Also contained are the Latin and French poems "Explicit iste liber," "Epistola super huius," "Quam cinxere," "Traitie," "Carmen de variis in amore passionibus," and "Carmen super multiplici viciorum pestilencia.", Manuscript on parchment in Anglicana (Scribes 1 and 2) and Secretary script (Scribe 3). The text is the third recension of the Confessio Amantis, written in 1392-1393.The manuscript was produced around 1400 or the beginning of the fifteenth century in the same manner as the other surviving manuscripts from this time, presumably under the author's supervision., and The text of the manuscript is the third recension of the Confessio Amantis, written in 1392-93. Also contained are the Latin and French poems "Explicit iste liber," "Epistola super huius," "Quam cinxere," "Traitie," "Carmen de variis in amore passionibus," and "Carmen super multiplici viciorum pestilencia.
Description:
Binding: yellow morocco on wooden boards, by Douglas Cockerell and Son, 1962., Ex libris Sir George Meyrick. Gift of James M. Osborn, 1961., First and third quires wanting., Imperfect: stained by mildew throughout; rubbing; multiple repairs with some loss of text., Rubrications at running titles, initials, Latin commentary., Sir George Meyrick, Bart., who sold the manuscript after his father's death in 1960, said that the manuscript had been in his family's possession for over 100 years and that in 1775 the house was almost destroyed by fire. Many family papers were lost and perhaps it was then that the manuscript became damp and mildewed., and There are red and blue 1-3 line initials at small and large paragraph breaks. Books II (f. 13r), V (76r), VI (125r), VII (140r), and VIII (175v) contain initials with full page demi-vignette borders in gold, red, blue, green, orange, and brown.
Subject (Name):
Gower, John,--1325?-1408 and Meyrick, George,--Sir--Ownership
Subject (Topic):
English poetry--14th century, English poetry--Middle English, 1100-1500, French poetry--14th century, Latin poetry--14th century, and Medieval and Renaissance Manuscripts in Beinecke Library
Locke proposes to shift the financial burden of colonial defense to the colonies and to unify their militias by "putting them all under one military head or Captain-General." He further proposes that the Captain-General assume the governorship of any Crown colony he occupies; the exemption of Quakers from compulsory militia service in return for militia fees; and the intensification of efforts to convert the neighboring Indians to Protestantism., Manuscript copy of a report written by Locke when serving as a Commissioner of the Board of Trade. Locke notes the decentralized nature and uncertain financing of the colonies' defenses against the French and Indians, commenting that the Americans are "crumbled into little governments." He terms the Governor of New York's claim that he can rely only on Crown-financed soldiers "almost incredible....in the middle of above 40,000 English that he has in his neighborhood.", and With: ALS from William Popple to Charles Townshend, 1st Viscount Townshend. Whitehall; 1720 Jul 22. Popple summarizes Locke's recommendations and sends this copy of his report.
Description:
For information on the source of acquisition, consult the appropriate curator.
Subject (Geographic):
Great Britain--Colonies--America--Administration, Great Britain--Colonies--America--Defenses, United States--History--Colonial period, ca. 1600-1775, and United States--History--King William's War, 1689-1697
Subject (Name):
Great Britain.--Board of Trade, Popple, William,--d. 1722, and Townshend, Charles Townshend,--Viscount,--1674-1738
Subject (Topic):
Grand Alliance, War of the, 1689-1697, Militias, and Quakers
Manuscript on paper of Diego Enriquez del Castillo (1433-1504?), Chronicle of King Enrique IV of Castile (1425-74). With the Life of Don Juan Pacheco, Marques de Villena; Decretal texts concerning behavior of clerics; and Brief law text in Latin.
Description:
Binding: Sixteenth century, Spain. Sewn on three tawed skin, slit straps, now broken, laced into channels in wooden boards. One plain wound endband is sewn on a tawed skin core, the other endband was added later. Covered in brown calf blind-tooled with concentric frames, the central panel and alternate frames filled with rope interlace. The layout of the design is the same on both boards but different small tools are used in the central panels. Spine: four fillets outlining the supports and in the center of the panels a small rope tool in the center of the compartments so formed. Two fastenings, the catches on the lower board, the clasp straps later additions. The spine is mended at head and tail; some corners repaired., In Spanish., Purchased from C. A. Stonehill in 1955 by Thomas E. Marston., Script: Written by several scribes in late Spanish bookhands with cursive and humanistic features. Some headings in large gothic display script., and Watermarks: unidentified hand.
Subject (Geographic):
Castile (Spain)--History--Henry IV, 1454-1474
Subject (Name):
Enríquez del Castillo, Diego,--1431-1503? and Henry--IV,--King of Castile and Leon,--1425-1474
Subject (Topic):
Biography--Middle Ages, 500-1500, Canon law--Early works to 1800, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Spanish literature--To 1500
Parchment and paper codex, ff. 87 of which f. 1-3 and 6-19 are of paper, the remainder of parchment, with modern pencil foliation throughout. and Personal commonplace book combining skillful drawings of apparatus, alchemical texts in German vernacular with noteworthy literary character--some of them in verse--and numerous practical procedures.
Description:
Binding: Nineteenth century. Straight-grained black morocco, gilt single-line perimetric border for each cover and spine, gilt dentelles, and border of the same tools at head and foot of spine, modern tan leather spine label, with legend: HARTUNG V. HOFF VADE MECUM MANUSCRIPT AUSTRIA 1557, Denis Duveen, acquired from Thomas Heller (bookseller), New York, 1949; Mellon MS 71, acquired with the Duveen collection. Gift of Paul and Mary Mellon, 1965., and Script: Written in a small, neat gothic cursive, additions in a neat italic hand and a rather irregular and sometimes scrawling cursive gothic, both perhaps about 1625.