"General Manners walks in profile to the left, with knees flexed, bending forward, his hands clasped behind his back, a cane under his arm. He wears a round hat, small pigtail, and plain, old-fashioned dress."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humprey, St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Manners, Robert,--1758-1832--Caricatures and cartoons.
"A lady, ugly and elderly, sits at a piano in profile to the left, playing and singing. Her open music-book shows her 'Song: would you hurt a harm less maid maid I am young and sore afraid afraid'. Beside her in an arm-chair a fat man with short clumsy legs sits impassively. A patterned carpet completes the design."--British Museum online catalogue.
Alternative Title:
"Lullaby!" Soothe him with a lullaby!
Description:
Printmaker identified as Gillray in the British Museum catalogue. and Title etched below image.
Publisher:
H. Humprey, 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Blunt, E., artist., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"An opera-dancer, Mme Rose Didelot, is poised on her right toe, her head turned in (sharp-featured) profile to the left, holding up a long garland of roses. She wears a pseudo-classical costume, defining her person, the edge of the skirt bordered with roses, a wreath of roses in her hair which is almost short. The scenery is of trees with a landscape background."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Didelot, Marie Rose Paul,---1803--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Courtenay (right), as the chairman of a tavern club, sits at the head of an oblong table, in profile to the left, smoking. He says to George Hanger, who faces him at the foot of the table: "I say, Georgey how do Things look now?" The words issue from his mouth in a cloud of smoke. Hanger answers: "Ax my Grandmother's Muff, pray do!" He holds a pipe, his wine-glass is overturned. His bludgeon is thrust in his top-boot. On Hanger's right sits Fox, leaning back in his chair, registering extravagant amusement and saying "O charming! - charming!" Opposite Fox sits Sheridan, clasping a decanter of 'Brandy' in one hand, a glass in the other. He says, with a sly smile, "Excellent! - damme Georgey, Excellent." Next him, and on Courtenay's right, sits M. A. Taylor, flourishing his pipe and saying, "Bravo! the best Thing I ever heard said, damme." On the table are decanters of 'Mum' and of 'Champaig[n]'. Above Courtenay's head is a picture of a simian creature in a cap of Liberty, squatting on the ground and smoking a pipe. The frame is inscribed 'Juvenal'. The floor is carpeted, the chairs are ornate."--British Museum online catalogue.
Alternative Title:
Feast of reason and the flow of soul and Wits of the age setting the table in a roar
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Courtenay, John,--1738-1816--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Hanger, George,--1751?-1824--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., and Taylor, Michael Angelo,--1757-1834--Caricatures and cartoons.
"An elderly man, bent to deformity, thin and shambling, in profile to the left, follows two flamboyant prostitutes who walk arm-in-arm, looking behind them. He supports himself on a walking-stick; from his pocket protrudes a book: 'Modest Prints'. The women's dresses trail on the pavement, but one lifts her skirt to display her legs. The background is formed of the massive stones at the corner of a high building."--British Museum online catalogue.
Alternative Title:
Example for fathers
Description:
Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A lady (left) sits at a piano, in back view, playing and singing. Beside her is a man playing the cello. Both sing: "Beviamo tutti tie" [sic]. Two men sit side by side, in profile to the left, one playing the violin, the other the flute. A little girl lying on the floor tilts dangerously the chair of the violinist, who watches intently the couple at the piano. A loutish youth in top-boots (right) plays with a dog whose collar is inscribed 'Anne Jon'."--British Museum online catalogue.
Alternative Title:
Evenings entertainment in Sussex
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humprey, 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Augustus Frederick,--Prince, Duke of Sussex,--1773-1843., Billington, Elizabeth,--1765-1818--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"An officer walks, on a broad pavement, away from the spectator, his head slightly turned to the left, showing his profile. He wears Light Horse uniform, a plumed helmet, short tunic, sash, and long sabre. The toes of his tasselled boots terminate in spikes. He uses a walking-stick."--British Museum online catalogue.
Description:
Title etched at bottom of image.
