Manuscript on paper of 1) Leonicenus Omnibonus, De arte metrica. 2) Donatus, De Barbarismo et soloecismo (Ars maior, Part 3). 3) Lorenzo Guglielmo Traversagni de Savone, O. F. M. (1425-1503), Opusculum de re rhetorica. 4) Pseudo-Priscian, De accentibus
Description:
In Latin., Watermarks: similar to Briquet Balance 2489., Script: Written by a single scribe in italic for the text and marginal notes, and in modified capitals for headings., Decorative initial and border outlined in red, but uncolored, appear on f. 1r. Frequent use of red ink in headings, marginalia and for long sections of the text., Water and ink stains throughout; some loss of text., and Binding: Nineteenth century. Brown calf, blind- and gold-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bonisoli, Ognibene, ca. 1412-1474.
Subject (Topic):
Latin language, Grammar, Manuscripts, Medieval, and Rhetoric
Manuscript on parchment of Boethius, De consolatione philosophiae. With Excerpts from the commentary of Nicolas Trevet (in margins) on Boethius, Book I.1.1 - II.5.34.
Description:
In Latin., Script: Written by two scribes in an ornate and elegant gothic bookhand. 1) ff. 1v-154v; 2) ff. 155r-210v. The marginal commentary is in a neat informal batarde (ink paler than that used for text)., Plain initial, 3-line, in blue at beginning of text; other initials, 2-line, in red throughout text to mark the beginning of poetry and prose sections. Title page (f. 1v): alternating lines of blue and gold., Grease stain in margins at end of codex; bottom of f. 81 trimmed., and Binding: Nineteenth century. Brown sheepskin, blind-tooled. Repaired.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boethius, -524. and Trivet, Nicholas, 1258?-1328.
Subject (Topic):
Consolation, Dialogues, Latin, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Scholia
Manuscript, on vellum, in a single hand, of Boethius, De consolatione philosophiae
Description:
In Latin., Probably copied in Tuscany., Signed, after the explicit: "Ego iulianus francisci de leuanto notarius scripsi.", Layout: single columns of 30 lines., Script: rounded gothic bookhand., Decoration: 5 illuminated initials on gold grounds; many smaller initials in red or blue penwork., and Binding: contemporary (?) beech boards with brown goatskin spine decorated with blind ropework; metal clasp and latch.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boethius, -524.
Subject (Topic):
Manuscripts, Medieval, Consolation, and Dialogues, Latin
Manuscript on parchment (trimmed in a very irregular manner) of Boethius, De consolatione philosophiae. With Short notes (in Latin and English) on medical recipes, including "Medicyn for the Colyk".
Description:
In Latin., Script: Written by three scribes in informal gothic scripts. 1) ff. 1r-33v, with running titles, in red, on f. 4v and 28r; this is the only section of the text with rubrication. 2) ff. 34r-60v, 112v-169r, in a style of writing verging on Anglicana. 3) ff. 60v-112v, many erasures and corrections by 2. Marginal and interlinear glosses in several contemporary hands, one of which added the notes on ff. 170v-171r., First initial in red penwork, 4-line, with crude portrait of Boethius. Simple red initials to mark sections of text., and Binding: Fifteenth century. Possibly German or Dutch. "Girdle-book." Although early, it is not the original binding. Resewn on three narrow, tawed, double thongs. The endbands do not seem to have laced cores, but a primary sewing may have been sewn to the head and tail of the chemise, underneath the braided secondary endbands. The thongs are laced into grooves in beech boards, the pattern reversed; one horizontal above one V lacing on the upper board and a V above a horizontal on the lower. The thongs are pegged. The outer wrapper of tawed skin, now grey, is sewn to a tawed, pink, inner chemise around the outer edges of the boards. The wrapper extends about 130 mm. to a Turk's head knot at the tail, about 25 mm. at the head, and has an overlap of about 50 mm. on the upper board. The edges of the wrapper are turned in and hemmed. The book hung upside down when attached to the girdle by having the knot slipped under it, but was right side up when picked up (still attached to the girdle) to be read. A strap-and-pin fastening, the pin on the upper board, consists of a thick, brown leather strap nailed to the lower board and tacketed to the cover with a leather thong ending in an anthropomorphic brass clasp, the head of which catches on the pin. A glued repair was made before, a sewn one after 1973.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boethius, -524.
Subject (Topic):
Consolation, Dialogues, Latin, Manuscripts, Medieval, and Medicine, Medieval
Manuscript on parchment (thick, furry) of an anonymous catena of Eucharistic proof texts
Description:
In Latin., Script: Written by several scribes, perhaps at different times, in early gothic bookhand., Plain initials in red or green (spaces left for others), followed by rustic capitals. Heading, in red, on f. 1r. Simple schematic drawings to explicate the text of art. 20 (ff. 21r, 22r)., Some loss of text due to trimming on f. 23v., and Binding: Nineteenth century. Brown goatskin, blind- and gold-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Eusebius Gallicanus.
