"The adventure of Mambrino's helmet; Quixote on horseback, charging at the barber with his lance, the barber already having dismounted from his donkey and making an escape to right, the basin (mistaken for Mambrino's helmet) lying on the ground; Sancho on the back of his donkey, hailing Quixote from the top of a hill beyond; proposed illustration to 'Don Quixote' (unpublished)"--British Museum online catalogue
Alternative Title:
Adventure of Mambrino's helmet
Description:
Title etched below image., Title from Paulson: The adventure of Mambrino's helmet., Text following title: Book 3rd. Ch: 7th., "Vol. I. p. 155"--Lower left, below image. Should be p. 115., State, publisher, and date from Paulson., Sheet trimmed to plate mark., and On page 88 in volume 1. Plate mark 243 x 186 mm.
"The adventure of Mambrino's helmet; Quixote on horseback, charging at the barber with his lance, the barber already having dismounted from his donkey and making an escape to right, the basin (mistaken for Mambrino's helmet) lying on the ground; Sancho on the back of his donkey, hailing Quixote from the top of a hill beyond; proposed illustration to 'Don Quixote' (unpublished)"--British Museum online catalogue
Alternative Title:
Adventure of Mambrino's helmet
Description:
Title etched below image., Title from Paulson: The adventure of Mambrino's helmet., Text following title: Book 3rd. Ch: 7th., "Vol. I. p. 155"--Lower left, below image. Should be p. 115., State, publisher, and date from Paulson., and Sheet trimmed to plate mark.
A representation of Charles XII's battle plan when he fought the Russians and the Turks. The medals decorating the bottom of the plate depict his opponents, Peter the Great of Russian and the Turkish Achmet's vizier
Description:
State, publisher, and date from Paulson., Sheet trimmed to plate mark., "XXVI. B."--Upper left corner., "T. II."--Upper left corner., and One of fifteen plates engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa.
A representation of Charles XII's battle plan when he fought the Russians and the Turks. The medals decorating the bottom of the plate depict his opponents, Peter the Great of Russian and the Turkish Achmet's vizier
Description:
State, publisher, and date from Paulson., Sheet trimmed to plate mark., "XXVI. B."--Upper left corner., "T. II."--Upper left corner., One of fifteen plates engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., and On page 16 in volume 1. Plate trimmed to: 25.5 x 17.7 cm.
A reversed copy of a Hogarth print. Portrait of Sarah Malcolm, shown three-quarter length and seated as she leans with her hands on a table to left, looking back over her left shoulder. She wears a white apron and a white shawl over her head
Description:
Title etched below image., Date based on publication of Hogarth's version., Sheet trimmed within plate mark., See note in: Paulson, R. Hogarth's graphic works (3rd ed.), no. 129., and On page 53 in volume 1.
A reversed copy of a Hogarth print. Portrait of Sarah Malcolm, shown three-quarter length and seated as she leans with her hands on a table to left, looking back over her left shoulder. She wears a white apron and a white shawl over her head
Description:
Title etched below image., Date based on publication of Hogarth's version., Sheet trimmed within plate mark., See note in: Paulson, R. Hogarth's graphic works (3rd ed.), no. 129., Mounted on page 59 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11., 1 print : mezzotint on wove paper ; sheet 19.1 x 17.7 cm., and Sheet trimmed within plate mark on bottom edge.
Sarah Malcolm, three-quarter length, turned to right but looking to left, her hands resting on a simple wooden table
Description:
Title etched below image., Date from Paulson., Sheet trimmed within plate mark., Etched above image: Price 6d., and On page 53 in volume 1. A pencilled note in Steeven's hand below print: In 1799, this print was sold by auction for seven guineas.
The Kendal arms; coat of arms of Countess Ehrengard Melusine von der Schulenberg, in ornamental architectural cartouche, surmounted by coronet and with wild men, clothed in ivy, holdings clubs for supporters and two decorative cupids beneath the lozenge
Description:
Title etched below image., Plate from: Ireland, S. Graphic illustrations of William Hogarth (London, 1794-1799), v. i, p. 15, Pencilled ms. note below image: From Mr. S. Ireland's Hogarth Illustrated, p. 25., and On page 4 in volume 1.
