Manuscript on parchment. Formerly known as the "Fouquet Missal", based on the mistaken attribution of the illumination to Fouquet
Description:
In French., Script: Written by a single scribe in formal gothic bookhand., A richly decorated manuscript with an unusual and elaborate program of miniatures by at least four artists: the Master of the Vienna Mamerot, Jean Colombe, a hand close to the Masters of Morgan 96 and 366, and a fourth artist whose hand has not yet been identified in other manuscripts. Each large miniature (107 total) has a full border incorporating four marginal scenes (428 in all) with subjects which either amplify or follow closely from the action of the miniature, disposed with two rectangular scenes in the outer border and two roundels in the lower border. The subsidiary miniatures, framed in red, are surrounded by blue and gold acanthus, flowering vines in green, blue and red, ivy in black pen with gold dots, large, naturalistic flowers, and black hair-spray with gold dots. The borders are framed on the outer edges with a red bounding line, on the inner edges with a red or gold bounding line., 4- and 2-line initials throughout, shaded pink or blue with gold foliate decoration against blue or pink grounds with pink or blue curling leaves, heightened in gold. 1-line initials, gold, against pink or blue grounds with gold filigree. On ff. 6r-13v the 4- and 2-line initials, as well as line-fillers in the same manner, are painted over blue or red initials with red or blue penwork and line fillers in red, blue and gold. The overpainting of this archaizing decoration reflects a change in decorative scheme rather than an interval of three-quarters of a century between the writing and the illumination of the manuscript. Rubrics and some underlining in red throughout., and Binding: Nineteenth century. Quarter bound in brown goatskin. Blue/green cloth sides with silver fastenings and fittings. On fastenings small roundels with portraits of the evangelists; on clasp a roundel with Annunciation. Numerous Turk's head place-marks on fore edge. Earlier covers, 17th century, mounted inside boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript fragment on parchment of a missal containing: Mass for Mary from the Nativity to the Purification; Mass for Mary from the Purification to Easter; Mass for Mary from Easter to Pentecost; and Mass for the patron saint of the church
Description:
In Latin., Script: written in two sizes of gothic script (littera textualis formata), with a slightly smaller script for chants., and Decoration: 2- and 3-line initials are in gold on ground of blue and purple decorated with white penwork; 1-line capitals including the first letter after the initials in gold are in brown filled with yellow wash; rubrics written in red or in brown underlined with red and are in the same script as the text; punctuated with the punctus, punctus elevatus, and punctus interrogativus; hyphenation is in the same ink as the text; the use of "Ff" suggests England.
In Latin., Script: Copied by one hand in Northern Gothica Textualis Formata. Rubrics in Gothica Hybrida Formata (Bastarda). Music notation in Nota Quadrata., Red rubrics. Heightening of majuscules in yellow. Alternately red and blue1-line plain initials on ff. 176r-177r. Flourished initials (height: 1 stave + 1 text line) alternately red with purple penwork and blue with red penwork. Cadels (same size) in a rectangular frame decorated with foliage on a yellow background. On f. 1r damaged large golden initial (2 staves + 2 lines of text) on a blue background containing coat of arms of Hugo Gontard, a canon in the collegiate church of St. Genesius (St. Genez) at Clermont-Ferrand in 1515 and "abbot" of the said church, 1519-1545., Many pages badly damaged and faded, especially f. 1r., and Binding: Nineteenth century. Marbled leather over cardboard, repaired. Gold-tooled spine with title on red leather label: "LIVRE D'HEURES". Brown marbled paper endpapers.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Music, and Processionals (Liturgical books)
Manuscript on parchment of Roman de la Rose. With Poem on Paris of Troy, added in a later hand (15th/16th century); and Poem including the name of the man for whom the volume was copied, Pierre Louvel
Description:
In French., Script: Written in well-formed batarde by one scribe; art. 1 and some marginal notations in a slightly later hand., Inscriptions in almost every miniature to identify the figures. Sixty-six miniatures, 16- to 12-line, framed in gold, on f. 1r with a cusped arch and a full border of blue and gold acanthus at the corners and midpoints, red and blue flowers, and hair-spray with gold leaves, bounded in red and with a gold bar in inner margin. Other miniatures with 3/4 borders in the same style, some with birds. On f. 1r a 4-line initial, blue with white highlights, filled with red and blue ivy against a gold ground. 3- or 2-line initials, gold, with pink and blue grounds with white filigree. Capital at beginning of each verse stroked in yellow., Borders and miniature on f. 1r rubbed. Black ink hair-spray on many borders smeared., and Binding: Nineteenth century. Rigid vellum case heavily gold-tooled, with a red label. Gilt, gauffered edges. Motto on upper cover: "Nobilis ira." Bound by Bevan.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Guillaume, de Lorris, active 1230. and Jean, de Meun, approximately 1240-approximately 1305.
Subject (Topic):
French literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Romances
Manuscript on parchment (trimmed) of Book of Hours with Full calendar, in French
Description:
In Latin., Script: Written in batarde script., Miniatures and an extensive cycle of border vignettes by Jean and Jacquelin Montlucon who were active in Bourges between 1477 and 1492. The calendar pages are framed by gilt columns and entablatures in the antique manner with the occupations of the month and signs of the zodiac in the outer margin and a Creation cycle in the lower margin. Eleven half-page miniatures framed in magenta and gold with cusping at the top; fanciful architectural bases, surrounded by simulated grey-black marble with joined wings and foliage branches in gold. Twenty-three miniatures, 8-lines in height, in magenta and gold frames, each with a full border of flowers and acanthus, birds and grotesques on compartmented gold and white grounds. Text pages with full borders: columns in inner margin; panels with masks, shields, garlands, and wings in upper margin; flowers and acanthus, as above, in outer margin; and, in the lower margin, one of the fullest known cycles devoted to the wild man (sometimes extended to include outer margin as well). Other manuscripts from the same shop, the Monypenny Hours and Grenoble Bibliotheque Municipale MS 1011, also contain extensive cycles of wild-man imagery; the artists Jean and Jacquelin de Montlucon lived in Bourges in a house "at the sign of the Wild Man.", 5- and 4-line initials with leafy branches, gold with fruits, flowers, profile heads on pink or mauve grounds. 2- and 1-line initials, line-endings, and KL monograms in the same style. Rubrics in red. Calendar entries alternate red and blue. F. i verso added in 16th century: the arms of Gian Francesco di Montegnacco in a frame closely modelled on the decoration of the calendar pages., and Binding: Nineteenth century. Tan goatskin, gold-tooled with concentric frames, the central panel daubed with green and red. Red label.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval