor. He stands between a hideous old woman at the head of the table (rigth) and a comely young one on her right. A fat maidservant follows the footman, holding a dish. Behind the man hangs an elaborately framed bust portrait of a grim-looking man wearing an early eighteenth-century wig. A cockatoo screams from a cage (l.). A dog sits behind the old woman's chair, a cat puts its fore-paws on the table to lap the spilt soup. Below the title: 'Take off the largest dishes, and set them on with one hand, to shew the ladies your vigour and strength of back, but always do it between two ladies, that if the dish happens to slip, the soup or sauce may fall on their cloaths, and not daub the floor, by this practice, two of our brethren, my worthy friends, got considerable fortunes. . . . When you carry up a dish of meat, dip your fingers in the sauce, or lick it with your tongue, to try whether it be good, and fit for your masters table - .' [Two quotations from Swift's 'Directions to Servants'.]"--British Museum online catalogue, description of original issue.
Alternative Title:
Directions to footman
Description:
Also issued separately., Five lines of text below title: Take off the largest dishes and set them on with one hand to shew the ladies your vigour and strength of back, but always do it between two ladies that if the dish happens to slip the soup or sauce may fall on their cloaths, and not daub the floor, by this practice, two of our brethren, my worthy friends, got considerable fortunes ..., Originally issued with publication date . Cf. No. 10918 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered '273' in upper right corner., Printmaker and date of publication from British Museum catalogue., Text following imprint: Price one shilling col'd., The word 'footmen' in the title was corrected from 'footman' by the etcher. 'A' was struck through and the letter 'E' was inserted above deletion., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Rowlandson, Thomas, 1756-1827, artist., and Tegg, Thomas, 1776-1845, publisher.
"A copy of a Rowlandson watercolour, see British Museum Satires No. 11111. An ugly foppish apothecary, with drink-blotched profile, kneels at the feet of a handsome young woman, one hand on his breast, the other pointing to a cloth at his feet on which are spread clyster-pipes, knife, pestle and mortar, and a bottle: 'Elixer of Life Drops'. She stands, making a gesture of surprise. Behind are the curtains of a bed, and a door (right) round which looks an amused man."--British Museum online catalogue, description of an earlier state.
Description:
Date of publication based on earlier state with the imprint "Published by Reeve & Jones, No. 7 Vere Street, Novr. 1, 1808." See British Museum catalogue., Reissue, with alterations to plate; imprint statement has been removed, a new border has been added in aquatint around design, and a border of etched lines has been added around title. For original issue before these changes, see no. 11114 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
Hopwood, James, approximately 1752-1819, printmaker.
Call Number:
Auchincloss Rowlandson v. 10
Image Count:
1
Abstract:
"Portrait of Dr. O'Meara, half-length, in profile to the left, one hand resting on a book, dressed in an academic gown with bands at his neck and a powdered bobwig on his head, the interior of a church behind."--British Museum online catalogue.
Alternative Title:
Dr. O'Meara
Description:
Plate from: The investigation of the charges brought against His Royal Highness the Duke of York. London: J. Stratford, 1809. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.