A view of the first three levels of a silver mine in Sala. Images A and B show the elevator; 4 and 5 show the openings of the mine. 6 is a cross section of one level of the mine where miners are working
Alternative Title:
Fodina argentea sahlensis
Description:
Title from Paulson., State and date from Paulson., "Tom. 2, No. IX. Pl. I."--Upper right corner., One of fifteen plates engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., and Sheet trimmed to plate mark.
A view of the first three levels of a silver mine in Sala. Images A and B show the elevator; 4 and 5 show the openings of the mine. 6 is a cross section of one level of the mine where miners are working
Alternative Title:
Fodina argentea sahlensis
Description:
Title, state, and imprint from Paulson., "T. II."--Upper left corner., "XXXII."--Upper right corner., One of fifteen plates engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., Sheet trimmed to plate mark., and On page 18 in volume 1.
A map showing the layout of a mine with seven views showing successively underground levels
Alternative Title:
Fodina argentea sahlensis
Description:
Title engraved in image., Date, publisher, and state from Paulson., "Tom: 2, No. IX. Pl. II."--Upper right corner., One of fifteen plates engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., Sheet trimmed to plate mark., and Impression with additions in Hogarth's hand.
A map showing the layout of a mine with Roman numerals referencing successively lower levels of the mine
Alternative Title:
Fodina argentea sahlensis
Description:
Title engraved in image., Date, publisher, and state from Paulson., "T. II."--Upper left corner., "XXXVIII No. 2."--Upper right corner., One of fifteen plates engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., Sheet trimmed to plate mark., and On page 20 in volume 1.
Title, state, and date from Paulson., Print created for John Beaver's Roman military punishments; used as headpiece for Chap. V; see page 50., On page 24 in volume 1. Plate trimmed to: 4.2 x 7.7 cm., and Ms. note in Steevens's hand: Verberatio.
Publisher:
publisher not identified
Subject (Name):
Beaver, John, active 18th century.
Subject (Topic):
Military camps, Roman, Decapitations, Punishment & torture, and Soldiers
Title, state, and date from Paulson., Print created for John Beaver's Roman military punishments; used as headpiece for Chap. V; see page 50., On page 24 in volume 1. Plate trimmed to: 4.4 x 7.8 cm., and Ms. note in Steevens's hand: Beheading &c.
Publisher:
publisher not identified
Subject (Name):
Beaver, John, active 18th century.
Subject (Topic):
Military camps, Roman, Decapitations, Punishment & torture, and Soldiers
Title, state, and date from Paulson., One of fourteen illustrations created for John Beaver's Roman military punishments; used as headpiece for Chap. XI; see p. 99., Ms. note in Steevens's hand: Breaking etc. arms & legs., and On page 24 in volume 1. Plate trimmed to: 4.5 x 7.6 cm.
Publisher:
publisher not identified
Subject (Name):
Beaver, John, active 18th century.
Subject (Topic):
Military camps, Roman, Punishment & torture, and Soldiers
Plate 66. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The subscription ticket for "Marriage A-la-Mode". A group of heads drawn in a naturalistic style seen in profile; below, five compartments with heads after Raphael's Vatican tapestry cartoons (i.e."characters") and caricatures after Ghezzi, Raphael Urbin, Annibale Carracci, and Leonardo da Vinci
Alternative Title:
3 characters. 4 caricaturas, Three characters. Four caricaturas, and Characters and caricaturas
Description:
Title from Paulson: Characters and caricaturas., Title etched below image: 3 characters. 4 caricaturas : for a farthar explanation of the difference betwixt character & caricatura see [the] preface to Joh. Andrews., Third state, with bottom of printing plate cut off to remove receipt. See Paulson., Date from Paulson., Sheet trimmed to plate mark on three sides, leaving thread margins., 1 print : etching on laid paper ; plate mark 22.9 x 20.5 cm, on sheet 28.8 x 25.1 cm., Mounted on leaf 59 x 46 cm., and Plate 66 in the album: Queen Charlotte's collection of Hogarth works.
