Contents: 1) Waldmaerchen 2) Der Spielmann 3) Hochzeitsstueck. The "Waldmaerchen" movement hitherto unavailable, deleted by the composer from the version published in 1888. Accompanied by a complete set of parts copied by the composer’s nephew, Alfred Rose.
Alternative Title:
[Klagende Lied]
Description:
Copyist's MS with corrections and lyrics by the composer. and p. 116 blank, not digitized.
Manuscripts, in different hands, of a collection of several dozen primarily satirical and anonymous poems, many scatological. The majority of the poems are political satires, especially concerning the abdication of King James II and the accession of King William III; other targets include Charles Montagu, Earl of Halifax; religious zeal; and France. Other poems satirize women, including Barbara Villiers (afterwards Palmer), Countess of Castlemaine and Duchess of Cleveland, with reference to her affair with rope-dancer Jacob Hall; Mrs. Moseley and her link with Anthony Ashley Cooper, 1st Baron Ashley and 1st Earl of Shaftesbury; and women's conduct generally. The collection also includes a broadside printing of Packington's Pound, as well as numerous satirical songs sung to its tune.
Description:
Binding: marbled covers, detached. and See "Early American Literature, vol. XIV, 1979, concerning the attribution of "A Fart" (p. 193).
Subject (Geographic):
Great Britain--Court and courtiers, Great Britain--Politics and government--1660-1714, and Great Britain--Social life and customs--17th century
Subject (Name):
Cleveland, Barbara Villiers Palmer, Duchess of, 1641-1709, Etherege, George, Sir, 1635?-1691, Hall, Jacob, James II, King of England, 1633-1701. aut, Shaftesbury, Anthony Ashley Cooper, Earl of, 1621-1683, and William III, King of England, 1650-1702
Subject (Topic):
Ballads, English, English poetry--17th century, Political poetry, English, Songs, English, Verse satire, English, and Women--Conduct of life
Manuscript on paper of a collection of pseudo-Lullian alchemical writings, translated from the French and Catalan originals, with a little additional matter. The codex underwent a transformation in the early 16th century when considerable new matter was added by another English hand on different, thinner paper; leaves have been inserted throughout the original codex.
Description:
Binding: Eighteenth century, English. Dark calf, sides paneled in blind with a roll tool of vine pattern, leafy sprays at the corners, back with six plain compartments and five raised bands, probably original parchment label on second compartment from top bordered with ink rule and lettered in ink: "RAYM. LULLII | OPERA | MANUSCRIPTA". The binding considerably repaired and some leather renewed. Original plain edges, the top blackened., Original text: Headings in red, rubricated. Some pages with diagrams or drawings. The illustrations include Lullian alphabets and tables in the form of wheels, an Arbor philosophorum, a group of flasks, and a good, large drawing of a furnace. Inserted leaves: Red headings, and capitals with slight decoration., Script: The original portion written by a single English gothic cursive hand with heavy standard abbreviation. The inserted leaves (first 4 ff. now extant, ff. 88-96, 163-169, 268-274, and 307-319 [of which f. 167 is a blank and f. 315 is a parchment leaf]) written in another gothic cursive habitually employing writing of different sizes., and Watermarks: Original paper: 1) an extremely primitive-looking unicorn with very short horn and long tail somewhat like Briquet 9962 and 10176; 2) a less primitive unicorn rather similar to Briquet 9985; 3) bullshead with defined eyes and nostrils and with cross above, rather like Briquet 15054. Inserted leaves: a very elegant unicorn mark, more developed than Briquet 10104; and some leaves with a gothic "P" with cinquefoil above, rather like Briquet 8809.
Subject (Name):
Llull, Ramon,--1232?-1316
Subject (Topic):
Alchemy--Early works to 1800, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript, in a single hand, of a collection of approximately 105 poems divided into "Miscellaneous Pieces," "Songs," "Cantatas," "Odes," Satirical Pieces," "Mock-Pieces relating to the Stage," and "Imitations." The first "Imitation" is a sonnet concerning an abortion scandal surrounding Mademoiselle de Guerchi in 1660, and is addressed in her voice to her aborted "embrio;" other poem titles include "An Ode, Inscrib'd to his grace the Duke of Buckingham, on his Embarking for France," "The paper Bonnets worn by Ladys," "On seeing lewd Women refus'd Admittance," "Fungus," "The poor & Rich Rogue," "Prologue to a Puppet-Show," and "The Shipwrack'd Sailors." The collection is prefaced by a dedication to Viscount Nessuno in the voice of an "orphan Muse" who writes, "should she beg your Lordship...to favour her with a corner of the Green-house in delightful Groves of Utopia; there to correct at Leisure, the numberless Reams she has scribbled within these twelve years: And should she afterwards implore your Lordship to assist the publication of her labours, by raising a handsom subscription among your friends for that purpose...she is certain your Lordship would not deny her one of them." Many additional poems, in a smaller hand and with numerous corrections, appear in the margins.
