"A man walks on tiptoe away from the spectator. He is ungainly, the left shoulder lower than the right, with ill-dressed hair in a small tail. He wears a grotesque cocked hat poised on his head, an old-fashioned coat, and striped stockings. The stone wall of a house, showing part of a street-door and one window, forms a background."--British Museum online catalogue
Description:
Title etched at bottom of image., Sheet trimmed within plate mark., Temporary local subject terms: Doctors -- John Burges, 1745-1807., 1 print : etching, hand-colored ; plate mark 25.0 x 17.5 cm., and Figure identified as "Dr. Burgess" in pencil in lower margin.
Publisher:
Pubd. July 3d, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Burgess, John, 1745-1807 and Royal College of Physicians of London.
"Representation of Dr Grosvenor in smart attire, walking to the left whilst clutching the glove of his right hand in his left hand. He wears black boots, a blue, double-breasted over-coat, and a black hat, and is accompanied by a white dog."--British Museum online catalogue and "Grosvenor (1742-1823), who became the most noted practical surgeon in Oxford, was admitted to the priviliges of the University in 1768, as 'chirurgus'. On the death of the University Printer in 1795 he became chief proprietor and editor of the Oxford Journal."--British Museum catalogue
Description:
Title etched below image., Temporary local Medical Library subject terms: Surgeons -- Oxford University -- Oxford Journal., and 1 print : etching, hand-colored ; plate mark 278 x 204 mm.
Title etched below image., Figure identified as the physician Sir Isaac Pennington; see National Portrait Gallery, London, NPG D10751., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and "Mrs. Fuller" written in ink in upper left on recto; figure identified as Sir Isaac Pennington in pencil verso.
"George IV sits in an arm-chair, his gouty right leg in a bulky swathing rests on a cushion; the left leg is tightly bound between calf and ankle with a narrow bandage. He wears a loose fur-collared coat or gown over breeches and waistcoat. He leans back reflectively, an open book, Diversions of Purley [by Home Tooke, cf. British Museum Satires No. 9020], in his right hand. Phases of his past life are illustrated in a series of W.L. portraits on the wall behind him. [1] As a handsome young man he stands holding a long-bow, as if at an archery contest. [2] He stands, slightly obese, in his Light Horse uniform, see British Museum Satires No. 8800 (1796). [3] He stands in back view as in BM Satires 12803, facing a wall on which is a portrait of the Hottentot Venus [Saartjie Baartman], see British Museum Satires No. 11577, &c. [4] He stands in hussar uniform, with high curled wig and whiskers. [5] He stands directed to the right in Field Marshal's uniform (as 'especially in 1814). [6] He stands on the deck of a ship in yachting costume wearing loose jacket and trousers, his hands in his coat-pocket. The profile and paunch of Sir William Curtis are behind and on the extreme left. [7] The picture is partly concealed by a curtain, but the King sits near a chamber-pot. [8] He stands in coronation robes holding orb and sceptre (see British Museum Satires No. 14199). [9] He is in Highland costume (see British Museum Satires No. 14386). At the King's left hand is a small cheval-glass topped by a crown. His appearance has changed, he has no whiskers, and has a wig of lightly curled natural hair, parted in the middle, so that in place of the pear- or pineapple-shaped head resulting from a crest of curls and whiskers, as from c. 1811 [In caricature. An engraved H.L. portrait by Schiavonetti after T. Phillips, pub. Cadell & Davis, 11 Oct. 1809, has whiskers and crest of curls], his face seems rounder, and, in many prints, younger. His dress is less formal, and his appearance (confirmed by portraits from 1820) suggests a determination to depart completely from the appearance and costume of caricature."--British Museum online catalogue
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., and Temporary local Medical Library subject terms: Theater -- Hottentot Venus.
