Manuscript, in unidentified hand, on parchment, containing six medical treatises. Includes: Bartolomeo da Montagnana's De urinibus (ff. 1r-10r); prescriptions by an unknown author (ff. 11a-29v); Bartolomeo da Montagnana's De compositione et dosandi (ff. 30r-40v); Petri de Tussignano's Recepte (ff. 41r-68v); Antonio Guainiero's Gynaecologia (69a-102a); and Antonio Guainiero's De febribus (102v-138a). Some leaves torn without loss of text
Alternative Title:
Medical manuscript containing six treatises; copied by the same scribe in black ink, with some text in red and Book of prescriptions
Description:
In Latin., Title devised by cataloger., Script: gothica cursiva., Decoration: rubrication throughout., Layout: double column of 43 lines., Binding: bound in modern printed paper with parchment flyleaves., and Colophon (second column of f. 102r): Die 20 octobris 1458 per me Faustinum.
Subject (Topic):
Medicine, Materia medica, Fever, Gynecology, and Manuscripts
Manuscript, on parchment, in unidentified hand of a collection of works by Galen. Includes: De elementis, De complexionibus, De malitia complexionis diversae, De juvamentis membrorum, De differentiis febrium, De criticis diebus, De interioribus, De simplicibus, De regimine sanitatis, and De medendis febribus ad Glauconem (ff. 1r-233r); all translated from Arabic into Latin by Gerardus Cremonensis. Also includes De alimentis (ff. 233r-264r); translated from Greek by Gulielmus de Morbeka. Concludes with Galen's Commentum super libro VI epidimiarum Hippocratis (ff. 264v-268r), translated by Johannes Alexandrinus
Alternative Title:
De elementis, De complexionibus, De malitia complexionis diversae, De juvamentis membrorum, De differentiis febrium, De criticis diebus, De interioribus, De simplicibus, De regimine sanitatis, De medendis febribus ad Glauconem, De alimentis : all translated into Latin from the Arabic by Gerardus Cremonensis and others ; except the last treatise, translated from the Greek by Gulielmus de Morbeka
Description:
In Latin., Script: southern Gothic texualis., Decoration: Rubrication (stops f. 173). Spaces left for decorated initials., Layout: written in 2 columns of 50 lines., Binding: modern 3-quarter brown leather binding over pasteboard., and Catchwords enclosed in double-lined and decorated rectangles at bottom of page.
Subject (Topic):
Hygiene, Medicine, Greek and Roman, Medicine, Medieval, Medicine, and Manuscripts
Manuscript, on parchment, in unidentified hand of a collection of works by Galen. Includes: Liber therapeuticus (ff. 1r-35v), De utilitate anhelitus (ff. 35v-37v), De pharmaciis (ff. 37v-38v), De malicia complexionis (ff. 39r-40v), De accidente et morbo (ff. 39r-40v), De lapide (ff. 59r-60r), De phlebotomia (ff. 60r-v), De pharmaciis Hippocratis (f. 60v), De virtutibus naturalibus (ff. 61r-74v), De complexionibus (ff. 75r-88v), De regimine sanitatis (incomplete, ff. 88v-97v).
Alternative Title:
Liber therapeutices, De utilitate anhelitus, De pharmaciis, De malicia complexionis, De accidente et morbo, De lapide, De phlebotomia, De pharmaciis Hippocratis, De virtutibus naturalibus, De complexionibus, De regimine sanitatis
Description:
In Latin., Script: southern Gothic texualis., Decoration: one 6-line initial in green, red, and purple acanthus on a blue backgroud with gold, leaves extending in the same colors to the upper margin. Several 5- and 4-line initials. Two-line initials with simple flourishing throughout, alternating in blue and red. Red and blue paragraph marks. Rubrication., Layout: written in 2 columns of 57 lines., Binding: contemporary leather binding over original wooden boards. Rebacked in July 1930 by A. Maltby & Son, Oxford. Traces of marks from clasps and of small metal bosses on front and edges of boards (few remaining). Label on back cover of book: Libri Galienni incipientes a terapeutica., and Catchwords centered in lower margins, enclosed in plain black ink frames.
Subject (Topic):
Hygiene, Medicine, Greek and Roman, Medicine, Medieval, Medicine, and Manuscripts
Manuscript leaves, on parchment, in a single hand, from a text of Terence's Comedies
Description:
In Latin., Attributed to the Florentine scribe "Messer Marco" (Giovanni d'Astore?)., Layout: single columns of 30 lines., Script: humanist script., and Decoration: initials in blue ink.