Publisher:
H. Humprey, 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Two chairmen carry (left to right) a lady in a sedan chair. The roof is raised and through it projects an enormous ostrich feather, rising from an aigrette and curls, which also extend above the roof. To the second chairman's back is strapped the base of a long curving rod which supports an umbrella to protect the feather. Through the window of the chair appears the lady's profile. She holds a half-closed fan before her face. Behind (left) is a plain town house of three stories behind its area-railings; it is next a high curving wall (right). Probably from a design by an amateur."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Miss Farren and Lord Derby, both in profile to the right, walk together inspecting pictures. She, very thin and tall, looks over his head through a glass at a picture in the second row of 'Zenocrates & Phryne'. He looks at the picture immediately below, 'The Death', a huntsman holding up a fox to the hounds. The frame is decorated by an earl's coronet with horses, cf. BMSat 9074, &c. Lord Derby, much caricatured, very short and obese, wears riding-dress with spurred boots and holds a whip. Miss Farren wears no hat, a dress hanging from the shoulders and trailing behind her, short sleeves and gloves. Both hold an open 'Catalogue'. Behind, a man (left) and two ladies in back view and arm-in-arm inspect a picture of 'Susan[nah and the] Elders'. The lady in the centre wears a high, twisted turban (cf. BMSat 8755) with an enormous feather, the other wears a round hat."--British Museum online catalogue.
Alternative Title:
Tally-ho & his Nimeney-pimmeney taking the morning lounge and Tally-ho and his Nimeney-pimmeney taking the morning lounge
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Derby, Elizabeth Farren Stanley,--Countess of,--1759 or 62-1829--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"An elderly man displays scientific experiments. He stoops forward, in profile to the left, holding a rod horizontally between his fingers, in the left hand is a glass. A small still, phials, &c, and an elaborate appliance (right) are on the long table behind which he stands. On the wall are two medallion profile-portraits, one (left) being that of Priestley. A serpent, a scroll with cabalistic signs, a terrestrial globe on a bracket, are also on the wall, which is lit by a single candle with a curiously shaped reflector."--British Museum online catalogue, description of an alternate version of similar composition.
Description:
Another version, apparently published the following day, of a print published with the imprint: Pubd. March 28th, 1796, by H. Humphrey, No. 37 New Bond Street. Cf. No. 8887 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Printmaker from description of alternate version in the British Museum catalogue., and Title etched below image.
Publisher:
H. Humphrey, No. 37 New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Priestley, Joseph,--1733-1804--Caricatures and cartoons., and Walker, A.--(Adam),--1730 or 1731-1821--Caricatures and cartoons.
"An elderly man displays scientific experiments. He stoops forward, in profile to the left, holding a rod horizontally between his fingers, in the left hand is a glass. A small still, phials, &c, and an elaborate appliance (right) are on the long table behind which he stands. On the wall are two medallion profile-portraits, one (left) being that of Priestley. A serpent, a scroll with cabalistic signs, a terrestrial globe on a bracket, are also on the wall, which is lit by a single candle with a curiously shaped reflector."--British Museum online catalogue.
Description:
Printmaker identified as Gillray in the British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, No. 37 New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Priestley, Joseph,--1733-1804--Caricatures and cartoons., and Walker, A.--(Adam),--1730 or 1731-1821--Caricatures and cartoons.
"A stout officer sits on a charger in profile to the left, his head turned from the spectator, his right arm outstretched, holding a cane, as if directing manoeuvres."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
H. Humprey, 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Miss Farren (left) sits at her dressing-table, contemplating with rapt admiration an earl's coronet on a wig-block which is a caricature of Lord Derby's head. The voluminous draperies of her dress define a thin and angular figure, with a long thin neck. At her feet is an open book: 'Tabby's Farewell to the Green Room'; near it is a torn paper: 'Elegy to the Memory of an Unfortunate Lady. How Lov'd how valued once avails thee not To whom Related or by whom Begot.' A pad for inflating the figure (cf. BMSat 8388, &c.) lies across a stool (right). A 'Genealogical Chart of British Nobility' hangs from the dressing-table; the tree issues from the recumbent figure of 'Willm Conqr'; on it lies a small-tooth comb beside which is an insect. Behind Miss Farren are the closed curtains of an ornate bed, whose valance is decorated with the cap of Libertas and the words 'Vive la Egalite'. On the wall hangs a 'Map of the Road from Strolling Lane to Derbyshire Peak'; the places, from S. to N., are: 'Strolling Lane', 'Beggary Corner', 'Servility Place', 'Old Drury Common', 'Affectation Lane', 'Insolence Green', 'Fool-Catching Alley', 'Derbyshire Peak viz Devils Ar.' A jewel-box, bottles, &c, are on the dressing-table, some inscribed: 'Bloom de Ninon', 'For Bad Teeth', 'Cosmetick', 'For the Breath'. On the ground, under the valance of the table, is a large bottle of 'Holland[s]'. After the title: '"A Coronet! - O, bless my sweet little heart! - ah, it must be mine, now there's nobody left to hinder! - and then - hey, for my Lady Nimminney-pimmenney! [see BMSat 8888] - O, Gemmini! - no more Straw-Beds in Barns; - no more scowling Managers! & Curtsying to a dirty Public! - but a Coronet upon my Coach; - Dashing at the Opera! - shining at the Court! - O dear! dear! what I shall come to!'"--British Museum online catalogue.
