Manuscript on paper (watermarks: unidentified mountain) and parchment (inner and outer bifolios, of poor quality) of Boccaccio, De claris mulieribus; translated into Italian by Donato degli Albanzani
Description:
In Italian., Script: Written by three persons in round gothic script: Scribe 1, ff. 1r-33v (except f. 8, replaced in 16th century); Scribe 2, ff. 33v-36v; Scribe 3; ff. 37r-74r. In portions written by Scribes 1 and 2 some elaborate ascenders and descenders in upper and lower margins, touched with red., Initials, 3- to 2-line, in red or blue, sometimes with red penwork. Rubrics throughout. Initial added [date?], f. 2v, to replace one removed: blue, with leafy filler in green outline, and foliage extending down margin and across top and bottom of column, drawn in green, red, and blue., Initial removed from f. 2v; leaf was then reinforced with paper covering f. 2r, col. b (blank). Lower margins of ff. 1, 33 and 37 cut off., and Binding: 19th-20th centuries. Vellum spine and fore-edge strip with marbled paper sides. Label on spine: "Donne Illust. del Boccacc. MS".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boccaccio, Giovanni, 1313-1375.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, and Manuscripts, Medieval
Manuscript on paper of Boccaccio, De mulieribus claris, with dedication to Andrea Acciaiuoli.
Description:
Binding: Fifteenth century, Italy. Parchment stays from contemporary document adhered to inner and outer conjugate leaves of quires. Original wound sewing on three tawed skin, slit straps fastened in channels in flush wooden boards. A primary endband, caught up on the spine, is sewn on tawed skin cores. Remains of red secondary embroidery. The spine is square and lined with tawed skin between central supports. Covered in kermes pink, tawed skin with corner tongues, the sides divided into triangles with right angled and diagonal fillets. Three fastenings, the catches on the lower board and stubs of green fabric straps on the upper board which is cut in to accomodate them. Eight star-shaped bosses on the upper board (one wanting) and five on the lower, each board with four bosses on their spine edges. Inscription on upper cover: "de mulieribus claris". Written in ink on fore edge: "LXXXVIII" with a helmet on each side. Label on lower board wanting., Folio 3r, partial border, of poor quality: in lower margin, a patch of green grass with two women seated, one dressed in red, the other in green and white, supporting a shield with unidentified arms (gules, 3 helmets sable [in outline only]), a later addition. From the patch of grass oak branches with leaves and acorns extend into inner and upper margins. In inner margin, a fox chasing a hare. Folio 80r, a medallion framed in red and pink and four small gold flowers, with an unidentified monogram in gold against blue ground. One pen-and-ink initial, 8-line, blue with pale red penwork. Plain initials alternate in red and blue. Headings in red (ff. 1r-7r only). Many initials touched with red. Guide letters for decorator throughout., Purchased in 1954 from C. A. Stonehill by Thomas E. Marston., Script: Text written in a well spaced gothic bookhand with humanistic features by a single scribe, below top line. Art. 1 and rubrics added in similar script by another hand., Unidentified arms, with "Cretulia" and "Thurj" added on either side, and inscription in the lower margin of f. 2v: "Quid spectas Thurum [with 3 helmets] sunt hec insignia. Thuris/ Donarunt Sacre Iuno Minerua Venus/ Cretulia., and Watermarks: Briquet Tete de boeuf 14717 and similar to Piccard Ochsenkopf XII.123.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Written in 2 columns of 51 lines, ruled in lead; between guide-lines for text. Holes and stains; octagonal white paper tag with blue edging, holding "No. 333" (crossed out and replaced with "111").
Manuscript on paper, written in two stages. Part II was copied in the mid-14th century (before 1369) in Tuscany, possibly in Pisa. Part I was copied by Niccolo di Giovanni Cinuzi da Siena in Ferrara, Italy, by 1 Sept. 1415. Part I: Boccaccio, Filostrato. Part II: Articles 2-35 and 38-39 consist of a collection of Italian canzoni by various authors as well as anonymous poems. Artt. 36 and 37 are fragments of Petrarch, Rerum vulgarum
Description:
In Italian., Watermarks: Part I: similar to Briquet Monts 11678. Part II: similar to Briquet Ciseaux 3737., Script: Part I (ff. 1r-78v): Written by a single scribe in a bold upright notarial script. Part II (ff. 91r-110v): Written in a clear notarial script by a single scribe; later writers have added the initials, offset in margins, for the major sections of text (sometimes inaccurately) and the notes on ff. 109v-110v., Crude drawings include a falconer with birds, f. 103v, and a ghost (?), f. 103r., The pattern of stains suggests the two parts were originally bound separately. Stained throughout; some ink blotches affect text., and Binding: Nineteenth century. Brown calf over wooden boards, blind-tooled. Red-brown, gold-tooled label. Parchment reinforcements between quires.
