"A lady, stout and plain, her knees awkwardly apart, sits behind a small round tea-table filling a cup from a large urn. Seven other ladies sit on her right and left, in a semicircle, on upright chairs, in silent boredom. A child sits by its ugly middle-aged mother on the extreme right. A black servant in livery hands a tray on which are cups, cream-jug, and small (?) rolls. The room is bare except for table, chairs, and a narrow curtained window."--British Museum online catalogue
Description:
Title etched below image., Print attributed to Alphonse Roehn in the British Museum catalogue., Date from British Museum online catalogue., and Sheet trimmed to plate mark on lower edge.
Publisher:
Chez Martinet, Libraire, Rue de Coq St. Honoré
Subject (Topic):
Black people, Children, Eating & drinking, Servants, Tea services, Tea tables (Tables), and Women
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[approximately 1800]
Call Number:
Drawings H263 no. 7 Box D125
Image Count:
1
Resource Type:
still image
Abstract:
Half-length portrait of Lucy Walter, turned slightly left and looking at the viewer; wearing a pearl necklace, pearl earings, and a blue gown adorned with strings of pearls
Description:
Titled by the artist within lower border., Signed in lower left corner with the artist's initials., Date of production supplied by cataloger, based on the dates of similar drawings by G.P. Harding at The Lewis Walpole Library., Note in pencil beneath lower border: From the miniature at Strawberry Hill., Drawn after the miniature owned by Horace Walpole and kept in his Cabinet of Miniatures and Enamels at Strawberry Hill. Walpole believed the miniature to have been painted by Samuel Cooper, but it has since been reattributed to Nicholas Dixon; see Christie's sale catalogue "Fine miniatures, enamels and object of art and vertu", 6 July 1965, lot 36., and A print entitled "Lucy Barlow alias Waters", published by Harding's father Sylvester in 1802 for The biographical mirrour, was probably engraved from this drawing; see Lewis Walpole Library call no.: SH Contents H263 no. 16.
Subject (Name):
Walter, Lucy, 1630?-1658, and Strawberry Hill (Twickenham, London, England)
"Half-length, directed towards and looking to the left, right arm resting on a slab to the right, chin leaning on her hand; published state."--British Museum online catalogue
Description:
Title engraved below image. and State from: Smith, J.C. British mezzotinto portraits.
Publisher:
Published May 29th, 1772, & sold by J. Finlayson, Orange Street, Leicester Fields
"Portrait, three-quarter length standing facing front, hands folded on her cloak which covers a ledge in front of her to right, head turned to right shoulder, smiling towards the viewer, wearing a loose gown with a jewelled belt, hair up with pearls and a diadem, a curl flying loose behind right shoulder, a balustrade behind to left, pillars to right."--British Museum online catalogue, description of later state with added numbering
Description:
Title engraved below image., Artist and printmaker unidentified; the painter and engraver names on the print are evidently fictitious. See: Smith, J.C. British mezzotinto portraits., State from: Russell, C.E. English Mezzotint portraits and their states., Date of publication from a later state described in the British Museum online catalogue, registration no.: 1902,1011.7303., Window mounted to 51 x 36 cm., and Mounted opposite page 93 (leaf numbered '139' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
publisher not identified
Subject (Name):
Maynard, Annabella Parsons, Viscountess, -1814 or 1815,
An old woman, the prude, is standing near a crowd of people huddled around a bonfire in Covent Garden. She is crossing Covent Garden Piazza, disapproving of the amorous scenes outside the notorious Tom King's Coffee House. The print shows the morning and is part of a series representing the progress of the day
Description:
Title engraved below image., Signed bottom left hand corner: Designed by Wm. Hogarth. Signed bottom right hand corner: Engraved by T. Cook., After Hogarth. Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 146., Plate also issued in a collection entitled Hogarth restored, first published by G.G. & J. Robinson in 1802., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2357., and Watermark: 1794 J. Whatman.
Publisher:
Published August the 1st, 1797, by G.G. & J. Robinson, Pater-noster Row, London
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Kissing, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 22. Queen Charlotte's collection of Hogarth works. Leaf 22. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The first print in the series "Four Times of the Day" is a scene in Covent Garden. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the left foreground. To the left, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Description:
Title engraved below image., State from Paulson., 1 print : engraving on laid paper ; plate mark 48.9 x 39.7 cm, on sheet 59 x 46 cm., and Plate 22 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 22. Queen Charlotte's collection of Hogarth works. Leaf 22. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The first print in the series "Four Times of the Day" is a scene in Covent Garden. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the left foreground. To the left, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Description:
Title engraved below image., State from Paulson., 1 print : engraving on laid paper ; plate mark 48.9 x 39.7 cm, on sheet 59 x 46 cm., and Plate 22 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 22. Queen Charlotte's collection of Hogarth works. Leaf 22. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The first print in the series "Four Times of the Day" is a scene in Covent Garden. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the left foreground. To the left, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Description:
Title engraved below image., State from Paulson., 1 print : engraving on laid paper ; plate mark 49.2 x 39.9 cm, on sheet 56 x 45 cm., and Leaf 22 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
"Portrait after Reynolds (Mannings 28); standing whole-length to front in woodland, resting her left arm on the pedestal of a statue of the Comic Muse, head inclined to left, eyes to front, holding mask in her right hand; wearing floral gown, sash and her hair up."--British Museum online catalogue, description of a later state
Description:
Title etched below image., Proof state, with the word "Proof" etched beneath title., "Samuel William Reynolds I issued a series of upwards of 350 small mezzotints after Sir Joshua Reynolds, from Bayswater, in four volumes. The engraved title-page is dated 1820, but many plates were issued a few years later. ... Some of these plates are stated to have been engraved by Samuel Cousins when an apprentice to S.W. Reynolds, according to Algernon Graves in his List of the works of Samuel Cousins (Whitman, p. 147)"--Curator's comments, British Museum online catalogue, registration no.: 1902,1011.8282., Window mounted to 51 x 36 cm., and Mounted opposite page 176 (leaf numbered '214' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.