"A fat 'cit', wearing a short brown wig, sits almost full-face between fire (left) and round table (right) on which are decanter, steaming glass, and smoking pipe. His face is contorted by a violent sneeze; in his left hand is his snuff-box, his right holds a pinch of snuff near his face. On his knee is a paper headed Parliamentary Debates. His dog looks up from between his feet, startled and annoyed. On the chimneypiece, the right part of which is visible, are a bust of Morpheus, a large shell, a squatting and obese Chinese nudity. An oval bust portrait is on the wall."--British Museum online catalogue
Alternative Title:
Pinch of cephalic
Description:
Title from text above and below image., Sheet trimmed within plate mark., and 1 print : etching with stipple, hand-colored ; plate mark 26.7 x 20.3 cm.
Publisher:
Pubd. Jany. 25th, 1822, by G. Humphrey, 27 St. James's St., London
Subject (Topic):
Tobacco, Sneezing, Snuff, Smoking, Pipes (Smoking), Fireplaces, and Dogs
"A phrenologist, De Ville, in his consulting room, feels the forehead of a loutish gaping youth who kneels on a cushion at his feet. Behind the boy stands his stupid-looking mother, grinning with delight at her son. De Ville, who wears plain old-fashioned dress, has a grotesquely shaped skull fringed with scanty hair; his left hand rests on an open book on his table on which is a skull, numbered phrenologically and resting on a paper: Thurtell [murderer] shown to be Craniologically an Excellent Character. Behind him stands an assistant with a porcine profile writing in a note-book: Very large Wit N° 32. A large book-case covers much of the wall (right). There are also portrait heads illustrating grotesque misshapen features, and a bust on a pedestal with a satyr-like profile."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Sheet trimmed within plate mark., Four lines of quoted text below title: "Pores o'er the cranial map with learned eyes, Each rising hill and bumpy knoll descries, Here secret fires, and there deep mines of sense, His touch detects beneath each prominence.", and For an earlier state before aquatint added, see no. 15157 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Pubd. Feby. 24th, 1826, by G. Humphrey, 24 St. James's Strt., London
Subject (Geographic):
England.
Subject (Name):
De Ville, J. and Thurtell, John, 1794-1824.
Subject (Topic):
Phrenology, Costume, Caricatures and cartoons, Bookcases, and Muffs
"Dr. Lenetive, of "The Prize", finely dressed and seated on a chair, a table overturning to his right, waving his wig and a prize ticket in his hands; a lottery puff or handbill."--British Museum online catalogue
Alternative Title:
New Year's Lottery begins 21st this month (Jan.), 2 of 20,000 guineas, and 40 other capitals
Description:
Title from heading to second paragraph of letterpress text, printed beneath double line., Text directly beneath woodcut: New Year's Lottery begins 21st this month (Jan.), 2 of 20,000 guineas, and 40 other capitals. All sterling money - no stock prizes. Tickets and shares are selling by the contractor, T. Bish, 4, Cornhill, and 9, Charing-Cross., Attribution to George Cruikshank and approximate date of publication from description of a similar handbill in the British Museum, which uses the same woodcut with slightly different text; cf. British Museum online catalogue, registration no.: 1862,1217.149., Handbill with woodcut illustration at top and eighteen lines of letterpress text below., Quoted text beneath title begins: "My ticket, no. 2, 5, 3, 8, drawn this day a prize of ten thousand pounds! ..., Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 1442., and Cf. Reid, G.W. A descriptive catalogue of the works of George Cruikshank, 2825.
"Five passengers sit together on a bench against the side of a ship, all but a small boy, seemingly a mulatto, manifesting misery or resignation. The others (left to right) are a woman shrouded in black except for her chin, a planter in a long coat and broad-brimmed hat, his wife's arm through his. A fat and hideous negress, awkwardly asleep. The deck is level."--British Museum online catalogue
Description:
BEIN BrSides Box 2020 131: Inscription on verso: Alfred I. Schofield, Newcastle on Tyne., Title from caption below image., Print signed using Frederick Marryat's device: an anchor tilted diagonally., Artist identified in the British Museum catalogue., Temporary local Medical Library subject terms: Seasickness., 1 print : etching, hand-colored ; sheet 151 x 206 mm., and Sheet trimmed within plate mark.
Print shows three fashionable dandies in a well-furnished room. One (left) sings, seated, and with a leg resting on a second (lyre-backed) chair; he leans sentimentally, hand on heart, towards a lutanist reclining on a (Regency) sofa playing an ornate curiously shaped instrument. The third stands behind the sofa, playing a flageolet, and admiring himself in a mirror above the ornate fireplace. The vocalist holds an open music-book: 'Love has eyes.' On the floor beside him are two others: 'The Lovesick Swain set to Music' and 'Our Warbling Notes and Ivory lutes Shall ravish every ear.' Two whole length portraits flank the mirror, one of a lady in quasi-Elizabethan dress, the other of a man similarly dressed, both having pinched waists and full busts. Below one is a picture of 'Vacuna' [Goddess of rural leisure], a blowzy woman lying under a tree; below the other, a grotesque 'Narcissus' admires his reflection. On the end of the sofa sits a grotesquely clipped (and dandified) poodle suckling puppies
Alternative Title:
Dandy trio and Hummingbirds, or, A dandy trio
Description:
Title etched below image., After a design by amateur caricaturist John Sheringham; see British Museum catalogue., Later state, with G. Humphrey's original imprint replaced. For an earlier state, see no. 13446 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., A reissue of a print originally published 15 July 1819 by G. Humphrey. This later state was included in Thomas McLean's 1835 collective reissue of several Cruikshank etchings entitled "Cruikshankiana : an assemblage of the most celebrated works of George Cruikshank ...", and Sheet trimmed within plate mark.
