Manuscript on paper of a pietistic, mystical text in prose and verse, illustrated by a great variety of illustrations cut from manuscripts of smaller dimensions (plus some prints), and pasted in. These illustrations include the "Python" illuminated drawing which has been reproduced in color, a series of "alchemical processes depicted symbolically taking place within flasks", as well as many other pictorial elements drawn from a variety of sources
Description:
In German, Low-German, Latin, and Hebrew., Script: Written by a single hand in dark brown and pale red inks in a loose and flowing cursive, often with Fraktur elements, frequently placing capital letters in the midst of words, sometimes in red; with some inserted leaves and additional matter by another, perhaps slightly later hand, and with pasted-in leaves, usually with illustrations, partly taken from older manuscripts, and partly (apparently) by the compiler., Watermarks: The inserted leaves of paper with a large fleur-de-lys watermark, unidentified; the thinner paper used for most of the volumes with unidentified watermark in folds., With additions in German and Dutch., Bound in 2 volumes., and Binding: Uniformly bound in eighteenth- or nineteenth-century marbled boards, red leather backs with three bands, each volume with modern brown calf title labels gold-stamped "ALCHYMICAL MANUSCRIPT," speckled edges.
Subject (Topic):
Alchemy, Illumination of books and manuscripts, and Pietism
Manuscript on paper of a pietistic, mystical text in prose and verse, illustrated by a great variety of illustrations cut from manuscripts of smaller dimensions (plus some prints), and pasted in. These illustrations include the "Python" illuminated drawing which has been reproduced in color, a series of "alchemical processes depicted symbolically taking place within flasks", as well as many other pictorial elements drawn from a variety of sources
Description:
In German, Low-German, Latin, and Hebrew., Script: Written by a single hand in dark brown and pale red inks in a loose and flowing cursive, often with Fraktur elements, frequently placing capital letters in the midst of words, sometimes in red; with some inserted leaves and additional matter by another, perhaps slightly later hand, and with pasted-in leaves, usually with illustrations, partly taken from older manuscripts, and partly (apparently) by the compiler., Watermarks: The inserted leaves of paper with a large fleur-de-lys watermark, unidentified; the thinner paper used for most of the volumes with unidentified watermark in folds., With additions in German and Dutch., Bound in 2 volumes., and Binding: Uniformly bound in eighteenth- or nineteenth-century marbled boards, red leather backs with three bands, each volume with modern brown calf title labels gold-stamped "ALCHYMICAL MANUSCRIPT," speckled edges.
Subject (Topic):
Alchemy, Illumination of books and manuscripts, and Pietism
Manuscript on parchment containing emblematical drawings related to horology and astrology, and astrological tables, each section opening with an elaborate title page
Description:
In Latin, Hebrew, and Greek., Script: Written epigraphically and always with great calligraphic skill in a variety of styles by a single practiced hand, possibly the same which executed the drawings., Each page of the manuscript has a pen-drawn border on the recto side, containing an emblematical drawing, or complex calendrical or horological drawing, executed in pen and heightened with gold and silver., and Binding: Original calf binding, now rather deteriorated, the sides very elaborately gold-tooled in a multiple rectangle pattern, the large innermost rectangle with a series of circles containing floral ornaments, similar half-circles at the edges, the back in compartments with floral decoration; marbled endpapers, plain edges.
Manuscript on paper of a miscellany. The manuscript seems to be a compilation organized, corrected and expanded by a single person specialized in pharmacology and medicine and interested in natural history, encyclopedical knowledge and history
Description:
In Latin with some Czech (?), German, and Hebrew., Watermarks: crown (var. Briquet 4616?), circles (var. Briquet 3194?), bull's head (?)., Script: Copied by various scribes, writing Gothica Cursiva Libraria or Currens in various sizes, often very small; ff. 127r-143r, 7 are in a markedly different, larger form of Gothica Cursiva Libraria., The decoration is unevenly spread: heightening of majuscules and plain initials in red. On ff. 162-170 alternance of red and green initials, on f. 162r flourished initial in the same colours. Artt. 21 and 22 are not illustrated, although the text mentions figurae., At many places the paper is deteriorated by the acidity of the ink., and Binding: Original limp parchment. A bifolium from a German manuscript in Gothica Cursiva, worn and stained, lined with a German document on parchment in Gothica Cursiva Antiquior/Recentior. Leather spine stiffener with ornamental stitching.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Alchemy, Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, Medicine, Medieval, Natural history, and Pharmacology
Manuscript on parchment (trimmed) of Hebrew Scripture. Written for Jacob, son of Rabbi Benjamin of Montalcino
Description:
In Hebrew., Script: Written in cursive Italian Hebrew script, with square initial letters., The extremely fine decoration is in the Florentine style of the third quarter of the 15th century. Two full-page miniatures: f. 2v David beheading Goliath (Psalms) and f. 110v Job on the dunghill, with the three tempters. Miniatures accompanied by elegantly illuminated full borders of pink and blue flowers with green stems and yellow fruit issuing from yellow vases; gold dots and hair-spray. Putti and brightly colored birds appear among foliate ornamentation. Polylobed and circular medallions with miniatures in borders. Other borders, without miniatures, contain medallions of busts of prophets, some holding scrolls. One border f. 30v without medallions. Borders of ff. 30v, 80r, 111r are less carefully executed than rest of illumination and may be by another artist. The opening word of Psalms 42, 73, 90 and 107, as well as of Job and Proverbs, occurs in a panel with foliate borders in burnished gold. First letter in each chapter of Psalms, and first word in each chapter of Job and Proverbs framed in red or blue (one in gold, f. 111r) with purple or red penwork flourishes., and Binding: Seventeenth century. Red calf over beech boards, gold-tooled with a floral border and flower vases and arabesques in the center. Gilt, gauffered edges and woodblock paste paper endleaves and pastedowns.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
In Hebrew., Script: written in an unidentified script., and This fragment is contained in Zi +3487.3 (Pius II, Epistolae in cardinalatu editae), around which it is used as a covering.