Manuscript on paper of a collection of texts by Nicolas de Locques, in which practical laboratory procedures are mingled with speculative and mystical alchemy
Description:
In French., Script: Written in a practiced scribal hand in a flowing cursive sloping to the right with infrequent standard abbreviation; a second similar, but finer hand on p. 358 only., Watermarks: Paper with unidentified watermark of a griffin rampant (?), the hind paws on a staff incorporating letters and numbers "Y49" (?), countermarked with 2 lines of capitals, the first word perhaps "JUVIMAL" (sic)., and Binding: Original French binding of mottled calf, the sides plain, the edges of the covers gilt-stamped a la grotesque, back (repaired and restored at foot) with seven bands, the compartments gilt-stamped to a rectangular pattern, a lozenge of leafy sprays in the center of each, with triangular elements of the same at the corners, original title label in the second compartment from the top, marbled endpapers, edges speckled red.
Manuscript on paper in two parts. Part I (late 15th century): 1) John of Rupescissa, De consideratione quinte essentie. 2) Aqua solempnissima, atque mirabilis. Part II (copied in 1775): 3) George Ripley (?), Touchant le grand magistere des sages, translated from English into French
Description:
In Latin and French., Script: Part I: Written by a single hand in a semigothic cursive. Part II: Written in a cursive hand sloping to the right., Part I: Headings in red., and Binding: Nineteenth century, English. Tan buckram boards, brown morocco back and corners, flat backstrip with gold-stamped title, plain edges.
Manuscript on paper of the following mystical or speculative alchemies translated into French: Arnold of Villanova, Rosarius; Albertus Magnus, Compositum de compositis; and Ramon Lull, Clavicula. Alchemies in Latin by Raymundus Gaufridi, Roger Bacon (?), Nicholas, Johannes Pauper, John of Rupescissa, and the Duc de Berry (?). Also includes a long series of wholly practical procedures and recipes
Description:
In French and Latin., Script: Written by one scribe in a remarkably small and neat cursive gothic hand., No headlines, no color, no decoration, spaces left for some capitals with guide letters, a few drawings in the text or in margins., and Binding: Nineteenth century. Marbled paper boards with diced calf back, the backstrip in compartments with horizontal gilt fillets, lines of gilt small tools bordering the false bands, title label in the second compartment from the top gilt-lettered "REGNAULT". Early, probably original green edges. Hinges of the binding repaired.
Title from item., Date and publisher supplied by curator., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Alchemist's Laboratory.
Publisher:
Perrolin, Editeur
Subject (Topic):
Alchemy, Skulls, Hour glasses, and Scientific equipment
Title from item., Date derived from printmaker's date of death., Place of publication from item., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
chez Basan, rue du Foin
Subject (Name):
Hippocrates,
Subject (Topic):
Research, Alchemy, Laboratories, Furnaces, Experiments, Physicians, Skulls, Hourglasses, and Dogs
Title from item., Date supplied by curator. Donor dated item 1875., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Laboratory, interior; Scientific apparatus.
Manuscript on paper and parchment of a version in French of the German text, Das Buch von der Heiligen Dreifaltigkeit, with close copies of the illuminations in two fifteenth-century manuscripts. Contains illustrations that mix Christian symbolism, especially the Passion of Christ, with alchemical symbolism, and also depict some apparatus
Description:
In French., Script: Calligraphically written in brown ink in a very clear, large cursive hand., Watermarks: Paper watermarked with large fleur-de-lys with a cartouche, surmounted by a crown, the letter "W" below, perhaps identical to Heawood 1845., With illustrations added about 1875., and Binding: Nineteenth-century French citron polished calf, sides bordered with triple gold rules, gold-stamped fleurons at the corners, back in compartments gold-stamped with small tools, red morocco title label, marbled pastedowns and flyleaves, the latter glued to parchment flyleaves which appear to have come from an earlier binding of this volume; mottled edges.
Subject (Topic):
Alchemy, Religious aspects, Christianity, and Trinity
Manuscript on parchment (rather thick) of a codex containing alchemical verses and other works by Samuel Norton and illustrated with skillful drawings of the arcane figures associated with Norton's work
Description:
In French., Script: Written by a single hand which has also annotated and captioned the drawings in a neat cursive sloping to the right, with the addition of passages in italic and chancery scripts., and Binding: Early, perhaps original, French binding of black morocco, the sides with triple gold fillet around the edges, a similar triple fillet forming a rectangular panel in the center of each cover with fleurons at the corners, the inside edges with a border of small tools stamped in gold, the back gilt compartments formed by five raised bands, modern title label on second compartment from top, some modern repairs with brown leather, including filling up the four holes on each cover which originally held ties, now missing; original gilt edges.
Title devised by curator., Date supplied by curator., Original work created: 1558., Place of production based on artist's country of residence., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Temporary local Medical Library subject terms: Alchemist's Laboratory., and Notation (ink on vellum) on frame: Tr wi pl B.