The subscription ticket for "Marriage A-la-Mode". A group of heads drawn in a naturalistic style seen in profile; below, five compartments with heads after Raphael's Vatican tapestry cartoons (i.e."characters") and caricatures after Ghezzi, Raphael Urbin, Annibale Carracci, and Leonardo da Vinci
Alternative Title:
3 characters. 4 caricaturas and Three characters. Four caricaturas
Description:
Title from Paulson: Characters and caricaturas., Title etched below image: 3 characters. 4 caricaturas : for a farthar explanation of the difference betwixt character & caricatura see [the] preface to Joh. Andrews., Date and state from Paulson., The receipt is engraved below the caption: Rec'd [blankl] of [blank] Half a guinea being the first payment for six prints called Marriage a la mode which I promise to deliver when finish'd on receiving half a guinea more. N.B. The price will be one guinea and an half after the time of subscribing., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand to right of print: See Nichols's bok, 3d. edit. p. 262., Blanks filled in ms. to show receipt from Mr. Stephen Abbort, dated 12 May 1743 and signed by Hogarth., and On page 108 in volume 2. Sheet trimmed to plate mark on three sides: 27.4 x 20.4.
The subscription ticket for "Marriage A-la-Mode". A group of heads drawn in a naturalistic style seen in profile; below, five compartments with heads after Raphael's Vatican tapestry cartoons (i.e."characters") and caricatures after Ghezzi, Raphael Urbin, Annibale Carracci, and Leonardo da Vinci
Alternative Title:
3 characters. 4 caricaturas, Three characters. Four caricaturas, and Characters and caricaturas
Description:
Title from Paulson: Characters and caricaturas., Title etched below image: 3 characters. 4 caricaturas : for a farthar explanation of the difference betwixt character & caricatura see [the] preface to Joh. Andrews., Second state, with receipt at bottom of plate masked. See Paulson., Date from Paulson., Sheet trimmed to plate mark on bottom edge., and Mounted on leaf 49 in: Album of William Hogarth prints.
Plate 66. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The subscription ticket for "Marriage A-la-Mode". A group of heads drawn in a naturalistic style seen in profile; below, five compartments with heads after Raphael's Vatican tapestry cartoons (i.e."characters") and caricatures after Ghezzi, Raphael Urbin, Annibale Carracci, and Leonardo da Vinci
Alternative Title:
3 characters. 4 caricaturas, Three characters. Four caricaturas, and Characters and caricaturas
Description:
Title from Paulson: Characters and caricaturas., Title etched below image: 3 characters. 4 caricaturas : for a farthar explanation of the difference betwixt character & caricatura see [the] preface to Joh. Andrews., Third state, with bottom of printing plate cut off to remove receipt. See Paulson., Date from Paulson., Sheet trimmed to plate mark on three sides, leaving thread margins., Ms. note in pencil in Steevens's hand to left of print: See Nichols's book, 3d. edit. p. 262., and On page 108 in volume 2. Sheet trimmed to: 23.3 x 20.7 cm.
The subscription ticket for "Marriage A-la-Mode". A group of heads drawn in a naturalistic style seen in profile; below, five compartments with heads after Raphael's Vatican tapestry cartoons (i.e."characters") and caricatures after Ghezzi, Raphael Urbin, Annibale Carracci, and Leonardo da Vinci
Alternative Title:
3 characters. 4 caricaturas and Three characters. Four caricaturas
Description:
Title from Paulson: Characters and caricaturas., Title etched below image: 3 characters. 4 caricaturas : for a farthar explanation of the difference betwixt character & caricatura see [the] preface to Joh. Andrews., Date and state from Paulson., The receipt is engraved below the caption: Rec'd [blankl] of [blank] Half a guinea being the first payment for six prints called Marriage a la mode which I promise to deliver when finish'd on receiving half a guinea more. N.B. The price will be one guinea and an half after the time of subscribing., and Sheet trimmed to plate mark.
