Manuscript on parchment of 1) Petrus Comestor (d. ca. 1179-1189), Historia scholastica, Genesis. 2) Petrus Comestor, Historia scholastica, Exodus. 3) Petrus Comestor, Historia scholastica, Leviticus, chapters 1-15. 4) Raymundus de Pennaforti, Summa de casibus poenitentiae. 5) Pseudo-Augustine, De vita christiana (also attributed to Pelagius, d. ca. 423-429). 6) Augustine (doubtful authorship), Sermo 351, De paenitentia agenda. 7) Anonymous Italian Franciscan, Visiones. These seventeen visions are said to have been written in 1243, before the 1st Council of Lyons which took place in 1245 and during which Emperor Frederick II was deposed. 8) An additional vision by Peter of Treviso O.F.M., which he had in Bolzano (?) in 1245, at the time of the Council of Lyons mentioned in art. 7. The final rubric seems to indicate that the author of art. 7 was friar Stephen of Fiorentino. 9) Well-known poem on the Twelve Apocalyptic Stones (cf. Rev. 21:19-20), often ascribed to Marbod of Rennes (d. 1123).
Alternative Title:
Historia scholastica
Description:
In Latin., Script: Probably written by one hand in extremely small Southern Gothica Semitextualis Libraria under some Cursiva influence. The script of art. 9 is larger., The ink on the first pages has flaked, making them very difficult to decipher., Red headings, red heightening of majuscules and red plain initials, mostly 2-3 lines; the red initials were to alternate with blue ones but the latter have not been executed. Many initials are anyhow missing. Guide-letters are seen close to the fold or to the edge of the pages. The running titles were also planned to be executed in alternately red and blue majuscules, but the blue letters are missing; there are no running titles after f. 20 (quire II)., and Binding: Modern limp vellum.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrus, Comestor, active 12th century, Catholic Church. Council of Lyons, and Franciscans.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, Religious poetry, Latin, and Sermons, Latin
Manuscript on parchment (thick, worn, repaired) of a Homiliary with sermons by various authors, spanning the liturgical year
Description:
In Latin., Script: Written by several scribes in well formed early caroline minuscule., Headings in majuscules, some in red rustic capitals (e.g., f. 11r); many omitted. A modern hand has often added names of authors. Plain 2-line initials in red or black., and Binding: Nineteenth century, Italy. Half bound in brown calf with bright pink paper sides and red edges. There are three blackish green, gold-tooled labels on the spine: "Homeliae Usq./ Ad Domi. Post Natale/ Manuscr. Saecul. IX". Bound by the binder of Marston MSS 50, 125, 128, 135, 153, 158, 159 and 197, all of Hautecombe provenance.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Paul, the Deacon, approximately 720-799? and Catholic Church
Subject (Topic):
Liturgy, Homiliaries, Manuscripts, Medieval, and Sermons
Manuscript on parchment of a collection of homilies. Written as part (ff. 154-177) of a codex intended for recitation: a series of accents added in a contemporary hand act as an aid for pronunciation
Description:
In Latin., Script: Written by a single scribe in a late caroline minuscule., Plain initials, 2-line, in red and/or brown. Headings in red. Instructions for rubricator and guide letters., and Binding: Twentieth century. Half bound in black goatskin with black cloth sides and gold tooling on the spine, including: "Omelie" and "MS. Saec. XI".
In Latin., Script: Written by a single scribe in Southern Gothica Textualis Libraria (Rotunda), especially marked by the use of two forms of d (Uncial and Half-Uncial)., Headings in red. The decoration consists of (1) alternately gold and blue flourished initials, 1 line, within the text and in the Litany; the penwork is mauve with the gold initials, red with the blue ones; (2) dentelle initials, 2 lines, also used for "KL" in the Calendar; (3) decorated foliate initials, 5 lines, with full "Ferrarese" borders, painted at the beginning of the Hours from Lauds to Compline in the Hours of the Virgin; (4) large historiated initials, mostly 7 lines, at the opening of the various sections: f. 13r (Hours of the Virgin), Virgin with Child, full border with in its lower section a shield held by two putti; f. 93r (Penitential Psalms), King David in prayer, full border; f. 117v (Hours of the Cross), the Cross on a hill, two-margins border; f. 122r (Hours of the Holy Spirit), the Holy Spirit as a dove, two-margins border; f. 126r (Mass of the Virgin), a lily, full border., and Binding: Eighteenth century (?). Parchment checkered with green-gold motifs. On the spine red title-label with gold-tooled inscription "Manuscrit du XIIIe siecle".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript fragments on paper of humanistic miscellany
Description:
In Latin., Script: copied by two hands, both writing a similar Humanistica Cursiva under Gothic influence, Currens in artt. 1-2, Libraria in art. 3., Space and guide letters for 2-line initials on ff. 1v and 2r, respectively at the beginning of the prologue and of the text proper of art. 2., and The manuscript contains: 1) Final page of a violent invective against a pope (Paul II, 1464-1471, or more probably Alexander VI, 1492-1503) by a woman (repeatedly referring to herself as "ipsa") who had been badly treated by him; it is addressed to another woman. Here attributed to the humanist Filippo Buonaccorsi ("Callimachus"), born 1437 in San Gemignano, d. 1496, a member of the Accademia Romana, who was among the accused of a conjuration against the life of Pope Paul II and had to flee Italy. 2) Francesco Pietrasanta from Milan, De opibus Christianae religionis, a treatise against the wealth of the clergy, addressed to the theologian Filippo Maineri. 3) Two fragments of a history of Florence.
