In the center a couple in traditional dress dance the fandango holding castanets and accompanied by two men with guitars (right), one standing, the other seated. An elderly woman sleeps in the chair behind the dancers. Four other women sit on chairs along the wall and watch the dancers; the young men stand and watch the dancers, some smoking pipes or holding walking sticks. On the wall hang three views of ships in the harbor and the coastal town. A dog looks on from the lower left
Description:
Title etched below image. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published Novr. 20, 1803 by William Holland, No. 11 Cockspur Street, London
Subject (Topic):
Audience, Dance, Dancers, Dog, Guitars, and Spectators
"Breakfast at Breteuil; study for a satirical print showing an interior scene with, from left to right, a postilion in enormous boots facing a bald-headed man, a rotund man being shaved by a thin man, a woman with a coffee-pot and plate with bread in front of a table, with a man eating and drinking opposite her, to the right in the middle ground a figure with his ear caught in tongs as the man curling his hair is distracted by a dog, a figure in the background holding up a shirt to cover his nudity, and in the foreground on the far r, a man pulling on a boot, with a print of the Fall of the Bastille above the fireplace."--British Museum online catalogue
Description:
Title from caption below image., Artist's signature from impression in the British Museum., Sheet trimmed within plate mark and artist's signature erased from lower left corner of sheet., and Watermark: J. Whatman Turkey Mill.
Publisher:
Published Novr. 1, 1802, by Willm. Holland, No. 11, Cockspur Street (removed from Oxford Street)
Title etched below image., Engraved after a sketch by Charlotte Edgeworth. See page 302 in v. 2 of Memoirs of Richard Lovell Edgeworth., Plate from: Edgeworth, R.L. Memoirs of Richard Lovell Edgeworth, Esq. London : Printed for R. Hunter ..., 1820, v. 2, opposite page 494., and Sheet trimmed within plate mark on three edges.
Publisher:
Published March 30, 1820, by Rowland Hunter, St. Pauls Church Yard
"Soldiers in double file march (left to right) in a Paris street diagonally across the design. They are led by a fat debauched-looking monk who leers at a nun by his side; both carry drawn sabres. A fiddler capers in front of the pair. Next is a drummer; the soldiers are correctly dressed and carry bayoneted muskets. A man with a long loaf of bread waves his hat frantically. In the foreground (left) is a shoeblack who, gazing at the monk and nun, applies his brush to the stocking of his enraged customer. Other spectators are a lawyer, an officer arm-in-arm with a coquettish girl. On the extreme right a 'limonadier', his vessel strapped to his back, turns its tap into the glass of a dwarfish boy or man. The lower part of buildings abutting on the street forms a background: a church wedged between a house (left) and a barber's shop (right) indicated by wigs and implements painted on the shutter, &c."--British Museum online catalogue
Description:
Title from caption below image. and Sheet trimmed within plate mark.
Publisher:
Published Novr. 1, 1802, by William Holland, No. 11, Cockspur Street (removed from Oxford Street)
Sancho sits beside his physician Pedro Rezzio who stays his hand that is posed with a fork full of meat. Two platters have already been placed on the table, and two more (one with a rabbit and the other with clams) are brought to the table by two young servant boys. On the right two ladies stand behind Sancho's chair, one pointing to him. On the left a larger group of men, one woman, and a black man laugh at the scene around the table. In the upper left on a balcony, three musicians play for the guests below. From the lower right, a dog looks at a platter of food. A reversed copy of the original engraving by Hogarth
Description:
Title from caption below image. and Mounted to 420 x 440 mm.
Publisher:
Published for the proprietor by Messrs. Colnaghi, Son & Co.
Title from text etched below images., Engraved after a sketch by Charlotte Edgeworth. See page 302 in v. 2 of Memoirs of Richard Lovell Edgeworth., Plate from: Edgeworth, R.L. Memoirs of Richard Lovell Edgeworth, Esq. London : Printed for R. Hunter ..., 1820, v. 2, opposite page 497., Two images on one plate, each with a caption etched below., Sheet trimmed within plate mark on right edge., and Watermark: 3 1819.
Publisher:
Pubd. March 30, 1820, by Rowland Hunter, Saint Pauls Church Yard
Title etched below image at center., Date and place of publication from item., Trimmed within plate mark., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Published, Jany. 1st 1831, by Mary Ann Flaxman, & Maria Denman, 14 Upper Norton St. Fitzroy Square
Subject (Topic):
Visiting the sick, Corporal works of mercy, Sick persons, and Guests
"Portrait of Sir Thomas Lawrence's mother after a drawing by Lawrence (Garlick 1964, p.232); bust-length to front, wearing a lace cap and looking slightly to left ... 1831."--British Museum online catalogue
Description:
Title, imprint, printmaker, and artist from finished print in the British Museum online catalogue, registration no.: 1848,0708.237.
"Portrait of Lucy Meredith after a drawing by Lawrence (Garlick 1964, p.237); as a young girl, seated half-length to left, head turned to face front, her left arm over the back of her chair, holding a book in her hand; proof before letters. 1831."--British Museum online catalogue
Description:
Title, printmaker, and date of publication from the British Museum online catalogue, registration no.: S,9.43. and Signed in image: "T.L. Feb. 10th, 1813."
