Manuscript on paper of Iacobus de Malvetiis (Jacopo Malvezzi, d. after 1432), Chronicon Brixianum. History of Brescia from its mythical foundation by Hercules up to 15 June 1332. With Prologue added ca. 1600.
Description:
Binding: Eighteenth century. Undecorated yellow parchment over pasteboard. On the spine dark red leather gold-tooled title label with inscription: “CRON. URB. BRIX. / PER MAG. JAC. / DE / MALVET. BRIX. / MS.” Below this label traces of an oval label. Endleaves in decorated paper printed with floral ornament in pink and gold., Collection of Sir Thomas Phillipps. Purchased on the Edwin J. Beinecke Fund., ff. 145-192 blank, not digitized., Guide letters and spaces for 2-line initials (for a 3-line initial on f. 1r and in some other places) have been provided; no initials were executed., and Script: Art. 2 is copied by one hand writing Humanistica Cursiva Currens (Libraria on the first pages), s. XVIin. Art. 3 is by another hand writing the same type of script (Currens). Art. 1 is written in Humanistica Cursiva Libraria s. XVI/XVII, most headings in art. 2 by the same hand in less careful script.
Manuscript fragments on paper of 1) Final page of a violent invective against a pope (Paul II, 1464-1471, or more probably Alexander VI, 1492-1503) by a woman (repeatedly referring to herself as "ipsa") who had been badly treated by him; it is addressed to another woman. Here attributed to the humanist Filippo Buonaccorsi ("Callimachus"), born 1437 in San Gemignano, d. 1496, a member of the Accademia Romana, who was among the accused of a conjuration against the life of Pope Paul II and had to flee Italy. 2) Francesco Pietrasanta from Milan, De opibus Christianae religionis, a treatise against the wealth of the clergy, addressed to the theologian Filippo Maineri. 3) Two fragments of a history of Florence.
Description:
Collection of Bernard M. Rosenthal, Berkeley, CA, MS 164., Script: Copied by two hands, both writing a similar Humanistica Cursiva under Gothic influence, Currens in artt. 1-2, Libraria in art. 3., Space and guide letters for 2-line initials on ff. 1v and 2r, respectively at the beginning of the prologue and of the text proper of art. 2., and The first quire (artt. 1-2) was originally most probably composed as follows: ff. 1 2 3 8 // 6 4 7 5. It now consists of a bifolium with parchment stay in its center (ff. 1-2), 4 singletons with stubs(ff. 3 8 6 7) and a singleton without stub (f. 5). What remains of quire II now consists of two singletons, ff. 9 (with stub) and 10 (with half of a parchment stay). Horizontal catch word right of the center on f. 5v.
Manuscript on paper of Boniohannes de Messana (previously attributed to Ps.-Cyrillus), Quadripartitus figurarum moralium.
Description:
Binding: Nineteenth century, Italy. "Alla rustica" paper case., Plain initials, 3- to 1-line, and headings in red., Purchased from Renzo Rizzi of Milan in 1957 by L. C. Witten, who sold it the same year to Thomas E. Marston., Script: Written by a single scribe in neat, even humanistic cursive., and Watermarks, in gutter: similar to Piccard Waage VI.29-31; unidentified anchor in a circle with linking ring at top, the whole surmounted by a star.
Manuscript on paper of Annales Sanctae Iustinae. The Annals deal with the regional history of Lombardy and the March of Treviso, but also with world history and cover the years 1207-1270. With Mantissa. Notes on the history and buildings of Padua from its legendary foundation to the death of Petrarch (1374), together with some facts of general history, written as a supplement to the preceding text.
Description:
Binding: Nineteenth century. Quarter binding, pasteboard covered with brown paper, and white parchment; flat spine with black leather title label with gold-tooled inscription: “MONACHI / PADUANI / CHRONICON / MS.”; below this label an oval label in the same material., Collection of Sir Thomas Phillipps. Purchased on the Edwin J. Beinecke Fund., In the original parts of the Annals, pale red headings; pale red stroking of the majuscules and plain alternately pale red and black 2-line initials, either Gothic with some decoration, or slovenly-made Humanistic ones. The parts copied by the second scribe are undecorated., Script: The Annals are copied by a single scribe writing Italian Hybrida Libraria under Humanistic influence, using only vertical d. Mantissa, as well as replacement leaves in the preceding text, are copied by a ca. 1600 hand writing Gothico-Humanistica Cursiva., and The original part of the manuscript is soiled and waterstained. It had lost two leaves that were later replaced.
Subject (Geographic):
Lombardy (Italy)--History, Padua (Italy), and Treviso (Italy)--History
All headings are missing (one line is blank between the various satires). Red stroking of the majuscules on f. 1r only. 2-line red plain initials at the beginning of the satires, with guide letters. The Prologue opens with a 5-line plain initial with some decoration., Binding: Unbound., Mss. 897 and 898 are parts of the same manuscript., Script: Copied by one hand writing Gothico-Humanistica with single-compartment a. The majuscules, at the beginning of each verse, are Gothic., and Watermark: a Circle surmounted by a Cross. Parchment stays at the outer and at the inner sides of the quires, made from scraps of various manuscripts.
Alternately red and blue paragraph marks. Alternately red and blue 2- or 3-line (sometimes 4- or 5-line) flourished initials, half inset, with penwork in the opposite colours extending in the left margin or in the intercolumnar space. On f. 1r at the beginning of the text a 9-line littera duplex with penwork, badly rubbed. Guide letters., Binding: Undecorated cardboard cover, sewn on three leather thongs., Collection of Bernard M. Rosenthal, Booksellers, Berkeley, CA (MS 192). Purchased from him on the Edwin J. Beinecke Fund., Script: Copied by one hand in Southern Gothica Textualis Libraria., and The leaves are badly soiled and rubbed, making reading often difficult or impossible (especially f. 1, which is waterstained and misses the lower corner).