"Napoleon's flaming nest is the terrestrial globe, resting on sheaves of bayoneted muskets laid on a flat-topped pinnacle inscribed 'Pyrenean Mountains'. Clouds and crags frame the design. The phoenix, with flaming wings, has the head of Napoleon, turned in profile to the left. He is terror-stricken; his blazing crown flies upwards from his head; his predatory claws are raised in horror; from one his sceptre falls, from the other the orb. He wears a high military collar; round his neck is a tricolour'Cordon d'Honor' fringed with daggers. On the globe is a map of countries surrounding the Mediterranean, the central spot being 'Corsica'. The burning countries are 'Portugal', 'Spain', 'France', 'Sicily' [south of Corsica], 'Germany', 'Italy', 'Turkey'. At the base of the globe is the north of 'Africa' with 'Morocco' and 'Algiers' [in flames]. Above the flames by which Napoleon is surrounded are heavy clouds; from above these emerges a dove holding an olive branch, its wings inscribed 'Peace on Earth'. It is irradiated, rays descending from behind the clouds."--British Museum online catalogue
Description:
Title etched below image., Four lines of text following title: "When the phoenix is tired of life, he builds a nest upon the mountains, and setting it on fire by the wafting of his own wings ..., and Mounted on leaf 57 of volume 6 of 12.
Publisher:
Publishd. August 2d, 1808, by H. Humphrey, 27 St. James's Street
"Fantastic insects (l.), with human heads assail a hive (r.) standing on a low and very solid wooden stand, the 'Treasury-Bench'; ministerial bees emerge to defend it. The apex of the hive is a royal crown from which sprout ears of straw. In the upper left. corner is the grotesque body of Sidmouth terminating in a clyster-pipe inscribed 'Clysteria Ministeria'; the wings are bottles inscribed 'Emetic' and 'Cathartic' [cf. BMSat 9849]. Above him flies the head of (?) Fitzpatrick between wings inscribed 'Hedge Lane' and 'Chick-lane' (London slums and resorts of prostitutes). An adjacent aquiline profile resembles George Hanger. Below, and to the right., is Lauderdale, his wings patterned with tartan. Above (r.) is Erskine, in barrister's wig and bands, both wings inscribed 'Protest'. Next (r.), Moira is supported on ostrich-feather wings, indicating the Prince of Wales (see, e.g., BMSat 10253). Immediately below him is Grattan, with a barbed tail, his wings inscribed 'Irish Emancipation' [cf. BMSat 10404]. Next, and in the forefront, is Grey, like a dragon-fly (and striped blue and buff), his four wings inscribed 'Vanity'. In the next row below are (l. to r.) Ellenborough with malevolent features framed in a judge's wig; Bedford, his wings inscribed 'Disappointment'; Sheridan, his bloated body patterned like Harlequin (cf. BMSat 9916, &c), his wings inscribed 'Stale Jests' and 'Joe Miller'. The huge Temple has wings made of sheets of paper, inscribed 'Stationary', 'Fools-Cap', 'Gilt Post', and 'Wax', 'Pens', 'Wafers' [see BMSat 10721, &c.]. He spits copiously at the defenders. Next is the age-worn profile of Grafton. In the row below are (l. to r.) Lord Holland, with wings inscribed 'Volponean Rancour' [as nephew and devoted pupil of Fox, cf. BMSat 9892] and 'Kalpinist [Hindu] Subtilty'. Next, Lord Spencer, his wings inscribed 'Cunning Policy', and (behind) the profile of Lord Carlisle. Next, and immediately below his son Temple, is Buckingham, in spectacles and Garter ribbon, directing a blast from his 'broad bottom' against the crown on the hive. His wings are 'Catholic Loyalty' and 'Catholic Gratitude'. Close to him is the distended body of Grenville, marked with an irradiated cross and puffing a curling cloud at the enemy. His wings are 'Envy' and 'Ambition'. The three Grenvilles, 'Broad-Bottoms' (see BMSat 10530) par excellence, are close together, and in the centre front of the attack. ..."--British Museum online catalogue
Description:
Title etched below image., 1 print : etching with engraving on wove paper, hand-colored ; plate mark 25.7 x 35.8 cm, on sheet 29.0 x 40.0 cm., and Mounted on leaf 52 of volume 6 of 12.