Colophon: Excusum Bernae Helvet. per Mathiam Apiarium. Anno M.D.XXXIX., Printer's mark on title page and on last page., Signatures: A6, A-L; M4, N-O4., and The 15 woodcut illustrations are mostly signed I. K., accompanied by a short dagger in a sheath, some have the initials only, and some are unsigned. They are by an unknown German artist, though erroneously attributed by many authorities to Jakob Kerver or Jakob Koebel. cf. Nagler, Monogrammisten, v. 3, p. 1021, no. 2682.
Publisher:
excudebat M. Apiarius,
Subject (Topic):
Women--Biography and Women--History and condition of women
Manuscript on paper, with parchment for inner and outer bifolia, of 1) Petrarch, Itinerarium breve de Ianua usque ad Ierusalem et Terram sanctam. 2) Boccaccio, De montibus, silvis, fontibus...
Alternative Title:
[De montibus, sylvis, fontibus lacubus, fluminibus, stagnis seu paludibus, et de nominibus maris] and Itinerarium
Description:
Binding: Eighteenth century, France (?). Brown, mottled sheepskin. Two blackish green labels (probably later additions) on gold-tooled spine: "Petrarchae Itinerarium" and "Boccatius De Montibus et Fluuiis." Contemporary green gold-tooled label on upper cover: "Fr. Petrachi. Itinerarium J. Bouatii. De. Flauiis. M. S. 1434.", First folio torn with loss of lower third of leaf; beginning and end of manuscript stained; some stains and wormholes affect text., From the collection of Sir Thomas Phillipps (no. 1025). Purchased from C. A. Stonehill in 1949 by Thomas E. Marston., Plain red initial, 5-line, f. 1r; space unfilled for 10-line initial, f. 8r. Plain red initials, 3- to 1-line, throughout. Paragraph marks in red, in art. 1. Rubrics throughout, except f. 1r., Script: Written in fere-humanistic script by a single scribe, above top line., and Watermarks: similar to Briquet Monts 11854.
Subject (Geographic):
Jerusalem--Description and travel
Subject (Name):
Petrarca, Francesco,--1304-1374
Subject (Topic):
Latin literature, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of a Miscellany of vernacular humanistic prose texts, including works by Giovanni Boccaccio, Petrarch, Francesco Filelfo, and Leonardo Bruni.
Description:
Binding: Fifteenth century, Italy. Vellum stays adhered inside the quires. Original sewing on four tawed skin, slit straps laid in channels on the outside of wooden boards and nailed. Edges yellow ochre. A green and natural color, beaded endband is sewn on five cores. The primary one laid in grooves on the outside of the boards. The spine is lined with tawed skin or vellum extending onto the edge of the boards between supports. Covered in tan leather blind-tooled with a potented cross in a central square with rope interlace panels above and below, and a border also filled with rope interlace. Spine: supports defined with double fillets and the panels diapered. Traces of five bosses on each board. Two ivy leaf fastenings, the catches on the lower board, the upper one cut in for green fabric straps attached with star-headed nails. Binding is heavily overoiled., Script: Written in neat humanistic cursive by a single scribe, below top line., Three-quarter border, f. 5r, white vine-stem ornament on blue, red and green ground with grey and yellow dots. In lower border, vine-stem turning into a floral border and brown penwork scrolls with pink, blue and green flowers and gold dots. Illuminated initial, 6-line, gold on blue, green and red ground with white vine-stem ornament joined to inner border. Headings in red. Plain 3-line initials in blue mark text divisions. Guide letters in margins., and Watermarks: Briquet Fleur 6655, Echelle 5908, 5910, and similar to Briquet Chapeau 3370.
Subject (Topic):
Humanism--Italy, Italian literature--15th century, Italian literature--To 1400, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library