Plate 66. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The subscription ticket for "Marriage A-la-Mode". A group of heads drawn in a naturalistic style seen in profile; below, five compartments with heads after Raphael's Vatican tapestry cartoons (i.e."characters") and caricatures after Ghezzi, Raphael Urbin, Annibale Carracci, and Leonardo da Vinci
Alternative Title:
3 characters. 4 caricaturas, Three characters. Four caricaturas, and Characters and caricaturas
Description:
Title from Paulson: Characters and caricaturas., Title etched below image: 3 characters. 4 caricaturas : for a farthar explanation of the difference betwixt character & caricatura see [the] preface to Joh. Andrews., Third state, with bottom of printing plate cut off to remove receipt. See Paulson., Date from Paulson., and Sheet trimmed to plate mark on three sides, leaving thread margins.
A subscription ticket for the "Analysis of Beauty", based on Leonardo's Last Supper, depicts Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. A dog peeps over the edge of the table in the foreground; the cutlery is pushed off to one side
Description:
Title, publisher, and state from Paulson., Text engraved below image: "Rec'd [blank] of [blank] five shillings being the first payment for a short tract in quarto call'd the Analysis of Beauty; wherein forms are consider'd in a new light, to which will be added two explanatory prints serious and comical, engraved on large copper plates fit to frame for furniture." N.B. The price will be rais'd after the subscription is over.", A subscription ticket for Analysis of beauty., With the subscription ticket "Columbus breaking the egg", first state, trimmed to the image, mounted on the verso of the t.p., and Trimmed to the image; mounted on verso of title page in Horace Walpole's copy of Analysis of beauty.
A subscription ticket for the "Analysis of Beauty", based on Leonardo's Last Supper, depicts Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. A dog peeps over the edge of the table in the foreground; the cutlery is pushed off to one side
Description:
Title, publisher, and state from Paulson., Text engraved below image: "Rec'd [blank] of [blank] five shillings being the first payment for a short tract in quarto call'd the Analysis of Beauty; wherein forms are consider'd in a new light, to which will be added two explanatory prints serious and comical, engraved on large copper plates fit to frame for furniture." N.B. The price will be rais'd after the subscription is over.", A subscription ticket for Analysis of beauty., Ms. note in pencil in Steevens's hand centered at top of page: Columbus., Ms. note in pencil in Steevens's hand between this print and another to the right: See Mr. Nichols's book, 3d. edit. p. 324., With Hogarth's signature in ink and wax seal. Also dated October 1, 1752 to Arlander Dobson Esqr., and On page 163 in volume 2. Sheet trimmed to plate at top: 22.3 x 19.6 cm.
A subscription ticket for the "Analysis of Beauty", based on Leonardo's Last Supper, depicts Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. A dog peeps over the edge of the table in the foreground; the cutlery is pushed off to one side
Description:
Title, publisher, and state from Paulson., Text engraved below image: "Rec'd [blank] of [blank] five shillings being the first payment for a short tract in quarto call'd the Analysis of Beauty; wherein forms are consider'd in a new light, to which will be added two explanatory prints serious and comical, engraved on large copper plates fit to frame for furniture." N.B. The price will be rais'd after the subscription is over.", and A subscription ticket for Analysis of beauty.
In the foreground a man is shown nailed to a cross (center) and another (right) is tied to a stake and being eaten by two wild beasts (lions?). In the distance a man is being burned at the stake on the outskirts of a camp with tents; on the left a man is tossed off a cliff by soldiers
Description:
Title, state, and date from Paulson., Print created for John Beaver's Roman military punishments; used as headpiece for Chap. VI; see p. 64., On page 24 in volume 1. Plate trimmed to: 4.6 x 7.6 cm., and Ms. note in Steevens's hand: Precipitation, Crucifixion, Burning &c.
Publisher:
publisher not identified
Subject (Name):
Beaver, John
Subject (Topic):
Crucifixions, Executions, Military camps, Roman, Punishment & torture, and Soldiers
Title, state, and date from Paulson., Print created for a sequel to John Beaver's Roman military punishments, a work that was never written., On page 24 in volume 1. Plate trimmed to: 4.5 x 8 cm., Ms. note in Steevens's hand above this print and the one following: Two of Modern Military Punishments, designed for an unpublished continuation of the same work., and Ms. note in Steevens's hand below at bottom of mount: 2 of these are supposed to be spurious. Only 13 of them are known to have sold for £10.10.0.
A scene of a mass punishment in which every tenth man was executed and the rest condemned to live on barley instead of wheat
Description:
Title, state, and date from Paulson., Print created for John Beaver's Roman military punishments; used as headpiece for Chap. IV; see p. 41., and On page 24 in volume 1. Plate trimmed to: 4.5 x 7.9 cm.
Title and imprint from Paulson., Designed for John Beaver's Roman military punishments., Sheet trimmed., On page 24 in volume 1., Numbered in ms. by Steevens (?) in upper left: 16., and Title written in ms. note by Steevens above: Degradation.
Publisher:
publisher not identified
Subject (Name):
Beaver, John, active 18th century.
Subject (Topic):
Military camps, Roman, Punishment & torture, and Soldiers
A man's body is shown torn apart between two branches of a tree. Two other men are shown being sewn alive in the bellies of oxen. In the distance, a man is shown strapped to the wheel of a wagon
Description:
Title, state, and date from Paulson., Print created for John Beaver's Roman military punishments; used as headpiece for Chap. VIII; see p. 80., On page 24 in volume 1., Ms. note in Steevens's hand: Soldiers Convicted of Adultery., and Numbered in ms. in upper left by Steevens(?): 8.
Publisher:
publisher not identified
Subject (Name):
Beaver, John, active 18th century.
Subject (Topic):
Military camps, Roman, Dismemberment, Executions, Punishment & torture, and Soldiers
