Manuscript on parchment of Nonius Marcellus, De compendiosa doctrina.
Description:
Binding: Twentieth century, after 1926, England. Dark green pigskin, gold-tooled with the arms of C. H. St. John Hornby on the upper side; title on spine. Edges gilt., Folio 1r with partial border in upper and inner margins; white vine-stem ornament on blue, green and pink ground with grey and pale yellow dots, terminating in penwork with gold balls. At the left upper corner vine-stem ornament is inhabited by a red-winged putto being attacked by a bird. Historiated initial, 9-line, gold, against a blue, green and pink ground with white vine-stem ornament, and a medallion with the profile of a man, dressed in a red and green cap and red robes against blue ground. Numerous small initials, 4-line, gold on blue, pink and green or blue and pink rectangular grounds with white and pale yellow filigree., Purchased from Davis and Orioli in 1955 by L. C. Witten, who sold it that same year to Thomas E. Marston., and Script: Written in a small upright humanistic cursive script by a single scribe who began copying the text with a single line of majuscules; written below top line.
Subject (Name):
Nonius Marcellus,--4th cent
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Theology--Early works to 1800
Manuscript on parchment of Boethius, De consolatione philosophiae.
Description:
Binding: Date? Original sewing on two thick, slit leather straps, the endbands sewn on leather cores. Flush beech boards with straps laced through tunnels in the edge to channels slanted up to the outer face. The ends of the straps therefore protrude well above the face. Straps nailed and endband cores laid in V shaped grooves and nailed. The spine and about one quarter of the boards covered by brown calf with a nailed parchment strip at the edge, fragments only remaining. No adhesive on the spine. Channels for straps cut in the upper board. Holes for pins in the lower, but no marks of pin plates. This binding could be contemporary or 19th-20th century. It is interesting to note that the manuscript was bought because of the binding and not because of the text., Historiated initial with partial border contains the portrait of Boethius (f. 14r); four illuminated initials of similar design and colors (dark red, red-orange, green, blue, gold) on ff. 6r, 12v, 22r, 29v (beginning of Books II-V). Small initials and paragraph marks in red throughout., and Script: Written in round gothic bookhand by one scribe.
Subject (Topic):
Consolation--Early works to 1800, Dialogues, Latin, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment (warped and stained by moisture) of Cicero, De divinatione.
Description:
Binding: Nineteenth century, Italy. Brick red goatskin, blind-tooled. Bound in the same bindery for the Guarnieri-Balleani library (Iesi) as MS 450 and Marston MSS 72, 86, 182, 212., Copied in Italy, perhaps in Rome, in 1456 (see colophon in art. 1) by the humanist Stefano Guarnieri probably for his personal use, Imperfect: Water stained at end, f. 57 marginalia excised at fore-edge margin., On parchment, One illuminated initial, 6-line, on f. 28r, gold against blue, green and deep red ground with white vine-stem ornament, joined to a partial border, white vine-stem ornament curling around a thin gold bar on blue, green and deep red ground with white dots on blue, grey on red and pale yellow on green. Headings and running titles in red., Purchased from C. A. Stonehill in 1959 by Thomas E. Marston., Script: Written in a small humanistic bookhand by a single scribe, above top line. Marginalia added in a contemporary hand., and Written in a small humanistic bookhand by a single scribe, above top line. Marginalia added in a contemporary hand.
Subject (Name):
Cicero, Marcus Tullius. De divinatione and Guarnieri, Stefano--Manuscripts
Subject (Topic):
Divination--Early works to 1800, Illumination of books and manuscripts, Medieval, Latin essays, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Alcinous, fl. 2nd cent Cicero, Marcus Tullius Marsuppini, Carlo, 1398-1453
Published / Created:
1460; [between 1450 and 1500]
Call Number:
Marston MS 72
Image Count:
324
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript in two parts. Part 1 (parchment): Cicero, De finibus bonorum et malorum. Part II (paper): 2) Carlo Aretino Marsuppini, Oratio ad Cosimum et Laurentium de Medicis de matris obitu. 3) Bernardo Giustiniani, Oratio funebris habita in obitu Francesco Foscari Ducis (d. 1457). 4) Epitaph of Francesco Foscari, Doge of Venice (d. 1457). 5) 7-line account, in prose, summarising the accomplishments and life of Francesco Foscari. 6) Alcinous, Epitoma disciplinarum Platonis, translated into Latin by Pietro Balbi. 7) Bernardo Giustiniani, Oratio apud Sixtum IV Pontificem Maximum habita, delivered at Rome in December 1471.
