Manuscript, in a single hand, of a collection of descriptions of voyages and naval engagements between the English and Spanish, including those led by Sir Francis Drake; George Clifford, Earl of Cumberland; Lord Thomas Howard, Earl of Suffolk; Sir Walter Raleigh; Robert Devereux, Earl of Essex; and others. Each entry begins with a list of ships and the names of their commanders, followed by a narrative of the events of the naval conflict, which include details of short rations; discussions of tactics; occasional criticism of both English and Spanish commanders; and descriptions of maneuvers in battle. Monson's own name appears on some of these lists as ship commander under Cumberland and Essex, as well as within the narratives.
Alternative Title:
Sir William Mounson's sea voyages
Description:
Binding: stitched. and This work was printed in 1682 as the first part of "Magalopsychy, A true and exact account of the wars with Spain..."
Subject (Geographic):
Great Britain--Foreign relations--Spain, Great Britain--History--Elizabeth, 1558-1603, Great Britain--Politics and government--1558-1603, and Spain--Foreign relations--Great Britain
Subject (Name):
Cumberland, George Clifford, Earl of, 1558-1605, Drake, Francis, Sir, 1540?-1596, Essex, Robert Devereux,--Earl,--1566-1601, Great Britain.--Royal Navy, Monson, William,--Sir,--1569-1643, Raleigh, Walter,--Sir,--1552?-1618, Spain.--Armada, and Suffolk, Thomas Howard,--Earl,--1561-1626
Benserade, Isaac de, 1613-1691 Lully, Jean Baptiste, 1632-1687 Moliere, 1622-1673
Published / Created:
[16--]
Call Number:
GEN MSS MUSIC MISC VOLUME 18
Collection Title:
General Collection manuscript music miscellany
Container / Volume:
Volume 18
Image Count:
312
Resource Type:
Music (Printed & Manuscript)
Abstract:
Autograph manuscript by a contemporary copyist, consisting of music for a treble instrument, possibly a dessus part, from music composed by Lully for various ballets, including ballets and comédies-ballets composed in collaboration with Isaac de Benserade and Molière. A table of contents written by a former owner is laid in.
Alternative Title:
[Ballets. Selections], Alcidiane., Amour malade., Amour médécin., Amours déguisés., Arts., Ballet de Créquy., Bourgeois gentilhomme., Carnaval., Feste de Versailles., Flore., Gardes., George Dadin., Hercule amoureux., Impatience., Jeux pythiens., Mariage forcé., Mascarade de Versailles., Monsieur de Pourceaugnac., Muses., Naissance de Vénus., Noces de village., Princesse d'Elide., Raillerie., Saisons., and Xerxes.
Description:
Also listed in finding aid for General Collection Manuscript Music Miscellany., Binder's title: Anciens ballets dessus., Blanks not digitized., Bound in calf with gilt spine, French ca. 1700; unidentified arms on front and back covers., and Spine title: Anciens ballets dessus.
Subject (Name):
Pforzheimer, Walter L., (Walter Lionel), 1914-2003 --Bookplate
Manuscript on paper of Annales Sanctae Iustinae. The Annals deal with the regional history of Lombardy and the March of Treviso, but also with world history and cover the years 1207-1270. With Mantissa. Notes on the history and buildings of Padua from its legendary foundation to the death of Petrarch (1374), together with some facts of general history, written as a supplement to the preceding text.
Description:
Binding: Nineteenth century. Quarter binding, pasteboard covered with brown paper, and white parchment; flat spine with black leather title label with gold-tooled inscription: “MONACHI / PADUANI / CHRONICON / MS.”; below this label an oval label in the same material., Collection of Sir Thomas Phillipps. Purchased on the Edwin J. Beinecke Fund., In the original parts of the Annals, pale red headings; pale red stroking of the majuscules and plain alternately pale red and black 2-line initials, either Gothic with some decoration, or slovenly-made Humanistic ones. The parts copied by the second scribe are undecorated., Script: The Annals are copied by a single scribe writing Italian Hybrida Libraria under Humanistic influence, using only vertical d. Mantissa, as well as replacement leaves in the preceding text, are copied by a ca. 1600 hand writing Gothico-Humanistica Cursiva., and The original part of the manuscript is soiled and waterstained. It had lost two leaves that were later replaced.
