BEIN 1972 252: For fuller description see collation slip in volume., Title and imprint from Incunabula short title catalogue., 32 sheets of North Italian paper watermarked with bull's head surmounted by crown, printed in red and black throughout., 35 lines in 2 columns, headline in red, Canon in 25 lines, one column; Gothic letter in black and red; black musical notations on red printed staves., Full-page woodcut by Venetian artist (Essling crucifixion cut VII), appearing for first time in this missal. Two-quarter woodcut border of Renaisance ornament on incipit-page. Publisher's device on title page printed in red (inked over in black by hand). Red-printed Lombards. White-on-black woodcut intials, many historiated., The only incunable Missal published by Giunta in octavo format., and BAC Leaf Collection no. 0861: Imperfect: leaf CIX, with woodcut of Christ on the Cross with Mary and St. John. From a collection of fifteenth- and sixteenth-century printed leaves compiled by Frederick Werther, with his enumeration stamped in ink.
BEIN Zi +4226: Capital spaces. Rubricated throughout. Manuscript quiring, mostly cut away. Fol. 201 and 206 (sig. [x₃,₈]) wanting and supplied in contemporary manuscript. Bound in old stamped sheepskin over wooden boards, with brass clasps, center and corner pieces, and chain-fastening in back cover. and BEIN Zi +4226: All bosses, one clasp-hook and its catch, and the chain-fastening are wanting. Manuscript note on fol. 1a: "Hic liber est mo[na]sterij s[an]c[t]e Elizabeth in Kunkada p[ro]pe Brixina[m]." For fuller description see collation leaf in volume.