Description:
Binding: Nineteenth century, Italy. Brick red goatskin, blind-tooled. Bound in the same bindery for the Guarnieri-Balleani library (Iesi) as MS 450 and Marston MSS 86, 212, 181, 182, with the first three probably by the same binder. Title, in ink, on tail edge: "C. DE. FI. BO. ET MA"., Part I: 5 illuminated initials, 6- to 4-line, yellow and ochre on blue, green and deep red ground with white vine-stem ornament, sometimes extending into the margins to form partial borders. Headings in red majuscules written by Scribe 2. Part II: 4 illuminated initials, 6-line, dark yellow on irregular grounds of blue, green and pink with white vine-stem ornament, shaded with grey; white dots on blue, pale yellow on green and blue on pink. Headings in red., Script: Part I (ff. 1-90): Copied by two scribes. Scribe 1, ff. 1r-38v, writes in a well formed round humanistic script, below top line and sometimes not using the final line ruled for text. Scribe 2, ff. 38r-90r, is Stefano Guarnieri, who writes in a smaller and less calligraphic humanistic script with cursive features, below top line. Part II (ff. 91-157): Copied by Scribe 2 of Part I: arts. 2-6 in italic, above top line; art. 7 added later, disregards bounding lines of written space., and Watermarks: Briquet Ciseaux 3668.
Subject (Name):
Cicero, Marcus Tullius. De finibus bonorum et malorum, Foscari, Francesco,--1373-1457, and Guarnieri, Stefano --Manuscripts
Subject (Topic):
Ethics, Ancient, Eulogies, Illumination of books and manuscripts, Medieval, Latin essays, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Speeches, addresses, etc., Latin (Medieval and modern)
Basil, Saint, Bishop of Caesarea, ca. 329-379 Bruni, Leonardo, 1369-1444
Published / Created:
[between 1450 and 1500]
Call Number:
Marston MS 105
Image Count:
59
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript composed in two parts. Part I (on parchment): 1) Basil the Great, De legendis libris gentilium, translated into Latin by Leonardo Bruni and with his dedicatory preface to Coluccio Salutati. 2) Unidentified poem. 3) Benedictus Cingulanus (Benedetto da Cingoli), Carmina. Part II (on paper) : 4) Ps.-Seneca, De remediis fortuitorum.
Description:
Binding: Sixteenth century, Italy. Front and rear pastedowns from an unidentified Latin moral treatise (Italy, ca. 1450). Sewn on three supports set in grooves on the outside of wooden boards. Plain wound endbands. The spine is round. Covered in brown calf, blind-tooled wtih an arabesque border and a central diamond with assorted fleurons. Aldine leaves and acorns dotted about. Spine: four fillets at head and tail and outlining the bands. There are five large, round bosses on each board and two fastenings, the catches on the upper board and the lower one cut in for the straps, one of which is wanting., Part I: Decoration consists of one illuminated full border, f. 2r, white vine-stem ornament with pale yellow shading on vibrant blue ground, green and deep purplish red and gold ground with white dots on blue, pale yellow dots on green and red. In lower border, medallion, framed by a wreath, with mutilated coat of arms. Illuminated initial, 4-line, gold, framed in pale yellow, on blue, green and red ground with yellow and white filigree, joined to the border. One large illuminated initial, f. 1r, gold on blue, green and red ground with white vine-stem ornament, extending into the upper and inner margin to form partial border. Small initial, 2-line, gold, framed in yellow, on red, blue and green gound with yellow filigree, f. 3r. Headings in red. Part II: Initials for paragraphs set apart from written space between vertical bounding lines., Purchased from the Florence dealer Olschki by H. P. Kraus, who sold it in 1955 to Thomas E. Marston., Script: Part I (ff. 1-17): Art. 1 written in a humanistic bookhand characterized by tall ascenders, above top line; arts. 2-3 added later in a less expert hand. Part II (ff. 18-25): Written in humanistic cursive script by a single scribe, above top line., Stained throughout., and Watermarks: unidentified basilisk buried in gutter.
