In Latin with some Dutch headings., Script: Copied by one Northern scribe writing Southern Textualis Formata (Rotunda) with some Humanistic features (Capital A, straight d alternating with Gothic d)., Headings in red. Lavish decoration in Ghent-Bruges style. Rectangular line-fillers in red, blue, green and gold. Trompe-l'oeil initials (1 line, 2 lines, 3 lines (rarely), 5 lines) consist of twisted branches in mat gold projecting shadow on a square background in red, blue or green. Full-page miniatures are painted on the verso of inserted singletons and are framed by four-margin borders which have their counterpart on the facing text page. Text miniatures (height: 7-8 lines) are painted in regular quires and are accompanied by four-margins, mostly floral borders., and Binding: Partly original binding in blind-tooled brown calf by the Bruges binder Ludovicus Bloc (1484-1529). The original binding is inset in brown morocco by F. Bedford (?) On each cover a panel with eight animals in tendrils, surrounded by the inscription in Roman Capitals "Ob laudem Christi librum hunc recte ligavi Ludovicus Bloc", is stamped four times; between the upper and the lower panel imprints is a five-compartment frieze containing animals. On the modern blind-tooled spine gold-tooled modern inscriptions "HORAE / B.V.M. / TORNACENSIS" and "MS./ BRUGES / C. 1520". Gilt and gauffered edges. White parchment endleaves.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper (various watermarks) and parchment, composed of two distinct sections bound together in the 18th (?) century, but with additional folios inserted. Part I (parchment): Carta ejecutoria, or letter of nobility, granted to Don Alfonso Rodriguez (Tinagero Rodriguez de la Escalera) by the authority of King Ferdinand and Queen Isabel of Castile. Issued in Salamanca, 1487. Seal missing. Part II (paper): Numerous documents (all dated 1686) concerning a law suit involving Don Diego Tinagero Rodriguez de la Escalera of Seville, a descendent of Alfonso Rodriguez
Description:
In Spanish., Script: Part I (ff. 3-13): Round gothic script by a single scribe. Part II (ff. 19-74): Written in various cursive hands., Folios 1v and 2r have crudely illuminated full-page miniatures, 17th century. Folio 1v: members of the Rodriguez family offering prayers to the Madonna and Child. Folio 2r: arms of the Tinagero Rodriguez de la Escalera family. Crude decorative border on f. 3v and REY (in gold, outlined in black) may be later additions., Many of the documents included appear to have once been folded. Some loss of text due to trimming., and Binding: Eighteenth century (?). Thin wooden boards covered with dark brown leather, flesh side out. Vermilion and green ribbon fastenings.
Subject (Geographic):
Connecticut, New Haven., Spain., Spain, Salamanca (Spain), and Seville (Spain)
Subject (Topic):
Illumination of books and manuscripts, Medieval, Legal documents, Manuscripts, Medieval, Nobility, and Politics and government
Manuscript on parchment of 1) Bartholomaeus de Chaimis (de Mediolano, d. c. 1496), OFM, Confessionale. 2) Ps.-Anselmus Cantuariensis (Pseudo-Anselm of Canterbury), Interrogationes faciendae infirmo morienti.
Description:
Binding: Original brown leather over bevelled beech boards, both covers blind-tooled with fillets and small tools in ropework design. Sewn on three split leather thongs. Spine damaged. Remnants of three clasps, one at the top, one at the bottom and one at the side edge of the covers, each attached with three engraved nails to the front cover; quadrangular decorated brass catches on the rear cover, engraved with the initial “S” and each fixed with four nails., Headings in purplish red. Alternately red and blue paragraph marks and 1- and 2-line plain initials with guide letters. Decorated initials: f. 1r (Prologue), 7-line white vinestem initial followed by text line in fancy Capitalis; f. 2r (Part 1), 4-line Humanistic dentelle initial; f. 12r (Part 2), 4-line white vinestem initial; f. 18v (Part 3), 4-line Humanistic dentelle initial; f. 127v (Part 4), idem. Running headlines in Capitalis in purplish red., and Script: Copied by one hand writing a small and rather uneven Humanistica Textualis Libraria, highly abbreviated, especially in the quotations of authorities.
Subject (Name):
Franciscans
Subject (Topic):
Confession--Catholic Church, Extreme unction, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Lawrence Justinian, Saint, 1381-1456 Tavelli, Giovanni, 1386-1446
Published / Created:
[between 1450 and 1500]
Call Number:
Beinecke MS 796
Image Count:
466
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper (sturdy) of Laurentius Iustinianus (Lorenzo Giustiniani, 1381-1456), De disciplina et spirituali perfectione monasticae conversationis (De disciplina spiritualium), Italian translation by Iohannes de Tossignano (Giovanni Tavelli da Tossignano, 1386-1446, bishop of Ferrara 1431-1446).