Description:
Additional publication line, with slightly earlier date, is etched below lower left margin of design: Pubd. March 20th, 1797, by H. Humphrey, Bond Street & St. James's Street., Printmaker's signature is repeated, the second signature located below lower right margin of design and in a slightly different form: Js. Gy. inv. & ft., and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Derby, Elizabeth Farren Stanley,--Countess of,--1759 or 62-1829--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
Erskine stands directed to the left, gazing straight before him; in his right hand is a sheet covered with repetitions of 'i' and 'me', and ending 'iiiiii me me me'. He wears counsellor's wig and gown, and bands. Above his head is a cap of Liberty with tricolour cockade. There is a background of low clouds.
Description:
Plate from: The Anti-Jacobin review and magazine, or, Monthly politique and literary censor. London, 1798, v. 1, page 355. and Title etched below image.
Publisher:
J. Wright, No. 169 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Harvey, Francis--Ownership., and Wright, J. (John), 1770?-1844, publisher.
"A small ugly man rides a galloping horse in profile to the left, his leg thrust forward. He wears spectacles, his complexion is dark. There is a background of grass and trees, and in the distance a building with a pediment, evidently the new Knightsbridge Barracks (see 'Gent. Mag.', July 1797, p. 545, pl.)."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., Text following title: Vide Hyde Park., and Title etched below image.
Publisher:
H. Humprey, 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Benfield, Paul,--approximately 1740-1810--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A burlesque of the discovery by Cymon of Iphigenia asleep. A fat country-woman, whose dark skin and coarse features give her a negroid appearance, leans against a sandy bank. A hideous yokel, advancing from the right, stoops towards her, dropping his stick and gaping with delighted surprise."--British Museum online catalogue.
Alternative Title:
Cymon and Iphigenia
Description:
Garrick's 'Cymon and Iphigenia', 1767, adapted from Dryden's version of Boccaccio's tale, made the story familiar and popular. It was the subject of a picture by Reynolds., Thomas Adams is one of the pseudonyms used by Gillray., and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Lord Kenyon (left), in wig and robes, flogs with great vigour the scarred back of Lady Buckinghamshire, whose wrists are tied to the back of a cart. He has a scourge in the right hand, a birch-rod in the left; from his pocket issues a paper: 'Laws against Gambling'. His head is in back view. His fat victim wears a feathered turban and fashionably dressed hair; her profile and gestures indicate shrieking protest. The horse plods (left to right) away from the spectator. On a pitchfork lashed to the cart is a placard: 'Faro's Daughter's Beware'. Behind is a crowd, divided between those (right) who watch the cart, grinning, in front of whom stands a constable with his staff, and those in back view who surround a pillory in which stand two ladies, closely confined, under a rain of missiles flung by the mob. Both wear feathers in their hair, one (left) has a profile somewhat resembling that of Lady Archer, but is perhaps Lady Elizabeth Luttrell; the other is probably Mrs. Concannon."--British Museum online catalogue.
Description:
Title etched at bottom of image.
Publisher:
H. Humphrey, New Bond Street & St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckinghamshire, Albinia Hobart,--Countess of,--1738-1816--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Kenyon, Lloyd Kenyon,--Baron,--1732-1802--Caricatures and cartoons.
