Title etched below image., Place of publication derived from publisher's street address., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Publish'd as the Act directs by A. Hamilton Junr. Fleet Street
Subject (Topic):
Quacks and quackery, Medical consultation, Physicians, Medicines, Crutches, and Sick persons
Title etched below image., Measurements from copy in British Museum., Identification of those depicted from British Museum., Description from British Museum: "John Bull, a carter, tips the contents of a rough two-wheeled cart, 'John Bull's Rubbish Cart', into a circular pit. The contents are the Opposition: Fox (three-quarter length), the largest figure, is sliding in; he clutches the long forelock of Burdett, who with Tierney is just behind him, and still in the cart. He looks despairingly at Pitt, who stands (right) in profile to the left, in surplice and bands, and pointing down the pit. Pitt reads from his open book: 'With a sincere hope that none of you will ever rise again, I commit you all to the Pit-hole!' Sheridan is about to fall in head first. Behind, and towering above Burdett and Tierney (who are comparatively self-controlled), is Erskine in wig and gown, holding a 'Brief', his arms raised in terrified supplication. On his left is the profile of Bedford (right) wearing a jockey-cap. The large head of the tiny Lord Derby is in the back left corner of the cart. Two small feet are disappearing into the pit, perhaps belonging to M. A. Taylor. The carter, raising the back of the cart, says: "Good bye to you, my Masters, Parson Billy will soon settle the business". His horse, unharnessed, stands with its head behind the cart.", This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and In ink on the print, the identities are 1....Derby 2. Erskine 3...Burdett 4. Grey 5. Hose 6. Sheridan 7. Pitt.
Publisher:
Pubd. by W. Holland, Oxford Street
Subject (Geographic):
Great Britain
Subject (Name):
Tierney, George, 1761-1830., Taylor, Michael Angelo, 1757-1834., Sheridan, Richard Brinsley, 1751-1816., Pitt, William, 1759-1806., Fox, Charles James, 1749-1806., Smith-Stanley, Edward, 1752-1834., Burdett, Francis, 1770-1844., and Bedford, Francis Russell, Duke of, 1765-1802.
Subject (Topic):
Burial, John Bull (Symbolic character)., Carts & wagons, Priests, Politicians, Horses, and Politics and government
Title from item., Published: The Political Register. Vol. 2, June, 1768., In lower margin: The Blood & Vitals from her Wounds he drew, And Fed the Hounds that help'd him to pursue. Dryden., British Museum description: Satirical frontispiece to the Political Register, June 1768, showing Britannia stabbed by Lord Bute, her blood caught in bowls held by Lords Weymouth and Barrington; behind on the right, Lord Mansfield hands a bowl of blood to Lord Chatham who is seated his gouty leg on a stool and holding a crutch; on the steps in front of them, Lord Talbot drinks greedily from another bowl, a spit hanging by his side instead of a sword identifies him Lord Steward of the Household; behind on the left, Fletcher Norton, in legal robes, stands drinking from another bowl, an unidentified man leans forward to look at Britannia as she falls back, and another lawyer stands behind drinking from yet another bowl., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792., Bath, Thomas Thynne, Marquis of, 1734-1796., Mansfield, William Murray, Earl of, 1705-1793., Barrington, William Wildman Barrington, Viscount, 1717-1793., Talbot, William Talbot, Earl of, 1710-1782., and Norton, Fletcher, 1716-1789.
Subject (Topic):
Great Britain, Politics and government, Politicians, Blood, Crutches, Bowls (Tableware)., and Homicides
Title etched below image., Place of publication and date from item., Sheet trimmed., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Rock & Co. London
Subject (Topic):
Hydrotherapy, Sick persons, Beds, and Basins (Containers).
Title derived from caption below image., Place of publication derived from publisher's street address., Complete caption: The quintessence of quackism, founded principals truly chimerical aetherial magnetical, electrical, & immaterial, & the four quarters of the globe ransak'd to make it ingeniously rediculous. Dedicated to the emperor of quacks, by myself., Description from British Museum: Beneath the design is engraved a musical score with the words of a song. A burlesque representation of the quack doctor James Graham (1745-94), who opened his 'Temple of Health' in the Adelphi in the autumn of 1779. Graham stands full-face; he holds in his mouth the end of the tail of a monkey which sits on his head. The monkey holds out a duck by one leg, which is saying "Quack Quack". Graham holds out in his right hand a circular box inscribed "Æthereal Pills". A medallion hangs round his neck, on which is a woman's head, inscribed "Female Historian". She is Mrs. Catherine Macaulay (see index) whom he treated at Bath, so gaining his first start. He stands between two gigantic men wearing large laced hats and long coats; one, "Gog" (left), in back view, the other, "Magog" (right), stands full-face holding a paper inscribed "Sketch of the Plan of the Temple of Health". These represent the gigantic footmen or porters who were among the attractions of the 'Temple' and who distributed bills advertising the establishment, see BMSat 6346 and Angelo, 'Reminiscences', 1904, i. 97. Between them, and above Graham's head, the words "Hail Wonderous Combination!" are etched. By the left margin of the print, two men are gazing at the spectacle, one clasps his hands in admiration or supplication. On the opposite side is a man grinning with two small boys who laugh and point, one of them a little chimney-sweep with brushes and sack., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Publish'd as the Act directs. Oct 30th. 1780. P. Mitchel North Audley St. Grosvenor Sq.
Subject (Name):
Graham, James, 1745-1794.
Subject (Topic):
Quacks and quackery, Physicians, Porters, Monkeys, Chimney sweeps, Musical notation, Childrens, Ducks, and Medals
Title etched below image., Date supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Printed for & Sold by Bowles and Carver, no. 69 in St. Paul's Church Yard
Title and date from item., Place of publication derived from street address., Sheet trimmed within platemark., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Pubd. Decr. 5th. 1829. by S. Gans Southhampton Street
Title etched below image., Date supplied by curator., Place of publication derived from language of text., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Temporary local Medical Library subject terms: Clysters., and Discoloration from mat. Discolored. Foxed. Soiled. Crease LL corner. UR corner missing. 2x2.
Publisher:
publisher not identified
Subject (Topic):
Veterinary medicine, Enema, Birds, Owls, Parrots, Defecation, Medical equipment & supplies, Medicines, and Bird cages
Title from item., Place of publication derived from street address., Date from item., Sheet trimmed within platemark., Below image at right: Folio's of Caracatures lent out for the Evening., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Pub. Feby.11 1800 by S.W. Fores, No.50, Piccadilly
Title and date supplied by curator., Printmaker and artist supplied by curator., Publication attributed to Ackermann., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.