Description:
Binding: Of the original binding the wooden boards (and the gilt and gauffered edges) survive. The boards are now covered with brown 19th-century marbled paper and the spine with cloth-reinforced beige marbled paper. On the latter (now detached) a paper label with handwritten 19th-century inscription: "146. / Anonimo. / Della disciplina et perfectione / de la monastica conversatione. / Cartaceo. / secolo XV."., Collection of Bernard M. Rosenthal, Berkeley (MS 136). Purchased from him in 1994 on the Edwin J. Beinecke Fund., Headings in red ink of various darkness. On f. 1r the Prologue opens with an 8-line Gothic foliate initial L in purple and blue, heightened with white penwork, on a square golden background, containing a stylized flower in purple and yellow with green foliage and ending in blue, purple and green acanthus leaves; on the same page a full floral border in blue, purple and green with a multitude of hairy gold balls. On all the remaining pages the decoration was not executed: the rectangular spaces with guide letters for initials are blank. A 4-line initial was planned f. 5r at the beginning of the text, a 3-line initial at the beginning of chapter 2 (f. 10r), and 2-line initials at the beginning of the other chapters., and Script: Copied by one hand in Italian Gothica Hybrida Libraria/Currens.
Subject (Name):
Lawrence Justinian,--Saint,--1381-1456
Subject (Topic):
Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Monastic and religious life
Alcinous, fl. 2nd cent Cicero, Marcus Tullius Marsuppini, Carlo, 1398-1453
Published / Created:
1460; [between 1450 and 1500]
Call Number:
Marston MS 72
Image Count:
324
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript in two parts. Part 1 (parchment): Cicero, De finibus bonorum et malorum. Part II (paper): 2) Carlo Aretino Marsuppini, Oratio ad Cosimum et Laurentium de Medicis de matris obitu. 3) Bernardo Giustiniani, Oratio funebris habita in obitu Francesco Foscari Ducis (d. 1457). 4) Epitaph of Francesco Foscari, Doge of Venice (d. 1457). 5) 7-line account, in prose, summarising the accomplishments and life of Francesco Foscari. 6) Alcinous, Epitoma disciplinarum Platonis, translated into Latin by Pietro Balbi. 7) Bernardo Giustiniani, Oratio apud Sixtum IV Pontificem Maximum habita, delivered at Rome in December 1471.
Description:
Binding: Nineteenth century, Italy. Brick red goatskin, blind-tooled. Bound in the same bindery for the Guarnieri-Balleani library (Iesi) as MS 450 and Marston MSS 86, 212, 181, 182, with the first three probably by the same binder. Title, in ink, on tail edge: "C. DE. FI. BO. ET MA"., Part I: 5 illuminated initials, 6- to 4-line, yellow and ochre on blue, green and deep red ground with white vine-stem ornament, sometimes extending into the margins to form partial borders. Headings in red majuscules written by Scribe 2. Part II: 4 illuminated initials, 6-line, dark yellow on irregular grounds of blue, green and pink with white vine-stem ornament, shaded with grey; white dots on blue, pale yellow on green and blue on pink. Headings in red., Script: Part I (ff. 1-90): Copied by two scribes. Scribe 1, ff. 1r-38v, writes in a well formed round humanistic script, below top line and sometimes not using the final line ruled for text. Scribe 2, ff. 38r-90r, is Stefano Guarnieri, who writes in a smaller and less calligraphic humanistic script with cursive features, below top line. Part II (ff. 91-157): Copied by Scribe 2 of Part I: arts. 2-6 in italic, above top line; art. 7 added later, disregards bounding lines of written space., and Watermarks: Briquet Ciseaux 3668.
Subject (Name):
Cicero, Marcus Tullius. De finibus bonorum et malorum, Foscari, Francesco,--1373-1457, and Guarnieri, Stefano --Manuscripts
Subject (Topic):
Ethics, Ancient, Eulogies, Illumination of books and manuscripts, Medieval, Latin essays, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Speeches, addresses, etc., Latin (Medieval and modern)
Basil, Saint, Bishop of Caesarea, ca. 329-379 Bruni, Leonardo, 1369-1444
Published / Created:
[between 1450 and 1500]
Call Number:
Marston MS 105
Image Count:
59
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript composed in two parts. Part I (on parchment): 1) Basil the Great, De legendis libris gentilium, translated into Latin by Leonardo Bruni and with his dedicatory preface to Coluccio Salutati. 2) Unidentified poem. 3) Benedictus Cingulanus (Benedetto da Cingoli), Carmina. Part II (on paper) : 4) Ps.-Seneca, De remediis fortuitorum.
