"A companion print to BMSat 9670. In a squalid room French dancers practise to a fiddle played by an older man (right) who dances as he plays. The parents of the four children dance, facing each other. She is elegant, buxom, with an elaborate feathered coiffure. He is lean, wearing a tattered but well-fitting coat over bare legs, with sleeve-ruffles (cf. the old gibe that the Frenchman wore ruffles but no shirt). He wears a toupee wig with a long queue. A boy and girl, both with hair elaborately dressed, dance together more vigorously. A little girl (right) with bare legs practises the first position, heels together. On the left a boy plays the pipe and tabor to two dogs, one wearing cloak and hat, whom he is teaching to dance. His chair is the only furniture except for a truckle-bed (left) turned up to the wall and a much-tilted wall-mirror (right). A lean cat has climbed to a small cupboard recessed in the wall near the ceiling and licks a stoppered bottle. The cupboard contains a coffee-pot, a covered jar, &c. A print of two clumsy peasant dancers is pinned to the wall, from which plaster has flaked. All practise with serious concentration."--British Museum online catalogue
Description:
Title etched below image., 1 print : etching on wove paper, black and white ; sheet 36 x 45.4 cm., Sheet trimmed within plate mark resulting in loss of imprint., and Mounted on leaf 23 of volume 2 of 14 volumes.
Publisher:
Pubd. Novr. 5, 1792 by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
France
Subject (Topic):
Foreign opinion, British, Cats, Children, Couples, Dogs, Dance, and Interiors
"Lunardi, slim and handsome, walks diagonally towards the spectator from the right, supported on a staff, his left hand held out as if begging. On his back is his collapsed balloon, a large bundle from which project a net and two oars or propellers. His dress is fashionable but ragged. In the background are trees and a church."--British Museum online catalogue, description of earlier state of similar composition
Alternative Title:
Itinerant aeronaut
Description:
Title from caption below image., Printmaker and date from earlier state in British Museum catalogue., Later state, with plate shortened on bottom edge resulting in loss of imprint. Cf. No. 6858 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Eight lines of verse below title: Behold an hero comely tall and fair! His only food phlogisticated air! ..., Sheet trimmed to plate mark., and Mounted on leaf 10 of volume 2 of 14 volumes.
An Italian family, in a poverty-stricken room, practise for opera. A young man stands full-face, singing, his fingers interlaced across his chest. He wears an open, ruffled shirt, awaistcoat, breeches, and ungartered stockings. To his right an old man plays an enormous 'cello. To his left a middle-aged man, seated in profile singing, plays a low harpsichord; he wears open ruffled shirt and breeches, with bare legs. Beside him on the extreme left a little boy dressed in a shirt plays the violin. On the extreme right a pretty young woman sits over the fire with an infant on her knee; she holds out a cloth to dry, looking over her shoulder to sing. Her score ('Affetuoso') is pinned to the chimney-piece, on which stands a crucifix with a tankard, &c. A lean greyhound howls up the chimney. All but the old man have fashionably dressed hair, and a certain elegance. The room is lit from an open casement window (left); there are dark cast shadows and the bare room has no ceiling. On the wall are a print of 'Vestris' dancing, a sword, a play-bill: 'l'Avaro Deluso' (opera by Paisiello, libretto by Vulpius), and a bunch of farthing dips; on the window ledge a cracked mirror, cocked hat, bottles, &c. Beneath the harpsichord is a large bowl labeled 'Macaroni'; and in the foreground lie a violin, music-books, earthenware pots, &c."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., 1 print : etching on laid paper, hand-colored ; sheet 35.8 x 46.1 cm., Sheet trimmed within plate mark resulting in loss of imprint., and Mounted on leaf 22 of volume 2 of 14 volumes.
