Manuscript, in unidentified hand, on paper, containing a collection of works by Rufus of Ephesus: Περὶ πάντων φανερῶν τε καὶ ἀφανερῶν μορίων τοῦ ἀνθρώπου (De corporis humani partium appellationibus; ff. 3-7), Περὶ ὀνομασιῶν (De partibus corporis hominis; ff. 7-16), Περὶ ὀστῶν (De ossibus; ff. 17-18). Also includes extracts from Julius Pollux's Onomasticon Liber II (ff. 20-47). Contains a table of contents (f. 2).
Alternative Title:
Opera : in Greek
Description:
In Greek., Title devised by cataloger., Script: Italian 16th-century hand., Decoration: titles and one-line initials in red., Layout: single column of 17 lines., Binding: blind-tooled green sheepskin over paper boards., and Leaf 19 is blank.
Subject (Topic):
Manuscripts, Greek, Medicine, Greek and Roman, Medicine, and Manuscripts
Manuscript, in unidentified hand, on paper, containing an extract of Dioscorides' De materia medica, a medico-botanical dictionary arranged alphabetically
Alternative Title:
Medico-botanical dictionary / extracted from Dioscorides ; manuscript written in Greek during the 15th Century
Description:
In Greek., Title devised by cataloger., Script: Italian 16th-century hand., Layout: single column of 30 lines., Binding: vellum, over paper boards. Spinal title: Dioscorides De plantis Graece Manuscrip., and Volume was likely produced in Venice between 1539 and 1542 or Guillaume Pellicier, bishop of Montpellier and ambassador to Venice.
Subject (Topic):
Botany, Medical, Manuscripts, Greek, Medicine, Greek and Roman, Medicine, and Manuscripts
Manuscript on paper of 1) Nicomachus Gerasenus, Harmonicum enchiridion, I-II. 2) Gaudentius, Introductio harmonica
Description:
In Greek., Watermarks: similar to Harlfinger Croix 42; a similar watermark occurs in Beinecke MSS 273 and 274., Script: Written and signed by the scribe Andreas Darmarius, who completed the work in Venice on 26 March 1585., Much rubrication of the text. Small initials, 3- to 1-line, some with floral motifs. Simple headpieces in black and red at beginning of each section., and Binding: Sixteenth century. Lavender edges. Tan leather, flesh side out, over wooden boards with a blind-tooled X and a single line border on each. Probably by the same binder who bound MS 301; almost certainly done in the same bindery.