Publisher:
Pub. March 15, 1824, by S.W. Fores, 41 Picadilly, London
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Curtis, William, Sir, 1752-1829., Shakespeare, William, 1564-1616., Tooke, John Horne, 1736-1812., and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Fashion, Costume, History, Gout, Recluses, and Dandies
Print shows Priestley walking right to left, diagonally away from the spectator; his face, turned in profile to the left, has a sinister smile. He holds out, as firebrands, two burning papers: 'Political Sermon' and 'Essay on Government'. From his pockets other papers project inscribed: 'Revolution Toasts, Essays on Matlin [sic] Spirit' and 'Gunpowder'. He tramples on books and papers, including an open book: 'Bible explained away.' Cf. British Museum catalogue
Description:
Title engraved below image., Possibly executed by Samuel Collings, who is believed to have employed the pseudonym Annibal Scratch for some of his prints., Questionable attribution to John Nixon from unverified data in local catalog record., Text above image: Attic miscellany. Political portraiture no. 4., and Plate issued as an illustration in: Attic miscellany. London : Printed for Bentley and Co., v. 2, no. 22 (1791), page 369.
Publisher:
Published as the act directs by W. Locke
Subject (Name):
Priestley, Joseph, 1733-1804 and Priestley, Joseph, 1733-1804.
Doublures of character, or, Strikeing resemblances in phisiognomy, Strikeing resemblances in phisiognomy, and Striking resemblances in physiognomy
Description:
Title etched below image., Date of publication inferred from John Miller's entry in London Publishers and Printers, by Philip A.H. Brown (London, British Library, 1982)., Plate from: The caricatures of Gillray. London : John Miller, [between 1824 and 1827], opposite page 82., Sheet trimmed within plate mark at bottom., Text following title: "If you would know mens [sic] hearts, look in their faces." Lavater., Reduced copy of a print with the same title etched by Gillray and published by John Wright in 1798 as an illustration to the Anti Jacobin review, v.1., Subject of each double portrait is identified with a Roman numeral followed by a description below title., Seven columns of text below title: I. The patron of liberty. Doublúre, the arch fiend. ..., Cf. Gillray, J. Fashionable Contrasts, 28., Cf. Satirical etchings of James Gillray, 59., Temporary local subject temrs: Satan -- Judas -- Silenus (Greek deity) -- Devil -- Highwaymen: Sixteen-String Jack -- Baboons - Jockeys., Temporary local Medical Library subject terms: Politics, British., and 1 print : soft ground etching and stipple ; plate mark 21.6 x 28.6 cm.
Publisher:
Published by John Miller, Bridge Street, & W. Blackwood, Edinburgh
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, Tierney, George, 1761-1830, Burdett, Francis, 1770-1844, Smith-Stanley, Edward, 1752-1834, Bedford, Francis Russell, Duke of, 1765-1802, and Lavater, Johann Caspar, 1741-1801.
Print shows three fashionable dandies in a well-furnished room. One (left) sings, seated, and with a leg resting on a second (lyre-backed) chair; he leans sentimentally, hand on heart, towards a lutanist reclining on a (Regency) sofa playing an ornate curiously shaped instrument. The third stands behind the sofa, playing a flageolet, and admiring himself in a mirror above the ornate fireplace. The vocalist holds an open music-book: 'Love has eyes.' On the floor beside him are two others: 'The Lovesick Swain set to Music' and 'Our Warbling Notes and Ivory lutes Shall ravish every ear.' Two whole length portraits flank the mirror, one of a lady in quasi-Elizabethan dress, the other of a man similarly dressed, both having pinched waists and full busts. Below one is a picture of 'Vacuna' [Goddess of rural leisure], a blowzy woman lying under a tree; below the other, a grotesque 'Narcissus' admires his reflection. On the end of the sofa sits a grotesquely clipped (and dandified) poodle suckling puppies
Alternative Title:
Dandy trio and Hummingbirds, or, A dandy trio
Description:
Title etched below image., After a design by amateur caricaturist John Sheringham; see British Museum catalogue., Later state, with G. Humphrey's original imprint replaced. For an earlier state, see no. 13446 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., A reissue of a print originally published 15 July 1819 by G. Humphrey. This later state was included in Thomas McLean's 1835 collective reissue of several Cruikshank etchings entitled "Cruikshankiana : an assemblage of the most celebrated works of George Cruikshank ...", and Sheet trimmed within plate mark.