Publisher:
Pubd. Decr. 1785 by S. Alken, No. 3 Dufours Place, Broad Street, Soho. Sold by W. Hinton, No. 5 Sweeting Alley, Cornhill
Subject (Name):
Vulpius, Christian August, 1762-1827, Paisiello, Giovanni, 1740-1816, and Vestris, Auguste, 1760-1842
Subject (Topic):
Children, Families, Italian, Mothers, Musical instruments, Musicians, and Singing
"The Duke of Richmond (left) sleeps in an arm-chair beside a table on which are playing-cards and bits of broken tobacco-pipes arranged to represent fortifications. On the right are two cannons, one on a gun-carriage ; a cat sits on its muzzle miaowing at Richmond, one paw on the table. By his side (left) are plans on rollers and a box of long tobacco-pipes. On the wall hang two pictures on rollers as if they were plans. In one (left) soldiers with wheelbarrows, &c. work on the sea-shore, off which dismantled ships lie at anchor. In the other, cannons and cannon-balls with one sentry lie along the sea-shore, off which are ships at anchor with brooms at their mast-heads to show that they are for sale. Richmond's hat, overcoat, and sword hang on the wall between the two pictures. At his feet is an open book inscribed 'Trial of Colol Debbeig'."--British Museum online catalogue
Alternative Title:
Planing of fortifications and Planning of fortifications
Description:
Title etched below image., Printmaker from Grego and British Museum Catalogue., Temporary local subject terms: House of Cards -- Card players -- Bill to fortify Portsmouth -- Fortifications -- Furniture -- Pictures that amplify subject -- Matches -- Pets., 1 print : etching on laid paper ; sheet 24.6 x 33.1 cm., Sheet trimmed within plate mark., and Mounted on leaf 41 of volume 2 of 14 volumes.
Publisher:
Published March 7th, 1786, by S.W. Fores, at the Caracature Warehouse, No. 3 Piccadilly
Subject (Name):
Richmond and Lennox, Charles Lennox, Duke of, 1735-1806
Subject (Topic):
Chairs, Sleeping, Tables, Playing cards, Pipes (Smoking), Cats, and Pictures
"A pretty young woman leans from an open street-door towards a stout fishwoman who has planted a basket of fish on the step. A second fishwoman stands beside her, her basket on her head, hands on her hips. The house is a corner one, the door has a carved pediment. Behind are low-gabled houses with casement windows. Beneath the title: 'That Fish Madam's sweet! the girl made no reply, Afraid of her life {and to bid was to buy) The Fagg gave a volley her sister squard Trim Smell the fish! what it stinks Eh? you saucy young Brim'."--British Museum online catalogue, description of later state
Description:
Title etched below image., For a later state published by S.W. Fores in 1795, see no. 8735 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Sheet trimmed to within plate mark., and Mounted on leaf 48 of volume 2 of 14 volumes.
Publisher:
Publish'd Sept. 1 1786, by Alexr. McKenzie, N. 101 Berwick Street, Soho
"A pretty young woman leans from an open street-door towards a stout fishwoman who has planted a basket of fish on the step. A second fishwoman stands beside her, her basket on her head, hands on her hips. The house is a corner one, the door has a carved pediment. Behind are low-gabled houses with casement windows. Beneath the title: 'That Fish Madam's sweet! the girl made no reply, Afraid of her life {and to bid was to buy) The Fagg gave a volley her sister squard Trim Smell the fish! what it stinks Eh? you saucy young Brim'."--British Museum online catalogue, description of later state
Description:
Title etched below image., Earlier issue of a plate later published by S.W. Fores in 1795. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7, no. 8735., Plate originally published by Alexr. McKenzie in 1786. See Beinecke Library call no.: Auchincloss Rowlandson v. 2., Four lines of verse below title: That fish madam's sweet! The girl made no reply ..., Sheet trimmed to plate mark., Temporary local subject terms: Architecture: doorways -- Fish wives -- Baskets -- Lighting: street lights., 1 print : etching on laid paper, hand-colored ; sheet 21.5 x 15.7 cm., and Mounted on leaf 48 of volume 2 of 14 volumes.