Plate 66. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The subscription ticket for "Marriage A-la-Mode". A group of heads drawn in a naturalistic style seen in profile; below, five compartments with heads after Raphael's Vatican tapestry cartoons (i.e."characters") and caricatures after Ghezzi, Raphael Urbin, Annibale Carracci, and Leonardo da Vinci
Alternative Title:
3 characters. 4 caricaturas, Three characters. Four caricaturas, and Characters and caricaturas
Description:
Title from Paulson: Characters and caricaturas., Title etched below image: 3 characters. 4 caricaturas : for a farthar explanation of the difference betwixt character & caricatura see [the] preface to Joh. Andrews., Third state, with bottom of printing plate cut off to remove receipt. See Paulson., Date from Paulson., and Sheet trimmed to plate mark on three sides, leaving thread margins.
A subscription ticket for the "Analysis of Beauty", based on Leonardo's Last Supper, depicts Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. A dog peeps over the edge of the table in the foreground; the cutlery is pushed off to one side
Description:
Title, publisher, and state from Paulson., Text engraved below image: "Rec'd [blank] of [blank] five shillings being the first payment for a short tract in quarto call'd the Analysis of Beauty; wherein forms are consider'd in a new light, to which will be added two explanatory prints serious and comical, engraved on large copper plates fit to frame for furniture." N.B. The price will be rais'd after the subscription is over.", A subscription ticket for Analysis of beauty., With the subscription ticket "Columbus breaking the egg", first state, trimmed to the image, mounted on the verso of the t.p., and Trimmed to the image; mounted on verso of title page in Horace Walpole's copy of Analysis of beauty.
A subscription ticket for the "Analysis of Beauty", based on Leonardo's Last Supper, depicts Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. A dog peeps over the edge of the table in the foreground; the cutlery is pushed off to one side
Description:
Title, publisher, and state from Paulson., Text engraved below image: "Rec'd [blank] of [blank] five shillings being the first payment for a short tract in quarto call'd the Analysis of Beauty; wherein forms are consider'd in a new light, to which will be added two explanatory prints serious and comical, engraved on large copper plates fit to frame for furniture." N.B. The price will be rais'd after the subscription is over.", A subscription ticket for Analysis of beauty., Ms. note in pencil in Steevens's hand centered at top of page: Columbus., Ms. note in pencil in Steevens's hand between this print and another to the right: See Mr. Nichols's book, 3d. edit. p. 324., With Hogarth's signature in ink and wax seal. Also dated October 1, 1752 to Arlander Dobson Esqr., and On page 163 in volume 2. Sheet trimmed to plate at top: 22.3 x 19.6 cm.
A subscription ticket for the "Analysis of Beauty", based on Leonardo's Last Supper, depicts Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. A dog peeps over the edge of the table in the foreground; the cutlery is pushed off to one side
Description:
Title, publisher, and state from Paulson., Text engraved below image: "Rec'd [blank] of [blank] five shillings being the first payment for a short tract in quarto call'd the Analysis of Beauty; wherein forms are consider'd in a new light, to which will be added two explanatory prints serious and comical, engraved on large copper plates fit to frame for furniture." N.B. The price will be rais'd after the subscription is over.", and A subscription ticket for Analysis of beauty.
In the foreground a man is shown nailed to a cross (center) and another (right) is tied to a stake and being eaten by two wild beasts (lions?). In the distance a man is being burned at the stake on the outskirts of a camp with tents; on the left a man is tossed off a cliff by soldiers
Description:
Title, state, and date from Paulson., Print created for John Beaver's Roman military punishments; used as headpiece for Chap. VI; see p. 64., On page 24 in volume 1. Plate trimmed to: 4.6 x 7.6 cm., and Ms. note in Steevens's hand: Precipitation, Crucifixion, Burning &c.
Publisher:
publisher not identified
Subject (Name):
Beaver, John
Subject (Topic):
Crucifixions, Executions, Military camps, Roman, Punishment & torture, and Soldiers
Title, state, and date from Paulson., Print created for a sequel to John Beaver's Roman military punishments, a work that was never written., On page 24 in volume 1. Plate trimmed to: 4.5 x 8 cm., Ms. note in Steevens's hand above this print and the one following: Two of Modern Military Punishments, designed for an unpublished continuation of the same work., and Ms. note in Steevens's hand below at bottom of mount: 2 of these are supposed to be spurious. Only 13 of them are known to have sold for £10.10.0.