Publisher:
Publish'd May 2d, 1808, by H. Humphrey, St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Lauderdale, James Maitland, Earl of, 1759-1839, Erskine, Thomas Erskine, Baron, 1750-1823, Hanger, George, 1751?-1824, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Bedford, John Russell, Duke of, 1766-1839, Ellenborough, Edward Law, Baron, 1750-1818, Grattan, Henry, 1746-1820, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Grenville, William Wyndham Grenville, Baron, 1759-1834, Spencer, George John Spencer, Earl, 1758-1834, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Holland, Henry Richard Vassall, Baron, 1773-1840, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, William IV, King of Great Britain, 1765-1837, St. Vincent, John Jervis, Viscount, 1735-1823, Windham, William, 1750-1810, Smith-Stanley, Edward, 1752-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Tierney, George, 1761-1830, Tooke, John Horne, 1736-1812, Burdett, Francis, 1770-1844, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Whitbread, Samuel, 1764-1815, Canning, George, 1770-1827, Taylor, Michael Angelo, 1757-1834, Castlereagh, Robert Stewart, Viscount, 1769-1822, Perceval, Spencer, 1762-1812, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Melville, Henry Dundas, Viscount, 1742-1811, and Rose, George, 1744-1818
"The five chief members of the Cabinet sleep round a small round table on which are punch-bowl (decorated with the Royal Arms), bottles of 'Port' and 'Madeira', and glasses. Portland sits full face, above the others, in a Gothic chair, a crutch beside him, one gouty bandaged hand supported by his Garter ribbon; Hawkesbury (r.) leans against him in profile to the right. Perceval, in his Chancellor of the Exchequer's gown, sits on Portland's r., leaning on the table. Facing each other sit Castlereagh (l.) and Canning (r.), leaning back in their chairs. From the former's coat-pocket hangs a long scroll, resting on the floor, headed 'Defence of the Country. Mr Speaker.' It is covered with meaningless arrangements of letters which dwindle into illegibility: 'aaaa, ccccc, iiiii [&c.]'. At the end: 'Nine Hours & a half long'. On the back of his chair and against his head is poised a squalling cat; under its paws is a piece of music: 'Air by Catalani' [see BMSat 10792, &c.]. Manning's legs are stretched out on the back of Melville [Mulgrave in W. & E. The profile and a tartan plaid indicate Melville.] who lies face downwards under the table, clutching a bottle. In his pocket is a paper: 'Secret Correspondence from Copenhagen' [cf. BMSat 11564]. All register delight at their entrancing dreams. On the floor (r.) used (gold) plates are stacked, all inscribed 'Treasury'. Two rats nibble at them; beside them lies a 'Bill of Fare - 1st Course Loaves & Fishes - 2d Course Loaves & Fishes [&c., &c.]'. Empty bottles are scattered about. Clouds rise from Canning's head and float above the other sleepers, supporting their vision, which, framed in clouds, fills the upper part of the design. Britannia rides in a triumphal car shaped like a boat with the British Lion as figure-head. She holds a trident and an olive branch. Behind the car, chained to the axles, walks a dejected Napoleon. Behind him is a huge polar bear (Russia), muzzled, and on a chain. Last come three captive sovereigns, some of the 'gingerbread kings', see BMSat 10518. They are followed by a cheering crowd with a flag inscribed 'Britannia rules the World'. From the car flies a Union flag, honourably tattered. The car is drawn by a huge bull (John Bull), led by a sailor, who is preceded by soldiers, one beating a drum another blowing a trumpet. They are part of a crowd of tiny figures which is disappearing under the gate of the Tower of London, whose buildings, with cheering crowds, form a background to the triumphal procession."--British Museum online catalogue
Description:
Title etched below image., Text following title: Vide, an afternoon nap after the fatigues of an official dinner., 1 print : etching on wove / laid paper, hand-colored ; plate mark x cm, on sheet x cm., Watermark, partially trimmed: J. Whatman 1807., and Mounted on leaf 51 of volume 6 of 12.