Publisher:
Pubd. by Thos. McLean, 26, Haymarket
Subject (Geographic):
England, London, England., and London.
Subject (Topic):
Dandies, Fashion, Clothing and dress, British, Interiors, Musicial instruments, Musicians, Music, Parlors, and Poodles
Depiction of a man suffering from indigestion, suggested by little characters and demons tormenting him. Remnants of food surround him; dinner invitations are scattered on the floor
Description:
Title etched below image., 'A. Crowquill' was a psuedonym used jointly by Alfred Henry Forrester and Charles Robert Forrester., Reissue, with new imprint statement. For an earlier state published 12 February 1825 by S. Knight, see no. 14904 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Plate from: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835].
Publisher:
Pubd. Augt. 1st, 1835, by Thos. McLean, 26 Haymarket
Subject (Geographic):
Great Britain and Great Britain.
Subject (Topic):
Indigestion, Devil, House furnishings, Demons, and Pain
Depiction of a man suffering from indigestion, suggested by little characters and demons tormenting him. Remnants of food surround him; dinner invitations are scattered on the floor
Description:
Title etched below image., 'A. Crowquill' was a psuedonym used jointly by Alfred Henry Forrester and Charles Robert Forrester., Reissue, with new imprint statement. For an earlier state published 12 February 1825 by S. Knight, see no. 14904 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Plate from: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835].
Publisher:
Pubd. Augt. 1st, 1835, by Thos. McLean, 26 Haymarket
Subject (Geographic):
Great Britain and Great Britain.
Subject (Topic):
Indigestion, Devil, House furnishings, Demons, and Pain
"Three men sit at a table absorbed in an oyster feast, while Richard Martin ..., sensing cruelty to oysters, enters, followed by a constable with his staff (left). Papers hang from his pocket: M . . . . s Bill to prevent Cruelty to Animals, and a book projects: Gullivers Travels--A Voyage to . . . Ho[uyhnhnms]. Martin points imperiously to the table, the constable makes a wry face. A lean elderly man ... sits with his back to the door on a piano-stool on which are sheets of music. At his feet is a paper: The Oyster crossed in Love as sung by Messs Sinclair & Gamon at Covent Garden O gentle Swain yr Knife [refrain] Nor Wound a Heart so soft as mine. Dr E----y, wearing tartan, stands over a tub of Natives, opening oysters. The third man's face is concealed. On the table, besides oyster-shells, &c, are a candle burnt low and a large jug of Hot Milk. The walls are covered with shelves. On one set (left), inscribed Larder of Death, are druggist's jars, &c. These include Opium, Oxalic Acid, Calomel, with a box of Gamboge. The other, inscribed Good Living, are laden with food: a pie, a chain of sausages, a sirloin, jar of Cherry Bounce, round of beef, a Scots Haggis, a hare, a bird. There is also (left) a high shelf of books."--British Museum online catalogue, description of a different state or version
Description:
Title etched below image., Different state or version, with variations in the text below image, of a plate to No. VI of The family oracle of health, economy, medicine, and goodliving (London : Walker [etc.], 1824-1829). Cf. No. 14696 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Three of the figures are identified with etched text beneath lower border of image: [left to right] Martin; Dr. Kitchener; Dr. E-y., Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 301., Cf. Reid, G.W. A descriptive catalogue of the works of George Cruikshank, 1265, 5259., and Temporary local Medical Library subject terms: Dr. Eady.
Publisher:
Published by J. Walker
Subject (Name):
Martin, Richard, 1754-1834 and Kitchiner, William, 1775?-1827
"Three men sit at a table absorbed in an oyster feast, while Richard Martin (M----n), sensing cruelty to oysters, enters, followed by a constable with his staff (left). Papers hang from his pocket: M . . . . s Bill to prevent Cruelty to Animals, and a book projects: Gullivers Travels--A Voyage to . . . Ho[uyhnhnms]. Martin points imperiously to the table, the constable makes a wry face. A lean elderly man (Dr K----r) sits with his back to the door on a piano-stool on which are sheets of music. At his feet is a paper: The Oyster crossed in Love as sung by Messs Sinclair & Gamon at Covent Garden O gentle Swain yr Knife [refrain] Nor Wound a Heart so soft as mine. Dr E----y, wearing tartan, stands over a tub of Natives, opening oysters. The third man's face is concealed. On the table, besides oyster-shells, &c, are a candle burnt low and a large jug of Hot Milk. The walls are covered with shelves. On one set (left), inscribed Larder of Death, are druggist's jars, &c. These include Opium, Oxalic Acid, Calomel, with a box of Gamboge. The other, inscribed Good Living, are laden with food: a pie, a chain of sausages, a sirloin, jar of Cherry Bounce, round of beef, a Scots Haggis, a hare, a bird. There is also (left) a high shelf of books."--British Museum online catalogue
Description:
Title etched below image., Plate to No. VI of: The family oracle of health, economy, medicine, and goodliving. London : Walker [etc.], 1824-1829., Three of the figures are identified with etched text beneath lower border of image: [left to right] M-n; Dr. K-n; Dr. E-y., Temporary local Medical Library subject terms: Dr. Eady., and 1 print : etching and aquatint ; image and inscription 12.5 x 19.2 cm.
Publisher:
Published by J. Walker
Subject (Name):
Martin, Richard, 1754-1834 and Kitchiner, William, 1775?-1827