A scene of a mass punishment in which every tenth man was executed and the rest condemned to live on barley instead of wheat
Description:
Title, state, and date from Paulson., Print created for John Beaver's Roman military punishments; used as headpiece for Chap. IV; see p. 41., and On page 24 in volume 1. Plate trimmed to: 4.5 x 7.9 cm.
Title and imprint from Paulson., Designed for John Beaver's Roman military punishments., Sheet trimmed., On page 24 in volume 1., Numbered in ms. by Steevens (?) in upper left: 16., and Title written in ms. note by Steevens above: Degradation.
Publisher:
publisher not identified
Subject (Name):
Beaver, John, active 18th century.
Subject (Topic):
Military camps, Roman, Punishment & torture, and Soldiers
A man's body is shown torn apart between two branches of a tree. Two other men are shown being sewn alive in the bellies of oxen. In the distance, a man is shown strapped to the wheel of a wagon
Description:
Title, state, and date from Paulson., Print created for John Beaver's Roman military punishments; used as headpiece for Chap. VIII; see p. 80., On page 24 in volume 1., Ms. note in Steevens's hand: Soldiers Convicted of Adultery., and Numbered in ms. in upper left by Steevens(?): 8.
Publisher:
publisher not identified
Subject (Name):
Beaver, John, active 18th century.
Subject (Topic):
Military camps, Roman, Dismemberment, Executions, Punishment & torture, and Soldiers
"The adventure of Mambrino's helmet; Quixote on horseback, charging at the barber with his lance, the barber already having dismounted from his donkey and making an escape to right, the basin (mistaken for Mambrino's helmet) lying on the ground; Sancho on the back of his donkey, hailing Quixote from the top of a hill beyond; proposed illustration to 'Don Quixote' (unpublished)"--British Museum online catalogue
Alternative Title:
Adventure of Mambrino's helmet
Description:
Title from later state., Title from Paulson: The adventure of Mambrino's helmet., State and publisher from Paulson., Date of publication from the British Museum online catalogue, registration no.: Cc,1.238., Sheet trimmed within plate mark., "Vol. I. p. 155"--Lower left, below image. Should be p. 115., and Trimmed within platemark and with large brown stain lower right. Contemporary ms. note on verso in brown ink, with loss to text: 3 prints from Don Quixot [sic] by Hoga[rth].
Title and date from Paulson., Designed for John Beaver's Roman military punishments., Sheet trimmed., On page 24 in volume 1., Ms. note in Steevens's hand above: Soldiers sold for slaves., and Numbered in ms. by Steevens (?) in upper left: 9.
Publisher:
publisher not identified
Subject (Name):
Beaver, John, active 18th century.
Subject (Topic):
Military camps, Roman, Punishment & torture, Enslaved persons, and Soldiers
Title, state, and date from Paulson., One of fourteen illustrations created for John Beaver's Roman military punishments; used as headpiece for Chap. XIII; see p. 109., Ms. note in Steevens's hand: Fustium admonitio., and On page 24 in volume 1. Plate trimmed to: 4.3 x 7.8 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Beaver, John, active 18th century.
Subject (Topic):
Beating, Punishment & torture, Soldiers, and Roman
The Kendal arms; coat of arms of Countess Ehrengard Melusine von der Schulenberg, in ornamental architectural cartouche, surmounted by coronet and with wild men, clothed in ivy, holdings clubs for supporters and two decorative cupids beneath the lozenge
Description:
Title from Paulson., An impression from an engraved plate., and On page 4 in volume 1.
The Kendal arms; coat of arms of Countess Ehrengard Melusine von der Schulenberg, in ornamental architectural cartouche, surmounted by coronet and with wild men, clothed in ivy, holdings clubs for supporters and two decorative cupids beneath the lozenge
Description:
Title from Paulson., An impression from an engraved plate., Top right corner inscribed: 4B., Ms. note in Steevens's hand below: Kendal Arms. Ms, notes in pencil above: Sold at Gulston's Auction for £10.10.0. Ms. note in Steevens's hand below: Copy., and On page 4 in volume 1.