Description:
Additional poems, in a smaller hand and with numerous corrections, appear in the margins., Binding: full sueded calf., Laid in at the beginning of "Imitations": a piece of paper with an engraving in red ink., and Pasted onto pages at beginning at end: printed poems by Lockman, with handwritten corrections.
Subject (Name):
Lockman, John, 1698-1771
Subject (Topic):
English drama--18th century, English literature--18th century, English poetry--18th century, Epigrams, Occasional verse, English, and Verse satire, English
Winchilsea, Anne Kingsmill Finch, Countess of, 1661-1720(?)
Published / Created:
[1680-1700].
Call Number:
Osborn fb70
Collection Title:
[Collection of 17th century poems], [1680-1700].
Container / Volume:
Box 1 | Folder 2
Image Count:
1
Abstract:
Manuscripts, in different hands, of a collection of several dozen primarily satirical and anonymous poems, many scatological. The majority of the poems are political satires, especially concerning the abdication of King James II and the accession of King William III; other targets include Charles Montagu, Earl of Halifax; religious zeal; and France. Other poems satirize women, including Barbara Villiers (afterwards Palmer), Countess of Castlemaine and Duchess of Cleveland, with reference to her affair with rope-dancer Jacob Hall; Mrs. Moseley and her link with Anthony Ashley Cooper, 1st Baron Ashley and 1st Earl of Shaftesbury; and women's conduct generally. The collection also includes a broadside printing of Packington's Pound, as well as numerous satirical songs sung to its tune.
Description:
Binding: marbled covers, detached. and See "Early American Literature, vol. XIV, 1979, concerning the attribution of "A Fart" (p. 193).
Subject (Geographic):
Great Britain--Court and courtiers, Great Britain--Politics and government--1660-1714, and Great Britain--Social life and customs--17th century
Subject (Name):
Cleveland, Barbara Villiers Palmer, Duchess of, 1641-1709, Etherege, George, Sir, 1635?-1691, Hall, Jacob, James II, King of England, 1633-1701. aut, Shaftesbury, Anthony Ashley Cooper, Earl of, 1621-1683, and William III, King of England, 1650-1702
Subject (Topic):
Ballads, English, English poetry--17th century, Political poetry, English, Songs, English, Verse satire, English, and Women--Conduct of life
Manuscript on paper containing "The constant desperado"; "The force of custome"; "The generous lovers"; "The maids revenge"; and "The Disloyal Wife". With "An address to the Reader" and a dedicatory letter to Dorothy Osborne.
Description:
Disbound but in original gatherings. and For information on the source of acquisition, consult the appropriate curator.
Subject (Topic):
English fiction--Early modern, 1500-1700 and Love stories, English
Manuscript copy, made in the 18th century, sometime after 1723. "Un des quelques MS complets de l’ouvrage devenu celebre sous le titre de Testament du cure Meslier.
Subject (Name):
Catholic Church --Controversial literature
Subject (Topic):
Atheism, Christianity --Controversial literature, and Religion --Controversial literature
Highly detailed accounts of both receipts and expenses (written from opposite ends of the volume) kept by the London merchant Abraham Chitty, brother of Alderman Thomas Chitty. Receipts include records for rents on his properties in London, Westminster and Surrey, as well as income from an interest in a brewhouse and insurance records for warehoused goods such as wine. The record of Chitty’s personal expenses is particularly complete and includes 6s. "for Pamila. 2 Vollums;" "about L1.4s.6d to see The Conscious Lovers" at Covent Garden Playhouse in 1739; and 14s. for "Chockolate, Mackoroons, carraways and oysters." Also included are regular payments for housekeeping expenses "For Mrs. Chitty;" purchases at auctions and sales, such as "a barometer;" and frequent carriage repairs.
Description:
Both pastedowns contain notes on birth and death dates for family members., Related material: Abraham Chitty, Letters (Osborn c608)., and Volume contains unnumbered pages, blank pages (not digitized), and text written in both directions; both sections of text paginated separately.
Subject (Geographic):
Great Britain --Economic conditions --18th century and Great Britain --Social life and customs --18th century
Subject (Name):
Chitty, Thomas
Subject (Topic):
Amusements --England, Chitty family, Cost and standard of living --England --18th century, Family --England --Domestic relations, Home economics --Accounting, Luxury, and Middle class --England --London --18th century