Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[ca. 1795]
Call Number:
Print00056
Image Count:
1
Resource Type:
still image
Alternative Title:
Souls and bodies, cured without loss of time!
Description:
Title inscribed below image., Signed by the artist in grey ink., Original work created: ca. 1795., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
"Lee Lewes stands on stage at Covent Garden, with busts arranged on a table behind him, he holds one up, turning to the crowd; the audience in the pit in the foreground, with four tiers of boxes behind; after Woodward."--British Museum online catalogue
Description:
Title engraved below image. and Frontispiece to: A lecture on heads / by Geo. Alex. Stevens ; with additions, as delivered by Mr. Charles Lee Lewes ; ... embellished with twenty-five humourous characteristic prints, from drawings by G.M. Woodward, Esq. London : Printed for Vernor, Hood, and Sharpe ..., 1808.
Publisher:
Pub. by T. Tegg, 111 Cheapside
Subject (Geographic):
Great Britain.
Subject (Name):
Stevens, George Alexander, 1710-1784., Lewes, Charles Lee, 1740-1803, and Covent Garden Theatre,
Subject (Topic):
Theaters, Actors, British, Interiors, Audiences, and Public speaking
Title etched above image., Date and place of publication supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Name):
Lewes, Charles Lee, 1740-1803. and Stevens, George Alexander, 1710-1784.
Subject (Topic):
Theater, Physiognomy, Heads (Anatomy)., Demons, and Spectators
"Long, dressed as a funeral mute or mourner, stands full-face, legs apart, carrying four large boards like a sandwich-man (then "board-man"). Only his draped hat and eyes appear above the central board. In his hand is a staff draped in black which is inscribed 'Killing No Murder' [cf. British Museum Satires No. 11371]. At his feet are many ducks, all angrily quacking: 'quack!!'; 'quack!!!'; or (one) 'cruel quack'. He says, quoting a nursery rhyme, 'Come, Dilly, Dilly, Dilly, come and be killed!!!' The principal board is headed 'To the Public', with the Royal Arms. Inscriptions: 'A Receipt of my Grandmothers | Decline Arrested | Consumption prevented | A Cure for all diseases | By The Simple | process of | Skinning Alive | protected by the | NOBILITY | and a House-Full of | Ladies | of the first Distinction | Dr Needy, Harley-Street | NO QUACKERY'. On both flanking boards are a grinning skull and cross-bones inscribed 'momento [sic] mori'; on one (left) are wine-glasses, tankard, and bottle and 'A Short Life and a Merry one'; (right) 'N.B. . Short Accounts make LONG Friends'. Behind is a funeral procession with two coffins, preceded by a duck. This passes the railings of a London square. Behind are houses, on one of which is a hatchment, and a church-steeple on which prances a tiny devil flourishing a trident."--British Museum online catalogue
Alternative Title:
Oracle of Harley Street
Description:
Title etched below image., Second title etched above image: The Oracle of Harley Street., Signed at bottom of plate with the initials "J.D.R." followed by a depiction of an artist's palette., Possibly etched by 'Sharpshooter' (the pseduonym of John Phillips); see British Museum catalogue., Sheet trimmed within plate mark., and Temporary local Medical Library subject terms: Consumption -- Funerals -- Manslaughter -- Drugs.
Publisher:
Pub. by G. Humphrey, 24 St. James's Street
Subject (Name):
Long, John St. John, 1798-1834
Subject (Topic):
Quacks and quackery, Malpractice, Quacks, Signs (Notices), and Ducks
A scene in a crowded coffee house with a mad dog on a table and terrified customers scrambling for cover. On the wall, a broadside titled: For the brasiles the Cerberuse Capn. Popitner ... bruden ...
Description:
Title etched below image., Sheet trimmed within plate mark on three sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Mad dogs., 1 print : etching with stipple, hand-colored ; 273 x 381 mm., and Sheet trimmed within plate mark on three sides (top, right and left).
Publisher:
Pubd. March 20th, 1809, by Thos. Rowlandson, No 1. James Street, Adelphi, London
Subject (Geographic):
England and London.