"The three Bow Street Justices sit at a rectangular table (left); Addington in the chair, the scales of Justice, evenly balanced, above his head; on his right and on the extreme left, Bond(?) is writing: 'Wright. W. against [?]...'. The third sits resting his chin on his hands, which are supported on the head of his cane; he gazes fixedly at the culprit. 'Lying-Jack' stands in a rectangular pen formed of posts and rails immediately in front of the justices, his elbows resting on the rail, his hands clasped, his knees bent, tears falling. He says: "Oh! God dang it, - your Worship, do take bail, your Honor tw'ant my fault please your Majesty, that I com'd the Black-guard over him: - God dang it, didn't he say that his thing was printed before mine? & that all my things were only Copies & piracies? - God dang it, your Worship, Ax Almon ye Bookseller if I was a Blackguard all the while I was a Porter! - or ax ye people where I & Wife kept a small-coal Cellar in Leather Lane if I'm a Blackguard! - God dang it, was I act like a Blackguard when I let that Cooper the Printer, pull me by the Nose, only for saying he was a Liar? - god dang it, your honor, was it like a Blackguard when I offer'd to beg Ridgeway's pardon, after he had kick'd my own Arse in my own Shop? - but I sees how the Booksellers all hates me! & wants to ruin me! - & says I lives by only Copying other peoples works your Worship! - 'tho' I only 'bridges 'em! - yes your Worship, they all hates me; & respires against me: & calls me Lying-Jack, your honor, - & Filching Jack the Plagurist! - & Stock'ee Jack the Informer! your honor - ah Gad dang it! Gad dang it, - they'll be my ruin your Honor! Gad dang it Gott damn. . . .[The last words dwindle into illegibility]" From his pocket hangs a paper: 'Speech of the Lord Chanr of Ireland'. Beside him, outside the dock, is a large bundle of books tied together, the wrapper inscribed 'Ways & Means'; these are: 'Sandford & Merton', 'G Nicol... Abridgd Embassy to China', 'D. Cox, Piracy', 'Harpers Pamphlet', 'Philanthropic Society'. Against the bundle lies a porter's knot (a pad for the shoulders attached to a ring which goes over the head) inscribed: 'Lying-Jack his Knot'. With this are the implements of a blacksmith : hammer, pliers, and horse-shoe. On the wall behind him are three bills: 'Lying Jack the Thief Taker'; 'Perjury'; 'Injuntion [sic] of the Court of Chancery agains Lying Jacks copy', and a map: 'Original Map of the Island of St Domingo by W. Faden. Charing Cross.'"--British Museum online catalogue, description of the print of which this drawing is a copy.
Alternative Title:
Lying Jack the blacksmith at confession and Lying Jack the bookseller at confession
Description:
Copy of a print by Gillray published 13 March 1798. Cf. No. 9186 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Date of publication based on that of the print of which this is a copy., 'Imprint statement' written in pencil below lower left margin of image: Pubd. March 13, 1798, by Lying Jack., Note written in pencil following 'imprint statement': Price 6 d., for the benefit of the Philanthropic Society., One line of text written in pencil below title: Scene: Bow Street, with Lying Jack answering a charge of abuse & blackguardism., and Title from note in pencil below image, in artist's hand; word "bookseller" is crossed out and "blacksmith" is written above, inserted with a caret.
Subject (Name):
Addington, William,--Sir,---1811--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Bond, Nicholas,---1807--Caricatures and cartoons., Gillray, James, 1756-1815, artist. http://id.loc.gov/authorities/names/n50033402, Harvey, Francis--Ownership., and Stockdale, John,--1749?-1814--Caricatures and cartoons.