"Five elderly barristers are grouped round an oblong table on which are writing-materials; all wear large tie-wigs. The client sits 'chapeau-bras', hands on knees, in an arm-chair (left), listening with gaping mouth and stupidly eager expression. He appears to be a boorish country gentleman in London dress. The counsel beside him reads from a large document: 'Know all men by these presents'. Another also reads. Two others watch and listen with cynical intentness. The fifth (right), an aged man wearing gauntlet gloves, sits with closed eyes in an arm-chair facing the client. On the wall are pinned legal notices: 'Court of Kings Bench Dn Common Pleas ... [&c.]'. Heavy folios lie open on the floor."--British Museum online catalogue
Description:
Title etched below image., Reissue of a plate published by W. Hunter on 21 December 1785. Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 173., Imprint continues: ... where may be had all Rowlandson's works., Sheet trimmed to plate mark leaving thread margins., and Mounted on leaf 28 of volume 2 of 14 volumes.
Publisher:
Publish'd Oct. 17, 1793, by S.W. Fores, N. 3 Piccadilly ...
"A crowded scene in a bare room giving access to the theatre, which is seen through two open doors (right), each showing two boxes, and a section of gallery above, filled with spectators. Courtesans and ladies are being inspected and addressed by the loungers. The centre figure is George Hanger in profile to the left, his club under his arm, arms folded, staring at a bold and handsome girl who stands with another pretty young woman. A man in deep shadow seizes Hanger's bunch of seals. Two elderly men address a fat bawd who holds a basket of fruit and playbills; a coin is placed in her hand. A misshapen elderly beau (not, as Grego suggests, Sir L. Skeffington, b. 1771), looking through a quizzing-glass, steps on an irate lady's dress (right). On the wall is a large play-bill: 'Theatre Royal Covent Garden \ Way of the World \ Who's the Dupe'. The room is lit from bracket lamps high on the right wall, diagonal shadows are thrown across the room, some of the figures are brilliantly lit, others in shadow."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark with loss of imprint statement; imprint from British Museum catalogue., Impression from a worn plate; only traces of previously extensive aquatint remain., and Mounted on leaf 35 of volume 2 of 14 volumes.
Publisher:
Publish'd Jany. 5th, 1786, by J.R. Smith, No. 83 Oxford Street
"Mrs. Thrale (Piozzi) and Boswell are in heated argument: she (left) advances upon Boswell with her hands on her hips; he stamps violently and clenches his fists. An elderly man seated in an armchair looks at them in alarm, raising his hand in admonition. He is Sir John Hawkins: the 'rival wits' have agreed to let him 'Declare the prop'rest pen to write Sam's Life.' Beside him a 'cello leans against the wall, emblem perhaps of Sir John's interest in music, perhaps of Mrs. Thrale's marriage to Piozzi. Three shelves of books are above his head; the highest is filled with large volumes covered with a cobweb, one inscribed 'History of Musi[c]' ... Behind the two disputants is a draped sash-window. Beneath each part of the title a quotation from the verses is engraved: '[1] Who, madning with an Anecdotic Itch, Hath said that Johnson call'd his Mother, B-tch?' Boswell taunts Mrs. Thrale with her anecdote of Johnson's answer to his mother when she called him a puppy. '[2] Who, from Macdonald's Rage, to save his snout, Cut twenty lines of defamation, out?' She retorts with the slander which Boswell denied."--British Museum online catalogue
Alternative Title:
Madame Piozzi
Description:
Title etched below image., Printmaker and date from British Museum catalogue., Frontispiece to: Pindar, P. Bozzy and Piozzi, or, The British biographers. London : Printed for G. Kearsley ..., [1786], Sheet trimmed to within plate mark on right edge., and Mounted on leaf 71 of volume 2 of 14 volumes.