Subject (Topic):
Coffeehouses, Crowds, Dogs, Fear, Eating & drinking facilities, and Interiors
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A lean and grotesquely ugly old parson, wearing cap and gown, sits in his college room with a pretty young woman on his knee. She puts an arm round his neck and warms a foot at a blazing fire, on which stands a large coffee-pot. Her (large) straw bonnet and gloves are on the ground. Through a high Gothic window (right) two other Fellows look in, much amused. Behind him and against his chair is a table covered with punch-bowl, lemons, a decanter, bottles of 'Gin', 'Rum', and 'Coniac', and a jar of 'Preserved Ginger', &c. On the floor beside it is a huge volume: 'Doomsday Book', with other books, one being 'Arratin' [Aretino], another (open) 'A Master of Arts / a Fellow Feeling for the human Race'. With these are spectacles, cork-screw, long pipe, tobacco-jar. On the high chimney-piece are a nymph disrobing, candlestick, medicine-bottles, jug, and a framed 'Oxford almanack'. Beside it hang a violin and bow. On the wall hang a chess-board and a bag, as in British Museum Satires No. 12161, with a notice: 'Term begins -- Term ends -- Long Vacation'. British Museum Satires No. 10811 by Rowlandson has the same title (from Mackenzie's novel)."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. December 2nd, 1811, by Thos. Tegg, No. 111 Cheapside". Cf. No. 11783 in the Catalogue of prints and drawings in the British Museum, v. 9., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., "Price one shilling coloured.", Plate numbered "126" in upper right corner., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 216., Temporary local Medical Library subject terms: Sex behavior., 1 print : etching ; plate mark 349 x 247 mm., and Hand-colored.
"A whole length figure stands full-face divided by a vertical line, one half (left) representing a man, the other a woman. The background is similarly bisected, one half (left) being a surgeon's dispensary, the other a carpeted room with a domestic grate on which a saucepan is heating. Beneath the title: 'or a newly discover'd animal, not known in Buffon's time; for a more full description of this Monster, see, an ingenious book, lately publish'd, price 3/6, entitled, Man-Midwifery dessected, containing a variety of well authenticated cases, elucidating this animal's Propensities to cruelty & indecency, sold by the publisher of this Print, who has presented the Author with the above for a Frontispiece to his Book.' The surgeon, who is fashionably dressed, holds an instrument inscribed 'Lever'; the woman holds out a small vessel. The man's bottles, &c, are ranged on three shelves; on the lowest, inscribed 'This shelf for my own use', are bottles inscribed 'Love Water', 'Cantharides', 'Eau de vie', 'Cream of Violets'. Obstetric instruments are inscribed: 'forceps', 'Boring Scissors', and 'Blunt Hook'. On the ground (left) is a large pestle and mortar."--British Museum online catalogue
Alternative Title:
Man-midwife
Description:
Title etched below image., Attributed to Isaac Cruikshank in the British Museum catalogue., Frontispiece to: Fores, S. W. Man-midwifery dissected; or, the obstetric family-instructor ... , London : Published for the author, by S. W. Fores, 1793., and Temporary local Medical Library subject terms: Forceps.
Publisher:
Pub. June 15, 1793, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Fores, S. W.
Subject (Topic):
Midwives, Pharmacists, Mortars & pestles, Medical equipment & supplies, Surgical instruments, and Scissors & shears
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Joanna Southcott, a stout termagant, stands in back view directed slightly to the right, gathering up her petticoats to display her person to three doctors who gaze closely at her. She is grossly caricatured, with no resemblance to her portraits. She says, her head turned in profile to the right, and looking up with a triumphant smile: "Seeing is believing are you Now satisfied theres no [sic] Behold the Naked Truth most Learned Doctors." The doctors, who are crouching for closer inspection, say respectively: "It has a confounded strange appeara[nce]"; "I have my doubts"; "I cant help suspecting". Across her posteriors, defined by the pulling up of her petticoats, is engraved: 'Aged 64 Bladders of Blasphemy and Corruption Sealed up and Ready to Burst'. On the left is a large cradle of straw in which is seated a grotesque parson with horns projecting from his forehead; he holds a spoon and a bowl inscribed 'Caudle'; beside him is a paper: 'Cradle Hymns'. He leers cunningly. The cradle is inscribed 'Parson Towser' and 'Cradle for Joanna's Boar Pig'. A bird-like demon, grinning grotesquely, crouches on the head of the cradle. Against it lies a sack inscribed 'Donations Child Bed Linen for young Beelzebub'. Beside this lie a large coral and bells, pap-spoon, syringes, a little saucepan, &c. (presents from the faithful). Beside Johanna (right) is a chest (as in British Museum Satires No. 12334) inscribed 'Joanna Southcot's Prophecys' and 'Seals for Sale'. Other things beside it are a syringe inscribed 'infusion of Devils Dose', a paper inscribed 'Game of Humbug', a bowl of 'Cock Broth for Tom Tozer', and a decanter of 'Strong Water'. In the background, framed by large curtains, are a pulpit and a high latticed window, suggesting a chapel interior."--British Museum online catalogue
Alternative Title:
Miracles will never cease
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Plate numbered in upper right corner: No. 340., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately?, The doctors have been identified in the British Museum catalogue as Richard Reece and Dr. John Sims., Sheet trimmed to plate mark on right edge., Temporary local Medical Library subject terms: Prophecy -- Anecdotes -- *Religious mania., 1 print : etching with stipple, hand-colored ; sheet 320 x 257 mm., and Imperfect; sheet trimmed within plate mark with loss of numbering from upper right.
