"Six scenes arranged in two rows, divided by lines, each with a caption, and inscriptions above the design. The figures have large heads, broadly caricatured, in the manner of Woodward's Lilliputian designs, cf. British Museum Satires No. 9635, &c. [1] 'Conscience'. A fat florid woman gesticulates wildly, watched by a sour-looking man. They say: "Oh Im Undone! Im Undone!" and "Then I wish you would undo me--for they have fined me five Shillings for my bit of fun." [2] 'An Airing'. A fashionably dressed and grotesque couple walk arm-in-arm, registering anger. She says: "Now let us pretend to walk out as if nothing was the matter." He says, registering anguish, "Oh what a prize in the Lottery." [3] 'Alarm'. A woman holds a man on her knee. He says, registering dismay, "But if Mr Spriggins should come home what should we do then." She answers, calculatingly amorous: "Be not alarmed sweet Lily of the Valley." [4] 'A Walk to the Shubbery' [sic]. A not uncomely woman, holding up a fan, leads a hideous man towards a shrubbery. He says: "Let me lead you lovely fair one--Nothing loath." She answers: "Oh spare my Blushes." [5] 'A scene in a Stone Coffin'. A couple embrace in a stone coffin beside which lie a skull and bones. She says: "O Dear o dear if the Gostesses should come." He answers: D--n the Gostesses." (An Irish scandal of 1784, see British Museum Satires No. 6699, &c.) [6] 'Observation'. An old man wearing a night-cap and huge spectacles stands with bent knees gazing through a doorway. He says: "Mercy on me, what do I see--well a pair of spectacles is tantamount to two Witnesses"."--British Museum online catalogue.
Description:
Also issued separately., Companion print to: The secret history of crim con. Figr. 1., Date of publication from Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "162" in upper right corner., Probably a reissue; beginning of imprint statement has been burnished from plate., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"Six scenes arranged in two rows, divided by lines, each with a caption, and inscriptions above the design. The figures have large heads, broadly caricatured, in the manner of Woodward's Lilliputian designs, cf. British Museum Satires No. 9635, &c. All are ugly except the woman in [4]. [1] 'Morality'. Sourly sanctimonious parsons sit together, each with clasped hands. They say: "Sad times sad times Friend Nicodemus, this Crim Con Business is quite shocking," and Ah it is of no use talking to them--they will have their own way--shocking doings indeed." [2] 'A Kitchen Scene'. A hideous and fashionably dressed old woman (? a cook) reclines in an arm-chair while (?) a steward or clerk of the kitchen stands before her adjusting her large ear-rings. They say: "Do my sweet Creature let me fasten on your ear rings" and "Oh fie Mr Clerk you are really too bad." [3] 'A Lecture'. Two elderly and ugly women stand glaring angrily at each other. They say: "Mrs Amelia Caroline Skeggs [one of the courtesans in 'The Vicar of Wakefield']--I am afraid you give too much encouragement to Mr Spriggins" and "Take care what you say Maam my Character is not to be sported with." The first speaker holds a fan, her breasts are immodestly bare, the other wears a wide straw hat, her hands in a muff. [4] 'An Affair on the Dickey'. A couple embrace on the box-seat of a carriage; the young woman is comely, the other is a coachman in livery. They say: "O you Angel" and "I'm afraid my love you will get the whip hand of me." [5] 'Information'. Two hideous men stand facing each other, one uses an ear-trumpet, and wears spectacles and a night-cap. They say: "Speak louder;, only one shilling damages --why I shall be ruined--" and: "Never mind--you have lost a bad wife, and got a good shilling." [6] 'A Compromise'. A burly fellow threatens with his fists a smaller one who cowers in terror. They say: "you little Scoundrel did not I catch you with my wife--I'll break every bone in your skin" and "Dont be so obstropolous Ill give thee a quartern of gin to make it up and thats better than going to La--"."--British Museum online catalogue.