Manuscript on paper of 1) Ambrosiaster, Commentarius in Epistolam S. Pauli ad Romanos, recensio. 2) Pseudo-Haimo of Halberstadt (here attributed to his pupil Remigius of Auxerre), Commentaries on Romans, 1 and 2 Corinthians, 1 and 2 Thessalonians, 1 and 2 Timothy, Galatians, Ephesians, Philippians, Colossians, Hebrews, Philemon, and Titus
Description:
In Latin., Script: Copied by a group of scribes, all writing a more or less careful Italian Late Carolingian script. There are numerous and extensive alterations and corrections on erasure. Headings in a mixture of Capitals and Uncials., Headings in red. Initials of various styles: (1) plain Romanesque initials, sometimes with developed decoration, in red; (2) more or less large painted initials in various bright colours on coloured background and filled with white vinestem; the body of the letter often filled with various interlace and frets; the vinestem may be issuing from an animal's mouth. Special forms of these painted initials: ff. 88v (wheel-shape), 90r (a snake winding round the shafts of the letter), 126r (outline drawing of vinestem initial), 136v (zoomorphic: bird-shape), 186v (inhabited by two birds), 204v (zoomorphic: dragon-shape), 209r (idem, with head at both ends), 215v (zoomorphic: fish), 216r (zoomorphic: dragon with head at both ends), 222v (inhabited by two birds), 268v (partly zoomorphic: bird), 274v (historiated: head of St. Paul). Initials are lacking f. 197v, 201v., and Binding: Original doeskin over heavy unbevelled wooden boards. On each cover traces of five circular bosses; traces of two straps fixed to the rear cover and clutching over pins in the front cover. On the front cover an inscription largely worn off: "Remigius super epistolas sancti Pauli" (13th century?).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ambrosiaster.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript fragment on parchment of Pseudo-Haimo of Halberstadt's Commentarium in Epistolam ad Hebraeos
Description:
In Latin., Script: written in Caroline minuscule., and Decoration: 1-line initials are in brown rustic capitals with occasional use of an enlarged minuscule "e"; punctuated with punctus and punctus interrogativus; a contemporary hand has made corrections and altered punctuation in a somewhat lighter ink.
Manuscript on parchment (thick, mottled) of Nicolas Trevet, Commentarius in Boethium
Description:
In Latin., Script: Written in neat round gothic by one scribe who also made corrections to the text., Large initial, f. 1r, in red, with black penwork designs (worn). Plain initials and paragraph marks, in red, throughout. Spaces left for rubrics., Several folios, including first and last, are illegible in sections due to rubbing., and Binding: Nineteenth century. Brown, hard-grained goatskin, blind- and gold-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boethius, -524. and Trivet, Nicholas, 1258?-1328.
Subject (Topic):
Manuscripts, Medieval, Philosophy, Medieval, and Scholia
Manuscript on paper (unidentified watermarks, trimmed) and parchment (f. 1) of Sozomenus Pistoriensis, Commentary on Persius
Description:
In Latin., Script: Written in a neat humanistic script in 1461 by Bartholomaeus Baldinotti., Small initials, in red, mark the beginning of prologue and each satire., and Binding: Nineteenth century. Vellum case.
Manuscript on paper of 1) Pseudo-Dionysius Areopagita, Epistolae, translated into Latin by Iohannes Sarracenus (?). 2) Commentary by Albertus Magnus (here ascribed to Thomas Aquinas) on art. 1. 3) Commentary on a poem on Book I of the Sentences of Peter the Lombard. 4) Commentary on a poem on Book II, Distinctiones 1-6 of the Sentences of Peter the Lombard
Description:
In Latin., Script: Art. 1-2 written by a single scribe in two variants of Humanistic script: art. 1 (the text) in Humanistica Textualis, art. 2 (the commentary) after some hesitation in a very similar form of Humanistica Cursiva. Art. 3-4 written by a single scribe in Gothica Hybrida Libraria under Humanistic influence, of greasy appearance; a larger size is used for the poetical parts., The majuscules in art. 1-2 are heightened in dark yellow. Headings in red. Red calligraphic initials throughout the manuscript by the same hand (3 lines in artt. 1-2, 2 lines in artt. 3-4). At the opening of art. 1 a 9-line blue Renaissance initial with white vinestem decoration without background. At the opening of art. 3 a red (?) 3-line initial with some flourishing., The book is excessively trimmed; especially in artt. 3-4 the lower margins are extremely narrow. The paper is badly damaged by the acidity of the ink., and Binding: Seventeenth century (?). Limp vellum. At the top of the front cover: "M.S." in ink. Spine with three raised bands. In the second compartment the title in ink "S. Dionis. Epistol@".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Dionysius, the Areopagite.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Manuscripts, Medieval, Scholasticism, and Theology, Doctrinal
Manuscript fragment, on paper, of a commonplace book in a stingle hand, containing about 20 poems by named authors, including Bartolomeus Venetus and Martinus Philecticus
Description:
In Latin. and Script: humanist cursive.
Subject (Geographic):
Italy., Connecticut, and New Haven.
Subject (Topic):
Humanism, Latin poetry, Medieval and modern, and Manuscripts, Medieval