Subject (Topic):
Classical education, Dialogues, Latin, Illumination of books and manuscripts, Medieval, Latin poetry, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of Boccaccio, De mulieribus claris, with dedication to Andrea Acciaiuoli.
Description:
Binding: Fifteenth century, Italy. Parchment stays from contemporary document adhered to inner and outer conjugate leaves of quires. Original wound sewing on three tawed skin, slit straps fastened in channels in flush wooden boards. A primary endband, caught up on the spine, is sewn on tawed skin cores. Remains of red secondary embroidery. The spine is square and lined with tawed skin between central supports. Covered in kermes pink, tawed skin with corner tongues, the sides divided into triangles with right angled and diagonal fillets. Three fastenings, the catches on the lower board and stubs of green fabric straps on the upper board which is cut in to accomodate them. Eight star-shaped bosses on the upper board (one wanting) and five on the lower, each board with four bosses on their spine edges. Inscription on upper cover: "de mulieribus claris". Written in ink on fore edge: "LXXXVIII" with a helmet on each side. Label on lower board wanting., Folio 3r, partial border, of poor quality: in lower margin, a patch of green grass with two women seated, one dressed in red, the other in green and white, supporting a shield with unidentified arms (gules, 3 helmets sable [in outline only]), a later addition. From the patch of grass oak branches with leaves and acorns extend into inner and upper margins. In inner margin, a fox chasing a hare. Folio 80r, a medallion framed in red and pink and four small gold flowers, with an unidentified monogram in gold against blue ground. One pen-and-ink initial, 8-line, blue with pale red penwork. Plain initials alternate in red and blue. Headings in red (ff. 1r-7r only). Many initials touched with red. Guide letters for decorator throughout., Purchased in 1954 from C. A. Stonehill by Thomas E. Marston., Script: Text written in a well spaced gothic bookhand with humanistic features by a single scribe, below top line. Art. 1 and rubrics added in similar script by another hand., Unidentified arms, with "Cretulia" and "Thurj" added on either side, and inscription in the lower margin of f. 2v: "Quid spectas Thurum [with 3 helmets] sunt hec insignia. Thuris/ Donarunt Sacre Iuno Minerua Venus/ Cretulia., and Watermarks: Briquet Tete de boeuf 14717 and similar to Piccard Ochsenkopf XII.123.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper (coarse; remains of deckle edges) of 1) Cicero, De oratore I-III. 2) Cicero, Pro T. Annio Milone. 3) Cicero, Pro Q. Ligario.
Description:
Binding: Fifteenth century, Italy. Stays cut from parchment manuscripts (text washed) inside the quires and also outside the first two. Original sewing on three tawed skin, slit straps attached to wooden boards. Beaded, chevron, natural, pink, and green endbands are sewn on tawed skin cores. Covered in dark brown calf with narrow corner tongues and blind- tooled with two circles and corners of rope interlace in a central panel with concentric frames, one with beaded zigzag ribbon tools similar to those on Marston MSS 38 and 68, and gilt annular dots. Spine: double fillets at head and tail and outlining the bands; panels diapered with double fillets. Two fastenings, the catches on the lower board; the straps and clasps probably later additions., Collection of Sir Thomas Phillipps (no. 2814). Passed from the collection of Giuseppe (Joseph) Martini to H. P. Kraus, who sold it to Thomas E. Marston in 1955., Partial border, f. 1r, white vine-stem ornament on blue, green and pink ground with white and pale yellow dots. At the terminals, gold balls with hair-line extensions. Illuminated initial, 4-line, gold on blue, green and red ground as above joined to the border. In lower margin, wreathed medallion for arms (drawn with a compass), blank. Five smaller initials, 4- and 3-line, gold on blue, green and red rectangular grounds with white or pale yellow filigree and white dots. Headings and colophons in red., Script: Written in a neat upright humanistic cursive by a single scribe., and Watermarks: Briquet Echelle 5904, Briquet Fleur 6306, and similar to Briquet Ciseaux 3668.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Speeches, addresses, etc., Latin
Manuscript on parchment (poor quality) of Leonardo Bruni, De primo bello punico, compiled largely from Polybius.