Description:
Date of publication from Grego., Plate numbered "161" in upper right corner., Probably a reissue; beginning of imprint statement has been burnished from plate., Temporary local subject terms: Parsons -- Female costume, 1812 -- Domestic service -- Coachman, in livery -- Ear-trumpets -- Spectacles -- Male costume: Night-cap -- Male costume, 1812., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Interior view; a barber has covered his client with soap; prints and wigs hang on the wall.
Description:
A reduced copy in reverse of no. 4756 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Printmaker identified as Rowlandson by Grego., Publisher and date of publication from the British Museum online catalogue., and Title etched in bottom part of image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Bunbury, Henry William, 1750-1811, artist., and Harvey, Francis--Ownership.
"Four realistic figures stand in niches divided by slender pillars. Below each is the title, supported on an emblematic carving; above are his words. [1] 'The King'; he stands arrogantly, wearing crown and robes and holding sceptre and orb. Above: 'I reign over all'. [2] 'The Bishop', in robes and mitre, holding a crosier, his fingers together, is gross and sanctimonious. Above: 'I pray for all'. [3] 'The Soldier', an officer, wearing cocked hat and gorget, draws his sword. Above: 'I fight for all'. [4] 'Farmer Bull', wearing a smock, elderly and careworn, though sturdy, holds out a bag of 'Hard Earnings'; in his left hand are his hat and pitchfork; while behind him is his dog, barking angrily. Above: 'But I pay for All'."--British Museum online catalogue.
Description:
"Price one shilling coloured.", Also issued separately., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Plate numbered in upper left corner: No. 13., Printmaker, publisher, and date of publication from British Museum catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
Subject (Topic):
Bishops--England., Farmers--England., John Bull (Symbolic character)--Caricatures and cartoons., and Military officers--British--18th century.
"A tall, thin, elderly military officer, ugly but elegant, stoops to embrace a fat woman, short and hideous. She wears a countrified straw bonnet, apron, and high pattens, but is very decolletee. There is a rustic background with a cottage (right). He says, the words etched across the upper part of the design: My Friends all declare that my time is mispent [sic] While in rural Contentment I rove, I ask no more Wealth than Dame Fortune has sent And the sweet little Girl that I love. The rose on her cheeks my delight She's soft as the down, the down of the dove No Lilly was ever so fair As the sweet little girl that I love!"--British Museum online catalogue, description of an earlier state.
Description:
Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 88., Later state; imprint statement has been completely burnished from plate., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "167" in upper right corner., Publication information inferred from earlier state with the imprint "Pubd. June 4, 1808, by Thos. Tegg, N. 111 Cheapside." Cf. No. 11138 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"An elderly and ugly woman sings to a guitar. She sits, directed to the left, on a stool on which is a tasselled cushion. She wears the flowing hair, feathered turban with brush aigrette, and the high-waisted dress of 1795. Her fingers are sharply pointed and her angular knees are defined by her dress. The background is a wall with a panelled dado and striped wall-paper common in prints of about this date."--British Museum online catalogue.
Alternative Title:
Time has not thinned my flowing hair
Description:
Possibly by O'Keefe. See British Museum catalogue., Questonable year of publication from British Museum catalogue., and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Dedication sheet 'To the Queen' from the singer Harriet Abrams; three cherubs sitting facing right, singing, on clouds which curve up and support a lyre and laurel above them, below a crown in rays of light; for an unidentified publication."--British Museum online catalogue.
Description:
Print possibly designed as the frontispiece or title page for a musical work dedicated to Queen Charlotte. See Wright. and Title from text in image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Gillray, James, 1756-1815, artist., and Harvey, Francis--Ownership.
"He has lost his stirrups and leans back; his body and the taut reins bisect the dotted circle horizontally. Two other riders are in difficulties. St. Paul's on the left."--British Museum catalogue.
Alternative Title:
Mathematical horsemanship ; plate 4
Description:
Date of publication from Grego. and Title etched below image; series title etched above image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.