Publisher:
Pubd. Sept. 8, 1814, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Southcott, Joanna, 1750-1814, Tozer, William, approximately 1770-1828, Reece, Richard, 1775-1831, and Sims, John, 1749-1831
Subject (Topic):
Obstetrics, Clergy, Cradles, Demons, Medical equipment & supplies, Physicians, Prophets, and Pregnancy
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Joanna Southcott, a stout termagant, stands in back view directed slightly to the right, gathering up her petticoats to display her person to three doctors who gaze closely at her. She is grossly caricatured, with no resemblance to her portraits. She says, her head turned in profile to the right, and looking up with a triumphant smile: "Seeing is believing are you Now satisfied theres no [sic] Behold the Naked Truth most Learned Doctors." The doctors, who are crouching for closer inspection, say respectively: "It has a confounded strange appeara[nce]"; "I have my doubts"; "I cant help suspecting". Across her posteriors, defined by the pulling up of her petticoats, is engraved: 'Aged 64 Bladders of Blasphemy and Corruption Sealed up and Ready to Burst'. On the left is a large cradle of straw in which is seated a grotesque parson with horns projecting from his forehead; he holds a spoon and a bowl inscribed 'Caudle'; beside him is a paper: 'Cradle Hymns'. He leers cunningly. The cradle is inscribed 'Parson Towser' and 'Cradle for Joanna's Boar Pig'. A bird-like demon, grinning grotesquely, crouches on the head of the cradle. Against it lies a sack inscribed 'Donations Child Bed Linen for young Beelzebub'. Beside this lie a large coral and bells, pap-spoon, syringes, a little saucepan, &c. (presents from the faithful). Beside Johanna (right) is a chest (as in British Museum Satires No. 12334) inscribed 'Joanna Southcot's Prophecys' and 'Seals for Sale'. Other things beside it are a syringe inscribed 'infusion of Devils Dose', a paper inscribed 'Game of Humbug', a bowl of 'Cock Broth for Tom Tozer', and a decanter of 'Strong Water'. In the background, framed by large curtains, are a pulpit and a high latticed window, suggesting a chapel interior."--British Museum online catalogue
Alternative Title:
Miracles will never cease
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Plate numbered in upper right corner: No. 340., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately?, The doctors have been identified in the British Museum catalogue as Richard Reece and Dr. John Sims., Sheet trimmed to plate mark on right edge., Temporary local Medical Library subject terms: Prophecy -- Anecdotes -- *Religious mania., 1 print : etching with stipple, hand-colored ; sheet 36.8 x 26.8 cm., Sheet trimmed within plate mark., and Probably a later impression from a worn plate; numbering in upper right is lightly printed and barely visible.
Publisher:
Pubd. Sept. 8, 1814, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Southcott, Joanna, 1750-1814, Tozer, William, approximately 1770-1828, Reece, Richard, 1775-1831, and Sims, John, 1749-1831
Subject (Topic):
Obstetrics, Clergy, Cradles, Demons, Medical equipment & supplies, Physicians, Prophets, and Pregnancy
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A fat elderly woman walks (left to right) over rough cobbles, in the teeth of a strong wind against a deluge of rain; her contour is global and fills the greater part of the design. She holds a lighted lantern and clutches a bottle of cordial and a bundle. She wears a hooded cloak, a flat straw hat over a white cap, and pattens. Near her (right) runs a shivering little chimney-sweep, bare-legged, and carrying his tools and soot-bag; he is shouting or 'crying the streets' for custom. Behind her (left) is an aged watchman, leaning with folded arms on the front of his watch-box, asleep. His lighted lantern hangs above his head."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue; imprint and price statement have been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. Febry. 12th, 1811, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11795 in the Catalogue of prints and drawings in the British Museum, v. 9., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 199., 1 print : etching, hand-colored ; sheet 350 x 245 mm., and Sheet trimmed within plate mark.
Publisher:
Thomas Tegg
Subject (Topic):
Midwives, Obesity, Rain, Winds, Lanterns, Bottles, Chimney sweeps, and Watchmen