Subject (Geographic):
Lombardy (Italy)--History, Padua (Italy), and Treviso (Italy)--History
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and World history
Doni, Gio. Battista (Giovanni Battista), 1593 or 1594-1647
Published / Created:
MDCXL [1640]
Call Number:
Monteverdi 5
Image Count:
9
Resource Type:
Books, Journals & Pamphlets
Description:
Author's presentation inscription to Malatesta Albani. Unidentified armorial bookplate. Shelfmark in ms. on t.p. verso: M VIII 4. Accompanied by 3 leaves of ms. notes. From the Albi Rosenthal Collection of Monteverdi and the birth of opera. and Signatures: [dagger]⁸(-[dagger]1, blank?) A-3F⁴ 3G².
Publisher:
Nella stamperia d'Andrea Fei,
Subject (Name):
Doni, Gio. Battista (Giovanni Battista), 1593 or 1594-1647. Compendio del trattato de' generi e de' modi della musica. and Rosenthal, Albi, 1914-2004
Subject (Topic):
Music, Greek and Roman, Music--Acoustics and physics, and Musical instruments
Manuscript on parchment (goatskin) of 1) Raymundus Martini OP (c. 1215-after 1285), Capistrum Iudaeorum, composed c. 1267. 2) Nicolaus de Lyra (c. 1270-1349), Probatio adventus Christi, 2nd redaction, written 1331-1334. 3) Odo Biagi of Ancona (Odo Blasii de Ancona), Quaestiones de vera fide. A treatise addressed to the Jew A., a physician from Piceno, whom the author had met in Ancona the same year.
Description:
Binding: Nineteenth century. De luxe binding (loose) in Neo-Renaissance style: red morocco over cardboard, both covers richly gold-tooled; the turn-ins gold-tooled; the flat spine gold-tooled in five compartments, the second one bearing the inscription “NICOLAI / de / LYRA.” Grey marbled paper endleaves; gilt edges. A repair at the middle of the top of the front parchment flyleaf may indicate that the original binding was chained, the staple being fixed at the top of the front cover., Script: Copied by one hand writing Southern Gothica Textualis Libraria. In art. 1 the handwriting is larger and more careful, with fewer abbreviations, than in artt. 2-3., and Uniform decoration. Headings in red. Red stroking of majuscules. Numerous paragraph marks alternately red and blue. Alternately red and blue 2-line (rarely 3-line) flourished initials with penwork and more or less developed marginal extensions in the contrasting colour; up to f. 41v they have mostly a more developed pattern of penwork; towards the end of art. 3 they are only 1 line high; blue penwork of the initial on f. 31r is extremely pale. 2-3-line painted decorated initials with acanth extensions in the margins in art. 3 only. A 4-line historiated initial with acanths and gold balls in the margin at the opening of each art. At the top of the Genealogy of Christ on f. 94r two roundels containing the portraits of Abraham (“Abraam”) and David (“Davit”). There is a large drawing of a running bird in blue ink in the lower margin of f. 19r.
Subject (Name):
Martí, Ramón,--d. ca. 1286 and Nicholas,--of Lyra,--ca. 1270-1349
Subject (Topic):
Antisemitism, Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Binding: Eighteenth century. Rebound in brown cowhide (?), blind-tooled, with numerous metal bosses. Pastedowns from the same 17th-century antiphonary used as flyleaves., Script: Written in two sizes of round liturgical gothic script by several scribes: Scribe 1, ff. 1r-235r; Scribe 2, f. 235r-v, and Scribe 3, ff. 236r-245v., and Three fine historiated initials, 4- to 2-line, shaded pink and/or green, with blue, yellow, green and orange foliage and knots, with gold dots and orange frame; figures against blue ground. 3- to 2-line calligraphic initials, divided, red and blue with red penwork, with blue and red penwork flourishes. 1-line initials red or blue with blue or red penwork, sometimes with black and green; some initials with guide-letters in outer margin. 1-line initials with yellow. Square notes on 4-line red staves. Rubrics throughout, with notes to rubricator in margins. One very crude 4-line initial (s. xvii) on f. 1r, in red, yellow, blue, green and purple.
Subject (Name):
Catholic Church--Liturgy
Subject (Topic):
Antiphonaries, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library