"A mail-coach, driven right to left, is overturning, the off back wheel having fallen off. The near horse is falling, the other rears violently. The driver has dropped the reins and holds up his arms; he is hidden by the guard seated on his left who falls backwards, his blunderbuss is going off and shatters the roof of the coach, causing letters and letter-bags to fly into the air. A pistol at his side is also going off; it fires point-blank at the bare posteriors of an elderly woman who has fallen head downwards, screaming, her person much exposed; she was apparently an outside passenger. A man puts his head and arms out of the coach-window, shouting in terror. On the centre panel of the coach and above the Royal Arms is inscribed 'The Mail Coach'; on each side panel, 'GR'. In the background (right) is a signpost pointing to the left, 'To Bath'."--British Museum online catalogue
Alternative Title:
Persons and property protected
Description:
Title from text above and below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Mounted on leaf 16 of volume 2 of 14 volumes.
Publisher:
Published by S.W. Fores Carracature [sic] Ware-House, No. 3 Piccadilly, London
"Satire on the taste for Goethe; a woman kneels wailing, hands clasped, over a grave, beneath a wall topped with a skull and cross-bones; in the square behind, a woman hawks sheets with 'The Best Dying Speech of Werter'."--British Museum online catalogue
Alternative Title:
Charlotte at the grave of Werther
Description:
Title etched below image., Last digit of publication date effaced; year of publication from unverified data in local card catalog record., British Museum online catalogue suggests 1788 as the year of publication. See registration no.: 1948,0214.592., Sheet partially trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on laid paper, hand-colored ; sheet 23.2 x 23.6 cm., Sheet trimmed within plate mark on three edges., and Mounted on leaf 34 of volume 2 of 14 volumes.
Publisher:
Pubd. Jany. 1, 178[...?] by S.W. Fores at the Caracature Warehouse No.3 Piccadilly
"Boswell (left) and Johnson (right) talk across a small circular table on which is a candle. Boswell leans on the table, with raised fingers, talking vivaciously. Johnson leans back as if asleep, his stick between his outstretched legs. Through an open door (left) is seen the back of Mrs. Boswell hurrying from the room. A bracket-clock points to 1.55. A dog looks up at Boswell yawning. The floor is boarded."--British Museum online catalogue
Description:
Title etched below image., One in a series of twenty plates by Rowlandson after S. Collings. See British Museum catalogue v. 6, page 345., Plate from: Picturesque beauties of Boswell, Part the First. [London] : [E. Jackson], [1786], Four lines of verse below title: "We talked of murder -- and of the antient trial by duel -- We sat till near two in the morning having chatted a good while after my wife left us ..." Vide Journal p. 15., Sheet trimmed within plate mark., Temporary local subject terms: Wall clock -- Dog., 1 print : etching on laid paper, hand-colored ; sheet 23.9 x 25.7 cm., Sheet trimmed within plate mark resulting in loss of imprint statement., and Mounted on leaf 56 of volume 2 of 14 volumes.
Publisher:
Pubd. 30 May 1786, by E. Jackson No. 14, Mary-bone Street, Golden Square
Subject (Name):
Johnson, Samuel, 1709-1784, Boswell, James, 1740-1795, Boswell, Margaret Montgomerie, d. 1789, and Boswell, James, 1740-1795.
"Boswell (left) and Johnson (right) talk across a small circular table on which is a candle. Boswell leans on the table, with raised fingers, talking vivaciously. Johnson leans back as if asleep, his stick between his outstretched legs. Through an open door (left) is seen the back of Mrs. Boswell hurrying from the room. A bracket-clock points to 1.55. A dog looks up at Boswell yawning. The floor is boarded."--British Museum online catalogue
Description:
Title etched below image., One in a series of twenty plates by Rowlandson after S. Collings. See British Museum catalogue v. 6, page 345., Plate from: Picturesque beauties of Boswell, Part the First. [London] : [E. Jackson], [1786], Four lines of verse below title: "We talked of murder -- and of the antient trial by duel -- We sat till near two in the morning having chatted a good while after my wife left us ..." Vide Journal p. 15., Sheet trimmed within plate mark., Temporary local subject terms: Wall clock -- Dog., 1 print : etching on wove paper, black and white ; plate mark 25.5 x 27.7 cm, on sheet 27.6 x 30.9 cm., and Mounted on leaf 56 of volume 2 of 14 volumes.
