Manuscripts, in different hands, of a collection of several dozen primarily satirical and anonymous poems, many scatological. The majority of the poems are political satires, especially concerning the abdication of King James II and the accession of King William III; other targets include Charles Montagu, Earl of Halifax; religious zeal; and France. Other poems satirize women, including Barbara Villiers (afterwards Palmer), Countess of Castlemaine and Duchess of Cleveland, with reference to her affair with rope-dancer Jacob Hall; Mrs. Moseley and her link with Anthony Ashley Cooper, 1st Baron Ashley and 1st Earl of Shaftesbury; and women's conduct generally. The collection also includes a broadside printing of Packington's Pound, as well as numerous satirical songs sung to its tune.
Description:
Binding: marbled covers, detached. and See "Early American Literature, vol. XIV, 1979, concerning the attribution of "A Fart" (p. 193).
Subject (Geographic):
Great Britain--Court and courtiers, Great Britain--Politics and government--1660-1714, and Great Britain--Social life and customs--17th century
Subject (Name):
Cleveland, Barbara Villiers Palmer, Duchess of, 1641-1709, Etherege, George, Sir, 1635?-1691, Hall, Jacob, James II, King of England, 1633-1701. aut, Shaftesbury, Anthony Ashley Cooper, Earl of, 1621-1683, and William III, King of England, 1650-1702
Subject (Topic):
Ballads, English, English poetry--17th century, Political poetry, English, Songs, English, Verse satire, English, and Women--Conduct of life
Manuscript, in a single hand, of a collection of approximately 105 poems divided into "Miscellaneous Pieces," "Songs," "Cantatas," "Odes," Satirical Pieces," "Mock-Pieces relating to the Stage," and "Imitations." The first "Imitation" is a sonnet concerning an abortion scandal surrounding Mademoiselle de Guerchi in 1660, and is addressed in her voice to her aborted "embrio;" other poem titles include "An Ode, Inscrib'd to his grace the Duke of Buckingham, on his Embarking for France," "The paper Bonnets worn by Ladys," "On seeing lewd Women refus'd Admittance," "Fungus," "The poor & Rich Rogue," "Prologue to a Puppet-Show," and "The Shipwrack'd Sailors." The collection is prefaced by a dedication to Viscount Nessuno in the voice of an "orphan Muse" who writes, "should she beg your Lordship...to favour her with a corner of the Green-house in delightful Groves of Utopia; there to correct at Leisure, the numberless Reams she has scribbled within these twelve years: And should she afterwards implore your Lordship to assist the publication of her labours, by raising a handsom subscription among your friends for that purpose...she is certain your Lordship would not deny her one of them." Many additional poems, in a smaller hand and with numerous corrections, appear in the margins.
Description:
Additional poems, in a smaller hand and with numerous corrections, appear in the margins., Binding: full sueded calf., Laid in at the beginning of "Imitations": a piece of paper with an engraving in red ink., and Pasted onto pages at beginning at end: printed poems by Lockman, with handwritten corrections.
Subject (Name):
Lockman, John, 1698-1771
Subject (Topic):
English drama--18th century, English literature--18th century, English poetry--18th century, Epigrams, Occasional verse, English, and Verse satire, English
Winchilsea, Anne Kingsmill Finch, Countess of, 1661-1720(?)
Published / Created:
[1680-1700].
Call Number:
Osborn fb70
Collection Title:
[Collection of 17th century poems], [1680-1700].
Container / Volume:
Box 1 | Folder 2
Image Count:
1
Abstract:
Manuscripts, in different hands, of a collection of several dozen primarily satirical and anonymous poems, many scatological. The majority of the poems are political satires, especially concerning the abdication of King James II and the accession of King William III; other targets include Charles Montagu, Earl of Halifax; religious zeal; and France. Other poems satirize women, including Barbara Villiers (afterwards Palmer), Countess of Castlemaine and Duchess of Cleveland, with reference to her affair with rope-dancer Jacob Hall; Mrs. Moseley and her link with Anthony Ashley Cooper, 1st Baron Ashley and 1st Earl of Shaftesbury; and women's conduct generally. The collection also includes a broadside printing of Packington's Pound, as well as numerous satirical songs sung to its tune.
Description:
Binding: marbled covers, detached. and See "Early American Literature, vol. XIV, 1979, concerning the attribution of "A Fart" (p. 193).