Publisher:
Publish'd April 10th, 1808, by H. Humphrey, 27 St. James's Street
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Canning, George, 1770-1827, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Perceval, Spencer, 1762-1812, Melville, Henry Dundas, Viscount, 1742-1811, and Napoleon I, Emperor of the French, 1769-1821
"Pitt is borne upwards (left to right) in a chariot of swirling clouds of flame drawn by four horses abreast, and snorting fire, while his eyes are fixed on a broad beam of light inscribed 'Immortality'. He flings down his mantle, which his disciples below hold up their arms to receive. The mantle is blue faced with red (the colours of the Windsor uniform); on it a flaming sword lies across a pair of balanced scales, symbolizing Justice. Rays from the mantle strike down on the disciples; thunderbolts radiate from it, against the 'Republican-Mantle' with which the ghost of Fox tries to shelter the Opposition, and also against a tiny Napoleon. The disciples are grouped on a cliff, 'The Rock of Ages', rising from the sea. They surround a rectangular altar, of quasi-classical shape: 'The Altar of the Constitution'. Its two pilasters are 'Prudence' and 'Fortitude'. On this is a book inscribed 'Truth' on which is a royal crown. At its base lies 'Magna Charta'. The central and most prominent of the disciples, in the place of Elisha, is Canning, as the pupil of Pitt (see BMSat 10972); he stands behind the altar. Before it kneel Eldon (left) in Chancellor's wig and gown with the Purse of the Great Seal, and Perceval (right) in the gown of the Chancellor of the Exchequer. Next to Eldon (left) kneels Portland. On each side of Canning stand Hawkesbury (left) and Castlereagh (right). Behind are (?) Camden (left) and Melville (right). The four peers wear peer's robes. On the right, and in the foreground, separated from the 'Rock of Ages' by a narrow chasm, is the 'Broad-Bottom-Dunghill' [cf. BMSat 10530]. On this are the Opposition fleeing in terror from the thunderbolts from the Mande despite the gigantic figure of Fox who flies over them, protectingly spreading his cloak. Fox is naked under his cloak, except for a bonnet rouge, and a shroud which floats back from his head. He has webbed wings and a cloven hoof, and he looks up at the Mantle in angry terror. His cloak is set on fire by a thunderbolt. The most prominent of the 'Priests of Baal' is Grenville, who stoops, clutching at his rent breeches; a cardinal's hat flies from his head (cf. BMSat 10404), and over his coat he wears a short cope-like garment with a large cross on it. ..."--British Museum online catalogue
Description:
Title etched below image. and Mounted on leaf 55 of volume 6 of 12.
Publisher:
Publish'd June 25th, 1808, by H. Humphrey, St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Napoleon I, Emperor of the French, 1769-1821, Canning, George, 1770-1827, Castlereagh, Robert Stewart, Viscount, 1769-1822, Perceval, Spencer, 1762-1812, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Dundas, Henry, 1742-1811, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Sidmouth, Henry Addington, Viscount, 1757-1844, Lauderdale, James Maitland, Earl of, 1759-1839, Erskine, Thomas Erskine, Baron, 1750-1823, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Grattan, Henry, 1746-1820, Grenville, William Wyndham Grenville, Baron, 1759-1834, Holland, Henry Richard Vassall, Baron, 1773-1840, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, St. Vincent, John Jervis, Viscount, 1735-1823, Windham, William, 1750-1810, Whitbread, Samuel, 1764-1815, and Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
"Members of the Grenville family surround a table on which a black footman places a basket containing an attractive baby. The child kicks and crows as the man lifts up the wrapping which had covered her. A blue ribbon with a seal or jewel hangs from the basket, which is labelled 'for the Marchioness Broad Bot[tom]', with a paper: 'Copy of Verses to the Marchioness of Broad ... ' [the words dwindle to illegibility]. The Marchioness and the Marquis (right), side by side, lean towards the basket. The former, in back view, is dressed as an abbess, with a large cross on her rightobe where it covers her heavy posterior. An enormous rosary hangs from her waist; she wears many rings, and a gold-trimmed gown under her black robe. Her husband, who has just risen from a chair, peers through his spectacles; he wears military uniform, his left hand rests on an enormous cross worn in place of a sword. On the farther side of the table his two brothers, Thomas Grenville and Lord Grenville, wearing monkish robes with rosaries round their necks, stare with impassive disapproval at the foundling. On the left and in profile to the right stand Buckingham's two sons, Lord George Grenville (less stout than his brother, but with an equally projecting posterior, see British Museum Satires No. 11064) and Lord Temple, his breeches pocket stuffed with guineas. [The identifications are those of Lord Holland.] The child is on a round library table covered with green cloth, and with drawers inscribed 'Lists of Pensions', 'Lists of Sinecures', 'Lists of Places', 'Crown Grants'. Through the open door (left) two fat liveried servants stare at the scene. Behind them a Jesuit descends a staircase, holding a paper: 'Inquisition.' The room is an oratory, with an altar (right), much burlesqued in Gillray's manner when designing emblems of 'Popery', cf. British Museum Satires No. 10404. An open book leans against the open sanctuary which supports a chalice and the Host. Its pages are headed 'Sante Marie', 'Sante Joseph', 'Sante Diable', 'Sante Napoleone'. Within the sanctuary is a demon hugging money-bags. In front of the book is a bell. The book is flanked by wine-bottles: in the neck of one is a calvary, in that of the other a bunch of roses (cf. British Museum Satires No. 10558, &c. Two fat cherubs with heavy posteriors, holding palm branches, flank the chalice. ...."--British Museum online catalogue
Alternative Title:
Misfortune of not being born with marks of "the talents"!