Publisher:
Pubd. 30 May 1786, by E. Jackson No. 14, Mary-bone Street, Golden Square
Subject (Name):
Johnson, Samuel, 1709-1784, Boswell, James, 1740-1795, Boswell, Margaret Montgomerie, d. 1789, and Boswell, James, 1740-1795.
"A young couple sit side by side taking tea; the hostess, probably the mother of the young woman, is seated at a small rectangular table filling a tea-pot from an urn. A footman holds a salver to a man who helps himself to sugar, probably the father of the younger man. He sits on the right of his host, a gouty invalid in dressing-gown and nightcap, who is seated in an armchair on the extreme right. A dog sits beside the tea-table."--British Museum online catalogue
Description:
Title etched below image., It is suggested that this print is an imitation of Rowlandson in the British Museum catalogue, but Grego indicates that it is by Rowlandson., Date '1785' in lower right corner of image., 1 print : etching on laid paper, hand-colored ; sheet 21.7 x 30.6 cm., Sheet trimmed within plate mark on top edge., and Mounted on leaf 27 of volume 2 of 14 volumes.
Publisher:
Publish'd Jany. 1st, 1786, by S.W. Fores, at the Caracature Warehouse, No. 3 Piccadilly
Subject (Topic):
Gout, Couples, Courtship, Dogs, Servants, and Tea parties
"Two officers of high rank sit together in a cabin, gambling intently at cup (actually spike) and ball. One (left) wears a star; the other, who is older and stouter, watches the dangling ball held by his companion. At their feet is a pile of coins on papers inscribed 'Twenty Pound'. Under the former's foot is a plan of 'Fotification [sic]', under the latter's a large wall-plan of the disposition of a fleet, on which land and 'Ocean' are marked. On the broad many-paned window behind them hangs ramed plan of celestial and terrestrial globes inscribed respectively 'Celiastial' and 'Teristial'. Behind (right), a burly sailor pours out tea for the two effeminate officers, with an expression of pained contempt."--British Museum online catalogue, description of a later state of similar composition
Description:
Title etched below image., Later state, with title altered and imprint statement burnished out, of a print published in 1785 with the title: Sea amusement, or, Commanders-in-Chief of cup and ball on a cruise. Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 176-8., Probably published before 1802, when the imprint "Pubd. July 1st, 1802, by S.W. Fores, 50 Piccadilly" was added and the plate reissued. Cf. No. 9875 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Final words of burnished imprint statement barely visible below title: [...?] Oxford Street., and Mounted on leaf 3 of volume 2 of 14 volumes.
"[Left image] The Prince of Wales (right), wearing his star, kneels at the feet of a lady (left), his right hand holds her left hand, his left hand is on his breast. The lady wears a large feathered hat and has some resemblance to the Duchess of Devonshire, cf. BMSat 6263, &c, none to Mrs. Fitzherbert. [Right image] A sailor with a wooden leg and a good-looking young woman of meretricious appearance sit side by side on a barrel; he pours wine into a glass."--British Museum online catalogue, description of an earlier state of similar composition
Description:
Titles etched below images., Also attributed to Rowlandson by Grego and the British Museum catalogue., Reissue, with new publication line, of a print originally issued 15 December 1785. Cf. Nos. 6870, and 6871 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Two images on one plate, each individually titled., Sheet trimmed within plate mark., Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 170-1., and Mounted on leaf 26 of volume 2 of 14 volumes.