Subject (Geographic):
Great Britain--Court and courtiers, Great Britain--Politics and government--1660-1714, and Great Britain--Social life and customs--17th century
Subject (Name):
Cleveland, Barbara Villiers Palmer, Duchess of, 1641-1709, Etherege, George, Sir, 1635?-1691, Hall, Jacob, James II, King of England, 1633-1701. aut, Shaftesbury, Anthony Ashley Cooper, Earl of, 1621-1683, and William III, King of England, 1650-1702
Subject (Topic):
Ballads, English, English poetry--17th century, Political poetry, English, Songs, English, Verse satire, English, and Women--Conduct of life
Highly detailed accounts of both receipts and expenses (written from opposite ends of the volume) kept by the London merchant Abraham Chitty, brother of Alderman Thomas Chitty. Receipts include records for rents on his properties in London, Westminster and Surrey, as well as income from an interest in a brewhouse and insurance records for warehoused goods such as wine. The record of Chitty’s personal expenses is particularly complete and includes 6s. "for Pamila. 2 Vollums;" "about L1.4s.6d to see The Conscious Lovers" at Covent Garden Playhouse in 1739; and 14s. for "Chockolate, Mackoroons, carraways and oysters." Also included are regular payments for housekeeping expenses "For Mrs. Chitty;" purchases at auctions and sales, such as "a barometer;" and frequent carriage repairs.
Description:
Both pastedowns contain notes on birth and death dates for family members., Related material: Abraham Chitty, Letters (Osborn c608)., and Volume contains unnumbered pages, blank pages (not digitized), and text written in both directions; both sections of text paginated separately.
Subject (Geographic):
Great Britain --Economic conditions --18th century and Great Britain --Social life and customs --18th century
Subject (Name):
Chitty, Thomas
Subject (Topic):
Amusements --England, Chitty family, Cost and standard of living --England --18th century, Family --England --Domestic relations, Home economics --Accounting, Luxury, and Middle class --England --London --18th century
The diaries describe an 1849 expedition by way of St. Joseph, Fort Kearney, Fort Laramie, South Pass, Sublette's Cut-off, Bear River, Cantonment Loring, Raft River, the Humboldt, Lassen's Route to Deer Creek, and Bruff's camp. They contain maps and sketches from the journey and notes on life in California. The journals were written from the diaries. The notebooks contain more sketches from the trip and of equipment. There are memoranda of supplies and equipment, routes, and remedies.
Alternative Title:
Emmigration, across the continent, in 1849, to
Subject (Geographic):
California --Description and travel, West (U.S.) --Description and travel, West (U.S.) --Maps, and West (U.S.) --Pictorial works
Subject (Name):
Bruff, Joseph Goldsborough, 1804-1889 and Washington City and California Mining Association
Subject (Topic):
Gold mines and mining --California --History --19th century --Personal narratives, Gold mines and mining --North America --History --19th century, Gold mines and mining --Sierra Nevada (Calif. and Nev.), Gold mines and mining --United States --History, and Gold mines and mining --West (U.S.) --History --19th century
Remarks on Sr. J. Hawkins's 'General history of music', 1776.
Image Count:
36
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript, in a single hand, with numerous corrections, of notes on "A General History of the Science and Practice of Music" by Sir John Hawkins. Citations from Hawkins' work are followed by often disparaging commentary upon them; Burney remarks that "Ch. V. Bk. IV is chiefly made up of dry dictionary articles of Biography, loosely littering his Book as if he had been in want of a needle & thread to tack them together," and "Vol. III p. 262 He calls Jno. Okenheim the disciple of Jusquin whereas it is well known he was the master." He includes a list of "Omissions of Composers & Performers who died long before Sr. Jno. published his History & therefore had fair Claims to a Niche in it." The work is interspersed with commentaries on various pieces and composers, accompanied by fragments of musical notation, and followed by a piece on "Dancing," a history of opera and theater titled "Progress of the Musical Drama or opera, at Venice," and another titled "Progress of the Musical Drama at Rome."
Description:
Binding: contemporary parchment., Index on flyleaf., Page numbers written in ink have been crossed out and replaced by different page numbers written in pencil., and Section ends with a note written in pencil: "Here insert an engraving of the transcript" although the engraving is not included.
Subject (Name):
Burney, Charles, 1726-1814 and Hawkins, John, Sir, 1719-1789
Subject (Topic):
Music--18th century--History and criticism, Musical analysis, Music--Europe--History and criticism, Music--History and criticism, Opera, and Opera--Italy
