Manuscript on paper (polished) of Gasparino Barzizza, Commentary on Epistolae morales ad Lucilium, 65-124 only.
Description:
Binding: Fifteenth century, Italy. Parchment stays are adhered to inner and outer conjugate leaves of quires. Original wound sewing on three tawed skin, slit straps laid in channels on the outside of beech boards. The endbands, which are wanting, were sewn on tawed skin cores laid in grooves and nailed or held in place by the bosses; they were tied down through a tawed skin spine lining. Covered in sheepskin, originally brick red, with the surface now badly rubbed and shedding. Corner tongues. Blind-tooled with an X in concentric frames. Four leaf-shaped catches with three flowers on each on the lower board, one wanting; the upper board cut in for two kermes pink straps attached with star-headed nails. Five flower-shaped bosses on each board and the trace of a chain attachment at the tail of the lower one., Illuminated initial, f. 1r, 8-line, blue with white highlights and burnished gold on gold ground with stylized foliage in green and dark red with yellow highlights. Terminals ending in foliage serifs, red, green with yellow highlights, and gold balls with hairline extensions. Numerous pen and ink initials, 3-line, alternate red and bright blue with penwork designs of the other color extending along margin., Purchased from Enzo Ferrajoli through Nicolas Rauch of Geneva in 1958 by L. C. Witten, who sold it the same year to Thomas E. Marston., Script: Written in gothic cursive with humanistic features by a single scribe, above top line., and Watermarks: similar to Briquet Tour 15909 and Piccard Turm II.617.
Subject (Name):
Seneca, Lucius Annaeus,--ca. 4 B.C.-65 A.D
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholia
Manuscript on paper of 1) Donatus (4th century), Vita Vergilii. 2) Note on the three kinds of poetry, after the Venerable Bede, De arte metrica. 3) Ps.-Octavianus Augustus, Poem in praise of Virgil's Aeneis. 4) Ps.-Ovidius, Tetrasticha in cunctis libris Vergilii. 5) Poem in praise of Virgil. 6) Servius grammaticus, Commentum in Vergilii Bucolica, preface. 7) Poem. 8) Servius grammaticus, Commentum in Vergilii Bucolica. 9) Servius grammaticus, Commentum in Vergilii Georgica.
Description:
Binding: 17th-18th centuries. White parchment over pasteboard, the covers gold-tooled (but the gold almost entirely lost) with frames of fillets, four lozenge-shaped floral stamps in the corners and a large lozenge-shaped floral stamp in the center. The spine, with five raised bands, gold-tooled, with a red leather title label in the second compartment with the gold-tooled inscription: "SERVIUS / IN / VIRGILI / M.SS." Sprinkled edges., No headings. Unevenly spread alternately red and blue paragraph marks. 3- or 4-line plain initials in red or blue, with guide letters; art. 9 opens with a 7-line plain initial in red. On f. 1r art. 1 opens with a 7-line Gothic foliate initial in blue and red, with green tendrils, on a rectangular background. The page is decorated with a golden staff in inner, upper and outer margins, around which a green tendril carrying red and blue leaves and gold vine leaves is wound. In the lower margin a wild man in a lion's skin (Hercules?) is painted standing between two rocky hills and carrying two coats of arms., and Script: Copied by one hand in Gothico-Humanistica Semitextualis Libraria with numerous abbreviations. Incipits are written in a large and more calligraphic version of the same script.
Subject (Name):
Servius,--4th cent
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin poetry, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of Jean Faucket (or Faucquet), Commonplace Book: Holograph. Completed 1497 or later
Description:
In French., Four distinct watermarks: one resembles Piccard, vol. 2, IX 96 (Xanten, 1452), one resembles Piccard vol. 2, IX 182 or 190 (Rhine valley, 1470-1480 or Flanders, 1463-70), one closely resembles Briquet 9196 (St. Omer, 1491), and a fourth closely resembles Briquet 8992 or 8993 (Vaudrevange, 1499 and 1493, respectively)., Script: written by the author in a gothic bastarda script., Numerous full color illuminations of coats of arms. Ornate initials in black and red throughout. Rubricated., and Binding: heavy black cloth over boards made of early printed material. Several parchment manuscript fragments which were used in binding are visible in the spine. One contains 12th-century Caroline minuscule and the other contains a gothic bookhand of the 13th-14th century. Damaged, front board detached.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Faucket, Jean, fl. 1488-1497.