Subject (Geographic):
Connecticut, New Haven., and Florence (Italy)
Subject (Name):
Alexander VI, Pope, 1431-1503. and Paul II, Pope, 1417-1471.
Manuscript on vellum and paper of 1) Treatise on the Koran. 2) Ricoldus de Monte Crucis O.P. (Ricoldo da Montecroce, d. 1320), Libellus contra legem Sarracenorum (Confutatio Alcorani). 3) Anonymous treatise against the Koran in the form of letters exchanged between two friends, a Muslim and a Christian. 4) Bonacursius de Bononia O.P. (s. XIII2), De erroribus Graecorum. 5) A short history of the ecumenical councils
Description:
In Latin., Script: probably copied by one hand, who starts writing Humanistica Textualis but gradually changes into a rapid Gothico-Humanistica., and Binding: original binding. Blind-tooled calfskin over bevelled wooden boards, worm-eaten. Sewn on three split leather thongs. Brass? bosses.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Apologetics, Christian literature, Latin (Medieval and modern), and Manuscripts, Medieval
Manuscript on paper of Emperor Charles V (1500-1558), Laudum inter papam Clementem et illustrissimum Ducem ferrariae, the arbitration of the conflict between Pope Clement VII (Giulio de' Medici, 1523-1534) and Alfonso I d'Este, Duke of Ferrara (1505-1534), Ghent, 1531 April 21.
Description:
In Latin and Italian., Script: copied by one hand writing Humanistica Cursiva., Contemporary copy of the charter, granted by Charles V, Roman Emperor (1500-1558), by which he arbitrated in the conflict between Pope Clement VII (Giulio de' Medici, 1523-1534) and Alfonso I d'Este, Duke of Ferrara (1505-1534), Ghent, 1531 April 21., and Binding: the leaves are part of a volume formerly in the possession of Thomas Phillipps, containing mostly copies of documents related to the affairs of the Medici dukes of Tuscany Alessandro (1531-1537), Cosimo I (1537-1574) and Ferdinand I (1587-1609).
Manuscript on paper of a Lexicon Latino-Grecum. With an epigram of Hubertinus Clericus (Hubertinus de Crescentino), Professor of Rhetoric at Pavia and Milan
Description:
In Greek and Latin., Watermarks, in gutter: similar in general design to Briquet Couronne 4659; two unidentified serpents., Script: Latin words written in humanistic bookhand; Greek words in a neat Greek minuscule., First initial for each letter of the Roman alphabet: plain red or blue majuscules, 4- to 2-line. On recto, all Latin words begin with bright blue 1-line initials, on verso all begin with bright red; color scheme reverses on f. 7v to end. Art. 2, f. 1r, in pale red., and Binding: Sixteenth century, Italy (Italo-Greek?). Own endleaves. Unusual sewing through three spine linings, the central one paper. An endband of two joined lines of chain stitching is sewn on a largely exposed leather core. The flush paste boards are held on by the cloth spine linings which extend on either side of them and are glued to them. Covered in brown goatskin with rope interlace crosses and random small tools. Traces of four ribbon ties.
Manuscript, on parchment, containing the text of a prophetic work concerning the Papal Schism. The text recounts a dream-vision Telephorus claims to have received on Easter morning of 1386, in which an angel directed him to research the causes of the Schism, to determine the identity of the true and false popes, and to prophesy the end of the schism. Telesphorus draws on and interprets escatological treatises by such authors as Joachim de Fiore and Johannes de Rupescissa, and predicts that the Italian antipope will be killed in Perugia in 1393, following which the crown of the Holy Roman Empire will be given to France
Description:
Telesphorus of Cosenza (active approximately 1360-1390) was the pseudonym of the author of a popular apocalyptic work of prophecy about the Papal Schism., In Latin., The volume opens with a dedicatory preface addressed to Antoniotto Adorno, doge of Genoa., Incipit: Libellus fr[atr]is thelofori p[re]sbiteri heremite...., Layout: single column, usually 37 lines., Script: Italian semigothic., Decoration: Rubricated with red penwork initials. Multiple illustrations on ff. 5,19r,19v,21r,22e,22v,24r,28v,31v and 32r, drawn in brown with ochre, red, blue and brown body colors and pale pink wash for flesh, depicting key events of the prophecy, including the battles with the various Anti-Christs, showing rulers, angels, demons, and the true and false popes., and Binding: 19th-century English full calf, heavily embossed with lattice pattern.
Subject (Geographic):
Connecticut, New Haven., and Schism, The Great Western, 1378-1417.
Subject (Name):
Johannes, de Rupescissa, approximately 1300-approximately 1365, Joachim, of Fiore, approximately 1132-1202, Telesphorus, of Cosenza., and Catholic Church
Subject (Topic):
Influence, Prophecies, Apocalyptic literature, Eschatology, Manuscripts, Medieval, Prophecy, and Schism, The Great Western, 1378-1417
Manuscript on paper of 1) Leonardo Bruni, Vita Ciceronis ex Plutarcho traducta. 2) Pope Pius II, Versus in laudem S. Catharinae Senenis
Description:
Art. 1 is written by one hand in Gothico-Humanistica; art. 2 is copied by another hand in Humanistica Textualis; and art. 3 and the note on f. 1r are written in Gothico-Humanistica Cursiva., Decoration: None; space reserved on f. 1r for a 6-line initial., Binding: None., and In Latin.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bruni, Leonardo, 1369-1444., Pius II, Pope, 1405-1464., Cicero, Marcus Tullius., and Catherine, of Siena, Saint, 1347-1380.
Subject (Topic):
Latin literature, Medieval and modern and Manuscripts, Medieval