Description:
Binding: Nineteenth century, England (?). Quarter bound in red, hard-grained goatskin, gold-tooled, with printed marbled paper sides. Edges spattered yellow and black. Title on spine: "Leonardi Aretini, Commentarii. MS. in membranis"., One large illuminated initial, 4-line, gold on blue, light green and pink ground with white vine-stem ornament. Initial joined to partial border, white vine-stem ornament on blue, light green and pink ground with white dots and gold balls with penwork extensions in brown ink. Two smaller initials on ff. 23v and 38r, 4-line, gold, outlined in yellow on blue grounds with white highlights. Plain initial, f. 1v, and headings in pale red., Purchased from Maggs Bros., London, in 1955 by L. C. Witten, who sold it in the same year in 1954 by Thomas E. Marston., and Script: Text written by a single scribe in humanistic cursive script, above top line. Marginal notes (mostly proper names and events) added by at least two hands, 15th-16th centuries, with one set added throughout in red by a scribe who also placed Roman numerals for each book in upper margin.
Subject (Geographic):
Rome--History, Military--265-30 B.C
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment (palimpsest) of 1) Francesco Barbaro, De re uxoria, with his dedicatory preface to Lorenzo di Giovanni de' Medici. 2) Leonardo Bruni, Oratio Heliogabali ad meretrices. 3) Plato, Crito, the first version of the Latin translation by Leonardo Bruni (1420s). 4) Xenophon, Apologia Socratis, translated into Latin by Leonardo Bruni. 5) The ps.-Virgilian Epistola Virgilii ad Maecenatem written by Pier Candido Decembrio as a young man in 1426; he had difficulty convincing his contemporaries that it was not genuine.
Description:
Binding: 19th-20th centuries, Germany (?). Case bound with leaves from a parchment manuscript (Breviary, France, 1250-1300). On the front pastedown: rubrics for the major feasts and their octaves occurring in late June (John the Baptist, 24 June) through mid-August (Assumption, 15 August), and the beginning of the lessons to be read within the octave of the feast of John the Baptist; on the back pastedown: end of the lessons for Hilarianus of Arezzo (7 August) and beginning of the second lesson for Cyriacus, Largus and Smaragdus (8 August)., Illuminated initial of poor quality, f. 1r, 7-line, gold (almost completely rubbed), with red penwork filigree and small stylized leaves, with some touches of gold. At the top of the page, beneath rubric, arms of the Rustichelli family (per pale, or, a lion rampant sable; or, 4 bars nebuly sable), surrounded by red penwork. Plain initials in red and blue. Headings in red. Some small initials touched with yellow. Off-set impression of eyeglasses on ff. 33v-34r., Purchased in 1957 from H. P. Kraus by L. C. Witten, who sold it in 1959 to Thomas E. Marston., and Script: Written in humanistic bookhand by a single scribe, above top line.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of M. Tullius Cicero (106-43 B.C.), Cato Maior de senectute, with a List of the Seven Wise Men of Greece.
Description:
Binding: original Italian, repaired: brown leather over thin wooden boards, the covers blind-tooled and decorated with numerous small gold dots. Marks of two clasps; on the spine, now detached and kept separately, a gold-tooled reddish brown title label (17th century?) with the inscription “STR // DE // SEN”. Gilded edges., Pink headings. The names of the interlocutors and the colophon on f. 48r are written in pink Capitals. The first line of the various sections following the dentelle initial is written in alternately pink and black Capitals, except on f. 2r, where it is written in gold Capitals. The illuminated opening folio before f. 1 has been cut out. The smaller sections open with a pink Capital placed between the double bounding lines. 2-line Renaissance dentelle initials in gold on a divided and indented red and blue background, decorated with silvery penwork, at the beginning of the major subdivisions of the text., R.G. Babcock, T.N. Thomas, D.M. Kibbey, E.P. Archibald, A Book of Her Own. An Exhibition of Manuscripts and Printed Books in the Yale University Library that were Owned by Women before 1700 (New Haven, 2005), p. 66., Record created by Beinecke staff from catalog description by Albert Derolez., Script: copied by Giovanmarco Cinico from Parma in Humanistica Textualis Formata. This famous scribe was active in Naples from ca. 1458 to ca. 1498., and Written for the young Beatrice of Aragon (1457-1508), daughter of Ferrand of Aragon, King of Naples and future Queen of Hungary. Purchased 1994 from Bernard Quaritch (?) on the Edwin J. Beinecke Fund.
Subject (Name):
Cicero, Marcus Tullius
Subject (Topic):
Dialogues, Latin, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Old age