Description:
Binding: Sixteenth century, Italy. Front and rear pastedowns from an unidentified Latin moral treatise (Italy, ca. 1450). Sewn on three supports set in grooves on the outside of wooden boards. Plain wound endbands. The spine is round. Covered in brown calf, blind-tooled wtih an arabesque border and a central diamond with assorted fleurons. Aldine leaves and acorns dotted about. Spine: four fillets at head and tail and outlining the bands. There are five large, round bosses on each board and two fastenings, the catches on the upper board and the lower one cut in for the straps, one of which is wanting., Part I: Decoration consists of one illuminated full border, f. 2r, white vine-stem ornament with pale yellow shading on vibrant blue ground, green and deep purplish red and gold ground with white dots on blue, pale yellow dots on green and red. In lower border, medallion, framed by a wreath, with mutilated coat of arms. Illuminated initial, 4-line, gold, framed in pale yellow, on blue, green and red ground with yellow and white filigree, joined to the border. One large illuminated initial, f. 1r, gold on blue, green and red ground with white vine-stem ornament, extending into the upper and inner margin to form partial border. Small initial, 2-line, gold, framed in yellow, on red, blue and green gound with yellow filigree, f. 3r. Headings in red. Part II: Initials for paragraphs set apart from written space between vertical bounding lines., Purchased from the Florence dealer Olschki by H. P. Kraus, who sold it in 1955 to Thomas E. Marston., Script: Part I (ff. 1-17): Art. 1 written in a humanistic bookhand characterized by tall ascenders, above top line; arts. 2-3 added later in a less expert hand. Part II (ff. 18-25): Written in humanistic cursive script by a single scribe, above top line., Stained throughout., and Watermarks: unidentified basilisk buried in gutter.
Subject (Topic):
Classical education, Dialogues, Latin, Illumination of books and manuscripts, Medieval, Latin poetry, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of Christophorus Columbus (Christopher C.,1451-1506), Epistola de insulis de novo repertis. Relation of his first voyage to America (1492-1493), addressed to Raphael Sanchez and translated into Latin by Leander de Cosco, dated 14 March 1493. Probably copied from the edition Paris, [Guy Marchant, after 29 April 1493], GKW 7175, variant (a). With Bartholomaeus Columbus (Bartholomew C., c. 1460-1514), Descrizione della navigazione nel Mondo Nuovo. The text is in the wrong order, being probably copied from an exemplar in four pages, of which pages 2 and 3 were inverted. The manuscript should be read in the following order: (1) p. 1, lines 1 to 20 asai; (2) p. 2, lines 6 lavorate to 28 vidono di; (3) p. 1, line 20 dismontar to p. 2, line 6 corazze; (4) p. 2, line 29 bambaso to the end. Copied by one hand in Gothica Hybrida Formata verging to the Semitextualis, with a typographic outlook (but totally different from the printing type used in the presumed exemplar).
Description:
At the top of the first page the autograph ownership inscription of Sigismondo Pandolfo de Malatesta (1498-1543?), son of Pandolfo Malatesta. From the Gritti family archives., Cite as: Christopher Columbus, Epistola de Insulis de Novo Repertis. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., In Latin and Italian., Paragraph marks, flourished initials (5 ll. f. 1r, 3 ll. f. 5r) and Columbus coat of arms all in the same brown ink as the text. The arms closely resemble those found in the Genoa codex of his Book of Privileges., Unbound. Placed in a boardpaper portfolio and leather-backed boardpaper slip-case., and Watermark: cardinal's hat, var. Briquet 3409 ... (1519-1527?).
Subject (Geographic):
North America -- Description and travel--Early works to 1800
Subject (Name):
Columbus, Christopher and Cosco, Leandro di
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian literature -- 16th century, Manuscripts, Medieval -- Connecticut -- New Haven, and Navigation
Manuscript on parchment of Epistle readings for the temporale from Advent through the 25th Sunday after Pentecost
Description:
In Latin., Script: Written in large round gothic bookhand with red and black accent marks for recitation., The fourteen full-page miniatures constitute the most extensive extant cycle by the "Spanish Forger". All pages with miniatures have full borders of scrolling acanthus in red, blue, green and purple with hair-spray and gold balls. 3- and 2-line initials, red or blue, with purple or red penwork (6-line on f. 134r). Rubrics throughout., and Binding: Date? Worn red velvet with a silver-gilt crucifix (a fairly recent addition?) on the upper board. Brass clasp engraved with "S. Maria/ ora pro nobis." Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Cistercians.
Subject (Topic):
Liturgy, Epistolaries, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on parchment of Vegetius, Epitome rei militaris.
Description:
Binding: Eighteenth century, England or France. Bound in olive green goatskin gold-tooled with a "broken cable" border and decorated edges. Probably bound by Richard Wier (active in London and Toulouse to ca. 1792). Decorated edges. Title on spine: "Vegetius De Viris Il"., Purchased from C. A. Stonehill in 1953 by Thomas E. Marston., Script: Written in small gothic bookhand by a single scribe., and Three illuminated initials, 3-line, at the beginning of the Prologue (f. 1v), Bk. 3 (f. 29v), Bk. 4 (f. 58r), blue or mauve with white filigree against gold ground thinly edged in black. Initials filled with stylized leaves, blue and mauve with white filigree. Black inkspray with spiky gold leaves and small blossoms in pink or blue extend into the margins to form partial borders. Numerous small initials, 2-line, gold, on mauve and blue ground with white filigree. Running headlines in red and blue; headings in red. Paragraph marks alternate red and blue. Initials stroked with pale yellow.
Subject (Name):
Vegetius Renatus, Flavius
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Military art and science--Early works to 1800