Manuscript on paper (polished) of Gasparino Barzizza, Commentary on Epistolae morales ad Lucilium, 65-124 only
Description:
In Latin., Watermarks: similar to Briquet Tour 15909 and Piccard Turm II.617., Script: Written in gothic cursive with humanistic features by a single scribe, above top line., Illuminated initial, f. 1r, 8-line, blue with white highlights and burnished gold on gold ground with stylized foliage in green and dark red with yellow highlights. Terminals ending in foliage serifs, red, green with yellow highlights, and gold balls with hairline extensions. Numerous pen and ink initials, 3-line, alternate red and bright blue with penwork designs of the other color extending along margin., and Binding: Fifteenth century, Italy. Parchment stays are adhered to inner and outer conjugate leaves of quires. Original wound sewing on three tawed skin, slit straps laid in channels on the outside of beech boards. The endbands, which are wanting, were sewn on tawed skin cores laid in grooves and nailed or held in place by the bosses; they were tied down through a tawed skin spine lining. Covered in sheepskin, originally brick red, with the surface now badly rubbed and shedding. Corner tongues. Blind-tooled with an X in concentric frames. Four leaf-shaped catches with three flowers on each on the lower board, one wanting; the upper board cut in for two kermes pink straps attached with star-headed nails. Five flower-shaped bosses on each board and the trace of a chain attachment at the tail of the lower one.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Barzizza, Gasparino, ca. 1360-1431. and Seneca, Lucius Annaeus, approximately 4 B.C.-65 A.D.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Manuscripts, Medieval, and Scholia
Manuscript on parchment of Ambrose, Expositio Evangelii secundum Lucam. With Acts of the synod of Piacenza, March 1095 (Urban II), chs. 1-14.
Description:
In Latin., Numerous pen and ink initials of good quality, 8- to 3-line, drawn in red. The initials are constructed of thick vine stems, divided in half and swelling at the ends, issuing sprouts of intertwining stylized foliage. On f. 10v the letter E is formed from a bird and its extended wing; on ff. 75r and 103r the initials terminate in animal heads. The most important initials, ff. 1v, 13r, 36v, 62r, 75r, 114r, 115v and 119v, are touched with patches of ochre and summary modelling in the same color. On f. 1v the continuation capitals are filled in with red and ochre. Plain initials and headings in red. Remains of instructions to the rubricator along outer edge perpendicular to text (e.g., ff. 119v, 120v)., and Binding: 1800-1810, Italy. Half bound in brown calf with bright pink paper sides that have been covered with tan paper; edges spattered blue-green. Two gold-tooled labels on spine, the first left blank and the lower one reading "Saecul XII". Bound in the same distinctive style as Marston MSS 50, 125, 128, 135, 151, 153, 159, and 197, also from the Cisterican abbey of Hautecombe.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ambrose, Saint, Bishop of Milan, -397. and Urban II, Pope, ca. 1042-1099.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Papal documents
Manuscript on parchment of 1) Petrus Comestor (d. ca. 1179-1189), Historia scholastica, Genesis. 2) Petrus Comestor, Historia scholastica, Exodus. 3) Petrus Comestor, Historia scholastica, Leviticus, chapters 1-15. 4) Raymundus de Pennaforti, Summa de casibus poenitentiae. 5) Pseudo-Augustine, De vita christiana (also attributed to Pelagius, d. ca. 423-429). 6) Augustine (doubtful authorship), Sermo 351, De paenitentia agenda. 7) Anonymous Italian Franciscan, Visiones. These seventeen visions are said to have been written in 1243, before the 1st Council of Lyons which took place in 1245 and during which Emperor Frederick II was deposed. 8) An additional vision by Peter of Treviso O.F.M., which he had in Bolzano (?) in 1245, at the time of the Council of Lyons mentioned in art. 7. The final rubric seems to indicate that the author of art. 7 was friar Stephen of Fiorentino. 9) Well-known poem on the Twelve Apocalyptic Stones (cf. Rev. 21:19-20), often ascribed to Marbod of Rennes (d. 1123).
Alternative Title:
Historia scholastica
Description:
In Latin., Script: Probably written by one hand in extremely small Southern Gothica Semitextualis Libraria under some Cursiva influence. The script of art. 9 is larger., The ink on the first pages has flaked, making them very difficult to decipher., Red headings, red heightening of majuscules and red plain initials, mostly 2-3 lines; the red initials were to alternate with blue ones but the latter have not been executed. Many initials are anyhow missing. Guide-letters are seen close to the fold or to the edge of the pages. The running titles were also planned to be executed in alternately red and blue majuscules, but the blue letters are missing; there are no running titles after f. 20 (quire II)., and Binding: Modern limp vellum.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrus, Comestor, active 12th century, Catholic Church. Council of Lyons, and Franciscans.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, Religious poetry, Latin, and Sermons, Latin
Manuscript on parchment of a collection of homilies. Written as part (ff. 154-177) of a codex intended for recitation: a series of accents added in a contemporary hand act as an aid for pronunciation
Description:
In Latin., Script: Written by a single scribe in a late caroline minuscule., Plain initials, 2-line, in red and/or brown. Headings in red. Instructions for rubricator and guide letters., and Binding: Twentieth century. Half bound in black goatskin with black cloth sides and gold tooling on the spine, including: "Omelie" and "MS. Saec. XI".