A map of Stockholm with a medallion at the top depiciting the funeral memorial to Charles in gold, sent to high-ranking Swedes. The coins at the bottom represent Charles' sister and successor Ulrica Eleanora and her consort Frederick of Hesse. Other coins with runic characters and three alphabets decorate the perimeter of the map
Description:
Title, publisher, date, and state from Paulson., Plate engraved for: A. de La Motraye's travels through Europe, Asia, and into part of Africa., "Tom: 2, No. VIII"--Upper right corner., and Sheet trimmed to plate mark.
A map of Stockholm with a medallion at the top depiciting the funeral memorial to Charles in gold, sent to high-ranking Swedes. The coins at the bottom represent Charles' sister and successor Ulrica Eleanora and her consort Frederick of Hesse. Other coins with runic characters and three alphabets decorate the perimeter of the map
Description:
Title, publisher, date, and state from Paulson., One of fifteen plates engraved for: A. de La Motraye's travels through Europe, Asia, and into part of Africa., "T. II"--Upper leftt corner., "XXXII"--Upper right corner., Sheet trimmed to plate mark., and On page 18 in volume 1.
Hogarth's print for the subscription ticket for "Garrick in the Character of Richard III" with an image of a rolled manuscript, a laurel wreath, palette and mask suspended from a rope or piece of drapery
Alternative Title:
Subscription ticket for Garrick in the Character of Richard III
Description:
Title, date, and printmaker from Paulson., Imperfect; sheet trimmed with loss of receipt., Ms. note in pencil in Steevens's hand at top of page: See Mr. Nichols's book, 3d edit., p. 281., and On page 122 in volume 2.
Perseus (center) sword in hand is shown rescuing Andromeda who stands (right) chained to a tree on rocks. To the left the sea monster snorting water from his nostrils swims toward her
Description:
Title, state, publisher, and date from Paulson., Sheet trimmed to plate mark., Ms. note in Steevens's hand above: Perseus & Andromeda / 170., and On page 52 in volume 1. Plate trimmed to: sheet 16.1 x 11.1 cm.
Publisher:
Thomas Wood
Subject (Name):
Theobald, Mr. 1688-1744. (Lewis), and Andromeda, Princess, daughter of Cepheus, King of Ethiopia (Mythological character),
Perseus (center) sword in hand is shown rescuing Andromeda who stands (right) chained to a tree on rocks. To the left the sea monster snorting water from his nostrils swims toward her
Description:
Title, state, publisher, and date from Paulson. and Sheet trimmed to plate mark.
Publisher:
Thomas Wood
Subject (Name):
Theobald, Mr. 1688-1744. (Lewis), and Andromeda, Princess, daughter of Cepheus, King of Ethiopia (Mythological character),
Perseus carries in his left hand the head of Medusa who lies dead on the ground at the left; his head is turned back over his shoulder to watch Pegasus fly away
Alternative Title:
Frontispiece: Perseus slaying Medusa
Description:
Title, state, publisher, and date from Paulson., Sheet trimmed to plate mark., Ms. note in Steevens's hand above: Perseus & Andromeda / 170., and On page 52 in volume 1. Plate trimmed to: sheet 16.2 x 10.9 cm.
Publisher:
Thomas Wood
Subject (Name):
Theobald, Mr. 1688-1744. (Lewis),
Subject (Topic):
Medusa (Greek mythology), Pegasus (Greek mythology), and Perseus (Greek mythology)
Perseus carries in his left hand the head of Medusa who lies dead on the ground at the left; his head is turned back over his shoulder to watch Pegasus fly away
Alternative Title:
Frontispiece: Perseus slaying Medusa
Description:
Title, state, publisher, and date from Paulson. and Sheet trimmed to plate mark.
