Imprint on front wrapper: Lecène, Oudin et Cie., Théodore de Banville -- Sully-Prudhomme -- François Coppée -- Edouard Grenier -- Madame Adam -- Madame Alphonse Daudet -- Ernest Renan -- Ferdinand Brunetière -- Emile Zola -- Guy de Maupassant -- J.-K. Huysmans -- George Ohnet., and Thomas Hardy's copy. Bookplate: From the library of Thomas Hardy, O.M., Max Gate. Paperbound.
BEIN JWJ Zan B174 927Me: James Weldon Johnson's inscribed copy., Blanks not digitized., and Publisher's advertisement for other works by Marcel Sauvage laid in.
Publisher:
Kra,
Subject (Name):
Baker, Josephine, 1906-1975
Subject (Topic):
African American entertainers --France --Biography
Binder's title: Voyages dv Sr Tavernier. Unidentified armorial bookplate on volume 2 (Yale bookplate pasted over). Manuscript number on front paste-down endpaper: No. 31. Inscription at head of title: Tho. Vernon.
Publisher:
Gervais Clouzier [etc.],
Subject (Geographic):
India--Description and travel--Early works to 1800., Iran--Description and travel--Early works to 1800., and Turkey--Description and travel--Early works to 1800.
The Letters on Haydn are, in the main, a plagiarism of G. Carpani's Le Haydine (Milan, 1812). The biographical part of the Mozart, credited by Beyle to Schlichtegroll, is practically a reproduction of Winckler's Notice biographique sur Jean-Chrysostome-Wolfgang-Théophile Mozart (Paris, 1801) with one anecdote added from another source. The last letter of the Mozart and the letter on Metastasio are by Beyle--cf. M.H. Beyle, Vies de Haydn, de Mozart et de Métastase; texte établi et annoté par Daniel Muller, préface de Romain Rolland (Paris, Champion, 1914) The notice of Mozart, attributed by Muller to C. Winckler, is by T.F. Winckler--cf. Fétis, Biog. univ. des musiciens. 2. éd. VIII, 476; Quérard, France litt.; A. Schurig, Wolfgang Amade Mozart (Leipzig, 1923) I, 11.
Publisher:
Impr. de P. Didot l'aîné,
Subject (Name):
Haydn, Joseph,--1732-1809, Metastasio, Pietro,--1698-1782, and Mozart, Wolfgang Amadeus,--1756-1791
"L'édition originale de ce volume a été tirée à cent vingt exemplaires sur alfa, numérotés de 1 à 120"--T.p. verso., "Sally Mara" is a pseudonym of Raymond Queneau., and Unnumbered copy. Original wrappers.
"Ces pastiches ... ont été tirés a cent trente-cinq exemplaires"--P. [5] at end., Beinecke copy has exhibition card from the Grolier Club laid-in., and Original wrappers.