Description:
Title etched below image., Text below title: "What! a relation to the Broad-bottom's? O Sainte Marie! why there's not the least appearance of it! Therefore, take it away to the workhouse directly!", and Mounted on leaf 54 of volume 6 of 12.
Publisher:
Publish'd May 19th, 1808, by H. Humphrey, 27 St. James's Street
Subject (Name):
Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Grenville, William Wyndham Grenville, Baron, 1759-1834, Grenville, Thomas, 1755-1846, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, and Nugent, George Nugent Grenville, Baron, 1788-1850
Subject (Topic):
Black people, Infants, Baskets, Servants, Religious articles, Robes, Tables, Altars, Chandeliers, and Doors & doorways
"Four designs on one plate, without dividing lines. [1] 'The Cockney Petition! - Enter - Mr Noodle & Mr Doodle - .' The King sits on the throne on a small round dais, in back view, only his left hand, r. elbow (with the sceptre) and feet being visible. Two petitioners, hat in hand, bow low, in profile to the right and to the left. ... [2] 'The Westminster Petition - a kick-out from Wimbleton.' The would-be petitioners have invaded Horne Tooke's bedroom, and are being kicked out by Burdett. Tooke lies in bed ... The head of his bed is decorated with (guardian) angels (cf. BMSat 8132). Burdett, flourishing a (breaking) 'Club of Reform' [cf. BMSat 10742], kicks Sheridan behind, and tries to close the door (r.) on them ... He holds the arm of a stout, plainly dressed man and hurries from the room, as, more furtively, does Bosville. ... Beside the bed (l.) is a commode decorated with a bonnet rouge, and strewn with torn newspapers: 'Cobbetts Weekly Political Register', 'Morning Chronicle', 'Convention of Cintra', 'Times', 'Fodder'. [3] 'The Chelmsford Petition. - Broad-Bottom-Patriots [cf. BMSat 10530] addressing the Essex Calves!' Five men stand on a platform addressing an audience of calves, standing on their hind legs and waving bonnets rouges. The spokesman is the gouty St. Vincent, in uniform, supported on a stick, and pounding with his clenched fist. ... Next Vincent (r.) is Lord Temple, holding out the 'Essex Petition - Horrid Convention - Ministers Firing the Park Guns - Armistice in French lang[uage]'. Behind stand Petty, waving his hat and shouting "Bravo", and Windham. ... [4] '- The Middlesex-Petition! - Hackney Orators inspiring the Independent Blue & Buff Intent -.' A group stands on a platform (r.) above a cheering mob. The speaker is a barrister in wig and gown, Clifford (see BMSat 10708, 11430); he holds up the Middlesex Petition and shouts ... Under his legs is his hat in which are two bottles of Por[t]. He rests his right. hand on Paull's shoulder. On his left. is George Byng, M.P. Middlesex (resembling Lord Spenser), clasping his hat, and looking admiringly at him. Behind (r.) is a man writing on sheets held in his hand. On the extreme left. is a stout man wearing a cocked hat; the others are scarcely characterized. ..."--British Museum online catalogue
Description:
Title etched below image., Approximate date of publication from British Museum catalogue., and Mounted on leaf 53 of volume 6 of 12.
Publisher:
Publish'd by H. Humphrey, 27 St. James's Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Waithman, Robert, 1764-1833, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Burdett, Francis, 1770-1844, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, St. Vincent, John Jervis, Viscount, 1735-1823, Windham, William, 1750-1810, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Paull, James, 1770-1808, Clifford, Henry, 1768-1813, and Byng, George, 1764-1847
"Canning, as Phaeton, drives his chariot with four horses abreast on a curving track across the heavens, slanting upwards across the design from left. to r. On this are signs of the zodiac; other constellations of the zodiac are on the darkened sky, above and below the path of Phaeton; all assail him. The base of the design is part of the northern hemisphere, showing the world in flames, and flanked by the ghosts of Pitt and Fox. In the lower left. corner is the ghost of Pitt as Apollo (half length); he weeps, dropping his lyre, and raises his shroud to gaze up at his son, Phaeton. He is surrounded by heavy clouds. In the opposite corner, the head and shoulders of Fox as 'Pluto', holding a pitchfork, emerge from flames: he looks up with sinister anxiety at the conflict in the heavens. Canning's head is the centre of an irradiated sun: 'The Sun of Anti-Jacobinism.' He is heroic, youthful, and naked, except for floating draperies. Above him (l.) is a crescent moon. His horses have human heads set behind equine jaws and nostrils which jet flame. They are (l. to r.): Hawkesbury, Perceval, Castlereagh (with a profile expressive of nobility), Eldon (sub-human). Flame streams backwards from the chariot wheels; the wheels pass over the (dismantled) scales, 'Libra-Britannicus' [British justice], one scale inscribed 'Copenhagen'. Close behind the chariot the British Lion, 'Leo Britannicus', rushes furiously; on the chariot's track, facing the horses, is the Ram (faintly sketched). Behind this is Taurus, a ferocious Irish bull, snorting fire at the horses. His collar is inscribed 'Erin go Bragh'; from it flies a rosary; to his tail is tied a pot inscribed 'Emancipation'. The most conspicuous assailant of the horses is 'Scorpio Broad-Bottom', with the head of Grenville, the words inscribed on the two ferocious claws, in which his arms terminate. (He is the Scorpion who 'bends out his arms into two bows, . . . [and] spreads over the space of two signs'.) The body spirals into a barbed tail, emitting names close to Fox. Smaller claws terminate in human heads (below, l. to r.): Temple, Spencer (both spitting fire), Bedford; (above, l. to r.): Moira, Tierney. Covering Grenville's posterior is an irregular circle. In its centre is an irradiated ring enclosing a chalice with the Host; round this are irradiated heads: Grafton, Stanhope, Derby, Carlisle, Norfolk, Holland. Flame and a barbed tongue issue from Grenville's mouth. ..."--British Museum online catalogue
Alternative Title:
Phaeton alarmed
Description:
Title etched below image., Six lines of quoted text following title: "Now all the horrors of the heav'ns he spies, "and monstrous shadows of prodigious size ..., and Mounted on leaf 50 of volume 6 of 12.
Publisher:
Publish'd March 22d, 1808, by H. Humphrey, 27 St. James's Street
Subject (Name):
Canning, George, 1770-1827, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Perceval, Spencer, 1762-1812, Eldon, John Scott, Earl of, 1751-1838, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Spencer, George John Spencer, Earl, 1758-1834, Bedford, John Russell, Duke of, 1766-1839, Tierney, George, 1761-1830, Smith-Stanley, Edward, 1752-1834, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Stanhope, Charles Stanhope, Earl, 1753-1816, Carlisle, Frederick Howard, Earl of, 1748-1825, Holland, Henry Richard Vassall, Baron, 1773-1840, St. Vincent, John Jervis, Viscount, 1735-1823, Erskine, Thomas Erskine, Baron, 1750-1823, Sheridan, Richard Brinsley, 1751-1816, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Whitbread, Samuel, 1764-1815, Lauderdale, James Maitland, Earl of, 1759-1839, Sidmouth, Henry Addington, Viscount, 1757-1844, Ellenborough, Edward Law, Baron, 1750-1818, Grey, Charles Grey, Earl, 1764-1845, and Napoleon I, Emperor of the French, 1769-1821
"A battle scene in a mountain valley. The Spanish forces are on the left, at the base of a precipitous mountain on which are guns firing at the opposite hill, up which French troops, tiny figures, are fleeing in confusion. In the foreground (l.) a monk is pushing a rammer down the mouth of a cannon, while two elaborately dressed and meretricious-looking Spanish ladies hold cannon-balls. One has a bloodstained dagger hanging from her waist. A Spaniard wearing a star is about to put a match to the touch-hole. On the r. a British grenadier, trim, plump, and whiskered composedly bayonets at one thrust two men at the head of a file of terrified and grotesque French soldiers. He tramples on a tricolour flag inscribed 'Invincible Legion'. In the centre nuns advance to the attack with raised daggers- th foremost is about to strike down a terrified French officer, whom she grasps by the hair. One holds up a crucifix. The Spanish forces in the middle distance advance at the base of the mountain, led by a fat monk on horseback blowing a trumpet. Behind him rides a bishop holding a sword and crosier. Other Spanish soldiers, advancing in close formation, have swords and spears. Their banners are (r. to left.) 'La Morte ou la Victoire'; 'Vive le Rot Ferdinand VII'; 'Sainte Vierge' with the Virgin, with a sword in her right. hand and the Child in her left. arm; 'Victoire Espagnol'; 'Vive la Libert[é]'. The troops on the mountain have a large cross and a banner: 'Libert[y] & Loyalt[y]'. The very numerous French soldiers, except for a grotesque group in the foreground (r.) advancing terrified against the single British soldier, are on a tiny scale, and are in headlong flight, uphill. On their banners are the words 'Vive le Roi Joseph' and 'Dupont'. In the foreground on the extreme left. are barrels of British Gunpowder, symbols, like the grenadier, of British aid (see BM Sat 11003, &c.). Clouds of smoke rise from the battle and float to the right."--British Museum online catalogue
Description:
Title etched below image. and Mounted on leaf 58 of volume 6 of 12.
Publisher:
Publishd. August 15th, 1808, by H. Humphrey, 27 St. James's Street
"The sovereigns of Europe, &c, watch from their seats in a bull-ring the Spanish bull tossing Napoleon above its head. The point of his sword projects from the ferocious animal's shoulder; he holds his broken sword, dripping blood, and has a badly gashed thigh. His cocked hat and a paper, 'Plan pour Assujettir le Monde' [cf. BMSat 10599, &c.], fall to the ground. A broken collar inscribed 'Corsican Chain' is round the bull's neck, a few links of a heavy chain still attached to it. The bull tramples on and befouls Joseph Bonaparte, who lies on his back, moribund or dead, in his rightoyal robes, the crown falling from his head; under his hand is a torn paper: 'Coronation de Joseph Boanaparte Rex Espagnol-Gibraltar-&c. Nap'. Three bulls, previously disposed of by the Corsican Matador, and horribly gashed, lie on the ground (r.), bellowing. A butcher's ticket is affixed to each: 'Prussian Bull Beef', 'Dutch Bull Beef', 'Danish Bull Beef'. They are [marginal note] "Wounded Bulls bellowing for help-." The barrier, an arc of which frames the arena, is inscribed 'Theatre Royale de I'Europe'. Behind it, and along the upper margin of the design, sit the sovereigns. On the extreme left. is George III, in military uniform, holding a trident (emblem of sea-power), and peering down impassively through his glass; the back of his (coronation) chair is partly visible. Next him is (?) the Emperor of Austria, gripping the edge of the barrier with a gauntleted hand and with the hilt of his sword projecting from his right. hand. Next John, the Regent of Portugal holds up his hat in exultation; he clutches a bottle of 'Vin de Brazil' [see BMSat 10960, &c.]. Next him, the Tsar, his head encircled by the words 'Alexr the Great', bites the corner of a feathered tricorne in his agitation. The King of Prussia grasps a feathered cocked hat, and puts his hand to his mouth. The bellicose King of Sweden wears a fur-trimmed tunic and a fur cap, with a star, inscribed 'Polar Star' [the Swedish order]. Two pistols are thrust through his belt. Next is the Pope, wearing his tiara, and holding up his cross; before him is a paper: 'The Bull for Excommunicating the Corsican Usurper'. He is supported from behind by the Sultan wearing a jewelled turban; behind the latter is the Dey of 'Algiers' [the word etched across his turban]."--British Museum online catalogue
Alternative Title:
Corsican-matador in danger
Description:
Title etched below image., Text above image: "The Spanish Bull is so remarkable for spirit that unless the matador strikes him dead at the first blow, the bull is sure to destroy him." Vide Barretti's Travels., Watermark: J. Whatman., and Mounted on leaf 56 of volume 6 of 12.
Publisher:
Publish'd July 11th, 1808, by H. Humphrey, St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Joseph Bonaparte, King of Spain, 1768-1844, George III, King of Great Britain, 1738-1820, Francis I, Emperor of Austria, 1768-1835, John VI, King of Portugal, 1767-1826, Alexander I, Emperor of Russia, 1777-1825, Frederick William III, King of Prussia, 1770-1840, Gustav IV Adolf, King of Sweden, 1778-1837, Pius VII, Pope, 1742-1823, and Mustafa IV, Sultan of the Turks, 1779-1808
"Cobbett, driving four ringed hogs, leads (r. to left.) a procession cheered by an enormous crowd. He sits on a 'Political Hog Trough' which rests on a low platform mounted on four solid wheels. Behind him stands Windham, wearing (ironically) a bonnet rouge, and holding up a large scroll inscribed: 'Loyal-Petition of ye Noble and truely Independent-Hogs of Hampshire - Humbly shewing, that the Convention with Junot, was a cursed Humbug upon Old-England! - & that the Three damn'd Convention-Signers ought to be Hanged Drawn & Quarterd without Judge or Jury'. Issues of Cobbett's paper fall to the ground from his seat, all headed 'Cobbett's Political Register' or 'Cobbett's Register' and continuing 'Ignorance of the Ministry', 'Ignorance of the British Command', 'Ignorance of the Admiralty', 'Letter to Sir Rd Phillips', 'Letter to the Duke of York', and 'State of the Army & Navy'. Cobbett is not caricatured and has a complacent expression. Three members of the Opposition push behind at his 'Hog Trough'. They are Grenville, dressed as a butcher, Grey with a handkerchief round his neck, and Sidmouth. Behind them walk hogs on their hind legs, wearing court dress, with sword or cane, and carrying small tricorne hats with tricolour cockades. From the pocket of one hangs a paper: 'To the Free and Indepent Hogs of Hampshire'. On the left. is Bosville with a large bag of coins inscribed 'Pigs-Meat'; from this he feeds the two leading hogs of Cobbett's team. Beside him stands Burdett flogging the hogs with a long whip. The middle distance and background are filled with a dense crowd cheering the procession. Those in the two front rows are butchers, banging marrow-bones on cleavers, as at a Westminster election. Three of these are (l. to r.) Sheridan, Lauderdale, and Petty, all wearing bonnets rouges. Four banners are held up, the first two being tricolour: [1] 'The Botley Patriot & his Hogs for ever. - no chevaliers du bain'; [2] 'Given up to Junot. All the Plunder All the Horses. All the Arms. - O Diable! Diable'; [3] a pictorial banner: 'Due D'Abrantes Ratifying ye Convention'; he signs on a drum-head; kneeling British officers kiss his bared posteriors, and attendant French soldiers hold huge money-bags; [4] 'Triumph in Portugal - a new Catch to be Sung by the Hampshire Hogs - to the Tune of Three Jolly Boys all in a Row'. From the crowd on the r. three gibbets are held up each with a figure hanging in effigy. They are inscribed: 'Sir Hugh [Dalrymple]', 'Sir Arthur [Wellesley]', 'Sir Harry [Burrard]'. In the foreground (r.) a terrier barks furiously at the procession, its collar inscribed 'Evening Post'."--British Museum online catalogue
Alternative Title:
Procession of the Hampshire-hogs from Botley to St. James's
Description:
Title etched below image., Text following title: Vide Cobbett's Weekly Political Register, Octr. 4th, 1808., and Mounted on leaf 60 of volume 6 of 12.
Publisher:
Pubd. October 20th, 1808, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
Cobbett, William, 1763-1835, Sidmouth, Henry Addington, Viscount, 1757-1844, Lauderdale, James Maitland, Earl of, 1759-1839, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Grenville, William Wyndham Grenville, Baron, 1759-1834, Windham, William, 1750-1810, Burdett, Francis, 1770-1844, and Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863