"The three Bow Street Justices sit at a rectangular table (left); Addington in the chair, the scales of Justice, evenly balanced, above his head; on his right and on the extreme left, Bond(?) is writing: 'Wright. W. against [?]...'. The third sits resting his chin on his hands, which are supported on the head of his cane; he gazes fixedly at the culprit. 'Lying-Jack' stands in a rectangular pen formed of posts and rails immediately in front of the justices, his elbows resting on the rail, his hands clasped, his knees bent, tears falling. He says: "Oh! God dang it, - your Worship, do take bail, your Honor tw'ant my fault please your Majesty, that I com'd the Black-guard over him: - God dang it, didn't he say that his thing was printed before mine? & that all my things were only Copies & piracies? - God dang it, your Worship, Ax Almon ye Bookseller if I was a Blackguard all the while I was a Porter! - or ax ye people where I & Wife kept a small-coal Cellar in Leather Lane if I'm a Blackguard! - God dang it, was I act like a Blackguard when I let that Cooper the Printer, pull me by the Nose, only for saying he was a Liar? - god dang it, your honor, was it like a Blackguard when I offer'd to beg Ridgeway's pardon, after he had kick'd my own Arse in my own Shop? - but I sees how the Booksellers all hates me! & wants to ruin me! - & says I lives by only Copying other peoples works your Worship! - 'tho' I only 'bridges 'em! - yes your Worship, they all hates me; & respires against me: & calls me Lying-Jack, your honor, - & Filching Jack the Plagurist! - & Stock'ee Jack the Informer! your honor - ah Gad dang it! Gad dang it, - they'll be my ruin your Honor! Gad dang it Gott damn. . . .[The last words dwindle into illegibility]" From his pocket hangs a paper: 'Speech of the Lord Chanr of Ireland'. Beside him, outside the dock, is a large bundle of books tied together, the wrapper inscribed 'Ways & Means'; these are: 'Sandford & Merton', 'G Nicol... Abridgd Embassy to China', 'D. Cox, Piracy', 'Harpers Pamphlet', 'Philanthropic Society'. Against the bundle lies a porter's knot (a pad for the shoulders attached to a ring which goes over the head) inscribed: 'Lying-Jack his Knot'. With this are the implements of a blacksmith : hammer, pliers, and horse-shoe. On the wall behind him are three bills: 'Lying Jack the Thief Taker'; 'Perjury'; 'Injuntion [sic] of the Court of Chancery agains Lying Jacks copy', and a map: 'Original Map of the Island of St Domingo by W. Faden. Charing Cross.'"--British Museum online catalogue.
Alternative Title:
Lying Jack the blacksmith at confession and Lying Jack the bookseller at confession
Description:
One line of text below title: Scene: Bow Street, with Lying Jack answering a charge of abuse & blackguardism., Printmaker from British Museum catalogue., Text following imprint: Price 6 d., for the benefit of the Philanthropic Society., and Title etched below image; the word "bookseller" is scored through and the word "blacksmith" is etched above, inserted with a caret.
Publisher:
Lying Jack
Subject (Name):
Addington, William,--Sir,---1811--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Bond, Nicholas,---1807--Caricatures and cartoons., Harvey, Francis--Ownership., and Stockdale, John,--1749?-1814--Caricatures and cartoons.
"On a small plateau on the top of a mountain the Princess of Wales (left) reaches up to kiss the Prince of Wales (right), who has the body, horns, and beard of a fat goat. He kneels on one knee, his forelegs round her waist; her arms are round his neck. A star and ribbon are indicated on his body. She wears her coronet with three tall feathers, and her draperies swirl about her. In the middle distance are two rocky pinnacles; on one (left) three men dance hand in hand: Loughborough in back view wearing his Chancellor's wig and gown, the Duke of York wearing a cocked hat and his star, and Lord Cholmondeley. From the other, Lady Jersey (with the arms and legs of a goat) staggers backwards, she has horns, and three feathers fall from her head. Lord Jersey, with the body of a goat and long horns, is about to fall. They are being hurled from the rock by thunderbolts inscribed with the words 'What? - What? - What?' (the King's well-known phrase) which issue from heavy clouds, showing that it is the King who has overthrown them. Behind them is the sea with a small island flying a flag inscribed 'Jersey'."--British Museum online catalogue.
Alternative Title:
Shon-ap-Morgan's reconcilement to the fairy princess
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Caroline,--Queen, consort of George IV, King of Great Britain,--1768-1821--Caricatures and cartoons., Cholmondeley, George James Cholmondeley,--Marquess of,--1749-1827, Frederick Augustus,--Duke of York and Albany,--1763-1827--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Jersey, Frances Villiers,--Countess of,--1753-1821--Caricatures and cartoons., Jersey, George Bussey Villiers,--Earl of,--1735-1805--Caricatures and cartoons., and Rosslyn, Alexander Wedderburn,--Earl of,--1733-1805--Caricatures and cartoons.
