Manuscript on paper of a collection of texts by Nicolas de Locques, in which practical laboratory procedures are mingled with speculative and mystical alchemy
Description:
In French., Script: Written in a practiced scribal hand in a flowing cursive sloping to the right with infrequent standard abbreviation; a second similar, but finer hand on p. 358 only., Watermarks: Paper with unidentified watermark of a griffin rampant (?), the hind paws on a staff incorporating letters and numbers "Y49" (?), countermarked with 2 lines of capitals, the first word perhaps "JUVIMAL" (sic)., and Binding: Original French binding of mottled calf, the sides plain, the edges of the covers gilt-stamped a la grotesque, back (repaired and restored at foot) with seven bands, the compartments gilt-stamped to a rectangular pattern, a lozenge of leafy sprays in the center of each, with triangular elements of the same at the corners, original title label in the second compartment from the top, marbled endpapers, edges speckled red.
Manuscript on paper of a variety of alchemical writings, partly with considerable literary pretension, including two at the beginning largely or wholly in verse. Including several works ascribed to Jean Saunier and Johann Isaac, as well as two anonymous verse alchemies at the beginning, of which the second has not been identified. Also including a group of texts extracted from ancient and Renaissance writers concerning beekeeping and the medicinal properties of honey
Description:
In French, Italian, and Latin., Script: Written by a single copyist in a French secretarial cursive., Watermarks: Paper of two batches with possibly related watermarks: a squarish glove surmounted by a short-stemmed, six-petaled flower; and an outstretched palm surmounted by a coronet., In pale brown ink, with additions in darker ink by an eighteenth-century hand. Sparse, standard abbreviation, some correction by the original copyist and notes by the later hand., With additions, ca. 1730., and Binding: Modern stiff parchment over boards, spine with title written horizontally in black ink: "Traites d' Alchimie," and at base: "1625."
BEIN PLAYING CARDS GEN 132: Title card pasted to sleeve. Formerly owned by Julia Parker Wightman. From the Cary Collection of Playing Cards. and Title card and 25 numbered cards depicting inhabitants of various countries.
Manuscript of parchment roll composed of 8 membranes, written in 4 columns. Column 1) Chronology of the popes from Peter to the antipope John XXIII. 2) Chronology of the rulers of the Empire from Augustus to Louis of Bavaria, Holy Roman Emperor from 1328-47. 3) Chronology of the Monarchs of France, beginning with the Trojan nobles and concluding with Charles VI, king from 1380-1422. 4) Chronology of the kings of England, from King Lud in the time of Julius Caesar to King Henry IV (d. 1413).
Description:
In French., Script: Written in batarde script by a single scribe., Text is accompanied by parallel schematic genealogical diagrams in red consisting of connected roundels inscribed with the names of various rulers in succession, between the columns. The genealogical diagrams are periodically interspersed with 58 roundels framed in red with lively pen drawings in brown ink with washes in blue, pink and green, depicting cities and churches whose foundations are ascribed to particular rulers or occurred during their reigns. Each of the genealogical diagrams begins at the top of the text with a roundel, depicting respectively (I) Mount Calvary, (II) Rome, (III) Venice (whose foundation is ascribed to Trojan nobles) and (IV) London. Included are drawings of Constantinople, Hagia Sophia, Santiago de Compostela; the majority of the drawings appear in the chronology of the French monarchs, with depictions of Paris, St. Genevieve, St. Denis, St. Martin-de-Champs, and others. The buildings are all late medieval in character and do not bear resemblance to the monuments themselves., Four illuminated initials, 4-line, at the top of each column, blue with white filigree against gold ground with stylized foliage or geometric patterns in red and blue. At the top of each initial, black inkspray with gold leaves; at the first initial (left column), decoration extends into the left margin to form a partial border. Numerous smaller initials, 2-line, gold on blue and mauve grounds with white filigree. Headings in red., Binding: Unbound., and Art. 3 also known as "A tous nobles."
Subject (Geographic):
Connecticut, New Haven., France, Great Britain, and Holy Roman Empire
Subject (Topic):
Illumination of books and manuscripts, Medieval, Church history, Chronology, Kings and rulers, Legends, Manuscripts, Medieval, and History
Pigafetta, Antonio, approximately 1480-approximately 1534
Published / Created:
[ca. 1525]
Call Number:
Beinecke MS 351
Container / Volume:
Box
Image Count:
218
Resource Type:
unspecified
Abstract:
Manuscript on parchment (fine) of A journal of Ferdinand Magellan's voyage around the world in 1522, written by Antonio Pigafetta (ca. 1480/91 - ca. 1534), an Italian gentleman from Vincenza who survived the trip. Beinecke MS 351, the text of which is divided into 57 numbered chapters, is the most complete and most handsomely produced manuscript of the four surviving witnesses to the text; the original, probably in Italian, is now lost
Description:
In French., Script: Written in elegant humanistic bookhand with script often resting above the rulings; marginal notes and headings in a more cursive script that inclines toward the right., Twenty-three beautifully drawn and illuminated maps, mostly full-page, surrounded by gold frames, and with scrolls superimposed that contain the identifying legends for islands and land masses. Decorative initials, 4- to 3-line, rose or blue highlighted with white, on gold rectangular grounds edged in black, contain flowers in contrasting colors or strawberries and green and chartreuse leaves. Gold initials, 2-line, on red rectangular grounds or on red and blue grounds (divided diagonally or horizontally) with gold highlights. Gold paragraph marks, 1-line, on rectangular grounds that alternate red and blue, with gold highlights; rectangular line-fillers in red and gold, also highlighted with gold. Headings for chapters and titles for maps within text, as well as notes in margin entered by same scribe, in red or blue., and Binding: Nineteenth century. Red goatskin, gold-tooled. Bound by Duru in 1851. Disbound and mounted for photographic reproduction for the facsimile edition by Harold Tribolet at the Extra Bindery of the Lakeside Press. Rebacked with extraordinary skill.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Magalhães, Fernão de, 1480-1521. and Pigafetta, Antonio, approximately 1480-approximately 1534.
Subject (Topic):
Discoveries in geography, Portuguese, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Early maps, and Voyages around the world
Manuscript on paper and parchment of a version in French of the German text, Das Buch von der Heiligen Dreifaltigkeit, with close copies of the illuminations in two fifteenth-century manuscripts. Contains illustrations that mix Christian symbolism, especially the Passion of Christ, with alchemical symbolism, and also depict some apparatus
Description:
In French., Script: Calligraphically written in brown ink in a very clear, large cursive hand., Watermarks: Paper watermarked with large fleur-de-lys with a cartouche, surmounted by a crown, the letter "W" below, perhaps identical to Heawood 1845., With illustrations added about 1875., and Binding: Nineteenth-century French citron polished calf, sides bordered with triple gold rules, gold-stamped fleurons at the corners, back in compartments gold-stamped with small tools, red morocco title label, marbled pastedowns and flyleaves, the latter glued to parchment flyleaves which appear to have come from an earlier binding of this volume; mottled edges.
Subject (Topic):
Alchemy, Religious aspects, Christianity, and Trinity