Publisher:
Pubd. by Thos. McLean, 26, Haymarket
Subject (Geographic):
England, London, England., and London.
Subject (Topic):
Dandies, Fashion, Clothing and dress, British, Interiors, Musicial instruments, Musicians, Music, Parlors, and Poodles
After page 16. Trial of Elizabeth duchess dowager of Kingston for bigamy, before the Right
Image Count:
1
Resource Type:
still image
Abstract:
Elizabeth Chudleigh, Duchess of Kingston, attending her trial for bigamy. The maids of honour hold a bottle marked "cordial". They are followed by a fat chaplain, a physician with a bigwig and sword, and a lean apothecary with a big enema syringe and "Seven figures walk from left to right. First is the (so-called) Duchess of Kingston, short and stout. She is saying "By God and", and holds out her hands with a gesture of affirmation. Behind her walk three young women, her 'maids of honour', who are tall and slim in contrast with their mistress. One carries a large square bottle inscribed "cordial". All four ladies are dressed alike in the fashion of the day with low bodices and high coiffures decorated with feathers and flowers. Next comes a fat clergyman, his mouth open as of shouting. He is followed by the physician wearing a big-wig and sword. Last walks the apothecary, lean and bent, also wearing a sword, and carrying an enormous and ornately decorated syringe which rests on his right shoulder."--British Museum online catalogue
Description:
Elizabeth Chudleigh married the Hon. Augustus John Hervey secretly in 1744; the marriage was not registered until 1759. In 1769 a consistory court declared her unmarried, after which she married Evelyn Pierrepoint, 2nd Duke of Kingston, in 1770. She was tried and convicted for bigamy in 1776, the surgeon Caesar Hawkins having testified to the birth of her son by Hervey. She left England immediately and lived thereafter in Paris, St Petersburg and Rome., Title engraved above image., Printmaker from British Museum catalogue., Later state, with text added below image. For an earlier state lacking this text, see National Portrait Gallery, London, NPG D32146., Date of publication based on date of newspaper citation below image., Text below image: Then the Duchess was brought into court attended by her chaplain, physician, apothecary, & three maids of honor. Morning post, May 16, 1776., "Price 1 sh."--Lower right, below image., Temporary local subject terms: Medical: Syringe -- Apothecary -- Medows, Philip, 1708-1781., Temporary local Medical Library subject terms: Apothecaries -- Clyster., 1 print : etching, on laid paper ; sheet 30.4 x 37.7 cm., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Bristol, Elizabeth Chudleigh, Countess of, 1720-1788 and Bristol, Elizabeth Chudleigh, Countess of, 1720-1788.
Subject (Topic):
Pharmacists, Physicians, pharmacists, physicians, chaplains, Chaplains, Trials (Bigamy), Hairstyles, Clothing & dress, Wigs, Medical equipment & supplies, and Clergy
"Portrait; full-length walking to right, left hand tucked into his coat, wearing a tattered suit, a medal on a chain around his neck, torn apron, shoulder-length wig and tricorn with a dark cloth hanging at the back."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state, with plate number added., Plate from: A series of original portraits and caricature etchings, by the late John Kay ... Edinburgh : Adam and Charles Black, 1877, v. 2., Plate numbered "175" in lower right corner., Temporary local Medical Library subject terms: Mental deficiency., and 1 print : etching with stipple ; plate mark 14.5 x 8.5 cm.
Publisher:
Adam and Charles Black
Subject (Name):
Duff, James, -1788
Subject (Topic):
Intellectual disability and People with disabilities