Publisher:
Thomas Wood
Subject (Name):
Theobald, Mr. 1688-1744. (Lewis),
Subject (Topic):
Medusa (Greek mythology), Pegasus (Greek mythology), and Perseus (Greek mythology)
Title, state, and date from Paulson., Print created for John Beaver's Roman military punishments; used as headpiece for Chap. XIV; see p. 116., On page 24 in volume 1. Plate trimmed to: 4.6 x 7.6 cm., and Ms. note in Steevens's hand: Missio Ignominiosa &c
publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-sign for "The World's End", a gallows, a burning impression of Hogarth's print "The Times" and broken objects, including an artist's palette, hour-glass, crown, rifle, bell, bottle, and broom. Two medallions on either side of the caption and their surrounding text concern the Line of Beauty. Three more columns of text between the medallions include quotes in Latin from Tactius and Maximus of Tyre, with an English translation
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson., Title engraved above image: Tail piece. The Bathos., 1 print : etching and engraving on laid paper ; plate mark 31.8 x 33.6 cm, on sheet 42 x 58 cm., and Plate 84 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Sotheby 81+ Box 205
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-sign for "The World's End", a gallows, a burning impression of Hogarth's print "The Times" and broken objects, including an artist's palette, hour-glass, crown, rifle, bell, bottle, and broom. Two medallions on either side of the caption and their surrounding text concern the Line of Beauty. Three more columns of text between the medallions include quotes in Latin from Tactius and Maximus of Tyre, with an English translation
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson. and Title engraved above image: Tail piece. The Bathos.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-sign for "The World's End", a gallows, a burning impression of Hogarth's print "The Times" and broken objects, including an artist's palette, hour-glass, crown, rifle, bell, bottle, and broom. Two medallions on either side of the caption and their surrounding text concern the Line of Beauty. Three more columns of text between the medallions include quotes in Latin from Tactius and Maximus of Tyre, with an English translation
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson., Title engraved above image: Tail piece. The Bathos., Ms. note in pencil in Steevens's hand to right of print: See Mr. Nicholls's Book, 3d edit. p. 402., and On page 199 in volume 2. Sheet trimmed to: 31.6 x 33.4 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Kinnaird 85K(a) Box 225
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-sign for "The World's End", a gallows, a burning impression of Hogarth's print "The Times" and broken objects, including an artist's palette, hour-glass, crown, rifle, bell, bottle, and broom. Two medallions on either side of the caption and their surrounding text concern the Line of Beauty. Three more columns of text between the medallions include quotes in Latin from Tactius and Maximus of Tyre, with an English translation
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson., Title engraved above image: Tail piece. The Bathos., and 1 print : etching and engraving, on laid paper ; plate mark 320 x 338 mm, on sheet 394 x 558 mm.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
publish'd according to act of Parliamt., March 3d, 1764.
Call Number:
Hogarth 764.03.03.02+ Box 200
Collection Title:
Plate 84. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The figure of Time reclines against a broken column surrounded by symbols of destruction: a collapsing church tower, dead trees, a bankrupcy notice served on Nature, a tombstone, a clock without hands, Phaeton falling from his chariot, a will, a shop-sign for "The World's End", a gallows, a burning impression of Hogarth's print "The Times" and broken objects, including an artist's palette, hour-glass, crown, rifle, bell, bottle, and broom. Two medallions on either side of the caption and their surrounding text concern the Line of Beauty. Three more columns of text between the medallions include quotes in Latin from Tactius and Maximus of Tyre, with an English translation
Alternative Title:
Bathos, or, Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures and Manner of sinking, in sublime paintings, inscribed to the dealers in dark pictures
Description:
Title, state, and publisher from Paulson., Title engraved above image: Tail piece. The Bathos., and 1 print : etching with engraving on laid paper ; plate mark 319 x 335 mm, on sheet 394 x 558 mm.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Aesthetics, Death, Gallows, Hangings (Executions), Signs (Notices), Time, and Tombs & sepulchral monuments
A scene in an encampment: two punished soldiers standing outside the headquarters, one holding a very long pole, the other with two blocks on his head, others looking on from both sides
Description:
Title, state, and date from Paulson., One of fourteen illustrations created for John Beaver's Roman military punishments; used as headpiece for Chap. XV; see p. 129., Ms. note in Steevens's hand: Standing before the General's tent &c., and On page 24 in volume 1. Plate trimmed to: 4.5 x 7.8 cm.
A scene in an encampment: two punished soldiers standing outside the headquarters, one holding a very long pole, the other with two blocks on his head, others looking on from both sides
Description:
Title, state, and date from Paulson. and One of fourteen illustrations created for John Beaver's Roman military punishments; used as headpiece for Chap. XV; see p. 129.