Subject (Topic):
Commonplace-books, Heraldry, French literature, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Antoninus, Saint, Archbishop of Florence, 1389-1459
Published / Created:
[between 1490 and 1500]
Call Number:
Beinecke MS 4
Image Count:
127
Resource Type:
unspecified
Abstract:
Manuscript on paper of St. Antoninus, Confessionale
Description:
In Latin., Watermarks: unidentified bull's head., Script: Text written by one person in humanistic script; numerous marginal and interlinear notes in a slightly later hand., Many ornamental capitals of various sizes, 9- to 3-line, in red and blue with purple penwork, mark each section of text; some with pale shades of yellow, peach, and purple as background. Rubrics (except toward end); red, blue, and yellow paragraph marks., and Binding: between 1490 and 1500. Original sewing on three tawed, slit straps, kermes pink, laced through tunnels in the thickness of wooden boards into rectangular channels on their outer face. Twisted, tawed cores of plain, wound endbands laid in grooves. All supports pegged and gypsum (?) used to fill in around them. Spine lined with brown calf, wanting except under endband tie-downs. Covered in brown calf, blind-tooled with a rope interlace panel border. Corner turn-in tongues. Two catches on lower board, stubs of straps on upper. Boards worm-eaten and detached and most of the cover wanting. Minor repairs to endleaves and headband made ca. 1976.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Antoninus, Saint, Archbishop of Florence, 1389-1459.
Subject (Topic):
Confession, Catholic Church, Didactic literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of 1) Bartholomaeus de Chaimis (de Mediolano, d. c. 1496), OFM, Confessionale. 2) Ps.-Anselmus Cantuariensis (Pseudo-Anselm of Canterbury), Interrogationes faciendae infirmo morienti.
Description:
Binding: Original brown leather over bevelled beech boards, both covers blind-tooled with fillets and small tools in ropework design. Sewn on three split leather thongs. Spine damaged. Remnants of three clasps, one at the top, one at the bottom and one at the side edge of the covers, each attached with three engraved nails to the front cover; quadrangular decorated brass catches on the rear cover, engraved with the initial “S” and each fixed with four nails., Headings in purplish red. Alternately red and blue paragraph marks and 1- and 2-line plain initials with guide letters. Decorated initials: f. 1r (Prologue), 7-line white vinestem initial followed by text line in fancy Capitalis; f. 2r (Part 1), 4-line Humanistic dentelle initial; f. 12r (Part 2), 4-line white vinestem initial; f. 18v (Part 3), 4-line Humanistic dentelle initial; f. 127v (Part 4), idem. Running headlines in Capitalis in purplish red., and Script: Copied by one hand writing a small and rather uneven Humanistica Textualis Libraria, highly abbreviated, especially in the quotations of authorities.
Subject (Name):
Franciscans
Subject (Topic):
Confession--Catholic Church, Extreme unction, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Lorenzo Valla, Confutationes. 1) Antidotum in Poggium, Books I-III. 2) Antidotum in Poggium, Book IV. 3) Dialogus in Poggium, Book I. 4) Confutatio prior in Benedictum Morandum.
Description:
Acquired in 1954 from C. A. Stonehill by Thomas E. Marston., Binding: ca. 1900, England. Red goatskin case with gold-tooled title "Valla In Poggium MS" and turn-ins. Gilt edges. Bound by Zaehnsdorf (London, 1842-1930)., Illuminated page (f. 1r) with partial border in outer and lower margins, white vine-stem ornament on predominately green and red ground, with some blue and white dots, framed by thin gold bars. In lower border, unidentified mutilated coat of arms, against blue ground. Seven illuminated initials, 4- to 2-line, gold, against blue, green and red grounds with white vine-stem ornament and white dots. Headings and marginal annotations in pale red., and Script: Written in a round humanistic script by a single scribe, above top line.