Publisher:
Pub. March 18, 1790 by S.W. Fores, N. 3, Piccadilly
"The theatre is apparently drawn from a box on the first tier. The left corner of the stage is shown with the prompter and another man standing in the wings. Almost half the orchestra, the pit, three tiers of boxes, and the lowest gallery are shown. Of the upper gallery only the balustrade and the extreme corner are visible. On the stage a man in Roman costume addresses a lady in modern dress who repels his advances; she is either singing or screaming. The house is crowded and the audience watch intently. The King and Queen are seated in the royal box; two men and a lady stand behind them. The figures are on a small scale, freely drawn with much expressiveness and humour. A representation of the theatre at that date, drawn apparently with architectural correctness."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark leaving thread margins., Mounted on wove paper backing., and Mounted on leaf 46 of volume 2 of 14 volumes.
Publisher:
Publish'd July 20, 1786 by H. Brookes, Coventry Street
"A room crowded with cooks and scullions : a tall cook addresses the others with clenched fist, holding the queue of his hair. The others make similar gestures of indignation ; one negligently holds a spit transfixing a bird which a dog is eating. Against the wall hang birds, &c., and a poster: Royal Bill of Fare ... second course."--British Museum Catalogue
Description:
Title etched below image., Printmaker and date from British Museum catalogue., Variant state of plate issued with the title: Cooks, scullions, hear me evr'y mother's son. Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 204., Frontispiece to: Pindar, P. The Lousiad. An heroi-comic poem. Canto II. London : Printed for G. Kearsley ..., [1787], Sheet trimmed within plate mark., and Mounted on leaf 72 of volume 2 of 14 volumes.
"An eloping couple drive headlong in a coach and four (right to left) pursued by an angry father on a galloping horse who shakes his whip at them. He is followed by three grooms on horseback. The man leans from the off window of the coach, the lady from the near window; both aim pistols at the father who is close behind them. Two postilions ride the near horses. A signpost (right) points 'To Gretna Green'. A group of trees and a cloud of dust form the background."--British Museum online catalogue
Alternative Title:
Trip to Gretna Green
Description:
Title etched below item., Sheet trimmed within plate mark, resulting in loss of text. Cf. Beineicke Rare Book & Manuscrcipt digital library, no.: 11792248, Printmaker and publication date from Grego., Temporary local subject terms: Vehicles: coach -- Elopements -- Pursuit of elopers -- Guns: pistols -- Postillions -- Signs: sign posts., 1 print : etching on wove, hand-colored, on sheet 33.5 x 49 cm., Sheet trimmed within plate mark., and Mounted on leaf 25 of volume 2 of 14 volumes.
"Engraving, described in the advertisement as 'General Paoli, Dr Johnson, and the Journalist practising his celebrated Imitations'. Johnson and Paoli drag Boswell (right to left) in a roughly constructed child's go-cart. Boswell sits jauntily, kept in place by a stick across his seat; from his mouth issues a blast inscribed 'Moo o oh'. He wears ordinary English dress with a barrister's wig and bands and a Scots cap decorated by two bells; behind his ear is a pen, an ink-bottle is fastened to his coat, in his right hand is a rattle, in the left a book inscribed 'Ogden'. Round his neck is a portrait-medallion inscribed 'Bruce'. From each side of the cart projects a bulky book: 'Corsica' and 'Journal to the Hebri[des]', On the near side of the cart is the monogram 'JB' surmounted by a fool's cap."--British Museum online catalogue
Alternative Title:
All hail Dalblair
Description:
Title etched below image., One in a series of twenty plates by Rowlandson after S. Collings. See British Museum catalogue, v. 6, page 345., Plate from: Picturesque beauties of Boswell, Part the First. [London] : [E. Jackson], [1786], Sheet trimmed within plate mark., Temporary local subject terms: Child's go-cart -- Corsica -- Fool's cap -- Barrister's wig -- Scottish cap., 1 print : etching on wove paper ; sheet 23.7 x 26.5 cm., Sheet trimmed within plate mark resulting in loss of imprint statement., and Mounted on leaf 51 of volume 2 of 14 volumes.
Publisher:
Pubd. 15 May 1786 by E. Jackson No. 14, Mary[le]bone Street, Golden Square
