Manuscript on paper of Hieronymus Stridonensis (St. Jerome, 347-420), 1) Epistula 79 (Ad Salvinam). 2) Epistula 123 (Ad Geruchiam).
Description:
Art. 1 opens with a 4-line Gothic flourished initial in blue with red penwork extending in the inner margin; art. 2 opens with a 4-line Gothic plain initial in red., Binding: Twentieth century (?). Half binding was removed and the codex restored and rebound in 2000 by the Northeast Document Conservation Center. The new binding is grey cloth over heavy pasteboard. On the spine a new black leather title label with gold-tooled inscription “SANCTI JERONIMI EPISTOLAE MS 788”. Among the flyleaves, the two following f. 50 are earlier than the others, which are yellowish machine-made paper belonging to the discarded binding. A modern hand wrote on the last front flyleaf r the title “Sancti Ieronimi epistolae ad Salvinam et Ageruchiam”., Foliated 43-50. Modern binding and binder's blanks not digitized., and Script: Copied by one hand in Humanistica Textualis Libraria.
Ambrose, Saint, Bishop of Milan, d. 397 Jerome, Saint, d. 419 or 20
Published / Created:
1439-1440.
Call Number:
Beinecke MS 766
Image Count:
620
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment of St. Jermone, Epistulae et tractatus. With Ambrosius Mediolanensis (St. Ambrose, 339-397), De excessu fratris.
Description:
Binding: Sixteenth century. Brown leather over cardboard boards, the covers blind-tooled with a triple fillet lozenge inside a floral roll frame, the center and the corners gold-tooled with two different floral tools. Spine with four raised bands and remnants of gold-tooled lilies in the compartments. Edges painted blue. Marks of two pairs of ties., Headings in red. Red heightening (stroking) of the majuscules. 2-3-line flourished initials (with guide letters) in red with penwork varying from pale red to purple. A large (10 lines) decorated flourished initial in red, with developed purple penwork (“R” instead of “D”) in littera duplex style on f. 229v. Two Gothic historiated initials on gold background with floral marginal extensions: f. 1r: St. Jerome with lion and boy holding open a book (damaged); f. 25v: a monk copying., Script: Apparently four scribes: A, Iohannes de Carnago, is the main scribe and copied ff. 1r-260v (with the exception of 8 lines at the bottom) in Gothico-Humanistica Semitextualis Libraria; B copied from the bottom lines of f. 260v to f. 270v, in Humanistica Textualis Libraria; C copied ff. 271r-275v in Gothico-Humanistica Textualis Libraria; and D copied ff. 276r-304v in Gothico-Humanistica Semitextualis Libraria., and The codex belonged to the Diocesan Library of Dunedin, New Zealand. Sotheby sale, London, 27 March 1950 (catalogue, no. 35).
Manuscript on paper of Jerome, Epistolae, etc., translated into Italian by Ser Nicolaus Berti Martini de Gentiluzis de Sanctogeminiano, a notary in Florence (ca. 1388-1468). With Ps.-Augustine, Epistula ad Cyrillum, concerning the death of St. Jerome.
Description:
Binding: ca. 1500, Florence. Sewn on three tawed skin, slit straps attached to oak boards, with brown and natural color endbands (later additions?) sewn on tawed skin cores laid in grooves on the outside of the boards. Covered in orange/brown sheepskin neatly blind-tooled with rope interlace in concentric frames. Spine: double fillets at head and tail and outlining the supports on the spine; fine diapering with double fillets in the panels. Four flower-shaped catches on the lower board, two wanting. Remains of vellum label (worm eaten) on the spine and pieces of string used as place marks. Off-set impressions of medieval liturgical manuscript on front and back pastedowns. Orange edges. Sticky from excessive oiling., One illuminated initial, f. 4r, 6-line, gold, filled with red and blue penwork in geometric patterns. The penwork extends the whole length of the text column to form a partial border, terminating in the upper and lower margins in a scroll of blue penwork with small flowers, heart-shaped leaves and red dots. Numerous penwork initials of good quality, 5- to 2-line, alternate in red and blue with purple and red penwork respectively, often extending into the margins. Headings in red. Majuscules and display script touched with yellow., Script: Written by a single scribe in a small upright gothic script with both notarial and humanistic influence, above top line., and Watermarks: similar to Piccard Schere III.710, Briquet Chapeau 3387; unidentified eagle.