Subject (Topic):
Catenae, Fathers of the church, Lord's Supper, Manuscripts, Medieval, Sermons, and Theology, Doctrinal
Manuscript on paper of Aristotle, De interpretatione, translated into Latin by Ioannes Argyropylos, with his prefatory letter to Piero de' Medici. With Aristotle, Priora analytica, through Book 1.7.29b28
Description:
In Latin., Watermarks: unidentified flower in gutter., Script: Written in italic by a single scribe., Plain initials, 2- to 1-line, and headings, in red. Numerous tables and crescent diagrams within the text and margins, in black and red., and Binding: Nineteenth century. Red, spattered paper case.
Manuscript on paper (unidentified watermark) of Libellus de quinque floribus huius mundi contemnendis, a short moralistic treatise dealing with the five flowers of the world which need to be despised: (1) bona dispositio corporis, scilicet sanitas, fortitudo et pulcritudo; (2) nobilitas generis; (3) habundantia rerum temporalium; (4) sapiencia cum discreta eloquentia; (5) potestas sive dignitas temporalis. The treatise is illustrated with quotations from the Bible, Church Fathers and other authors, and exempla
Description:
In Latin., Script: Copied by one hand in Gothica Cursiva Currens. A later hand has transcribed in the margins in Humanistica Cursiva the words or passages which were found difficult to read., Headings, paragraph marks, underlining, heightening of majuscules and plain initials (3 lines) in red., Worm holes throughout the manuscript; the edges of the last folio are torn., and Binding: Nineteenth century (?). Half brown leather over pasteboard, the boards covered with greyish marbled paper.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Conduct of life, Didactic literature, Latin (Medieval and modern), and Manuscripts, Medieval
Manuscript on parchment of Petrarch, De remediis utriusque fortunae
Description:
In Latin., Script: Written by a single scribe in beautiful batarde script characterized by calligraphic flourishes (some stroked with yellow) in upper and lower margins., 4-line initial on f. 1r, blue with white highlights, on a gold ground, with a coat of arms (effaced) against burgundy ground with gold floral sprays; short floral border, pink and blue flowers on green stem, infilled with gold dots with black hair-spray. 6-line initials on ff. 84r and 87r green with yellow highlights, on gold ground, with a love-knot connecting E (brown with gold highlights) and N (blue) against silver ground, borders as above. 2-line initials at beginning of chapters, gold with black penwork and flourishes; 1-line initials (R for Racio, and G, S, D, M, for the other interlocutors) blue or gold, with red or black penwork., On ff. 1r and 8r three quarters of the page was ruled, but left blank, presumably for miniatures., and Binding: Nineteenth century. Red velvet case, much worn.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrarca, Francesco, 1304-1374.
Subject (Topic):
Conduct of life, Dialogues, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (fine, smooth) of 1) Prologue. 2) Moamin, De scientia venandi per aves, translated into Latin by Theodorus of Antioch. Although the prologue states that there are four treatises composed by Moamin, the fourth (Quartus naturam et medicamen qutrupedum [sic] cum quibus uenamur) is omitted in this manuscript. 3) Treatise of Dancus rex. 4) Treatise of Guillelmus falconarius. 5) Four anonymous descriptions of types of falcons. Produced probably for Ferdinand II of Aragon (arms on f. 1r).
Alternative Title:
Moamin
Description:
In Latin., Script: Written by a single scribe in elegant round humanistic script below top line., One miniature, f. 1r, five falcons sitting on a perch in a niche, with a 6-line initial, blue and light green, with green and blue acanthus, against gold, framed in red, with white dots; full border, pink and blue flowers on stems with pink, orange and green leaves and gold dots spiraling around a pink and gold bar; framed in gold and inhabited by birds, putti, four of the putti in lower margin supporting a coat-of-arms. 5-line initials, gold, filled with blue or crimson with flowers in white, on irregular grounds, crimson or blue with flowers in white, and hair-spray extensions with crimson and blue leaves, flowers and gold trefoil leaves or dots. 2-line initials, gold, filled with crimson or blue against irregular crimson or blue grounds with white filigree. Rubrics throughout., and Binding: Nineteenth century. Red goatskin, gold-tooled with "Cetreria" on spine. Gilt edges with lettering on fore-edge.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Falconry, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper of Antonio de Ferrariis (called himself Galateo after his birthplace, d. 1517), De situ Iapygiae. His work is a geographical, historical, epigraphical and literary description of Iapygia, i.e. the Southeastern part of Italy (now Apulia).
Description:
In Latin., Script: Three scribes, all writing Humanistica Cursiva: hand A copied ff. 1r-20v, 24v-26v, 31r-36r line 10, 36v last three lines (Libraria); hand B copied ff. 21r-24r, 27r-30v (Currens); hand C copied f. 36r line 10-36v, except the last three lines (Currens under Gothic influence)., No decoration., Water stains. Some pages badly damaged by the acid ink., and Binding: The damaged covers of the original binding are mounted on the new binding in brown leather. Blind-tooled, featuring two square frames bordered by fillets and rolls.
Subject (Geographic):
Connecticut, New Haven., Italy, and Puglia (Italy)
Subject (Name):
Ferrari, Antonio de, 1444-1517.
Subject (Topic):
Latin literature, Medieval and modern, Manuscripts, Medieval, and Description and travel