Subject (Name):
Valla, Lorenzo,--1407-1457
Subject (Topic):
Dialogues, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment (thick, stiff) of 1) Record of those for whom memorial prayers were to be said during November, divided into 6 estaciones, with a total of 501 memoriae. The place where the prayer is to be said is often given; from those mentioned, the church in question can be identified as the Cathedral of Cordoba. Still at the Cathedral in 1625, when memoriae for Don Diego de Mardones were added. 2) Prayers for the Dead
Description:
In Latin and Spanish., Script: Written by a single scribe in rotunda, very well executed, with additions at end of estaciones in rotunda and humanistic script, by later hands., Initials, ff. 20r-21v (2-line), in alternating red with purple penwork and blue with red penwork. 1-line capitals sometimes have yellow wash. Rubrics in orange-tinted red, paragraph marks in blue. Added memoriae for Don Diego de Mardones have elaborate penwork cadeaux at the beginning., Offset impression of red lines (from pastedowns or flyleaves now lost?) appear on ff. 1r (running vertically) and 21v (horizontally); no loss of text., and Binding: Sixteenth century. Resewn on three small, vegetable fiber supports laced into wooden boards. The spine is square and lined with vellum between the supports. Covered in tan sheepskin blind-tooled with a floral roll border and arabesques in the center. A paper label on the upper cover: "Noviembre." Rebacked.
Subject (Geographic):
Connecticut, New Haven., and Córdoba (Spain)
Subject (Name):
Catholic Church
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on paper of C. Iulius Caesar (100-44 B.C.), De bello Gallico; De bello civili; De bello Alexandrino; De bello Africo; De bello Hispaniensi.
Description:
Binding: ca. 1700 (repaired in 1993 by P. Dusel). Brown sprinkled calf over cardboard, gold-tooled: the covers decorated with a double fillet frame, the spine, with seven raised bands, richly decorated. In the second compartment a red title label with gold-tooled inscription “CESARIS / COMMENT/ARII .Ms.” Red edges., Collection of Bernard M. Rosenthal, Berkeley (MS 174). Purchased from Rosenthal on the Edwin J. Beinecke Fund., Pale red headings in Humanistica Textualis, sometimes missing, especially towards the end of the codex. Running headlines in the same colour and by the same hand, “L” in the middle of the verso page, the number in the middle and the title at right on the recto page. Gothic initials at the head of the subdivisions of the text as sketched above (including f. 69r): (1) foliate initials in Lombard style in red and green, filled with blue heightened with white penwork, on a square gold background, up to f. 51r; the opening one (f. 1r) is 9 lines high and has penwork extensions ending in leaves in the left and upper margin (the latter interfering with the heading); the others are 4-5 lines high and have similar sprays in the left margin only; (2) Starting f. 68v (art. 2) blue flourished initials (4-6 lines) with red penwork, the latter extending in the margin., and Script: Copied by one scribe writing a small Gothico-Humanistica with features close to Gothica Semitextualis Libraria.
Subject (Geographic):
Rome--History, Military--265-30 B.C
Subject (Name):
Caesar, Julius
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment (trimmed) of a Book of Hours, use of Paris. Includes a Full calendar, Fifteen Joys of the Virgin, Seven Requests, and a sonnet, all in French
Description:
In Latin and French., Script: Written in Gothic bookhand., Sixteen miniatures from the workshops of the Lucon Master and the Master of the Duke of Bedford, in blue, pink, and gold arched frames, some with cusping. Each miniature with a lavish acanthus border incorporating arms on ff. 77r and 93r. Text pages with a 3/4 bar border, pink, blue and gold, with interlace knots at corners and terminals and delicate rinceaux, in two sizes on different folios. 3-line initials at text opening, two historiated: f. 77r and f. 93r; f. 51r with a blue and gold diapered ground; the remainder, blue with white highlights or in pink and blue acanthus filled with ivy, with blue and orange leaves, on gold, against pink, blue and/or gold grounds with white filigree; framed in gold, often with small ivy or acanthus serifs. 4- to 2-line initials in text and KL monograms, pink or blue with white highlights, filled with ivy, as above. 1-line initials blue, pink and gold with white filigree. Line endings, blue, pink and gold, three (ff. 57r, 102r, 102v) signed by Petrus Gilberti, known to have signed line-endings in at least four other manuscripts. Rubrics throughout., and Binding: 18th-19th centuries. Gilt edges. Red velvet with a silver fastening and a silver medallion, with unidentified male figure preaching, in center of upper board.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Devotional literature, French, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval