"General Manners walks in profile to the left, with knees flexed, bending forward, his hands clasped behind his back, a cane under his arm. He wears a round hat, small pigtail, and plain, old-fashioned dress."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humprey, St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Manners, Robert,--1758-1832--Caricatures and cartoons.
"A lady, ugly and elderly, sits at a piano in profile to the left, playing and singing. Her open music-book shows her 'Song: would you hurt a harm less maid maid I am young and sore afraid afraid'. Beside her in an arm-chair a fat man with short clumsy legs sits impassively. A patterned carpet completes the design."--British Museum online catalogue.
Alternative Title:
"Lullaby!" Soothe him with a lullaby!
Description:
Printmaker identified as Gillray in the British Museum catalogue. and Title etched below image.
Publisher:
H. Humprey, 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Blunt, E., artist., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"An opera-dancer, Mme Rose Didelot, is poised on her right toe, her head turned in (sharp-featured) profile to the left, holding up a long garland of roses. She wears a pseudo-classical costume, defining her person, the edge of the skirt bordered with roses, a wreath of roses in her hair which is almost short. The scenery is of trees with a landscape background."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Didelot, Marie Rose Paul,---1803--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Courtenay (right), as the chairman of a tavern club, sits at the head of an oblong table, in profile to the left, smoking. He says to George Hanger, who faces him at the foot of the table: "I say, Georgey how do Things look now?" The words issue from his mouth in a cloud of smoke. Hanger answers: "Ax my Grandmother's Muff, pray do!" He holds a pipe, his wine-glass is overturned. His bludgeon is thrust in his top-boot. On Hanger's right sits Fox, leaning back in his chair, registering extravagant amusement and saying "O charming! - charming!" Opposite Fox sits Sheridan, clasping a decanter of 'Brandy' in one hand, a glass in the other. He says, with a sly smile, "Excellent! - damme Georgey, Excellent." Next him, and on Courtenay's right, sits M. A. Taylor, flourishing his pipe and saying, "Bravo! the best Thing I ever heard said, damme." On the table are decanters of 'Mum' and of 'Champaig[n]'. Above Courtenay's head is a picture of a simian creature in a cap of Liberty, squatting on the ground and smoking a pipe. The frame is inscribed 'Juvenal'. The floor is carpeted, the chairs are ornate."--British Museum online catalogue.
Alternative Title:
Feast of reason and the flow of soul and Wits of the age setting the table in a roar
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Courtenay, John,--1738-1816--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Hanger, George,--1751?-1824--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., and Taylor, Michael Angelo,--1757-1834--Caricatures and cartoons.
"An elderly man, bent to deformity, thin and shambling, in profile to the left, follows two flamboyant prostitutes who walk arm-in-arm, looking behind them. He supports himself on a walking-stick; from his pocket protrudes a book: 'Modest Prints'. The women's dresses trail on the pavement, but one lifts her skirt to display her legs. The background is formed of the massive stones at the corner of a high building."--British Museum online catalogue.
Alternative Title:
Example for fathers
Description:
Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A lady (left) sits at a piano, in back view, playing and singing. Beside her is a man playing the cello. Both sing: "Beviamo tutti tie" [sic]. Two men sit side by side, in profile to the left, one playing the violin, the other the flute. A little girl lying on the floor tilts dangerously the chair of the violinist, who watches intently the couple at the piano. A loutish youth in top-boots (right) plays with a dog whose collar is inscribed 'Anne Jon'."--British Museum online catalogue.
Alternative Title:
Evenings entertainment in Sussex
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humprey, 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Augustus Frederick,--Prince, Duke of Sussex,--1773-1843., Billington, Elizabeth,--1765-1818--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"An officer walks, on a broad pavement, away from the spectator, his head slightly turned to the left, showing his profile. He wears Light Horse uniform, a plumed helmet, short tunic, sash, and long sabre. The toes of his tasselled boots terminate in spikes. He uses a walking-stick."--British Museum online catalogue.
Description:
Title etched at bottom of image.
Publisher:
H. Humprey, 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Two chairmen carry (left to right) a lady in a sedan chair. The roof is raised and through it projects an enormous ostrich feather, rising from an aigrette and curls, which also extend above the roof. To the second chairman's back is strapped the base of a long curving rod which supports an umbrella to protect the feather. Through the window of the chair appears the lady's profile. She holds a half-closed fan before her face. Behind (left) is a plain town house of three stories behind its area-railings; it is next a high curving wall (right). Probably from a design by an amateur."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Miss Farren and Lord Derby, both in profile to the right, walk together inspecting pictures. She, very thin and tall, looks over his head through a glass at a picture in the second row of 'Zenocrates & Phryne'. He looks at the picture immediately below, 'The Death', a huntsman holding up a fox to the hounds. The frame is decorated by an earl's coronet with horses, cf. BMSat 9074, &c. Lord Derby, much caricatured, very short and obese, wears riding-dress with spurred boots and holds a whip. Miss Farren wears no hat, a dress hanging from the shoulders and trailing behind her, short sleeves and gloves. Both hold an open 'Catalogue'. Behind, a man (left) and two ladies in back view and arm-in-arm inspect a picture of 'Susan[nah and the] Elders'. The lady in the centre wears a high, twisted turban (cf. BMSat 8755) with an enormous feather, the other wears a round hat."--British Museum online catalogue.
Alternative Title:
Tally-ho & his Nimeney-pimmeney taking the morning lounge and Tally-ho and his Nimeney-pimmeney taking the morning lounge
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Derby, Elizabeth Farren Stanley,--Countess of,--1759 or 62-1829--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"An elderly man displays scientific experiments. He stoops forward, in profile to the left, holding a rod horizontally between his fingers, in the left hand is a glass. A small still, phials, &c, and an elaborate appliance (right) are on the long table behind which he stands. On the wall are two medallion profile-portraits, one (left) being that of Priestley. A serpent, a scroll with cabalistic signs, a terrestrial globe on a bracket, are also on the wall, which is lit by a single candle with a curiously shaped reflector."--British Museum online catalogue, description of an alternate version of similar composition.
Description:
Another version, apparently published the following day, of a print published with the imprint: Pubd. March 28th, 1796, by H. Humphrey, No. 37 New Bond Street. Cf. No. 8887 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Printmaker from description of alternate version in the British Museum catalogue., and Title etched below image.
Publisher:
H. Humphrey, No. 37 New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Priestley, Joseph,--1733-1804--Caricatures and cartoons., and Walker, A.--(Adam),--1730 or 1731-1821--Caricatures and cartoons.
"An elderly man displays scientific experiments. He stoops forward, in profile to the left, holding a rod horizontally between his fingers, in the left hand is a glass. A small still, phials, &c, and an elaborate appliance (right) are on the long table behind which he stands. On the wall are two medallion profile-portraits, one (left) being that of Priestley. A serpent, a scroll with cabalistic signs, a terrestrial globe on a bracket, are also on the wall, which is lit by a single candle with a curiously shaped reflector."--British Museum online catalogue.
Description:
Printmaker identified as Gillray in the British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, No. 37 New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Priestley, Joseph,--1733-1804--Caricatures and cartoons., and Walker, A.--(Adam),--1730 or 1731-1821--Caricatures and cartoons.
"A stout officer sits on a charger in profile to the left, his head turned from the spectator, his right arm outstretched, holding a cane, as if directing manoeuvres."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
H. Humprey, 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Miss Farren (left) sits at her dressing-table, contemplating with rapt admiration an earl's coronet on a wig-block which is a caricature of Lord Derby's head. The voluminous draperies of her dress define a thin and angular figure, with a long thin neck. At her feet is an open book: 'Tabby's Farewell to the Green Room'; near it is a torn paper: 'Elegy to the Memory of an Unfortunate Lady. How Lov'd how valued once avails thee not To whom Related or by whom Begot.' A pad for inflating the figure (cf. BMSat 8388, &c.) lies across a stool (right). A 'Genealogical Chart of British Nobility' hangs from the dressing-table; the tree issues from the recumbent figure of 'Willm Conqr'; on it lies a small-tooth comb beside which is an insect. Behind Miss Farren are the closed curtains of an ornate bed, whose valance is decorated with the cap of Libertas and the words 'Vive la Egalite'. On the wall hangs a 'Map of the Road from Strolling Lane to Derbyshire Peak'; the places, from S. to N., are: 'Strolling Lane', 'Beggary Corner', 'Servility Place', 'Old Drury Common', 'Affectation Lane', 'Insolence Green', 'Fool-Catching Alley', 'Derbyshire Peak viz Devils Ar.' A jewel-box, bottles, &c, are on the dressing-table, some inscribed: 'Bloom de Ninon', 'For Bad Teeth', 'Cosmetick', 'For the Breath'. On the ground, under the valance of the table, is a large bottle of 'Holland[s]'. After the title: '"A Coronet! - O, bless my sweet little heart! - ah, it must be mine, now there's nobody left to hinder! - and then - hey, for my Lady Nimminney-pimmenney! [see BMSat 8888] - O, Gemmini! - no more Straw-Beds in Barns; - no more scowling Managers! & Curtsying to a dirty Public! - but a Coronet upon my Coach; - Dashing at the Opera! - shining at the Court! - O dear! dear! what I shall come to!'"--British Museum online catalogue.
Description:
Additional publication line, with slightly earlier date, is etched below lower left margin of design: Pubd. March 20th, 1797, by H. Humphrey, Bond Street & St. James's Street., Printmaker's signature is repeated, the second signature located below lower right margin of design and in a slightly different form: Js. Gy. inv. & ft., and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Derby, Elizabeth Farren Stanley,--Countess of,--1759 or 62-1829--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
Erskine stands directed to the left, gazing straight before him; in his right hand is a sheet covered with repetitions of 'i' and 'me', and ending 'iiiiii me me me'. He wears counsellor's wig and gown, and bands. Above his head is a cap of Liberty with tricolour cockade. There is a background of low clouds.
Description:
Plate from: The Anti-Jacobin review and magazine, or, Monthly politique and literary censor. London, 1798, v. 1, page 355. and Title etched below image.
Publisher:
J. Wright, No. 169 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Harvey, Francis--Ownership., and Wright, J. (John), 1770?-1844, publisher.
"A small ugly man rides a galloping horse in profile to the left, his leg thrust forward. He wears spectacles, his complexion is dark. There is a background of grass and trees, and in the distance a building with a pediment, evidently the new Knightsbridge Barracks (see 'Gent. Mag.', July 1797, p. 545, pl.)."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., Text following title: Vide Hyde Park., and Title etched below image.
Publisher:
H. Humprey, 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Benfield, Paul,--approximately 1740-1810--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A burlesque of the discovery by Cymon of Iphigenia asleep. A fat country-woman, whose dark skin and coarse features give her a negroid appearance, leans against a sandy bank. A hideous yokel, advancing from the right, stoops towards her, dropping his stick and gaping with delighted surprise."--British Museum online catalogue.
Alternative Title:
Cymon and Iphigenia
Description:
Garrick's 'Cymon and Iphigenia', 1767, adapted from Dryden's version of Boccaccio's tale, made the story familiar and popular. It was the subject of a picture by Reynolds., Thomas Adams is one of the pseudonyms used by Gillray., and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Lord Kenyon (left), in wig and robes, flogs with great vigour the scarred back of Lady Buckinghamshire, whose wrists are tied to the back of a cart. He has a scourge in the right hand, a birch-rod in the left; from his pocket issues a paper: 'Laws against Gambling'. His head is in back view. His fat victim wears a feathered turban and fashionably dressed hair; her profile and gestures indicate shrieking protest. The horse plods (left to right) away from the spectator. On a pitchfork lashed to the cart is a placard: 'Faro's Daughter's Beware'. Behind is a crowd, divided between those (right) who watch the cart, grinning, in front of whom stands a constable with his staff, and those in back view who surround a pillory in which stand two ladies, closely confined, under a rain of missiles flung by the mob. Both wear feathers in their hair, one (left) has a profile somewhat resembling that of Lady Archer, but is perhaps Lady Elizabeth Luttrell; the other is probably Mrs. Concannon."--British Museum online catalogue.
Description:
Title etched at bottom of image.
Publisher:
H. Humphrey, New Bond Street & St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckinghamshire, Albinia Hobart,--Countess of,--1738-1816--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Kenyon, Lloyd Kenyon,--Baron,--1732-1802--Caricatures and cartoons.
"The three Bow Street Justices sit at a rectangular table (left); Addington in the chair, the scales of Justice, evenly balanced, above his head; on his right and on the extreme left, Bond(?) is writing: 'Wright. W. against [?]...'. The third sits resting his chin on his hands, which are supported on the head of his cane; he gazes fixedly at the culprit. 'Lying-Jack' stands in a rectangular pen formed of posts and rails immediately in front of the justices, his elbows resting on the rail, his hands clasped, his knees bent, tears falling. He says: "Oh! God dang it, - your Worship, do take bail, your Honor tw'ant my fault please your Majesty, that I com'd the Black-guard over him: - God dang it, didn't he say that his thing was printed before mine? & that all my things were only Copies & piracies? - God dang it, your Worship, Ax Almon ye Bookseller if I was a Blackguard all the while I was a Porter! - or ax ye people where I & Wife kept a small-coal Cellar in Leather Lane if I'm a Blackguard! - God dang it, was I act like a Blackguard when I let that Cooper the Printer, pull me by the Nose, only for saying he was a Liar? - god dang it, your honor, was it like a Blackguard when I offer'd to beg Ridgeway's pardon, after he had kick'd my own Arse in my own Shop? - but I sees how the Booksellers all hates me! & wants to ruin me! - & says I lives by only Copying other peoples works your Worship! - 'tho' I only 'bridges 'em! - yes your Worship, they all hates me; & respires against me: & calls me Lying-Jack, your honor, - & Filching Jack the Plagurist! - & Stock'ee Jack the Informer! your honor - ah Gad dang it! Gad dang it, - they'll be my ruin your Honor! Gad dang it Gott damn. . . .[The last words dwindle into illegibility]" From his pocket hangs a paper: 'Speech of the Lord Chanr of Ireland'. Beside him, outside the dock, is a large bundle of books tied together, the wrapper inscribed 'Ways & Means'; these are: 'Sandford & Merton', 'G Nicol... Abridgd Embassy to China', 'D. Cox, Piracy', 'Harpers Pamphlet', 'Philanthropic Society'. Against the bundle lies a porter's knot (a pad for the shoulders attached to a ring which goes over the head) inscribed: 'Lying-Jack his Knot'. With this are the implements of a blacksmith : hammer, pliers, and horse-shoe. On the wall behind him are three bills: 'Lying Jack the Thief Taker'; 'Perjury'; 'Injuntion [sic] of the Court of Chancery agains Lying Jacks copy', and a map: 'Original Map of the Island of St Domingo by W. Faden. Charing Cross.'"--British Museum online catalogue, description of the print of which this drawing is a copy.
Alternative Title:
Lying Jack the blacksmith at confession and Lying Jack the bookseller at confession
Description:
Copy of a print by Gillray published 13 March 1798. Cf. No. 9186 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Date of publication based on that of the print of which this is a copy., 'Imprint statement' written in pencil below lower left margin of image: Pubd. March 13, 1798, by Lying Jack., Note written in pencil following 'imprint statement': Price 6 d., for the benefit of the Philanthropic Society., One line of text written in pencil below title: Scene: Bow Street, with Lying Jack answering a charge of abuse & blackguardism., and Title from note in pencil below image, in artist's hand; word "bookseller" is crossed out and "blacksmith" is written above, inserted with a caret.
Subject (Name):
Addington, William,--Sir,---1811--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Bond, Nicholas,---1807--Caricatures and cartoons., Gillray, James, 1756-1815, artist. http://id.loc.gov/authorities/names/n50033402, Harvey, Francis--Ownership., and Stockdale, John,--1749?-1814--Caricatures and cartoons.
"The three Bow Street Justices sit at a rectangular table (left); Addington in the chair, the scales of Justice, evenly balanced, above his head; on his right and on the extreme left, Bond(?) is writing: 'Wright. W. against [?]...'. The third sits resting his chin on his hands, which are supported on the head of his cane; he gazes fixedly at the culprit. 'Lying-Jack' stands in a rectangular pen formed of posts and rails immediately in front of the justices, his elbows resting on the rail, his hands clasped, his knees bent, tears falling. He says: "Oh! God dang it, - your Worship, do take bail, your Honor tw'ant my fault please your Majesty, that I com'd the Black-guard over him: - God dang it, didn't he say that his thing was printed before mine? & that all my things were only Copies & piracies? - God dang it, your Worship, Ax Almon ye Bookseller if I was a Blackguard all the while I was a Porter! - or ax ye people where I & Wife kept a small-coal Cellar in Leather Lane if I'm a Blackguard! - God dang it, was I act like a Blackguard when I let that Cooper the Printer, pull me by the Nose, only for saying he was a Liar? - god dang it, your honor, was it like a Blackguard when I offer'd to beg Ridgeway's pardon, after he had kick'd my own Arse in my own Shop? - but I sees how the Booksellers all hates me! & wants to ruin me! - & says I lives by only Copying other peoples works your Worship! - 'tho' I only 'bridges 'em! - yes your Worship, they all hates me; & respires against me: & calls me Lying-Jack, your honor, - & Filching Jack the Plagurist! - & Stock'ee Jack the Informer! your honor - ah Gad dang it! Gad dang it, - they'll be my ruin your Honor! Gad dang it Gott damn. . . .[The last words dwindle into illegibility]" From his pocket hangs a paper: 'Speech of the Lord Chanr of Ireland'. Beside him, outside the dock, is a large bundle of books tied together, the wrapper inscribed 'Ways & Means'; these are: 'Sandford & Merton', 'G Nicol... Abridgd Embassy to China', 'D. Cox, Piracy', 'Harpers Pamphlet', 'Philanthropic Society'. Against the bundle lies a porter's knot (a pad for the shoulders attached to a ring which goes over the head) inscribed: 'Lying-Jack his Knot'. With this are the implements of a blacksmith : hammer, pliers, and horse-shoe. On the wall behind him are three bills: 'Lying Jack the Thief Taker'; 'Perjury'; 'Injuntion [sic] of the Court of Chancery agains Lying Jacks copy', and a map: 'Original Map of the Island of St Domingo by W. Faden. Charing Cross.'"--British Museum online catalogue.
Alternative Title:
Lying Jack the blacksmith at confession and Lying Jack the bookseller at confession
Description:
One line of text below title: Scene: Bow Street, with Lying Jack answering a charge of abuse & blackguardism., Printmaker from British Museum catalogue., Text following imprint: Price 6 d., for the benefit of the Philanthropic Society., and Title etched below image; the word "bookseller" is scored through and the word "blacksmith" is etched above, inserted with a caret.
Publisher:
Lying Jack
Subject (Name):
Addington, William,--Sir,---1811--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Bond, Nicholas,---1807--Caricatures and cartoons., Harvey, Francis--Ownership., and Stockdale, John,--1749?-1814--Caricatures and cartoons.
"On a small plateau on the top of a mountain the Princess of Wales (left) reaches up to kiss the Prince of Wales (right), who has the body, horns, and beard of a fat goat. He kneels on one knee, his forelegs round her waist; her arms are round his neck. A star and ribbon are indicated on his body. She wears her coronet with three tall feathers, and her draperies swirl about her. In the middle distance are two rocky pinnacles; on one (left) three men dance hand in hand: Loughborough in back view wearing his Chancellor's wig and gown, the Duke of York wearing a cocked hat and his star, and Lord Cholmondeley. From the other, Lady Jersey (with the arms and legs of a goat) staggers backwards, she has horns, and three feathers fall from her head. Lord Jersey, with the body of a goat and long horns, is about to fall. They are being hurled from the rock by thunderbolts inscribed with the words 'What? - What? - What?' (the King's well-known phrase) which issue from heavy clouds, showing that it is the King who has overthrown them. Behind them is the sea with a small island flying a flag inscribed 'Jersey'."--British Museum online catalogue.
Alternative Title:
Shon-ap-Morgan's reconcilement to the fairy princess
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Caroline,--Queen, consort of George IV, King of Great Britain,--1768-1821--Caricatures and cartoons., Cholmondeley, George James Cholmondeley,--Marquess of,--1749-1827, Frederick Augustus,--Duke of York and Albany,--1763-1827--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Jersey, Frances Villiers,--Countess of,--1753-1821--Caricatures and cartoons., Jersey, George Bussey Villiers,--Earl of,--1735-1805--Caricatures and cartoons., and Rosslyn, Alexander Wedderburn,--Earl of,--1733-1805--Caricatures and cartoons.
"Lady Buckinghamshire (left) and Lady Archer (right) stand side by side in the pillory, heads and hands closely confined, their heads in profile to the right, weeping angrily. Both wear tall feathers in their hair and large pendent ear-rings. Lady Buckinghamshire is forced to stand painfully on tip-toe, a short petticoat exposes her fat legs. On the front of the platform is a placard: 'Cure for Gambling Publish'd by Lord Kenyon in the Court of Kings Bench on May 9th 1796'. This is raised above the (freely sketched) heads of the crowd, with grinning upturned faces in the foreground. Eggs, a cat, &c. fly through the air; the pillory and the dresses of the victims are bespattered. On the right is a house with spectators in the windows."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Archer, Sarah West,--Lady,--1741-1801--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Buckinghamshire, Albinia Hobart,--Countess of,--1738-1816--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A scene in Lady Jersey's bedroom. Lady Jersey as an old hag (cf. BMSat 8806) lies in a magnificent bed. Lord Jersey, carrying the Prince of Wales on his back, supports himself by resting his hands on the foot of the bed. The Prince, very fat in his famous Light Horse uniform (see BMSat 8800), wearing helmet, gloves, and spurred boots, and the Garter ribbon, holds Jersey's scraggy queue in the manner of a rein; he holds up two fingers, saying (as in BMSats 8809, 8816), "Buck! Buck! - how many Horns do I hold up?" Jersey, who is very thin, leers towards the Prince out of the corners of his eyes, saying, "E'en as many as you please!" Both are in profile to the right; the Prince's eyes are hidden by the brim of his helmet as in BMSat 8816. The Princess's coronet, with its triple plume, is conspicuous on a circular close-stool (left) which is decorated with a large 'J' and earl's coronet. On the wall above it, in an ornate oval frame, is a picture of Cupid piping to an old sow who dances on her hind-legs. The fringed pelmet of the bed is decorated with earl's coronets from which spring horns."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Jersey, Frances Villiers,--Countess of,--1753-1821--Caricatures and cartoons., and Jersey, George Bussey Villiers,--Earl of,--1735-1805--Caricatures and cartoons.
"A later state with the same inscriptions. The contour of the Prince is altered: he is very obese, his head bulges slightly at the back, and his legs are thicker. The position of his right hand is altered."--British Museum online catalogue and "A whole length portrait of the corpulent Prince Frederick William Charles of Wurtemberg, standing 'chapeau-bras' in profile to the right, wearing a ribbon; his right hand on his waistcoat, his left on the hilt of his sword. He has a very heavy double chin, thick lips, staring eye, high narrow head, and an expression of good-natured surprise."--British Museum online catalogue, description of an earlier state of similar composition.
Alternative Title:
Sketch'd at Wirtemberg
Description:
Later state, with changes to the plate. Cf. No. 8827 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Printmaker from British Museum catalogue., and Title etched at top of image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Frederick--I,--King of Württemberg,--1754-1816--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"George Hanger rides in profile to the left on a pony with a heavy body and short legs; his right foot thrust forward, the end of his bludgeon resting on the right toe. He wears a round hat tilted over the right eye, a striped neck-cloth, and prominent shirt-frill. Behind is the corner of (lower) 'Grosvenor Street', showing the door and a window of the famous coffee-house, 'The Mount', the name inscribed over the door."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Hanger, George,--1751?-1824--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Two officers on high stools face each other at the counter of a fruit-shop and confectioner's. One (right), tall, lank, and elderly (identified as Captain Birch, see BMSat 9037), devours a jelly; empty jelly-glasses strew the counter beside him. The other, a mere child, his legs dangling, eats from a large cornet of 'Sugar-plumbs'. A buxom woman behind the counter brings a tray of jellies in glasses. In the doorway (right) a third officer, extremely fat and grotesquely knock-kneed, stands with his hands clasped behind him watching a coroneted coach driving past with two footmen in feathered hats standing behind. The officers wear large plumed cocked hats, spurred jack-boots, and sabres. Each pane of the large shop window (left) is decoratively filled with fruit, jars, jelly-glasses, &c. A pottle of strawberries and a partly peeled orange lie on the floor."--British Museum online catalogue.
Alternative Title:
Guard Day at St. James's
Description:
Title etched below image.
Publisher:
H. Humprey, St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Bond Street, the pavement receding diagonally from left to right, is thronged with fashionable pedestrians. In the foreground five fashionably dressed men advance, forming a phalanx which pushes on to the cobbled roadway a lady, dressed rather for the ball-room than the street, to whose arm clings a little girl; both are in back view. The men smile or leer. The lady's neck diminishes to a point, tresses of hair hang from her turban (cf. BMSat 8755), which is trimmed by a gigantic erect feather. Her over-dress hangs from her shoulders and swells into folds which sweep the ground. She holds a fan. (Small copy in Grego.) Behind (right) three ladies walk arm-in-arm in the roadway: a fat woman in a riding-habit, looking through an opera-glass, and two younger women, one with her face covered by a transparent veil reaching nearly to the (knees, the other looking demurely down. Among the crowd in the background a man arm-in-arm with a military officer in back view (? Lord Moira) resembles Fox."--British Museum online catalogue.
Alternative Title:
Politesse du grande monde
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
Subject (Topic):
Clothing & dress--England--1790-1800., Crowds., Etiquette., Show windows., and Window displays.
"The Prince of Wales, on horseback, figures as a life-like equestrian statue (of the future George IV) mounted on a pedestal of three rectangular blocks, diminishing in size. On the middle block: 'PATER URBIUM subscribi Statuis." Juvel'. The Prince, in regimentals, very fat, sits in profile to the left, holding a drawn sabre. He holds the left curb rein, the snaffle lying on the animal's neck. The toe of his spurred boot is in the stirrup. He wears a feathered cocked hat, a star on his breast and on his hat, a broad sash round his ample waist. A large holster hangs from the saddle beneath which is a leopard-skin with a 'GR' and crown on each corner. The horse's near foreleg and off hind leg are raised. Beneath the design: '"------"I saw him with his Beaver on "His Cuisses on his Thighs gallantly arm'ed "Rise from the ground like feather 'd Mercury "And vaulted with such ease into his seat "As if an Angel dropt down from the Clouds, "To turn & wind a fiery Pegasus "And witch the world with noble Horsemanship - Kg Henry 4th'."--British Museum online catalogue.
Alternative Title:
Pater urbium subscribi statuis
Description:
Thomas Adams is one of the pseudonyms used by Gillray. and Title etched at top of image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Captain Morris (left) sits in profile to the right, singing from a broadside which he holds out in his left hand: 'A new Song to the Tune of the Plenipoy'. In his right hand is a full glass. He wears a round hat and fashionable half-boots; his coat, breeches, and stockings are tattered. From his pocket projects a pamphlet: 'Captain Morris's Songs by Subscription' (cf. BMSat 9240). Fox and Sheridan sit on opposite sides of a small round table, on which is a decanter of 'Brandy'. Sheridan, left, with Bardolph's fiery face, cf. BMSat 7528, &c, holds his glass and looks delightedly at Morris, as does Fox (as Falstaff), who says: "Come sing me a Boosey-Song, [A misquotation from 'I Henry IV', III. iii, where Falstaff says, "Come, sing me a bawdy song; make me merry."] to make me merry". Part of the face of a fourth man appears on the right."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
H. Humprey, St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Morris, Charles,--1745-1838--Caricatures and cartoons., and Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons.
"A handsome mulatto woman walks from left to right and slightly towards the spectator. Her hair is a mop of carefully arranged curls. She wears a high-waisted, trailing dress, defining her limbs, with a shoulder-scarf, bare arms and neck, and much quasi-barbaric jewellery. On the wall (right) half of a picture of 'Havanna' is visible. A patterned carpet completes the design."--British Museum online catalogue.
Alternative Title:
Doublure de Madame Tallien
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"The Duke of Clarence drags his three children (left to right) in a go-cart. His waistcoat is open, a handkerchief under his hat drapes his head, perspiration pours from his forehead. The boy, an infant replica of his father, holds a pair of reins which are attached to the duke's pocket, and flourishes a whip. Beside him are a little girl hugging a dog, which hides her face except for the eyes, and a crying infant whose features, though infantine, are those of her father. The crest on the cart is a chamber-pot (cf. BMSat 7835, &c.) surmounted by a crown. From the duke's pockets project a toy battleship, a coral and bells, a toy windmill, and a doll. Mrs. Jordan, in a dress of masculine cut, walks beside the cart, intent on the part which she is studying from an open book ('The Spoil'd Child', see BMSat 7835): 'Act IIId enter Little Pickle'. A signpost (right) points (left) 'From Richmond', (right) 'To Bushy'. A sandy bank with trees forms a background."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street & St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Jordan, Dorothy,--1761-1816--Caricatures and cartoons., Munster, George Augustus Frederick FitzClarence,--Earl of,--1794-1842--Caricatures and cartoons., and William--IV,--King of Great Britain,--1765-1837--Caricatures and cartoons.
Subject (Topic):
Reading., Strollers (Baby carriages). , and Walking.
"A lady, young and handsome, stands in profile to the left holding a closed fan in both hands. She wears one garment only, a quasi-classical tunic, its waist immediately below the breasts which are almost bare. It is slit at the side to show a leg with gartered stocking. Her hair is bound with a ribbon and falls loosely on forehead and shoulders. In it are three ostrich feathers. A panelled wall, with a candle-sconce and showing part of a large mirror (left), forms a background. There is a patterned carpet. Perhaps a portrait of Lady C. Campbell."--British Museum online catalogue.
Description:
Printmaker identified as Gillray in the British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bury, Charlotte Campbell,--Lady,--1775-1861--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A fashionable crowd, with two card-tables, a round table in the foreground (left) at which four persons play Pope-Joan; the most conspicuous is a pretty young woman directed to the left, her loose semi-transparent draperies revealing her person and leaving her breasts almost uncovered. A leering man stands behind her chair, negligently holding candle-snuffers to a candle on the table, in order to peer down her décolletage. A stout lady in back view, sitting on a stool (identified as Lady Buckinghamshire, but (?) Duchess of Gordon), a little girl, and an elderly man (identified as Dr. Sneyd) complete the table. On the right is another card-table at which three persons are playing. Standing figures freely sketched form a background, the whole design being dominated by the erect feathers of the ladies, usually springing from a turban."--British Museum online catalogue.
Alternative Title:
Peeping-Tom spying out Pope-Joan
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bedford, Georgina Gordon,--Duchess of,--1781-1853--Caricatures and cartoons., Buckinghamshire, Albinia Hobart,--Countess of,--1738-1816--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"The Prince of Würtemberg (right) bends forward, kissing the Princess Royal on the right cheek. Her figure is matronly, his is corpulent. He wears two ribbons, many stars on his coat, while the jewels of orders dangle from his button-holes (cf. BMSat 9007)."--British Museum online catalogue.
Description:
Three lines of quoted verse below title: "Heav'n grant their happiness complete, and may they make both ends to meet, in these hard times. and Title etched below image.
Publisher:
H. Humphrey, New Bond Street & St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Charlotte,--Queen, Consort of Frederick I, King of Württemberg,--1766-1828--Caricatures and cartoons., Frederick--I,--King of Württemberg,--1754-1816--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Fifteen officers sit round a roughly made table on which are decanters and fruit. A stout officer (? Captain Dottin [Identification on print. Abel Rous Dottin was captain in the and Life Guards. 'Army List', 1797.]) right, in an arm-chair, gives the toast 'The King', all raise their glasses with varying expressions. The Duke of York, spilling his wine, looks tipsily towards Dottin. Only one man stands, straddling across the seat of his chair, a decanter of 'Tokay' in his left hand. Captain Birch, [James Birch was lieutenant in the First Life Guards, Thomas Birch a captain in the Sixteenth Light Dragoons. Ibid., 1797.] caricatured as in BMSat 9068, sits on the Duke's left. The officer on the extreme left, looking down slyly, resembles General Davies, see BMSat 9442. Next him, a very fat officer is smoking a pipe, a paper of tobacco on the table in front of him, a bottle of 'Gin' under his chair. The third profile from the left resembles that of Prince William of Gloucester. Wright and Evans add Col. Jekyl: the profile on the extreme right has a family likeness to that of Joseph Jekyll, none resembles the Col. Jekyll of BMSat 7330. All wear cocked hats. The decanters or bottles on the table are labelled 'Champa[gne]', 'Claret', 'Burgundy'. Under the table are more bottles, and empty bottles lie on the ground, with broken glasses, a pineapple, and an orange. The floor is boarded and the table roughly made, but the chairs are ornate and decorated with ormolu."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
H. Humprey, 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Davies, Thomas,--approximately 1737-1812--Caricatures and cartoons., Frederick Augustus,--Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and William Frederick,--Duke of Gloucester,--1776-1834--Caricatures and cartoons.
"Didelot dances on the stage between two women, both very lightly clad in quasi-classical costume, and wearing 'cothurnes'. He wears a feathered hat, tunic, and cloak, and looks towards Mme Parisot (right); she strikes an attitude with right leg raised and arms extended, and looks alluringly towards him, her right breast bare. Mme Rose (left), his wife, dances with more restraint, her sharp-featured profile turned austerely towards her husband. All wave their arms above their heads, and their attitudes are in fact graceful (though caricatured). Two plump 'danseuses' (left and right) whirl on one toe in the background. Behind Didelot is an irradiated sun, with features looking down disapprovingly at the dancer."--British Museum online catalogue.
Alternative Title:
Operatical finale to the ballet of Alonzo e Caro
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Didelot, Charles Louis,--1767-1837--Caricatures and cartoons., Didelot, Marie Rose Paul,---1803--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Ricciardi, Domenico. Alonzo e Cora.
"A sailor (right) and a fat, ugly, disreputable woman (left) dance with tipsy joviality. They face each other, each holding the other's left hand. He holds up a small covered jug (holding the publican's dram). Her feet appear through tattered shoes and stockings; one eye is closed. He wears a round hat, pigtail, short jacket, petticoat, and long striped stockings."--British Museum online catalogue.
Alternative Title:
My Poll and my partner Joe
Description:
Illustration to a popular song by Charles Dibdin: The waterman., Thomas Adams is one of the pseudonyms used by Gillray., and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Four designs on one plate. [1] 'English Convenience - the Water Closet'. A grossly obese alderman of repulsive appearance sits full-face, clasping his sides. He wears his gown and chain, one gouty leg is swathed in bandages. On the wall behind his head are two placards: 'Bill of Fare, - Turtle Soup Fish Poultry H . . .' and a broadside, 'Roast Beef of old England headed by a sirloin'. For the history of this English contribution to civilization see M. and H. B. Quennell, 'Hist. of Everyday Things in England 1733-1851', 1933. It derives from an invention of Sir John Harington, see P. Lindsay, 'One Dagger for Two', 1932, p. 178. [2] 'Scotch Convenience - the Bucket'. A woman seated in back view on a pair of tongs across a bucket in some sort of permanent shelter composed of ramshackle planks. On this are two papers: 'The Sweets of Edinbro' to the Tune of Tweedside' (cf. BMSat 5941) and 'Croudie a Scotch Reel'. In the foreground are pigs and poultry. [3] 'French Convenience - le Commodites'. A pretty young woman, full-face, in a latrine with three apertures. She crouches with one foot on the ground, one on the seat. On the wall are two papers: 'Caira nouvelle chanson' and 'Soupe Maigre petit Chanson.' [4] 'Dutch Convenience - the Lake'. A stout man (? or woman) in back view sits on a rail, smoking a pipe. In the foreground is shallow water with ducks. Behind and in close proximity are town houses with high crow-stepped gables."--British Museum online catalogue.
Description:
Dutch convenience: the lake., English convenience: the water closet --, French convenience: le commodites --, Scotch convenience: the bucket --, and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A design in an octagon enclosed within a square. Four headless women's figures, three-quarter length, emerge at right angles to each other from a centre surrounded by a wreath of cloud or smoke inscribed 'Thunder Lightning Wind Rain'. The neck of the figure rising vertically from the centre terminates in roses and is inscribed 'Gather your Rose-Buds while you may'. Projecting horizontally to the right is one terminating in bunches of grapes; another bunch below the waist is inscribed 'Nursery'. Facing downwards is a figure whose head is replaced by a smoking chimney-pot; she is 'Hot House'. The figure directed horizontally to the left terminates in primroses and is inscribed 'Two Bunches of Penny Primroses'."--British Museum online catalogue.
Alternative Title:
Nature displayed
Description:
Printmaker identified as Gillray in the British Museum catalogue. and Title from text in image.
Publisher:
H. Humprey, 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A travesty of a half length portrait of S. Ireland: ('Hamilton pinxt S = Ireland fect.'). In both Ireland wears the dress of a Rubens picture, cf. BMSat 7020, and looks over his right shoulder, holding up folds of drapery which hang from the left shoulder. The original is young and handsome, with well-dressed hair, tied and falling on his shoulder. [The B.M. impression is dated in a contemporary hand 'Octr 1785'. Listed in Bromley's 'Catalogue', p. 390.] Gillray follows closely the pose and dress of the original, but the head is that of an older man, with a sly smile; his short curling hair recedes from his forehead. In his hand is a book, 'Ireland Shakspe . . .' ..."--British Museum online catalogue.
Description:
Ten lines of text and verse below image: Inscription under a picture of the editor of Shakespeare's manuscripts, 1796, by the Revd. William Mason, author of Elfrida & Caractacus ..., Title etched above image., and Two lines of text, followed by two lines of verse, below title: Mr. Bromley, in his Catalogue, &c., p. 390, has erroneously put this portrait into his seventh class ...
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Ireland, Samuel,---1800--Caricatures and cartoons., and Ireland, Samuel,---1800--Portraits.
"Three opera dancers, holding a garland of roses, are dressed alike in short transparent petticoats partly covered by a shorter apron. The centre dancer holds out her left leg horizontally . Mme Rose [Parisot] is in back view, her sharp features in profile to the right. On each side of the stage is a column on the plinth of which stands a figure: (left) a satyr holding a mask; (right) a woman wearing a clumsy undergarment, in the attitude of the Venus dei Medici. In front of the stage are the musical instruments of the orchestra, including a violin on which is a cap perhaps intended for a bonnet-rouge. ..."--British Museum online catalogue.
Alternative Title:
Dance a l'eveque
Description:
Four lines of verse in two columns below image: 'Tis hard for such new fangled orthodox rules, that our opera-troop should be blam'd ..., Printmaker from British Museum catalogue., and Title etched below image, in lower left.
Publisher:
H. Humprey, St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Didelot, Marie Rose Paul,---1803--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"An officer stands in back view, with his elbows akimbo, holding a small cane. He is thin and knock-kneed, with stick-like legs, his feet splayed outwards. He wears a plumed cocked hat, a sash round his small waist, spurred boots, and a sabre."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humprey, 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and William Frederick,--Duke of Gloucester,--1776-1834--Caricatures and cartoons.
"Wilberforce and Bishop Horsley revel indecorously with two negresses. Wilberforce and a fat negress face each other sitting cross-legged on the bolsters at opposite ends of a settee; both smoke cheroots. The negress wears a large straw hat over her turban, her breasts are uncovered. On the ground by Wilberforce is a torn pamphlet: 'Tryal of. . . & . . . [names illegible] convicted of Perjury in the case of Captn Kimber'. On the right the fat bishop embraces a negress who is poised on his knee, holding up a wine-glass. Behind him and on the extreme right is a table on which are books: 'Rochesters Jests', 'Charity covereth a Multitude of Sins' (open), 'Humanity a Masque', 'Mathematick', 'Ghost of Clarence', and a paper: 'Defence of Orthodoxy, better late than never'. Both women wear loose patterned dresses. A little grinning black boy (left) brings in a tray of filled glasses. The room is well furnished with a patterned carpet. On the wall are four pictures and a candle-sconce. Above the door appears the lower part of a picture of a man seated on the ground: 'Captn Kimber in the Cells of Newgate'. Above Wilberforce's head is a picture, 'Inkle & Yarico': Inkle discovers Yarico, a negress, reclining under a palm tree in a mountainous landscape. (For Colman's opera, 1787, cf. BMSat 7260.) Above Horsley's head is a picture of a stage-coach driving right to left; a fat bishop (almost recognizable) looks out of the window to inspect the legs of an outside passenger which dangle from the roof. On the extreme right is a picture of 'Westminster Abbey'."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Horsley, Samuel,--1733-1806--Caricatures and cartoons., and Wilberforce, William,--1759-1833--Caricatures and cartoons.
"Three people sit at a round table playing push-pin. The Duke of Queensberry (right) leans on the table, pushing the pin. In his right hand is a double lorgnette over which he leers at his vis-à-vis, a very corpulent woman in a flowered dress who stares through spectacles at the pins. A younger woman, spinsterish and demure, watches the game with down-dropped eyes. Both wear hats. The chairs are decorated with ormolu, and on the back of Queensberry's is his crest (without the coronet): a heart between wings. The floor is carpeted."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
H. Humprey, 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Queensbury, William Douglas,--Duke of,--1724-1811--Caricatures and cartoons.
"The stout Prince of Orange, in profile to the left, shuffles along the pavement, holding the arm of his thin secretary, Nassalin. His eye is almost closed, his right hand, holding a stick, is thrust in his coat pocket. Both are plainly dressed, wearing powdered hair with small tails, and round hats with broad brims. Nassalin is hunchbacked."--British Museum online catalogue.
Alternative Title:
Pylades and Orestes
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street & St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and William--V,--Prince of Orange,--1748-1806--Caricatures and cartoons.
"A buxom girl pushes (left to right) her barrow of carrots along the pavement of Bond Street, looking over her right shoulder at Lord Sandwich ('Jemmy Twitcher'), who overtakes her and twitches her apron. He is in profile to the right, leering at her. Her elegant shoes and clocked stockings are inconsistent with her occupation. The background is a bookseller's shop at the corner of 'Little Maddox Street' (left) and 'New-Bond Street' (right), displaying the royal arms. Over the door, in Bond Street, is 'Faulder' and above the two windows, 'Bookseller & Book Binder'. Pamphlets or open books fill the panes of the windows: 'Rules of the Order of Sr Francis' [an allusion to Sir Francis Dashwood and the profligate order of Medmenham Abbey]; 'List of Servant Maids'; 'A Chip of the old Block'; 'Doe Hunting an Ode by an old Buck Hound'; 'The Beauties of Bond Street' (cf. BMSat 8377); 'A Journey through Life - from Maddox Street unto Conduit Street & back again'. The side of a third shop-window in Maddox Street appears on the extreme left. Cf. BMSat 7080."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Faulder, Robert,--1747 or 1748-1815., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Sandwich, John Montagu,--Earl of,--1718-1792--Caricatures and cartoons.
"Three grotesque and ill-matched soldiers charge rapidly and fiercely down the pavement. Their bayonets threaten three women who flee in terror, only legs, petticoats, and an upraised arm being visible on the extreme right. One soldier, very thin and ragged, wears a busby, the next, who is fat, wears a huge cocked hat with a damaged brim, the third, who is small, wears a peaked helmet with a spiky plume. The uniform coats with epaulettes are worn over frilled shirts and ragged breeches. Behind the three march others of the company, wearing busbies, and holding their muskets against their shoulders. In the background shop-windows are freely sketched."--British Museum online catalogue.
Alternative Title:
St. George's Volunteers charging the French after clearing the Ring in Hyde Park ...
Description:
Title etched below image; words 'the French' scored through and replaced with the words 'down Bond Street,' the latter being inserted above the line using a caret.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"George Hanger bestrides a pile of calves with which his pony is laden, high above his mount's head. He sits in profile to the left, carrying a bludgeon; his right leg thrust forward over the calves. The fore-feet and hind-feet of the calves are tied and lie across the pony and each other. Eleven heads are visible. Hanger says: "Here they are my Lord, here's the slunk Calves, by Gxx - no allusion, dxm'me! - almost forgot you was a North-Countrey-Man! - Runt carries weight well! - no less than Thirteen damme! - come push about the Bottle, & I'll tell you the Story; - In Scotland they eat no Veal, by Gxx! nothing but Staggering-Bobs, - by Gxx! - on my Honor & Soul I mean no insult! - but Tattersal he swore, d------n me, if he didn't, - that on a small Scotch Runt, he saw, Gxx dxxn my blood, - how many d'ye think he saw? - ( - "Saw what, Georgey? - ) - why Calves! - Staggering-Bobs to-be-sure! - why d'ye think he saw Seventeen? - no! - but dxxme, by Gxx, he saw Thirteen!!! - & all just upon such another little Cock-Horse as my own!!!' ..."--British Museum online catalogue.
Alternative Title:
Munchausen driving his calves to market
Description:
One line of text below title: This print is dedicated to Lord Exxxl [i.e., Errol], his party, & the frequenters of Steevens's in general., Printmaker from British Museum catalogue., and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Hanger, George,--1751?-1824--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A grotesque body of tradesmen, &c, march in close formation, with fixed bayonets. They wear military coats and crossed bandoliers with very unsoldierly foot-gear and appurtenances. Their leader (right) marches in profile to the right, a very short and fat butcher in over-sleeves wearing a feathered cocked hat above his butcher's cap, a military sash (from which hangs his steel) over an apron. He carries a banner on which St. George is killing the dragon. The front rank consists of (left to right): a cobbler wearing an apron, with the twisted shins known as cheese-cutters, and tattered stockings; a bricklayer, with thick gouty legs, a trowel thrust through his apron-string; an artist, his palette inscribed 'R.A', very thin and with a grotesquely thin neck; his toes project through a tattered boot of fashionable shape; a tailor with shears and tape-measure, a hairdresser with scissors and combs wearing a fashionable stock. On the left of this front rank a dwarfish drummer, an old campaigner with two wooden legs and one eye, beats his drum. Behind, the men recede in perspective, densely packed together."--British Museum online catalogue.
Description:
One line of quoted text following title: "The French invade us, hay? Damme, who'se afraid?" and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Hoppner, John,--1758-1810--Caricatures and cartoons., and Humphrey, Hannah, active 1774-1817, publisher.
"The Mameluke rides (right to left) an ill-drawn galloping horse, holding the rein in his teeth. In his right hand is a sabre, with the left he fires a pistol; at his back is a quiver of arrows. Another pistol is thrust through his sash, from which hangs a sheath holding a battle-axe. The horse is curiously flecked in a manner which resembles a leopard-skin under the saddle. The title continues: 'from a Sketch by a French Officer by whom he was taken Prisoner'. Cf. BMSat 9360."--British Museum online catalogue.
Description:
Formerly attributed to Gillray. See British Museum online catalogue. and Title etched below image.
Publisher:
H. Humprey, 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Gillray, James, 1756-1815, attributed name., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"The Archduke Charles of Austria, directing military operations, stands on a bluff in profile to the left, right arm extended, his left hand rests on his sword. He wears laced coat and waistcoat, with a star, and spurred jack-boots. He has a long pigtail queue; in his enormous cocked hat, one point of which hangs before his face, the other over his shoulders, is an olive-branch. In the background clouds of smoke rise from an invisible battle."--British Museum online catalogue.
Alternative Title:
Archduke
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Charles,--Archduke of Austria,--1771-1847--Portraits., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"The Duchess of Gordon runs in profile to the left, pursuing a bull which gallops away, out of reach. She holds out a ribbon inscribed 'Matrimony', tied in a bow, in which she wishes to noose the bull. She is stout, florid, and handsome, with tartan draperies hanging from her hair and looped about her dress. A slim daughter (Lady Georgiana) runs beside and behind her, saying, "Run, Mither! - run! run! O how I long to lead the sweet bonny Creature in a string! run! Mither! run. run." The Duchess cries: "De'el hurst your weam, ye overgrown Fool, what are ye kicking at? - are we not ganging to lead ye to Graze on the banks o' the Tweed, & to make ye free o' the Mountains o the North? - Stop! - stop! ye silly Loon ye! stop!, stop, stop." The scene is a bare and slightly mountainous moor. In the middle distance three other daughters of the Duchess dance hand in hand: one is in back view, half of her petticoats removed to show breeches, inscribed 'Manchester Velvet', indicating that she is Susan, who married the Duke of Manchester in 1793, and that she dominates her husband (cf. BMSat 8983). One (right) has a broom thrust through her sash to indicate that she is Louisa, m. Viscount Brome, 17 Apr. 1797. Beside the third (left) dances a spaniel attached to her waist by a ribbon inscribed 'K. Charles Breed', showing that she is Charlotte, who married Col. Lennox, see BMSat 7594 (afterwards Duke of Richmond). The Duchess was renowned for her match-making, in acquiring three dukes and a marquis for four of her five ill-dowered daughters. See Wraxall, 'Memoirs', 1884, iii. 391 ff.; 'Corr. of Lord G. Leveson Gower', 1917, i. 68, 73, 76. The pursuit of the Duke of Bedford was not at first successful, but Lady Georgiana was believed to have been engaged to him shortly before his death in 1803 (ibid. i. 336-7), after which she married, as his second wife, his brother and heir, the 6th Duke."--British Museum online catalogue.
Alternative Title:
Bonny duchess hunting the Bedfordshire bull
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street & St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bedford, Georgina Gordon,--Duchess of,--1781-1853--Caricatures and cartoons., Gordon, Jane Gordon,--Duchess of,--1748-1812--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Richmond and Lennox, Charlotte Gordon,--Duchess of,--1768-1842--Caricatures and cartoons.
"The Prince of Wales, very fat and pompous, in night-cap, dressing-gown, and slippers, walks in profile along a corridor leading from his own door (right), above which are his coronet and feathers, towards that of Lady Jersey, which is wide open and reveals its occupant holding apart the bed-curtains with a gap-toothed grin. Lord Jersey, dwarfish, shambling, and elderly, dressed in nightcap and night-shirt (on which is a 'J' with a coronet), stands by the door, holding a candle and pointing to the bed; he raises his night-cap deferentially to the Prince, who says, with contemptuous arrogance, 'va-t-en' (see BMSat 8809). The Prince walks on a fringed strip of carpet. On the open door behind Lord Jersey is 'A [torn] Map of the Road into the Harbour of Jer[sey]'; the islands of 'Guernsey, Alderney, Sark and [Je]rsey' are depicted, with a route leading to Jersey (cf. BMSat 8810)."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Jersey, Frances Villiers,--Countess of,--1753-1821--Caricatures and cartoons., and Jersey, George Bussey Villiers,--Earl of,--1735-1805--Caricatures and cartoons.
"The Princess of Wales (left), candle in hand, approaches the bed of the Prince, who wakes up, raising his hands in dismay. Lady Jersey (here, an attractive woman, cf. BMSat 8811) is asleep, her head on the Prince's shoulder, her arms round his neck. The distressed Princess wears a coronet and triple ostrich plume, her right arm is flung back. Behind her (left) is an open door through which is seen the baby princess in a cradle ornamented with the Prince's feathers, with which his bed is also decorated. On the twisting draperies of the bed is the star of the Garter. Above the Princess's head hangs a 'Map of the Road back to Brunswick'."--British Museum online catalogue.
Alternative Title:
Good cause for discontent, Good cause for separation, and Good cause for seperation
Description:
Printmaker from British Museum catalogue. and Title etched below image; the word "seperation" has been scored through and the word "discontent" inserted above it using a caret.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Caroline,--Queen, consort of George IV, King of Great Britain,--1768-1821--Caricatures and cartoons., Charlotte Augusta,--Princess of Great Britain,--1796-1817--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Jersey, Frances Villiers,--Countess of,--1753-1821--Caricatures and cartoons.
"The volunteer, full-face, stands at attention, holding a musket. He wears a grenadier's cap with the letters 'E.I.C' in place of 'G.R', and further decorated with a tea-pot. Round his shoulders is knotted a small flowered shawl. The fingers of his left hand are spread to display a large ring on the fourth finger. He wears gaiters drawn above the knee. He stands on a grassy mound; from the right margin projects the head of an elephant with raised trunk. In the background is a town with domes and spires, inscribed 'Golconda'. Two tiny figures carry a palanquin down a hill."--British Museum online catalogue.
Alternative Title:
Leadenhall Volunteer dressed in his shawl
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"An elaborate design. The Prince of Würtemberg, grotesquely corpulent, conducts his bride in the procession (right to left) towards the bridal chamber which is led by the King and Queen. George III, plainly dressed and wearing a hat, partly concealed by a pillar, hurries forward; in each hand is a candle-stick holding a guttering candle-end (cf. BMSat 8117). The Queen, covered with jewels and her face hidden by a poke-bonnet, carries a steaming bowl of 'Posset'. On the back of the Prince's coat are slung five ribbons from which dangle the jewels of orders; three garters encircle his leg; a star decorates the bag of his wig. The Princess gazes at him from behind her fan. Round her waist is the ribbon of an order, to which is attached a jewel containing a whole length miniature of her husband, which exaggerates his corpulence. Behind the Princess is a group of princes: the Prince of Wales, in regimentals, is fat and sulky. Prince William of Gloucester stands with splayed-out feet as in BMSat 8716. The Duke of Clarence (caricatured) puts a hand on the right arm of the Prince of Wales. Behind is the more handsome head of the Duke of York. These four heads are clever juxtapositions of variations on the family features. Behind them is the grotesque profile of the Stadholder with closed eyes. The sharp features of Lady Derby tower above the Stadholder. Next him is the Princess of Wales, not caricatured. Two princesses hold up their sister's train, and, behind, a sea of feathered headdresses recedes in perspective under a lighted chandelier. Salisbury (left), the Lord Chamberlain, standing stiffly in profile to the right, much caricatured, with wand and key as in BMSat 8649, holds open the door through which the King is about to pass. Pitt, on the outskirts of the procession, carries a sack inscribed '£80,000' (the amount of the Princess's dowry). On the wall is a large picture, inscribed 'Le Triomphe de l'Amour', of an elephant with a little cupid sitting on his neck blowing a trumpet."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
H. Humprey, 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Caroline,--Queen, consort of George IV, King of Great Britain,--1768-1821--Caricatures and cartoons., Charlotte,--consort of George III, King of Great Britain,--1744-1818--Caricatures and cartoons., Charlotte,--Queen, Consort of Frederick I, King of Württemberg,--1766-1828--Caricatures and cartoons., Derby, Elizabeth Farren Stanley,--Countess of,--1759 or 62-1829--Caricatures and cartoons., Frederick Augustus,--Duke of York and Albany,--1763-1827--Caricatures and cartoons., Frederick--I,--King of Württemberg,--1754-1816--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Pitt, William,--1759-1806--Caricatures and cartoons., Salisbury, James Cecil,--Marquess of,--1748-1823--Caricatures and cartoons., William Frederick,--Duke of Gloucester,--1776-1834--Caricatures and cartoons., William--IV,--King of Great Britain,--1765-1837--Caricatures and cartoons., and William--V,--Prince of Orange,--1748-1806--Caricatures and cartoons.
"A stout naval officer (right) is attacked by a taller and slimmer officer (left), who siezes him by the coat and raises his cane to strike. A civilian stands between them holding back the aggressor. The stout officer, Captain Vancouver, wears an enormous sword; a fur mantle hangs from his shoulders inscribed 'This Present from the King of Owyhee to George IIId forgot to be delivered'. From his coat-pocket hangs a scroll which rests on the ground, part being still rolled up: 'List of those disgraced during the Voyage - put under Arrest all the Ships Crew - Put into Irons, every Gentleman on Board - Broke every Man of Honor & Spirit - Promoted Spies - ' His left foot is on an open book: 'Every Officer is the Guardian of his own Honor. Lord Grenvills Letter'. From the pocket of the civilian (Vancouver's brother) projects a paper: 'Chas Rearcovers Letter to be publish'd after the Parties are bound to keep ye Peace.' Vancouver's assailant, Lord Camelford, says: "Give me Satisfaction, Rascal! - draw your Sword, Coward! what you won't? - why then take that Lubber! - & that! & that! & that! & that! & that! & - Vancouver, staggering back, with arms outstretched, shouts: Murder! - Murder! - Watch! - Constable! - keep him off Brother! - while I run to my Lord-Chancellor for Protection! Murder! Murder! Murder". Behind him, on the ground, lies a pile of shackles inscribed 'For the Navy'. Two very juvenile sailor-boys stand together (left) watching with delight. On Vancouver's right is the lower part of a shop (right) showing a door and window in which skins are suspended. Round the door are inscriptions: 'The South-Sea-Fur-warehouse from China. Fine Black Otter Skins. No Contraband Goods sold here.'"--British Museum online catalogue.
Alternative Title:
Caneing in Condiut Street, Caneing in Conduit Street, and Caning in Conduit Street
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Pitt, Thomas,--Baron Camelford,--1775-1804--Caricatures and cartoons., and Vancouver, George,--1757-1798--Caricatures and cartoons.
"George III walks in back view with an awkward shuffle, his head turned in profile to the left to greet a tall general who bows. On the right another officer waits, hat in hand, for recognition. They are Lord Cathcart (1755-1843), then major-general, see BMSat 9564, and General David Dundas (under whom Cathcart had served in Holland in 1794-5), see BMSat 9026. Above the King's head is a scroll: 'Medio tutissimus ibis'. A semicircle of loyal and provincial subjects, chiefly ladies, stretches across the design, facing the King. In the foreground on the extreme left and right are an officer in back view and a (caricatured) elderly man in top-boots."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Cathcart, William Schaw Cathcart,--Earl,--1755-1843--Caricatures and cartoons., Dundas, David,--Sir,--1735-1820--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
A fashionably dressed woman sits (left) in profile, in an upright chair, while a carriage waits for her as seen through the window of the well-appointed sitting room. Her loose dress, high to the neck, has two embroidered slits to reveal the breasts. A pretty, buxom nurse holds out an infant, who eagerly sucks the breast thus conveniently laid bare. She wears a turban with two erect feathers, and short sleeves; her gloved right hand holds a closed fan. On the wall behind her is a large picture, 'Maternal Love': a seated woman suckles an infant. Through a high sash-window is seen a corner of the waiting coach, a footman holding open the door, a fat coachman on the box. The coach, hammer-cloth, and the lady's chair are decorated with a baron's coronet. A patterned carpet covers the floor.
Alternative Title:
Convenience of modern dress
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Nelson stands directed slightly to the left, wearing a peer's robe over his uniform and the jewel and star of the Bath. In his cocked hat is the diamond aigrette (chelengk, or plume of triumph) presented to him by the Sultan, and now in the Maritime Museum, Greenwich. His left hand rests on the hilt of a cutlass, 'L'Epee de l'Amiral de la Grande Nation'. He stands on a boarded floor (or deck) with a background of clouds. In a vignette beneath the design is an adaptation of the augmentation of arms granted to him in November when he was created Baron Nelson of the Nile and Burnham-Thorpe with a pension of £2,000 a year. The supporters (granted after St. Vincent) are: dexter, a sailor (unarmed instead of armed) holding up a palm (added 1798), and sinister, a lion also holding up a palm (added 1798) and with a tricolour flag in its teeth. Both are burlesqued. Below the (correct) disabled ship, palm-tree, and ruinous battery, Gillray has added, in place of the correct arms, a full purse with a scroll: '£2000 pr Ann'. The motto ('Palmam qui meruit ferat') and crest, a naval crown with the chelengk, are correct."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Nelson, Horatio Nelson,--Viscount,--1758-1805--Portraits.
"Sir John Jervis sits in profile to the right at a table; his left hand clutches a pile of guineas, his right fist is raised to emphasize his words which are etched below the title: 'Phaedrus: - "The first Share is mine, because, I bore my part in killing the Prey; - the Second falls to my Lot, because I am King of the Beasts; - & if any one presumes to touch the Third!!!' The table is inscribed 'Unclaimed Dividends'; on it is a book: 'Hints on St Eustatia Prize Money'. On the carpeted floor lie torn papers: [1] 'Petition of Widow of ... . praying for payment of her Husbands dividend.' [2] 'Humble Petition of John lost a Leg in the Battle ...' [3] 'Starving for want of Just dividend,' [4] 'Petition of Major. . . who lost is [?] Beauty', and others which are illegible. On the wall which forms a background is an oval picture of 'Thieves dividing the Spoil', in the centre of four oblong prints: [1] Two bodies hanging from a gallows inscribed 'Peculation \ Tyburn'; [2] a map of 'St Vincents'; [3] 'Loaves & Fishes'; [4] a map of 'Martinico' showing 'Fort Bourbon'. Jervis wears admiral's uniform with a cocked hat and jack-boots."--British Museum online catalogue.
Description:
Printmaker identified as Gillray in the British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and St. Vincent, John Jervis,--Viscount,--1735-1823--Caricatures and cartoons.
"The fat and florid Lady Buckinghamshire, seated at the head of her faro-table, throws up her arms in dismay, turning towards her husband, who enters through a door (left), saying, "The Bank's stole! - we're ruin'd my Lady! - but I'll run to Bow Street & fix the Saddle upon the right horse, my Lady!" She exclaims: "The Bank stole, my Lord? - why I secur'd it in the Housekeepers-room myself! - this comes of admitting Jacobins into the house! - Ah! the Cheats! Seven Hundred gone smack; - without a single Cock of the Cards!" She fills the centre of the design, and is much larger than her husband. Her guests are crowded together on the right. A pretty young woman, Mrs. Concannon, seated on her left, clasps her hands, exclaiming, "Bank stole! - why I had a Gold snuffbox stole last night from my Table in Grafton Street." Lady Archer, on the extreme right, on the nearer side of the table, turns a corvine and angry profile towards Lord Buckinghamshire, saying, "Stole! - bless me why a Lady had her Pocket pick'd at my House last Monday." Opposite her sits Fox, wearing a hat and putting his hand over his mouth, saying, "Zounds! I hope they dont Smoke me." Sheridan looks over his shoulder, saying, "nor me". Behind Fox, Hanger stands in profile to the left, wearing a hat and holding his bludgeon; he says: "O! if they come to the Mount, if I don't tip them Shelalee" (see BMSat 8889). ... The door (left) resembles that of a strongroom, with two heavy locks and three bolts."--British Museum online catalogue.
Alternative Title:
Rook's pigeon'd and Rook's pigeoned
Description:
Literature: Quotation from Nathaniel Lee's The Rival Queens, iv. ii., One line of quoted text following title: "When Greek meets Greek, then comes the tug of war!", Sheet trimmed within plate mark on bottom edge., and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Archer, Sarah West,--Lady,--1741-1801--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Buckinghamshire, Albinia Hobart,--Countess of,--1738-1816--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Hanger, George,--1751?-1824--Caricatures and cartoons., Harvey, Francis--Ownership., Hobart, Robert,--Earl of Buckinghamshire,--1760-1816--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., and Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons.
"Design in an oval. A travesty of the cameo known as the Marlborough Gem, now in the Museum of Fine Arts at Boston. The figures are light on a dark ground, as in the original. Miss Farren, tall, thin, with butterfly wings, her dress approximating to contemporary fashion, walks (left to right) on Lord Derby's left. He has the wings of Cupid, clipped, and is almost nude, with the fat limbs of a child together with a heavy paunch. He holds a dove, putting its beak to his lips. His scanty hair is in a small tail. Both are veiled. They are preceded by two winged boys, one with the torch of Hymen. A third follows, wearing a fool's cap simulating a cap of Liberty; he holds up an earl's coronet towards the bride, in place of the tray of fruit of the original."--British Museum online catalogue.
Alternative Title:
Marriage of Cupid and Psyche
Description:
A parody of Bartolozzi's engraving of the Marlborough Gem. and Title etched below image.
Publisher:
H. Humprey, 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bartolozzi, Francesco, 1727-1815, artist., Cupid--(Roman deity), Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Derby, Elizabeth Farren Stanley,--Countess of,--1759 or 62-1829--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Psyche--(Greek deity)
"A game of cards at a round table in which Lord Jersey (left) and Mrs. Fitzherbert (right) face each other in profile. Lady Jersey sits full-face, her head turned in profile towards her husband and lover: the Prince has left his place (indicated by a stool decorated with his feathers) as Lady Jersey's partner to stand behind Lord Jersey, his hands resting on his head, forefingers raised to form horns as in BMSats 8809, 8811. Lady Jersey has taken seven tricks; her husband has laid on the table before him the ace and three court cards. All the players raise their hands in surprise. The Prince wears his Light Horse uniform (cf. BMSat 8800), his eyes being concealed by his helmet as in BMSat 8811. Lady Jersey wears three tall feathers in her hair, a locket inscribed 'J' hangs from her neck. The fatness of the Prince and Mrs. Fitzherbert contrasts with the leanness of the other two. A candle-sconce is on the wall."--British Museum online catalogue.
Alternative Title:
Nunkee gaining the honors
Description:
Thomas Humphrey is one of the pseudonyms used by Gillray. See British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fitzherbert, Maria Anne,--1756-1837--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Jersey, Frances Villiers,--Countess of,--1753-1821--Caricatures and cartoons., and Jersey, George Bussey Villiers,--Earl of,--1735-1805--Caricatures and cartoons.
"William V of Orange, a naked fat Cupid, lies on his back asleep on a low plateau of grass sprinkled with flowers. He clasps a spade in his folded hands; his shoulders rest against two large money-bags, padlocked and inscribed '24,000,000 Ducats'. He has been planting orange-trees, and these surround him, of varying sizes, in pots and in tubs; the oranges are the heads of infants, all with his own features. Dream-figures float towards him on clouds, all women in an advanced state of pregnancy. Behind him (left) floats a milk-woman, her yoke across her shoulders, her pail on her head. Next advances, full-face, a fat Billingsgate woman, her basket of fish on her head. These two appear to be shouting at the sleeping Cupid. From the right approaches a housemaid carrying a mop; behind her three haymakers, holding rake or pitchfork, approach together, followed by serried ranks of country women all wearing straw hats."--British Museum online catalogue.
Alternative Title:
Dutch Cupid reposing after the fatigues of planting
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and William--V,--Prince of Orange,--1748-1806--Caricatures and cartoons.
"An officer (left) on a charger, evidently General Davies, see BMSat 9442, directed to the right, takes the salute from three officers who march (right to left) past him. The first, sabre in hand, point downwards, holds his left hand across the front of his high cocked hat. A young officer follows, carrying a standard of the Union flag with the White Horse of Hanover and a crown. The third marches with almost closed eyes and sword held point upwards. A crowd of amused spectators backed by a high wall forms a background."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
H. Humprey, 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Davies, Thomas,--approximately 1737-1812--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A face, wearing a plumed military hat, looks to the right out of a ferociously spurred military jack-boot which stands in profile to the left. The back of the head is concealed by the peak of the boot, which protects the wearer's knee. ..."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humprey, 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Watson, Robert,--1746-1838--Caricatures and cartoons.
"An elaborate composition, divided by the arc of a rainbow which supports a woman who stands at a large dark canvas daubing at a goblin-like bearded figure intended for Titian. She holds a palette and brushes, but her paints are mixed together in an earthenware pot like those used by house - or sign-painters (as in BMSat 7770); this stands on the rainbow at her feet; an ass with the wings of Pegasus kneels to drink greedily from it. His wings are covered with words: 'Review', 'Magazines', 'Advertis[er]', 'Squib', 'Herald', 'Times', 'True Briton', 'Puff' [repeated many times], 'World', 'Morning Chronicle', 'Evening Post', 'Star', 'Sham Abuse', 'Squibbs', 'Oracle', 'Courier'. Above the canvas, and at the apex of the design, is an eagle surrounded with flames, and the centre of rays which illuminate black clouds in the upper part of the print; in its claws is a scroll: 'Venetian. Manuscript'. The artist is poised on high-heeled shoes, her quilted petticoat is ragged, but from her waist hangs a vast train which drapes the rainbow and terminates in peacock's feathers. This is held up by three naked Graces. Along the rainbow is etched: 'redeunt Titianica regna, jam nova progenies coelo demittitur alto'. Part of a reflected rainbow issues from the painting on the canvas, with a fainter version of the inscription '. . . va pro[gen]ies . . . demittitur alto', letters being concealed by the hair of the artist and by a flamboyant winged figure seated on the rainbow; he blows his trumpet, from which issue the words: 'You little Stars, hide your diminish'd Head[s].' These words terminate in thick clouds from which five stars fall like meteors, leaving trails inscribed: 'Rubens', 'Correggio', 'Michael Angelo', 'Raphael', 'Parmegiano'. Beneath the rainbow is a paved floor. In the foreground (left) the head and shoulders of (the ghost of) Sir Joshua Reynolds emerge, pushing up one of the stones; he is draped in a shroud, but wears spectacles; in his right hand is his ear-trumpet, his left is raised admonishingly ..."--British Museum online catalogue.
Alternative Title:
Seven-wise-men consulting the new Venetian oracle
Description:
Text above image: Ah! ha! Ah! ha! Messrs. Van-Butchell! Ireland! Charles! Lane & Lackington! What are you now? ah! ha! ah! ha! ha! ha! ha!!! and Title etched below image.
Publisher:
H. Humprey, St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Boydell, John,--1719-1804--Caricatures and cartoons., Farington, Joseph,--1747-1821--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Opie, John,--1761-1807--Caricatures and cartoons., Reynolds, Joshua,--Sir,--1723-1792--Caricatures and cartoons., Titian,--approximately 1488-1576--Caricatures and cartoons., West, Benjamin,--1738-1820--Caricatures and cartoons., and Westall, Richard,--1765-1836--Caricatures and cartoons.
"A game at whist at a round card-table. 'Betty' (left) holds out, with a triumphant grin, the ace of spades with which she is about to take the seventh consecutive trick. Her mistress, Miss Humphrey, sits on her left. The two men are said to be Tholdal, a German, who turns his head in astonishment towards Betty, and Betty's partner, Mortimer, [Or, according to Wright and Evans, Mr. Jeffrey (presumably the enemy of Mrs. Fitzherbert) and Watson (presumably the print-seller), but in 'Scientific Researches' (23 May 1802) the former is identified by Wright as Tholdal, and in 'Connoisseurs . . .' (16 Nov. 1807) 'Watson' is identified by him as Mortimer.] a picture-dealer and restorer. A scene in Bond Street, shortly before the removal to St. James's Street. This print (reversed) appears in Humphrey's shop window in Gillray's 'Very Slippy-Weather', 1808."--British Museum online catalogue, description of an earlier state of similar composition.
Description:
Reissue, with design reworked and printmaker's signature altered. Cf. No. 8885 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7. and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Count Haslang sits alone in profile to the left at a small oblong table on which is a decanter. He holds a wineglass in his right hand; his left is slightly raised as if gesticulating, in response to some person (not depicted) at whom he looks sourly. He wears a star and ruffled shirt."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humprey, 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
Dutch Cupid reposing after the fatigues of planting
Description:
Reduced version of a print, also by Gillray, entitled: The orangerie, or, The Dutch Cupid reposing after the fatigues of planting. Cf. No. 8822 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7. and Title and date of publication based on those of larger version of print.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and William--V,--Prince of Orange,--1748-1806--Caricatures and cartoons.
