Manuscript on paper of a Miscellany of vernacular humanistic prose texts, including works by Giovanni Boccaccio, Petrarch, Francesco Filelfo, and Leonardo Bruni.
Description:
Binding: Fifteenth century, Italy. Vellum stays adhered inside the quires. Original sewing on four tawed skin, slit straps laid in channels on the outside of wooden boards and nailed. Edges yellow ochre. A green and natural color, beaded endband is sewn on five cores. The primary one laid in grooves on the outside of the boards. The spine is lined with tawed skin or vellum extending onto the edge of the boards between supports. Covered in tan leather blind-tooled with a potented cross in a central square with rope interlace panels above and below, and a border also filled with rope interlace. Spine: supports defined with double fillets and the panels diapered. Traces of five bosses on each board. Two ivy leaf fastenings, the catches on the lower board, the upper one cut in for green fabric straps attached with star-headed nails. Binding is heavily overoiled., Script: Written in neat humanistic cursive by a single scribe, below top line., Three-quarter border, f. 5r, white vine-stem ornament on blue, red and green ground with grey and yellow dots. In lower border, vine-stem turning into a floral border and brown penwork scrolls with pink, blue and green flowers and gold dots. Illuminated initial, 6-line, gold on blue, green and red ground with white vine-stem ornament joined to inner border. Headings in red. Plain 3-line initials in blue mark text divisions. Guide letters in margins., and Watermarks: Briquet Fleur 6655, Echelle 5908, 5910, and similar to Briquet Chapeau 3370.
Manuscript on paper (watermarks: unidentified mountain) and parchment (inner and outer bifolios, of poor quality) of Boccaccio, De claris mulieribus; translated into Italian by Donato degli Albanzani
Description:
In Italian., Script: Written by three persons in round gothic script: Scribe 1, ff. 1r-33v (except f. 8, replaced in 16th century); Scribe 2, ff. 33v-36v; Scribe 3; ff. 37r-74r. In portions written by Scribes 1 and 2 some elaborate ascenders and descenders in upper and lower margins, touched with red., Initials, 3- to 2-line, in red or blue, sometimes with red penwork. Rubrics throughout. Initial added [date?], f. 2v, to replace one removed: blue, with leafy filler in green outline, and foliage extending down margin and across top and bottom of column, drawn in green, red, and blue., Initial removed from f. 2v; leaf was then reinforced with paper covering f. 2r, col. b (blank). Lower margins of ff. 1, 33 and 37 cut off., and Binding: 19th-20th centuries. Vellum spine and fore-edge strip with marbled paper sides. Label on spine: "Donne Illust. del Boccacc. MS".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boccaccio, Giovanni, 1313-1375.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, and Manuscripts, Medieval
Manuscript on paper, written in two stages. Part II was copied in the mid-14th century (before 1369) in Tuscany, possibly in Pisa. Part I was copied by Niccolo di Giovanni Cinuzi da Siena in Ferrara, Italy, by 1 Sept. 1415. Part I: Boccaccio, Filostrato. Part II: Articles 2-35 and 38-39 consist of a collection of Italian canzoni by various authors as well as anonymous poems. Artt. 36 and 37 are fragments of Petrarch, Rerum vulgarum
Description:
In Italian., Watermarks: Part I: similar to Briquet Monts 11678. Part II: similar to Briquet Ciseaux 3737., Script: Part I (ff. 1r-78v): Written by a single scribe in a bold upright notarial script. Part II (ff. 91r-110v): Written in a clear notarial script by a single scribe; later writers have added the initials, offset in margins, for the major sections of text (sometimes inaccurately) and the notes on ff. 109v-110v., Crude drawings include a falconer with birds, f. 103v, and a ghost (?), f. 103r., The pattern of stains suggests the two parts were originally bound separately. Stained throughout; some ink blotches affect text., and Binding: Nineteenth century. Brown calf over wooden boards, blind-tooled. Red-brown, gold-tooled label. Parchment reinforcements between quires.